TERI THORNTON — Devil May Care (1961-1999) RM | Two Version | APE + FLAC (image+.tracks+.cue), lossless

This is the first (of three) long out of print recordings by Teri Thornton, finally available to the general public. It would not be a stretch to say she is perhaps the most talented, distinctive, clean, out-of-sight singer listeners have never heard....until now. Thornton's powerful, almost chilling voice compares favorably to the pristine tones and vibrato of Sarah Vaughan, the blues sassiness of Dinah Washington, and some of the more soulful refrains of Abbey Lincoln. Simply put, you have to hear her once to believe her. Whether on doleful ballads or raucous swingers, Thornton is totally confident and in control -- of her emotions and yours. From the best version of the Bob Dorough-written title track you are likely to hear, to the regretful ballad "My Old Flame" or the ultimate heart-melter "Left Alone," to an interesting arrangement on a pleading "What's Your Story, Morning Glory?," Thornton charges through the bar lines. Check her forcefulness on "Dancing in the Dark" and "I Feel a Song Coming On." Sometimes she purposefully staggers behind measures to grand effect. Every track is a showstopper, thanks to her uniquely soulful, drama-laden approach. Potent, unobtrusive horn charts feature legends like trumpeter Clark Terry, trombonist Britt Woodman, and saxophonists Earle Warren and Seldon Powell. The rhythm section of guitarist Freddie Green (half the tracks, Sam Herman on the others), pianist Wynton Kelly, bassist Sam Jones, and drummer Jimmy Cobb can do no wrong. Arranger par excellence Norman Simmons provided the perfect charts. This is an important document of a truly great jazz singer, and is essential in the collection of every serious aficionado. The only one regret is that it can't be given several handfuls of. Michael G. Nastos  
Tracklist :
1 Lullaby of the Leaves 2:48
Bernice Petkere / Joe Young 
2 Devil May Care 2:47
Bob Dorough 
3 Detour Ahead 3:10
Lou Carter / Herb Ellis / John Freigo / Johnny Frigo 
4 The Song Is You 2:33
Oscar Hammerstein II / Jerome Kern 
5 My Old Flame 3:29
Sam Coslow / Arthur Johnston 
6 What's Your Story, Morning Glory? 3:47
Jack Lawrence / Paul Francis Webster / Mary Lou Williams 
7 Dancing in the Dark 2:31
Howard Dietz / Arthur Schwartz 
8 Left Alone 3:27
Billie Holiday / Mal Waldron 
9 Blue Champagne 3:11
Jim Eaton / Frank Ryerson / Grady Watts 
10 I Feel a Song Coming On 2:42
Dorothy Fields / Jimmy McHugh / George Oppenheimer 
11 What's New? 4:11
Johnny Burke / Bob Haggart 
12 Blue Skies 2:33
Irving Berlin 
Credits :
Alto Saxophone – Earl Warren
Arranged By, Conductor – Norman Simmons
Bass – Sam Jones
Drums – Jimmy Cobb
Guitar – Freddie Green, Sam Herman
Piano – Wynton Kelly
Producer – Orrin Keepnews
Tenor Saxophone – Seldon Powell
Trombone – Britt Woodman
Trumpet – Clark Terry
Vocals – Teri Thornton

ABBEY LINCOLN — The World Is Falling Down (1990) Two Version | FLAC (image+.tracks+.cue), lossless

Abbey Lincoln's first in a series of impressive recordings for Verve matches her unique voice and very credible style with flugelhornist Clark Terry, the altos of Jackie McLean and Jerry Dodgion, bassist Charlie Haden, drummer Billy Higgins and French pianist Alain Jean-Marie. McLean has all of the alto solos and most of the instrumental arrangements were contributed by Ron Carter. Lincoln has always been expert at picking out superior material to record and all eight numbers on this CD are memorable in their own way, particularly Haden's classic "First Song," a French version of "How High the Moon," "Hi Fly," Michel Legrand's "You Must Believe in Spring" and Lincoln's two originals "The World Is Falling Down" and "I Got Thunder." Scott Yanow
Tracklist :
1.    The World Is Falling Down 6:20
Written-By – Abbey Lincoln
2.    First Song 6:29
Written-By – Abbey Lincoln, Charlie Haden
3.    You Must Believe In Spring And Love 5:58
Written-By – Alan & Marilyn Bergman, Michel Legrand
4.    I Got Thunder (And It Rings) 5:47
Written-By – Abbey Lincoln
5.    How High The Moon (La Lune Est Grise... Mon Coeur Aussi) 7:31
Written-By – Jacques Larue, Morgan Lewis, Nancy Hamilton
6.    When Love Was You And Me 5:47
Written-By – Abbey Lincoln, Thad Jones
7.    Hi Fly 6:34
Written-By – Jon Hendricks, Randy Weston
8.    Live For Life 4:50
Written-By – Francis Lai, Norman Gimbel, Pierre Barouh
Credits :
Alto Saxophone – Jerry Dodgion
Alto Saxophone, Soloist – Jackie McLean
Arranged By – Ron Carter (tracks: 1, 3 to 8)
Bass – Charlie Haden
Drums – Billy Higgins
Piano – Alain Jean-Marie
Trumpet, Flugelhorn – Clark Terry
Vocals – Abbey Lincoln

