Mostrando postagens com marcador Harold Mabern. Mostrar todas as postagens
Mostrando postagens com marcador Harold Mabern. Mostrar todas as postagens

20.11.22

ARCHIE SHEPP - The Cry Of My People (1973-2004) RM | FLAC (tracks+.cue), lossless

Recorded in 1972 with a core band of Leroy Jenkins, Cornell Dupree (!), Jimmy Garrison, and Charles McGhee, Shepp supplemented these proceedings in much the same way he did with the cast of Attica Blues, with gospel singers, big bands, quintets, sextets, and chamber orchestras, with guests that included Harold Mabern on piano, Bernard "Pretty" Purdie on drums, and Ron Carter on electric bass! Recorded during a period in which Shepp was reaching out of the jazz idiom to include all of what he perceived to be "trans-African" music at the time, there is gutbucket R&B here, as well as the sweetly soul gospel of "Rest Enough." The charts' arrangements are a combination of Ellington's more pastoral moods -- usually expressed in his suites -- and the more darkly complex modal stylings of George Russell. Unlike some of Shepp's dates from this period, the vocals do not detract from the mix employed here. This is an urban record that showcases Shepp's ability, at this time in his career, to literally take on any project, combine as many sources as he was permitted by his financial resources, and come up with something compelling, provocative, and soulful. All extremes are subsumed by the whole: The avant-garde free jazz of the period is covered in the large-ensemble playing, which is covered by the gospel and R&B stylings that are accented by the free jazz players. Shepp worked with many larger ensembles as a leader, but never did he achieve such a perfect balance as he did on The Cry of My People. Given that the remastered version -- with excellent liner notes, superb sound, and a gorgeous package -- is being issued during an election year in the United States, its poignancy and urgency couldn't be more timely.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1     Rest Enough (Song to Mother) 4:41
Backing Vocals – Andre Franklin, Patterson Singers
Lead Vocals – Peggy Blue
Written-By – Archie Shepp

2     A Prayer 6:29
Arranged By, Conductor – Romulus Franceschini
Written-By, Arranged By – Cal Massey  
 
3     All God's Children Got a Home in the Universe 2:58
Written-By – Archie Shepp
4     The Lady 5:31 Arranged By – Romulus Franceschini
Arranged By, Conductor – Cal Massey
Vocals – Joe Lee Wilson
Written-By – Bob Ford

5     The Cry of My People 5:45
Arranged By – Romulus Franceschini
Written-By, Arranged By, Conductor – Cal Massey 
   
6     African Drum Suite, Pt. 1-2 0:35
Vocals – Joe Lee Wilson
Written-By – William G. Harris

7     African Drum Suite, Pt. 2 7:34 Arranged By, Conductor – Dave Burrell
Berimbau, Percussion [Brazilian] – Guilherme Franco
Bongos, Congas – Nene DeFense
Tambourine, Congas – Terry Quaye
Written-By – William G. Harris

8     Come Sunday 9:30
Arranged By, Conductor – Charles Greenlee
Backing Vocals – Patterson Singers
Lead Vocals – Joe Lee Wilson
Written-By – Duke Ellington

Credits
Bass – Jimmy Garrison (pistas: 2, 4 to 8)
Bass [Fender] – Ron Carter (pistas: 1, 3, 5)
Cello – Esther Mellon (pistas: 2, 4, 5, 7, 8), Pat Dixon (pistas: 2, 4, 5, 7, 8)
Drums – Beaver Harris (pistas: 3 to 5), Bernard Purdie (pistas: 1, 2)
Guitar – Cornell Dupree (pistas: 1, 3)
Percussion – Nene DeFense (pistas: 2, 4, 5, 8)
Piano – Dave Burrell (pistas: 6. 7), Harold Mabern (pistas: 1 to 5, 8)
Soprano Saxophone – Archie Shepp (pistas: 2, 4, 7)
Tambourine – Nene DeFense (pistas: 1, 3)
Tenor Saxophone – Archie Shepp (pistas: 3, 4, 5, 8)
Trombone – Charles Greenlee (pistas: 2 to 7), Charles Stephens (pistas: 2 to 5, 8)
Trumpet – Charles McGhee (pistas: 2 to 5, 7, 8)
Violin – Gayle Dixon (pistas: 2, 4, 5, 7, 8), Jerry Little (pistas: 4, 7, 8), John Blake (pistas: 2, 5), Leroy Jenkins (pistas: 2, 4, 5, 7, 8), Lois Siessinger (pistas: 2, 5), Noel DaCosta (pistas: 4, 7, 8)

