BILLIE HOLIDAY — Solitude (1952-1993) RM | Serie Billie Holiday Verve Story – Volume 2 | FLAC (tracks+.cue), lossless

Billie Holiday's first recordings for Norman Granz' Clef Records present a vocalist truly at the top of her craft, although she would begin a rapid decline soon thereafter. This 1952 recording (originally issued as a 10" LP, Billie Holiday Sings) places Holiday in front of small piano and tenor saxophone-led groups including jazz luminaries such as Oscar Peterson and Charlie Shavers, where her gentle phrasing sets the tone for the sessions, evoking lazy evenings and dreamy afternoons. The alcoholism and heroin use that would be her downfall by the end of this decade seems to be almost unfathomable during these recordings since Holiday is in as fine a voice as her work in the '30s, and the musical environment seems ideal for these slow torch songs. Solitude runs as the common theme throughout these 16 tracks; the idle breathiness of "These Foolish Things (Remind Me of You)" finds the vocalist casually reminiscing, and Barney Kessel's warm guitar lines frame the title track beautifully. Several of Holiday's best-known recordings came from this session, including outstanding versions of "I Only Have Eyes for You" and a darkly emotional "Love for Sale," making this album far and away the best work of her later years, and certainly a noteworthy moment of her entire career. Zac Johnson
Tracklist :
1. East of the Sun (And West of the Moon) (Bowman) - 2:56
2. Blue Moon (Rodgers-Hart) - 3:31
3. You Go to My Head (Coots-Gillespie) - 2:57
4. You Turned the Tables on Me (Alter-Mitchell) - 3:28
5. Easy to Love (Porter) - 3:02
6. These Foolish Things (Link-Strachey-Maschwitz) - 3:35
7. I Only Have Eyes for You (Warren-Dubin) - 2:54
8. Solitude (Ellington-DeLange-Mills) - 3:32
9. Everything I Have Is Yours (Lane-Adamson) - 3:45
10. Love for Sale (Porter) - 2:59
11. Moonglow (DeLange-Hudson-Mills) - 3:00
12. Tenderly (Gross-Lawrence) - 3:25
13. If the Moon Turns Green (Coates-Hanighen) - 2:47
14. Remember (Berlin) - 2:37
15. Autumn in New York (LP take) (Duke) - 3:43
16. Autumn in New York (78 rpm take) (Duke) - 3:52
Credits :
Billie Holiday - Vocals
Charlie Shavers - Trumpet
Flip Phillips - Tenor Saxophone
Oscar Peterson - Piano
Barney Kessel - Guitar
Alvin Stoller - Drums

DOROTHY DANDRIDGE — Smooth Operator (1999) APE (image+.cue), lossless

Real Name: Dorothy Jean Dandridge.
Profile: American actress and popular singer.
Born : November 09, 1922 in Cleveland, Ohio.
Died : September 08, 1965 in West Hollywood, California. (Embolism or Overdose)
Was the first African American to be nominated for an Academy Award for Best Actress

Actress/singer Dorothy Dandridge was Hollywood's first African-American superstar, becoming the first black performer ever nominated for a Best Actress Oscar. Born November 9, 1923 in Cleveland, she was the daughter of actress Ruby Dandridge, and with sister Vivian teamed in the song-and-dance duo the Wonder Children. The family relocated to Los Angeles during the mid-'30s, and in 1937 Dandridge briefly made her film debut in the Marx Brothers classic A Day at the Races.

Carmen Jones [Original Soundtrack] Concurrently she continued her singing career, and with Vivian performed as the Dandridge Sisters, sharing stages with the likes of Jimmie Lunceford and Cab Calloway as well as recording with Louis Armstrong. During the early '40s Dorothy appeared in a series of musical film shorts, and as the decade progressed she became a sensation on the nightclub circuit. Dandridge's mainstream breakthrough was her title role in Otto Preminger's 1954 screen musical Carmen Jones, a performance which earned her an Academy Award nomination and made her a star; nevertheless, she did not reappear onscreen until 1957's Island in the Sun, and despite winning a Golden Globe for her work in 1959's Porgy and Bess she was offered virtually no future film roles, returning to nightclubs by the early '60s.
Smooth Operator Plagued by years of personal hardships as well as professional hurdles, Dandridge was found dead of an overdose of anti-depressants on September 8, 1965. Three decades later her career enjoyed a kind of renaissance with an acclaimed 1997 biography by film historian Donald Bogle in addition to Introducing Dorothy Dandridge, a 1999 HBO telefilm starring Halle Berry. Smooth Operator, a long-unreleased recording date from 1958 featuring the Oscar Peterson trio, was finally issued in 1999 as well. web