DUKE ELLINGTON AND HIS ORCHESTRA — Such Sweet Thunder (1957) Two Version | Jazz Originals Series | MONO | Columbia Jazz, Duke 100 Years | FLAC (tracks+.cue), lossless

Such Sweet Thunder is the 1957 album by Duke Ellington. This is taken from the 1999 Legacy edition released by Sony on 27 April, 1999 and features different takes during these sessions, including alternate, preferred, and different outtakes.
The 1999 reissue of this album marks a total reconstruction and rethinking of the original LP, and such a complete break from the original album that its story could fill a book. Such Sweet Thunder was originally announced as a stereo and mono release, but only showed up in mono thanks to the technical problems inherent in early stereo, in creating a concert-like ambience in which the performance seemed continuous. The reissue presents the original album as it was intended, using alternate takes from the original sessions, plus the stereo masters of the takes used on the original album, all rounded out with a mono outtake or two. The music itself counts among Ellington's most well-realized "concept projects," all inspired by Shakespeare's work and filled with memorable melodies and ample opportunities for solos by Cat Anderson, Johnny Hodges, Paul Gonsalves, and Quentin Jackson. The Ellington-Strayhorn compositions treat their soloists like actors doing scenes and, in effect, playing parts, even quoting lines after a fashion – Clark Terry "plays" Puck in "Up and Down, Up and Down (I Will Lead Them Up and Down)," and Johnny Hodges turns in one of the most sensuous performances of his career for "Half the Fun," from Antony and Cleopatra. These moments more than justify the cost of the CD, and the bonus tracks, many of which are different takes and others are simply material that came from the same sessions, more than double the length of the original LP. The extended notes by Phil Schaap deserve some kind of award for detail and clarity. Bruce Eder
Tracklist :
 1 - Such Sweet Thunder 3:22
  Duke Ellington / Billy Strayhorn 
2 - Sonnet For Caesar 3:00
  Duke Ellington / Billy Strayhorn 
3 - Sonnet To Hank Cinq 1:24
 Duke Ellington / Billy Strayhorn 
4 - Lady Mac 3:41
 Duke Ellington / Billy Strayhorn 
5 - Sonnet In Search Of A Moor 2:22
 Duke Ellington / Billy Strayhorn 
6 - The Telecasters 3:05
 Duke Ellington / Billy Strayhorn 
7 - Up And Down, Up And Down (I Will Lead Them Up & Down) 3:09
 Duke Ellington / Billy Strayhorn 
8 - Sonnet For Sister Kate 2:24
 Duke Ellington / Billy Strayhorn 
9 - The Star-Crossed Lovers (aka Pretty Girl) 4:00
 Duke Ellington / Billy Strayhorn 
10 - Madness In Great Ones (Hamlet) 3:26
 Duke Ellington / Billy Strayhorn 
11 - Half The Fun (aka Lately) 4:19
 Duke Ellington / Billy Strayhorn 
12 - Circle Of Fourths 1:45
 Duke Ellington / Billy Strayhorn 
13 - The Star-Crossed Lovers (aka Pretty Girl) 4:15
  Duke Ellington / Billy Strayhorn 
14 - Circle Of Fourths [stereo LP master] 1:47
 Duke Ellington / Billy Strayhorn 
15 - Suburban Beauty [master take] 2:56
 Duke Ellington
16 - A Flat Minor [preferred take] 2:33
 Duke Ellington 
17 - Cafe Au Lait [preferred take] 2:49
 Duke Ellington / Billy Strayhorn 
18 - Half The Fun (aka Lately) [alternate take] 4:08
 Duke Ellington / Billy Strayhorn 
19 - Suburban Beauty [alternate take] 2:56
 Duke Ellington  
20 - A Flat Minor [outtakes] 3:49
 Duke Ellington 
21 - Cafe Au Lait [outtakes - mono] 6:21
 Duke Ellington / Billy Strayhorn 
22 - Pretty Girl (aka The Star-Crossed Lovers) [first recording] 8:54
 Duke Ellington / Billy Strayhorn 
23 - [end]
Credits :
Duke Ellington - Piano
Russell Procope - Alto Saxophone, Clarinet
Johnny Hodges - Alto Saxophone
Jimmy Hamilton - Tenor Saxophone, Clarinet
Paul Gonsalves - Tenor Saxophone
Harry Carney - Baritone Saxophone
"Cat" Anderson, Ray Nance, Clark Terry, Willie Cook - Trumpet
John Sanders, Britt Woodman, Quentin Jackson - Trombone
Jimmy Woode - Bass
Sam Woodyard - Drums 