15.11.22

ARCHIE SHEPP QUARTET - Deja Vu (2001) FLAC (image+.cue), lossless

Archie Shepp has long established a reputation as a fiery avant-garde jazz stylist, though he is remarkably restrained in this collection of ballads recorded in 2001. The rhapsodic songs help restrain him somewhat, along with the presence of the terrific rhythm section, consisting of pianist Harold Mabern, bassist George Mraz, and drummer Billy Drummond. "What Are You Doing the Rest of Your Life" has a few rough edges to retain Shepp's personal flavor, while the rhumba setting of Sidney Bechet's "Petite Fleur" works well, too. Mabern's lush introduction to "Les Feuilles Mortes" (Autumn Leaves) sets up a touching, spacious arrangement. Shepp opens Lerner & Loewe's infrequently performed "Gigi" unaccompanied, producing a majestic performance. The snappy treatment of "April in Paris" swings like the famous tune should, while he also retains the well-known "Pop Goes the Weasel" quote inserted in Basie's version. All in all, this is an enjoyable date. Ken Dryden
Tracklist :
1    What Are You Doing The Rest Of Your Life 4'54
 Michel Legrand
2    Petite Fleur 9'20
 Sidney Bechet
3    Les Feuilles Mortes 7'30
 Joseph Kosma / Jacques Prévert
4    L' Ame Des Poetes 7'59
 Charles Trénet
5    Gigi 4'08
 Alan Jay Lerner / Frederick Loewe
6    April In Paris 6'34
 Vernon Duke / E.Y. "Yip" Harburg
7    Sous Le Ciel De Paris 7'50
 Hubert Giraud
8    Deja Vu 3'13
 Archie Shepp
Credits :
Bass – George Mraz
Drums – Billy Drummond
Piano – Harold Mabern
Tenor Saxophone – Archie Shepp

24.9.22

HANK MOBLEY - Dippin' (1965-1987) FLAC (tracks+.cue), lossless

Dippin' is one of Hank Mobley's finer moments, even considering that his entire Blue Note catalog is masterful, particularly his 1960s dates that reveal the depth and dimension of his understanding of harmonic invention -- all in the name of groove and swing, of course. This date, recorded on a single day in June of 1965, netted four Mobley originals as well as two covers. The band included trumpeter Lee Morgan, pianist Harold Mabern, bassist Larry Ridley, and drummer Billy Higgins. The two-horn front line always served Mobley well. Here, with Morgan, the groove commences from the first notes of the title cut that opens the set. The short bluesy lines burst from the horns, and are turned inside out with elegant yet knotty lines that move the tune almost into pop territory but never venture far from the blues. The sprightly "Recado Bossa Nova," written by Djalma Ferreira, moves the band outside its comfort zone rhythmically, but Mobley's horn chart is brilliant. Higgins and Ridley keep the bossa groove natural and steaming as the soloists begin taking the tune apart and putting it back together. There is one ballad on the set, "I See Your Face Before Me" composed by Arthur Schwartz and Howard Dietz. On it, Mobley does his best Ben Webster, blowing low and smoky and sweet, but the truth is that it doesn't belong on a program with so many hard bop swingers. The rest of the session is a pure joy and a fine document of Mobley's abilities as a bandleader and composer.
|This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa'|
Tracklist :
1     The Dip 7'57
Lee Hazlewood / Hank Mobley    
2     Recado Bossa Nova 8'11
Luiz Antonio / Djalma Ferreira    
3     The Break Through 5'52
Hank Mobley    
4     The Vamp 8'21
Hank Mobley    
5     I See Your Face Before Me 5'29
Howard Dietz / Arthur Schwartz    
6     Ballin' 6:51
Hank Mobley    
Credits :
Bass – Larry Ridley
Drums – Billy Higgins
Piano – Harold Mabern Jr.
Recorded By – Rudy Van Gelder
Tenor Saxophone – Hank Mobley
Trumpet – Lee Morgan

26.8.22

JIMMY HEATH AND BRASS — Swamp Seed (1963-1997) RM | Original Jazz Classics Limited Edition Series | FLAC (tracks+.cue), lossless