Smooth Operator explores a little-known aspect of the beautiful, troubled African-American actress Dorothy Dandridge: her vocal abilities. Most of this album comes from a 1958 recording session featuring Dandridge's lovely interpretations of "When Your Lover Has Gone," "Body & Soul" and the title track. That her backing band is an augmented version of the Oscar Peterson Trio makes her album even more special, and a must for jazz fans and film buffs. Heather Phares
Tracklist :
1 It's Easy To Remember 2:24
Written-By – Richard Rogers-Lorenz Hart
2 What Is There To Say? 3:11
Written-By – E.Y. Harburg, Vernon Duke
3 That Old Feeling 3:05
Written-By – Lew Brown, Sammy Fain
4 The Touch Of Your Lips 2:58
Written-By – Ray Noble
5 When Your Lover Has Gone 2:59
Written-By – E. A. Swan
6 The Nearness Of You 3:17
Written-By – Hoagy Carmichael, Ned Washington
7 (In This World) I'm Glad There Is You 4:02
Written-By – Jimmy Dorsey, Paul Madeira
8 I've Grown Accustomed To Your Face 1:48
Written-By – Alan J. Lerner-Frederick Loewe
9 Body And Soul 3:38
Written-By – Edward Heyman, Frank Eyton, Johnny Green, Robert Sour
10 How Long Has This Been Going On? 3:30
Written-By – George and Ira Gershwin
11 I've Got A Crush On You 2:28
Written-By – George and Ira Gershwin
12 I Didn't Know What Time It Was 2:37
Written-By – Richard Rogers-Lorenz Hart
13 Somebody 2:48
Written-By – Harry Warren , Jack Brooks 
14 Stay With It 2:35
Written-By – Dotty Wayne, Ray Rasch
15 It's A Beautiful Evening 2:38
Written-By – Dotty Wayne, Ray Rasch
16 Smooth Operator 3:06
Written-By – Clyde Otis, Murray Stein
Credits
Bass – Ray Brown (tracks: 1-12)
Bongos – Alvin Stoller (tracks: 4, 12)
Celesta – Oscar Peterson (tracks: 4, 8, 11)
Drums – Alvin Stoller (tracks: 1-3, 5-7, 9-11)
Guitar – Herb Ellis (tracks: 1-12)
Orchestra – Unknown Artist (tracks: 13-16)
Piano – Oscar Peterson (tracks: 1-3, 5-7, 9-10)
Vocals – Dorothy Dandridge

RAY BROWN — Bass Hit! (1958-1998) RM | Serie Verve Elite Edition | FLAC (tracks+.cue), lossless

Ray Brown's earliest date as a leader features him prominently in the solo spotlight with arrangements by Marty Paich. They collaborated on a swinging original blues, "Blues for Sylvia," and the snappy "Blues for Lorraine." The rest of the release concentrates on familiar standards, with the addition to the reissue of several complete and incomplete takes of "After You've Gone," which didn't appear on the original release. The supporting cast includes the cream of the crop of musicians living on the West Coast at the time: Jimmy Rowles, Harry "Sweets" Edison, and Jimmy Giuffre among them. Out-of-print for a long time, this record was reissued in 1999, though as a limited-edition title in the Verve Elite series, so it will not remain available for long. Ken Dryden
Tracklist & Credits :

ART TATUM — The Complete Pablo Group Masterpieces (1990) RM | 6CD BOX-SET | FLAC (tracks+.cue), lossless