HERBIE MANN — The Beat Goes On (1967-2014) RM | Jazz Best Collection 1000 – 10 | FLAC (tracks+.cue), lossless

Herbie Mann was quite unpredictable in the 1960s -- from one album to the next, you never knew if he would embrace hard bop, bossa nova, Latin jazz, soul-jazz, or whatever else he was in the mood for. He could be commercial one minute, esoteric and experimental the next. One of Mann's more commercial LPs from that period, The Beat Goes On, is a generally funky, groove-oriented soul-jazz effort with strong Latin leanings. Much of the material brings to mind Pucho and the Latin Soul Brothers, and comparisons to Pucho are unavoidable on cuts that range from Mann's "More Rice Than Peas, Please" to a version of Sonny & Cher's "The Beat Goes On" and a Latin boogaloo interpretation of Joe Liggins' "The Honeydripper" (which features King Curtis on tenor sax). Afro-Cuban rhythms are a high priority, although Mann gets into more of a bossa nova groove on vibist Dave Pike's "Dream Garden." Jazz purists hated this release, but let them say what they will -- this LP is full of highly infectious grooves and makes a great party album. Regrettably, The Beat Goes On has long been out of print -- so if you're a lover of Latin-flavored soul-jazz and come across a copy somewhere, grab it immediately. Alex Henderson
Tracklist :
1. No Matter What Shape 3:25 
Written-By – Granville Burland / Arranged By – Jimmy Wisner 
2. More Rice Than Peas, Please 3:30 
Written-By – Herbie Mann / Arranged By – Jimmy Wisner 
3. Hey Ho 2:45 
Written-By – Herbie Hancock / Arranged By – Jimmy Wisner 
4. The Honeydripper 2:45 
Written-By – Joe Liggins / Arranged By – Jimmy Wisner 
5. The Beat Goes On 2:50 
Written-By – Sonny Bono / Arranged By – Jimmy Wisner 
6. Swingin´ Shepherd Blues 3:05 
Written-By – Kenny Jacobson, Moe Koffman, Rhoda Roberts / Arranged By – Jimmy Wisner 
7. West African High Life 2:40 
Written-By – Herbie Mann / Arranged By – Rene Hernandez
8. Dream Garden 4:37 
Written, Arranged By – Dave Pike
9. Soul Montuno 2:58 
Written-By – Rene Hernandez / Arranged By – Jimmy Wisner 
10. Is Paris Burning? 2:37
Written-By – Maurice Jarre / Arranged By – Jimmy Wisner 
Credits :
Alto Flute, (tracks: 8), Flute (tracks: 1, 2, 9, 10) – Herbie Mann
Bass – Jack Six (tracks: 8), Reggie Workman (tracks: 1 to 3)
Concertmaster [String Section] – Gene Orloff (tracks: 1 to 3)
Congas – Carlos "Patato" Valdes (tracks: 1 to 3)
Drums – Bobby Thomas (tracks: 8), Bruno Carr (tracks: 1 to 3)
Guitar – Attila Zoller (tracks: 8)
Piano – Don Friedman (tracks: 8), Jimmy Wisner (tracks: 1 to 3)
Tenor Saxophone, Soloist – King Curtis (tracks: 4)
Trumpet, Soloist – Clark Terry (tracks: 7)
Vibraphone – Roy Ayers (tracks: 1 to 3)  

DINAH WASHINGTON — I Wanna Be Loved (1962) Vynil, LP | Mono | FLAC (tracks) 24-96Hz