This is a delightful if underrated set that was reissued on CD in 1997. The multi-talented Jimmy Heath has many consistently rewarding and distinctive tenor saxophone solos; he also contributed three of the seven pieces and arranged all of them for a group also including trumpeter Donald Byrd, two French horns, Don Butterfield's tuba and a rhythm section that has bassist Percy Heath and (on three numbers) drummer Albert "Tootie" Heath. The music is straight-ahead but contains some unpredictable moments. Highlights include Heath's versions of Thelonious Monk's "Nutty" and "More Than You Know." Scott Yanow
Tracklist :
1. Six Steps 4'49
Jimmy Heath
2. Nutty 4'05
Thelonious Monk
3. More Than You Know 5'09
Edward Eliscu / Billy Rose / Vincent Youmans
4. Swamp Seed 5'19
Percy Heath
5. D. Waltz 6'33
Jimmy Heath
6. Just In Time 5'28
Betty Comden / Adolph Green / Jule Styne
7. Wall To Wall 5'27
Jimmy Heath
Credits
Jimmy Heath - Tenor Saxophone
Donald Byrd - |Trumpet
Julius Watkins - French Horn
Jim Buffington - French Horn
Don Butterfield - Tuba
Harold Maybern - Piano (tracks 1, 2, 4)
Herbie Hancock - Piano
Percy Heath - Bass
Albert "Toothie" Heath - Drums (tracks 1, 2, 4)
Connie Kay - Drums

3.8.22

ART FARMER | BENNY GOLSON JAZZTET - Here and Now (1962-2002) RM | FLAC (tracks+.cue), lossless

The Jazztet had been in existence for two years when they recorded what would be their final LPs, Here and Now and Another Git Together. The personnel, other than the two co-leaders, flugelhornist Art Farmer and tenor-saxophonist Benny Golson, had completely changed since 1960 but the group sound was the same. The 1962 version of the Jazztet included trombonist Grachan Moncur III, pianist Harold Mabern, bassist Herbie Lewis, and drummer Roy McCurdy. It is remarkable to think that this talent-filled group wasn't, for some reason, snapped up to record even more albums together. Highlights of their excellent out-of-print LP include Ray Bryant's "Tonk," "Whisper Not," "Just in Time," and Thelonious Monk's "Ruby My Dear." A classic if short-lived hard bop group. [This is the original issue and does not include bonus tracks.] Scott Yanow
Tracklist :
1     Tonk 6'52
Ray Bryant
2     Rue Prevail 4'27
Art Farmer
3     Richie's Dilemma 5'14
Harold Mabern
4     Whisper Not 5'23
Benny Golson
5     Just in Time 5'27
Betty Comden / Adolph Green / Jule Styne
6     Ruby, My Dear 5'14
Thelonious Monk
7     In Love in Vain 7'17
Jerome Kern / Leo Robin
8     Sonny's Back 4'04
Grachan Moncur III
Credits :
Bass – Herbie Lewis
Drums – Roy McCurdy
Flugelhorn – Art Farmer (pistas: 1, 2, 4 to 7)
Piano – Harold Mabern
Tenor Saxophone – Benny Golson
Trombone – Grachan Moncur III
Trumpet – Art Farmer (pistas: 3, 8)

THE ART FARMER QUARTET - Perception (1962-2018) RM | FLAC (tracks+.cue), lossless

This 1964 release of a 1961 date with pianist Harold Mabern, drummer Ron McCurdy, and bassist Tommy Williams is a breezy affair, a stark contrast to the hard bop that was still pervasive at that time. Farmer had fully developed his sensual and lyrical style by this time, and was making records with Benny Golson when he led this date. The set features two fine originals, which are notable because Farmer didn't compose much: the elegant and spring-like "Punsu" and "Kayin," a breezy West Coast affair. Farmer had given up the trumpet completely by this time and concentrated all of his efforts on the flügelhorn. Its large, warm tone and rounded sound fit perfectly with Farmer's penchant for the exploration of melodic modes within a given tune. On "Lullaby of the Leaves," Farmer's lead into the melody prefigures his solo by moving both off key and off beat to shape a large conical center in the tune. On Ray Bryant's "Tonk," Farmer swings out of the blues and into a shimmering solo all around a triplet figure in B flat. Mabern does far more than comp his way through the changes here, extending his chord voicings to let Farmer fall inside the cracks and nest. This is a gorgeous record, full of light and airiness; it showcases the depth rather than the breadth of Farmer's contribution.
>This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa'<
Tracklist :
1     Punsu 5'14
Art Farmer
2     The Day After 2'25
Tom McIntosh
3     Lullaby of the Leaves 4'18
Bernice Petkere / Joe Young
4     Kayin' 3'57
Art Farmer
5     Tonk 4'37
Ray Bryant        
6     The Blue Room 3'58
Lorenz Hart / Richard Rodgers
7     Change Partners 5'23
Irving Berlin
8     Nobody's Heart 4'05
Lorenz Hart / Richard Rodgers
Credits :
Bass – Tommy Williams
Drums – Roy McCurdy
Flugelhorn – Art Farmer
Piano – Harold Mabern