Tatum spent most of his career as a solo pianist; in fact, it was often said that he was such an unpredictable virtuoso that it would be difficult for other musicians to play with him. Producer Norman Granz sought to prove that the theory was false, so between 1954 and 1956 he extensively recorded Tatum with a variety of other classic jazzmen, resulting originally in nine LPs of material that is now available separately as eight CDs and on this very full six-CD box set. In contrast to the massive solo Tatum sessions that Granz also recorded during this period, the group sides have plenty of variety and exciting moments, which is not too surprising when one considers that Tatum was teamed in a trio with altoist Benny Carter and drummer Louie Bellson; with trumpeter Roy Eldridge, clarinetist Buddy DeFranco, and tenor saxophonist Ben Webster in separate quartets; in an explosive trio with vibraphonist Lionel Hampton and drummer Buddy Rich; with a sextet including Hampton, Rich, and trumpeter Harry "Sweets" Edison; and on a standard trio session. Scott Yanow    Tracklist & Credits :

STUFF SMITH — Stuff Smith, Dizzy Gillespie & Oscar Peterson (1957-1994) 2CD | FLAC (tracks+.cue), lossless

The great swing violinist Stuff Smith had not recorded as a leader since 1945 when producer Norman Granz got him to make three albums for Verve during a three-month period. Smith, who was still very much in his prime, recorded 11 selections (one previously unissued) with pianist Carl Perkins, either Red Callender or Curtis Counce on bass and Oscar Bradley or Frank Butler on drums (Have Violin Will Swing), jammed nine numbers (three released for the first time here) with the Oscar Peterson Trio (for the album titled Stuff Smith), and on five tunes teamed up with trumpeter Dizzy Gillespie and a rhythm section (Dizzy Gillespie-Stuff Smith); all are reissued in full on this generous two-CD set from 1994. In each of the settings, the violinist excels, making this an easily recommended and very satisfying release.
Scott Yanow   Tracklist + Credits :

OSCAR PETERSON – 1952 | The Classics Chronological Series – 1361 (2004) FLAC (tracks), lossless

 Tracklist + Credits :

OSCAR PETERSON – 1952, Vol. 2 | The Classics Chronological Series – 1399 (2005) FLAC (tracks), lossless

Tracklist :

ELLA FITZGERALD – 1951 | The Classics Chronological Series – 1261 (2002) FLAC (tracks+.cue), lossless

Most of Ella Fitzgerald's recordings from 1951 (all of which are on this CD) are obscure and have rarely been reissued. "The First Lady of the American Song" turned 34 that year and was in peak form, as she would be throughout the decade. The music ranges from novelties ("Two Little Men In A Flying Saucer," and a cover of "Come On-A My House,") to worthy versions of "Love You Madly," "Smooth Sailing," and "Baby Doll." The settings range from tunes with Sy Oliver's Orchestra and occasional background singers, to a date with Hank Jones, and four lesser-known but delightful duets with Louis Armstrong: "Necessary Evil," "Oops," "Would You Like To Take A Walk," and "Who Walks In When I Walk Out." Scott Yanow
Tracklist :

ERROLL GARNER – 1947-1949 | The Classics Chronological Series – 1109 (2000) FLAC (tracks+.cue), lossless