A torch song date recorded between Dinah Washington's commercial breakthrough in 1959 and her death in 1963, I Wanna Be Loved flaunts a large cast of talented collaborators -- plus, to be sure, Washington's regal readings of 12 great songs -- but, unfortunately, the musical side is overwhelmed by the heavy strings in attendance. Working with Quincy Jones, Washington found her studio cast to include Joe Newman and Clark Terry on trumpet, Jimmy Cleveland and Kai Winding on trombone, and Al Cohn on tenor. However, the arrangements (from Ernie Wilkins and Quincy Jones) rarely leave room for the musicians -- and, in fact, rarely feature them at all -- preferring instead to concentrate on strings and the occasional wordless vocal chorus. As usually happened in these circumstances, Washington appears unfazed by the treacle surrounding her; although she doesn't improvise, her performances of "Blue Gardenia," "Don't Explain," and the title track (originally an R&B hit for her 12 years earlier) are elegant and bewitching. The larger big band makes its presence felt on the two side-closers, both of them ("Let's Fall in Love," "Sometimes I'm Happy") more uptempo material. Although Washington's latter-day Mercury material is often derided, she always succeeded despite her surroundings, and this date is no different. John Bush  
Tracklist :
1 I Wanna Be Loved 2:40
Written-By – Heyman, Rose, Green
2 Don't Explain 2:28
Written-By – Herzog, Jr., Holiday
3 Everybody's Somebody's Fool 2:27
Written-By – Adams, Hampton
4 Invitation 2:59
Written-By – Kaper, Webster
5 You're Crying 3:25
Written-By – Feather, Jones
6 Let's Fall In Love 2:15
Written-By – Arlen, Koehler
7 When Your Lover Has Gone 2:08
Written-By – Swan
8 A Stranger In Town 2:15
Written-By – Tormé
9 God Bless The Child 2:43
Written-By – Herzog, Jr., Holiday
10 Blue Gardenia 3:19
Written-By – Russell, Lee
11 I Can't Face The Music (Without Singin' The Blues) 3:20
Written-By – Bloom, Koehler
12 Sometimes I'm Happy 2:04
Written-By – Grey, Caesar, Youmans
Credits :
Arranged By – Billy Byers (tracks: 1), Ernie Wilkins (tracks: 2, 3, 10), Hal Mooney (tracks: 2, 3, 10), Quincy Jones (tracks: 5, 6, 7, 8, 9, 11, 12)
Conductor – Quincy Jones (tracks: 1, 5, 6, 7, 8, 9, 11, 12)
Drums – Gary Chester (tracks: 6, 7, 8, 9, 11, 12)
Guitar – George Barnes (tracks: 2, 3, 10)
Piano – Jack Wilson (tracks: 1, 5), Patti Bown (tracks: 2, 3, 10)
Tenor Saxophone – Al Cohn (tracks: 2, 3, 10)
Trombone – Billy Byers (tracks: 1, 2, 3, 5, 10), Jimmy Cleveland (tracks: 2, 3, 10), Kai Winding (tracks: 2, 3, 10)
Trumpet – Clark Terry (tracks: 2, 3, 10), Ernie Royal (tracks: 2, 3, 10), Joe Newman (tracks: 1, 2, 3, 5, 10)
Vocals – Dinah Washington (tracks: 1-12)

MORGANA KING — A Taste Of Honey (1964-1993) FLAC (tracks+.cue), lossless

Tracklist :
1    A Taste Of Honey 5:13
Written-By – B Scott, R Marlowe
2    Fascinating Rhytm 2:33
Written-By – G & I Gershwin
3    Prelude To A Kiss 3:39
Written-By – D Ellington, I Gordon, I Mills
4    Easy Living 3:36
Written-By – L Robin, R Rainger
5    All Blues 3:39
Written-By – M Davis, O Brown
6    Bluesette 2:42
Written-By – N Gimbel, J Thielemans
7    Easy To Love 2:40
Written-By – C Porter
8    The Night Has A Thousand Eyes 3:02
Written-By – B Bernier, J Brianin
9    The Lady Is A Tramp 2:17
Written-By – R Rodgers/L Hart
10    Try to Remember 2:36
Written-By – H Schmidt, T Jones
11    Meditation 3:48
Written-By – Jobim, Mendonca, Gimbel
12    I'll Follow You 4:38
Written-By – F Ahlert, R Turk
13    Sometimes I Feel Like a Motherless Child     3:21
Credits :
Arranged and conducted by - Torrie Zito
ft. Clark Terry, Joe Wilder, Dave McKenna, Barry Galbraith, Mel Lewis, Mundell Lowe, Phil Woods, Hank Jones, Don Butterfield ...
Vocals - Morgana King

NANCY HARROW — Secrets (1991) FLAC (tracks), lossless

Nancy Harrow is in excellent form throughout this continually colorful set. The inventive jazz singer is joined by pianist Dick Katz, bassist Ray Drummond, drummer Ben Riley and occasionally Clark Terry on flugelhorn; C.T. also sings on a humorous "Hit the Road, Jack." The repertoire reaches back to the 1920s/'30s (including "Guess Who's In Town," "Pennies From Heaven" and "Someday Sweetheart") and also features some veteran obscurities and five recent Harrow originals. One of Nancy Harrow's best later recordings, the CD does an excellent job of showing off her talents. Scott Yanow
Tracklist :
1        Guess Who's In Town    2:58
 James P. Johnson / Andy Razaf
2        If You Were Mine    4:24
 Matty Malneck / Johnny Mercer
3        So Why Am I Surprised?    2:08
 Nancy Harrow
4        Rock It For Me    4:00
 Kay Werner / Sue Werner
5        Pennies From Heaven    4:02
 Johnny Burke / Arthur Johnston
6        Someday Sweetheart    3:25
 Benjamin Franklin Spikes / John Spikes
7        Secrets    4:07
 Nancy Harrow
8        Hit The Road, Jack    4:09
 Percy Mayfield
9        Skeleton Trees    3:22
 Nancy Harrow
10        Fun To Be Fooled    3:04
 Harold Arlen / Ira Gershwin / E.Y. "Yip" Harburg
11        Sea Change    3:41
 Nancy Harrow
12        I'm Back    2:04
 Nancy Harrow
13        Havin' Myself A Time    5:18
 Ralph Rainger / Leo Robin
14        I'll Follow My Secret Heart    3:04
 Noël Coward
Credits :
Ray Drummond – Bass
Nancy Harrow  – Vocals
Dick Katz –   Arranger, Piano
Clark Terry – Trumpet, Vocals
Ben Riley  – Drums