3.9.21

JIMMY FORREST - Black Forrest (1959-1991) FLAC (tracks+.cue), lossless

This 1972 LP, a complement to All the Gin Is Gone, released the remainder of tenor saxophonist Jimmy Forrest's two Delmark sessions, including four alternate takes and five other songs. Forrest sounds fine, guitarist Grant Green was making his debut on record, and the rhythm section (pianist Harold Mabern, bassist Gene Ramey and drummer Elvin Jones) plays up to par. Get All the Gin Is Gone first, and then, if one wants to hear the rest of the story, this set. by Scott Yanow
Tracklist:
1 Black Forrest 5:20
Jimmy Forrest
2 Dog It 4:46
Jimmy Forrest
3 These Foolish Things 6:07
Harry Link / Holt Marvell / Jack Strachey
4 Sunkenfoal 5:54
Jimmy Forrest
5 You Go to My Head 4:43
J. Fred Coots / Haven Gillespie
6 Black Forrest 2:28
Jimmy Forrest
7 What's New? 2:11
Johnny Burke / Bob Haggart
8 But Beautiful 4:19
Johnny Burke / James Van Heusen
9 All the Gin Is Gone 4:48
Public Domain
10 These Foolish Things 4:13
Harry Link / Holt Marvell / Jack Strachey
Credits:
 Bass – Gene Ramey
Drums – Elvin Jones
Guitar – Grant Green
Piano – Harold Mabern
Tenor Saxophone – Jimmy Forrest

JIMMY FORREST - All the Gin Is Gone (1959-1997) FLAC (tracks+.cue), lossless

This was the first album that tenor saxophonist Jimmy Forrest made after his R&B phase ended. Particularly notable is that the set served as the recording debut of guitarist Grant Green; completing the band are pianist Harold Mabern, bassist Gene Ramey and drummer Elvin Jones. The top-notch group performs two ballads, "Caravan" and three basic Forrest originals, including the title cut. The music is essentially melodic and blues-based hard bop that looks toward soul-jazz. Everyone sounds in fine form. by Scott Yanow
Tracklist :
1     All the Gin Is Gone 4:46
Public Domain / Jimmy Forrest
2     Laura 6:41
Johnny Mercer / David Raksin
3     You Go to My Head 6:31
J. Fred Coots / Haven Gillespie
4     Myra 5:30
Jimmy Forrest
5     Caravan 9:23
Duke Ellington / Irving Mills / Juan Tizol
6     What's New? 2:57
Johnny Burke / Bob Haggart
7     Sunkenfoal 5:18
Jimmy Forrest
Credits :
Bass – Gene Ramey
Drums – Elvin Jones
Guitar – Grant Green
Piano – Harold Mabern
Tenor Saxophone – Jimmy Forrest

26.6.20

LEE MORGAN - The Gigolo (1965-2014) RM / SHM-CD / FLAC (tracks+.cue), lossless


Lee Morgan was the leading trumpeter in hard bop during the 1960s and he recorded quite a few classic albums for Blue Note. This is one of them. The CD reissue (which adds an alternate take of the title cut to the original five-song program) features Morgan at his best, whether playing his memorable blues "Speed Ball," an explorative ballad version of "You Go to My Head," a lengthy "The Gigolo," or his other two originals ("Yes I Can, No You Can't" and "Trapped"). There are no weak selections on this set and the playing by the leader, Wayne Shorter on tenor, pianist Harold Mabern, bassist Bob Cranshaw, and drummer Billy Higgins is beyond any serious criticism. by Scott Yanow
Tracklist:
1 Yes I Can, No You Can't 7:25  
Lee Morgan
2 Trapped 6:00
Lee Morgan
3 Speedball 5:32
Lee Morgan
4 The Gigolo 11:03
Lee Morgan
5 You Go to My Head 10:05
Lee Morgan
6 The Gigolo 7:19
J. Fred Coots
Credits:
Bass – Bob Cranshaw
Drums – Billy Higgins
Piano – Harold Mabern, Jr.
Recorded By – Rudy Van Gelder
Tenor Saxophone – Wayne Shorter
Trumpet – Lee Morgan

TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 9 • 1938-1939 | DOCD-5209 (1993) RM | FLAC (tracks+.cue), lossless

One of the greatest slide guitarists of the early blues era, and a man with an odd fascination with the kazoo, Tampa Red also fancied himsel...