Here's one package that demonstrates the piano artistry of Erroll Garner in several settings -- as a solo act, with trio and quartet, and as an integral part of a jumpin' sextet caught live in concert. The Just Jazz series was producer Gene Norman's answer to Norman Granz's Jazz at the Philharmonic. Beginning with a jam on Edgar Sampson's "Blue Lou," the main attraction here is tenor saxophonist Wardell Gray. "One O'Clock Jump" and its three sequels bring on trumpeter Howard McGhee, trombonist Vic Dickenson, and Benny Carter on alto sax. (Neither the bassist nor the excellent guitarist are even mentioned let alone identified in the enclosed discography.) In a tasty example of resourceful editing, tracks three through six have been seamlessly linked into one more or less continuous performance. The same trick was accomplished with both halves of "Lover" (tracks seven and eight), which was performed by the rhythm section only. Garner's next recordings were made almost exactly one year later in front of a live audience with guitarist Ulysses Livingston and bassist John Simmons. Four beautiful, superbly crafted studies for solo piano were recorded for the Vogue label in Paris on May 15, 1948. These tracks, which might be new to some U.S. listeners, are a real treat for the Garner connoisseur. Garner was back in California two months later, punching out a version of "Just You, Just Me" at another Just Jazz concert with guitarist Oscar Moore, bassist Nelson Boyd, and drummer Teddy Stewart. This excellent compilation concludes with seven relaxed ballads and one feisty take of "Stompin' at the Savoy" recorded for the Savoy label in February and March 1949. Alvin Stoller and John Simmons interact marvelously with Garner, who was now developing into a purveyor of what has been accurately described as the "rhapsodic ballad." The wide range of styles and instrumentation on this disc mark it as an excellent choice for those who wish to experience the art of Erroll Garner from a variety of musical perspectives. arwulf arwulf  
Tracklist + Credits :

ERROLL GARNER – 1949 | The Classics Chronological Series – 1138 (2000) FLAC (tracks+.cue), lossless

Errol Garner's textured, expressive piano playing is featuring on the 2001 compilation 1949. Garner is an interesting player; at times he can be quite powerful and intense as he bangs away on old standards like "All of Me" and "I'm in the Mood for Love." At other times he really adds nothing to the songs, instead just playing the straight melody and letting the original composition speak for itself. These are the moments where he is at his weakest; despite his excellent playing skills, these are songs that are fairly simple and have been performed many times before, and his excellent flourishes would have helped the music out greatly. But then there are the other tracks, which at least balance out the album. The other problem here is the sound quality, something that curses many jazz recordings from this era. Some songs simply sound bad; the album is quite fuzzy and scratchy at times. But, overall, the music on the album manages to impress for a good portion of the album, and fans of Garner can at least get more of his recordings from this era. Bradley Torreano  
Tracklist + Credits :

ERROLL GARNER – 1949, Vol. 2 | The Classics Chronological Series – 1182 (2001) FLAC (tracks+.cue), lossless

One of Erroll Garner's very best albums, The Greatest Garner (Atlantic LP 1227), drew heavily upon the pianist's outstanding session of July 20, 1949. This ninth installment in the complete recordings of Erroll Garner on Classics places that session in context by presenting eight titles recorded for Savoy exactly one month earlier, together with four selections gleaned from a Gene Norman Just Jazz concert in Los Angeles. These are enjoyable tidbits, but the previously mentioned Atlantic session is the real treasure. This is chamber jazz of the highest order. While some critics and commentators seem to chafe at Garner's ethereal tendencies during ballads and introspective interludes, it is precisely these graceful moments that contrast so nicely with his familiar rambunctious manner. Maybe that's why this particular compilation feels so wonderfully well balanced. Garner gets his licks in with Rodgers & Hart and Fields & McHugh, floats through a Ravel "Pavanne" and a Debussy "Reverie," answers these mysteries with his own "Impressions" and private visions of "Twilight" and "Turquoise," muses over Hoagy Carmichael's "Skylark," and closes with Jerome Kern's "The Way You Look Tonight," a beautiful rendering that belongs among his very greatest achievements on record for its theatrical timing, ebullient pacing, and immaculate execution. arwulf arwulf  
Tracklist + Credits :

ERROLL GARNER – 1949-1950 | The Classics Chronological Series – 1205 (2001) FLAC (tracks+.cue), lossless

The four tracks that open this tenth volume in the Classics Erroll Garner chronology represent a sort of distilled essence of Garner. They are a marvelous byproduct of a special sort of artistic chemistry that existed between the diminutive Pittsburgh pianist, bassist John Simmons, and drummer Alvin Stoller. 