DAVID FRIESEN — Two for the Show (1993) APE (image+.cue), lossless

David Friesen's Two for the Show is a series of brilliant duets featuring the bassist with six different musicians. Not only does he set an incredibly fast tempo for tenor saxophonist Michael Brecker as he introduces Sonny Rollins' "Airegin," but his complex line inspires Brecker to some of his best playing of his career. The perennial favorite "Old Folks" finds Friesen taking a back seat to the brittle, very personalized guitar of John Scofield. Uwe Kropinski sticks to acoustic guitar for his two tracks, including Friesen's adventurous "On the Road With Jazz" and Kropinski's gypsy-flavored "Pianola." "Alone Together" opens with alto saxophonist Bud Shank unaccompanied before Friesen's imaginative bassline weaves in underneath him in a spellbinding improvisation. Friesen's duets with frequent partner Denny Zeitlin are always magical; their two tracks, taken from a 1992 gig at the Jazz Bakery, include the bassist's lyrical ballad "In Times Past," while the pianist's bittersweet ballad "Maybe in Spring" also packs an emotional punch. Their chemistry together, as always, is perfect. But it is hard for anyone to upstage Clark Terry, whose instantly recognizable sound commands attention. Both Terry (on flugelhorn) and Friesen pull all stops on a brisk take of "I Want to Be Happy"; Terry switches to muted trumpet for the understated swinger "Breeze." It is hard to imagine David Friesen and his guests wanting to stop recording after two tracks during each session, because it's obvious that they were having a great time and it would have been easy to imagine an entire CD by the bassist with any one of the artists. Here's hoping that there are still tracks left in the vault for a follow-up release. Ken Dryden
Tracklist :
1    Airegin 4:56
Written-By – Rollins
2    True Blue 7:48
Written-By – Friesen
3    I Want To Be Happy 2:55
Written-By – Caeser, Youmans
4    In Times Past 7:12
Written-By – Friesen
5    Alone Together 4:46
Written-By – Dietz/Schwartz
6    On The Road With Jazz 4:53
Written-By – Friesen
7    Signs And Wonders 6:04
Written-By – Friesen
8    Old Folks 6:15
Written By – Hill / Robinson
9    Breeze    5:18
10    Maybe In Spring 7:46
Written-By – Zeitlin
11    Double Take 3:14
Written-By – Friesen
12    Pianola 4:10
Written-By – Kropinski
Credits :
Acoustic Guitar – Uwe Kropinski (tracks: 6, 12)
Alto Saxophone – Bud Shank (tracks: 5, 11)
Electric Guitar – John Scofield (tracks: 2, 8)
Flugelhorn, Trumpet – Clark Terry (tracks: 3, 9)
Grand Piano [Acoustic] – Denny Zeitlin (tracks: 4, 10)
Tenor Saxophone – Michael Brecker (tracks: 1, 7)

ELVIN JONES | JAMES MOODY | CLARK TERRY | BUNKY GREEN | ROLAND PRINCE — Summit Meeting (1977-2019) FLAC (image+.cue), lossless

This 1976 session led by Elvin Jones is a lot of fun, especially with the presence of Clark Terry and James Moody; rounding out the band are alto saxophonist Bunky Green, guitarist Roland Prince, pianist Albert Dailey, bassist David Matthews, and percussionist Angel Allende. Terry's matchless flügelhorn is the highlight of his original happy blues "Tee Pee Music." Green, who has devoted much of his career to being a jazz educator, contributed the challenging "Blues for Clark" and also the wild post-bop "Summit Song," the latter featuring a solo that borders on avant-garde. Duke Ellington's "Jones," a swinging blues that the maestro narrated to describe how to be cool as one listened to live jazz, is recast with a funky swagger, with Moody's smoking tenor sax and some fine call and response between the horns and the bass, though Terry steals the show by alternating back and forth between flügelhorn and muted trumpet. This somewhat obscure date is overdue to be reissued on CD. Ken Dryden
Tracklist :
1    Tee Pee Music 8:06
Written-By – Clark Terry
2    Blues For Clark 5:55
Written-By – Bunky Green
3    Moody Magic 6:09
Written-By – Ed Bland
4    Summit Song 10:11
Written-By – Bunky Green
5    Jones 9:59
Written-By – Duke Ellington, Pauline Reddon
Credits :
Alto Saxophone – Bunky Green
Bass, Guest – David Williams
Drums – Elvin Jones
Guitar – Roland Prince
Percussion, Guest – Angel Allende
Piano, Guest – Al Dailey
Tenor Saxophone – James Moody
Trumpet, Flugelhorn – Clark Terry

TERESA BREWER — Live At Carnegie Hall & Montreaux, Switzerland (2001) FLAC (tracks+.cue), lossless

Two previously unissued live concerts from 1978 and 1983 find Teresa in rare form, singing and swinging in front of big bands simply top-heavy with great players. Kicking off with a duet with Dizzy Gillespie on "It Don't Mean a Thing" (where Dizzy plays a Jew's harp funkier than any electronic gizmo you can think of), Brewer puts the torch to tunes like "After You've Gone," "St. Louis Blues," and a smoky medley of "It Had to Be You" and "I've Got a Crush on You." The Montreux set repeats many of the same tunes, but with Clark Terry in the fold, Teresa is recharged, and the different interpretations make for very interesting comparisons. Anyone who wants to file Brewer in the "pop singer" category only needs to hear her sink her formidable chops into this material with a hot band kicking behind her. Cub Koda

Tracklist :
1    It Don't Mean A Thing (If It Ain't Got That Swing)    3:54
Duke Ellington / Irving Mills
2    Breakin' Up Is Hard To Do    3:32
Howard Greenfield / Neil Sedaka
3    St. Louis Blues    3:14
W.C. Handy
4    After You've Gone    4:12
Henry Creamer / Turner Layton
5    Medley: It Had To Be You / I've Got A Crush On You    4:07
George Gershwin / Ira Gershwin / Isham Jones / Gus Kahn
6    Romance In The Dark    3:49
Lillian "Lil" Green
7    Mood Indigo    4:53
Barney Bigard / Duke Ellington / Irving Mills
8    Some Songs    3:52
Dennis Linde
9    That's When The Music Takes Me    3:20
Neil Sedaka
10    Medley: I Ain't Got Nobody / Baby Won't You Please Come Home    5:29
Roger Graham / Charles Warfield / Clarence Williams / Spencer Williams
11    Fats Waller Medley: We Love You Fats / Ain't Misbehavin' / Find Out What They Like / The Joint Is Jumpin'    6:22
Teresa Brewer / Harry Brooks / J.C. Johnson / Frank Owens / Andy Razaf / Bob Thiele / Fats Waller
12    Come On And Drive Me Crazy    3:30
Teresa Brewer
13    It Don't Mean A Thing (If It Ain't Got That Swing)    4:01
Duke Ellington / Irving Mills
14    Mood Indigo    4:27
Barney Bigard / Duke Ellington / Irving Mills
15    St. Louis Blues    3:34
W.C. Handy
16    New Orleans    5:47
Frank Guida
Personnel Includes :
Teresa Brewer - Vocals
Dizzy Gillespie - Vocals, Jews Harp
Cootie Williams, Clark Terry - Trumpet
Bucky Pizzarelli - Acoustic Guitar
Hiram Bullock - Electric Guitar
Derek Smith, Patrick Coil - Piano

QUINCY JONES AND HIS ORCHESTRA — Big Band Bossa Nova (1962-2007) RM | SHM-CD | FLAC (image+.cue), lossless

A byproduct of the bossa nova fad that followed the success of "Desafinado" (and preceded the famous recording Getz/Gilberto), this set finds Quincy Jones utilizing and exploiting bossa nova rhythms in his arrangements for a big band. The personnel includes flügelhornist Clark Terry, altoist Phil Woods, pianist Lalo Schifrin, guitarist Jim Hall, and (on "Soul Bossa Nova") the remarkable Rahsaan Roland Kirk. However, since the selections are all quite brief, and some of the charts are a bit cheesy and inappropriate for the gentle rhythms, this disc (although pleasant enough) is of lesser interest. Scott Yanow
Tracklist :
1. Soul Bossa Nova (2:48)
 Quincy Jones
2. Boogie Bossa Nova (2:45)
 Charles Mingus
3. Desafinado (2:57)
 Antônio Carlos Jobim / Newton Mendonça
4. Black Orpheus (Manha De Carnaval) (2:58)
 Luiz Bonfá / Antônio Maria
5. Se E Tarde Me Pardoa (Forgive Me If I'm Late) (4:25)
 Ronaldo Bôscoli / Carlos Lyra
6. On The Street Where You Live (2:36)
 Alan Jay Lerner / Frederick Loewe
7. Samba De Uma Nota So (One Note Samba) (2:05)
 Jon Hendricks / Antônio Carlos Jobim / Newton Mendonça
8. Lalo Bossa Nova (3:13)
 Lalo Schifrin
9. Serenata (3:22)
 Leroy Anderson
10. Chega De Saudade (No More Blues) (5:39)
 Antônio Carlos Jobim
Credits :
Bass – Chris White
Drums – Rudy Collins
Flugelhorn – Clark Terry
Flute – Jerome Richardson, Rahsaan Roland Kirk (tracks: 1)
Flute [Alto] – Jerome Richardson
Guitar – Jim Hall (tracks: 3, 8-10)
Percussion – Carlos Gomez, Jack Del Rio, José Paula
Piano – Lalo Schifrin
Producer – Quincy Jones
Saxophone [Alto] – Phil Woods (tracks: 6-9)
Saxophone [Tenor] – Paul Gonsalves (tracks: 2, 4 & 7)
Trumpet – Clark Terry (tracks: 2 & 10)
Woodwind – Jerome Richardson

OSCAR PETERSON | RAY BROWN | BENNY CARTER | CLARK TERRY — The More I See You (1995) Serie Telarc 20 | APE (image+.cue), lossless

After Oscar Peterson suffered a severe stroke in the spring of 1993, it was feared that he would never again play on a professional level, but two years of intense therapy resulted in the masterful pianist returning to what sounds, on this Telarc CD, like near-prime form. For the all-star date, The More I See You, Peterson tears into seven standards and two blues and outswings all potential competitors. Altoist Benny Carter at 87 sounds like he is 47 (if Carter had retired back in 1940 he would still be a legend), and flugelhornist Clark Terry (here 74) proves to be not only (along with the remarkable 90-year-old Doc Cheatham) the finest trumpeter over 70 but one of the top brassmen of any age. The cool-toned guitarist Lorne Lofsky and drummer Lewis Nash are also strong assets while bassist Ray Brown (a year younger than Peterson at a mere 68) displays his typical limitless energy on appealing tunes such as "In a Mellow Tone," "When My Dream Boat Comes Home," and a medium/up-tempo version of "For All We Know." The musicians all play up to their usual high level, making this a joyous comeback album for the great Oscar Peterson. Scott Yanow
Tracklist :
1     In a Mellow Tone 4'53
Duke Ellington / Milt Gabler
2     Gee Baby, Ain't I Good to You 4'45
Andy Razaf / Don Redman
3     On the Trail 7'03
Harold Adamson / Ferde Grofé
4     When My Dreamboat Comes Home 8'17
Dave Franklin / David Franklin / Cliff Friend
5     Ron's Blues 8'05
Oscar Peterson
6     For All We Know 8'39
J. Fred Coots / Sam M. Lewis
7     Blues for Lisa 9'15
Oscar Peterson
8     Squatty Roo 5'39
Johnny Hodges
9     The More I See You 6'02
Mack Gordon / Harry Warren
Credits :
Alto Saxophone – Benny Carter
Bass – Ray Brown
Drums – Lewis Nash
Piano – Oscar Peterson
Trumpet, Flugelhorn – Clark Terry

RAY BROWN — With The All-Star Big Band ft. Cannonball Adderley + Ray Brown & Milt Jackson (2012) RM | SHM-CD | Two Original Albums On One CD | FLAC (image+.cue), lossless

Tracklist & Credits : 

1-9 With The All-Star Big Band
10-17 Ray Brown / Milt Jackson

RAY BROWN | MILT JACKSON — Much In Common + All-Star Big Band (1996) 2xCD | Serie Verve Take 2 | APE (image+.cue), lossless

Tracklist & Credits :

MILT JACKSON & RAY BROWN JAM — Montreux '77 (1977-1985) Serie Polydor Jazz CD Fair, Montreux '77 | FLAC (image+.cue), lossless

Tracklist & Credits :

RAY BROWN TRIO — Some of My Best Friends Are ... The Trumpet Players (2000) FLAC (tracks), lossless

Ray Brown did it again with the fourth installment in his Some of My Best Friends Are... series, spotlighting some of the hottest trumpet players around and producing one of the finest trumpet-fronted small group recordings to come down the jazz pike in a while. Featuring a six-pack of hornmen ranging from octogenarian Clark Terry to youngsters Roy Hargrove and Nicholas Payton, this CD alternately cooks and simmers, with the ballads especially standing out in their spaciousness and beauty. The blend of Brown's bass and Jon Faddis' trumpet on a slowed-down "Bag's Groove" is particularly appealing in its sparseness. The intro and outro duets between Brown's bass and James Morrison's dry trumpet tone on "I Thought About You" are also entrancing in their openness. Terrence Blanchard lays out a smoky lead line over Geoff Keezer's bluesy late-night piano on Benny Goodman's old sign-off theme, "Goodbye," bringing a new poignancy to the tune. On the most noteworthy upbeat number, Payton really smokes on Joe Henderson's composition, "The Kicker," though the track mysteriously fades out too early. Brown himself is fantastic throughout this disc, and he and his trio mates Keezer and drummer Karriem Riggins anchor the proceedings masterfully. Jim Newsom   Tracklist & Credits :

OLIVER NELSON — The Argo, Verve And Impulse Big Band Studio Sessions (2006) RM | 6xCD BOX-SET | FLAC (tracks+.cue), lossless

Oliver Nelson was one of the more distinctive arrangers to be active in jazz, the studios, and popular music of the '60s. While most Nelson reissues focus on his always-excellent saxophone playing (whether on tenor or alto), this six-CD set, Argo, Verve and Impulse Big Band Studio Sessions, focuses on Oliver Nelson the arranger-composer-bandleader. He does take solos on some of these dates on tenor, alto,and soprano (his only recorded solos on that instrument), but it his writing that takes center stage. Included are his albums Full Nelson, Fantabulous, Jazzhattan Suite (which finds the ensemble called the Jazz Interactions Orchestra), Sound Pieces, and his unusual and reverent tribute set Musical Tribute to JFK: The Kennedy Dream. In addition, Nelson's writing for Leonard Feather's Encyclopedia of Jazz All Stars is here, plus his contributions (usually just part of each record) for sets by organist Shirley Scott (Roll 'Em), a group co-led by Ray Brown and Milt Jackson, and clarinetist Pee Wee Russell (The Spirit of '67). Topping off this well-conceived box are all of the music for organist Jimmy Smith's Hobo Flats, Peter and the Wolf (a classic jazz version), and Smith's first collaboration with guitarist Wes Montgomery, plus a few numbers from Smith's Bashin', Who's Afraid of Virginia Woolf, and Hootchie Coochie Man. In addition to the playing of Jimmy Smith (who was really at his peak during this period), Wes Montgomery, Shirley Scott, and Pee Wee Russell, the most memorable soloists are altoist Phil Woods, cornetist Nat Adderley (on the Feather date), and flugelhornist Clark Terry plus Nelson himself. There is plenty of classic material here (such as the Smith/Montgomery blues jamming on "Down by the Riverside") which, even when the big-band writing is secondary, serves as a superior tribute to the underrated Oliver Nelson. Scott Yanow   Tracklist & Credits :

OLIVER NELSON — Verve Jazz Masters 48 (1995) FLAC (tracks+.cue), lossless

 Considering that he was the equal of such heralded arrangers as Quincy Jones, Gil Evans, and Tadd Dameron, it's a shame Oliver Nelson has, for the most part, gone unsung. Maybe Nelson's eventual TV and film work tainted him in the eyes of critics and purists; but, then again, most jazz arrangers made that move, often out of sheer financial necessity -- and let's not scold them if it was simply a matter of wanting to expand their horizons. Before his Hollywood switch, though, Nelson used several '60s dates to not only display those pen skills, but to reveal his considerable saxophone chops (tenor, alto, and soprano!), as well. The fruits can be found on many dates for OJC, Impulse (the classic Blues and the Abstract Truth), and Verve. It's his work for the latter label that is nicely showcased on this collection. Covering the years 1962-1967 and culled to a large extent from his Full Nelson album and various Leonard Feather-sponsored releases, the 16 tracks here find Nelson at the helm of various big band lineups, plying his always swinging yet often complex and distinct sound. The mix contains a dazzling array of treats, including some of the most sophisticated jazz charts ("Patterns for Orchestra"), a taste of his later soundtrack work ("A Typical Day in New York"), beautiful ballads ("Penthouse Dawn"), and even some contemporary R&B-tinged fare ("Full Nelson"). Along with these and several other original pieces, Nelson also does fine by Ellington ("Paris Blues") and W.C. Handy ("St. Louis Blues"). And it's Joe Newman's fine solo on this last cut that ably demonstrates how Nelson, like Mingus, had a knack for bringing out the best in his players. With an all-star cast of players and plenty of fine sides to go, this Nelson roundup offers the perfect way to familiarize yourself with one of the great jazz architects of the '60s. Stephen Cook   Tracklist & Credits :

THE OLIVER NELSON ORCHESTRA ft. PHIL WOODS — Impressions Of Phaedra (1962) Vinyl, LP MONOAURAL | FLAC (tracks), lossless

Moody and long-forgotten, like the film it was inspired by, Phaedra interchanges film-like cues with some torrid jazz content (mostly courtesy of Phil Woods). Makes an interesting case for "Greek Jazz."  Douglas Payne
Tracklist & Credits :

OLIVER NELSON — Oliver Nelson Plays Michelle (1966) LP, Vinyl | MONOAURAL | FLAC (tracks), lossless

This is an album of short, often corny tunes and brief, likable solos. Nelson features one of his first uses of guitar here via Barry Galbraith and, more prominently, Billy Butler. Nelson's originals, "Jazz Bug" and "Do You See What I See?" are worth a listen. Douglas Payne   Tracklist & Credits :