Soon after these two rosy bounces, each backed with a pair of lush ballads, were brought out on the modest Portrait record label, the masters were snapped up, reissued, and widely disseminated by Savoy. On August 23, 1949, Erroll Garner's trio provided musical accompaniment for mellifluous crooner Johnny Hartman. These four Mercury recordings, rare examples of Garner the accompanist, form a languid bridge between Hartman's formative years with Earl Hines and Dizzy Gillespie and his magnificent later work with Howard McGhee and John Coltrane. Using the same players, bassist Leonard Gaskin and drummer Charlie Smith, Garner polished off eight delightful sides for the 3 Deuces label on September 8, 1949. "Scatter Brain," made famous by saxophonist and bandleader Freddy Martin, here seems as rambunctious as the personality of the pianist who has gotten a hold of it. His "What Is This Thing Called Love?" is almost as magical as James P. Johnson's groundbreaking version of 1930. Garner's wonderfully slow treatment of "I Let a Song Go Out of My Heart" carries with it a cloud of blues and soul that might not have materialized at a quicker tempo. This artist's full majesty is in evidence during ruminative readings of Gordon Jenkins' "Goodbye" and Thomas Waller's "Jitterbug Waltz." A rare 1950 piano solo, originally issued on the Futurama label, is followed with eight equally uncommon sides from the Royal Roost catalog featuring once again bassist John Simmons and now drummer Harold "Doc" West. "Bonny Boy" is of course Garner's private approach to "Danny Boy," the Irish air from County Derry. In addition to initiating a smart stroll up Hoagy Carmichael's "Lazy River," this excellent session enabled the pianist to stretch out and explore several bop-informed improvisation vehicles of his own devising: "Minor with the Trio," "Tippin' Out with Erroll," and "Relaxin' at Sugar Ray's." This volume of vintage mid-20th century piano jazz belongs among the best Erroll Garner compilations in the Classics catalog, or anywhere else for that matter. As an extra treat the CD packaging provides a friendly snapshot of Erroll Garner relaxing in the company of Sarah Vaughan and Mitch Miller. arwulf arwulf  
Tracklist + Credits :

BENNY GOODMAN AND HIS ORCHESTRA – 1942 | The Classics Chronological Series – 1324 (2003) FLAC (tracks), lossless

Tracklist :

GEORGE AULD – 1946-1951 | The Classics Chronological Series – 1371 (2004) FLAC (tracks+.cue), lossless

Volume three in the Classics Georgie Auld chronology opens with the last four sides he cut for the Musicraft label on June 14, 1946. The 16-piece big band had Neal Hefti in the trumpet section, Auld, Al Cohn and Serge Chaloff in the reeds, and vocalist Sarah Vaughan featured on "You're Blasé." While Hefti's two original compositions are pleasantly modern sounding, the true gem from this date was Budd Johnson's rock-solid "Canyon Passage." Changes in the postwar entertainment industry resulted in the dissolution and dispersal of many big bands. Auld threw in the towel and waited about two-and-a-half years before resuming his recording career on January 17, 1949. His new band had ten pieces, including trombonist Billy Byers, pianist Jimmy Rowles and drummer Alvin Stoller. Eight sides cut for the Discovery record label on this date and on March 21 used mostly Hal Vernon arrangements; Byers scored the charts for "Hollywood Bazaar" and "Mild and Mellow." (For a 100-percent satisfying example of Auld leading a ten-piece band similar to this one, seek out You Got Me Jumpin' (Sounds of Yesteryear 6680), recorded live at the Empire in Hollywood, CA, 1949.) The next leg of the chronology consists of nine titles recorded for the Royal Roost record label on January 24, 1951 by the Georgie Auld Quintet, with trombonist Frank Rosolino, pianist Lou Levy, bassist Max Bennett and drummer Tiny Kahn, whose eccentric opus "Seh! Seh!" is group participation bop; the band shouts the song's title at regular intervals as part of the melodic line. This little-known session hatched a veritable goldmine of cruising cookers and luscious ballads; "Taps Miller" and "New Airmail Special" are particularly piquant. arwulf arwulf
Tracklist + Credits :

COLEMAN HAWKINS | BEN WEBSTER - Coleman Hawkins Encounters Ben Webster (1959-1997) RM | FLAC (tracks+.cue), lossless

W/ Ben Webster. These aren't encounters in the confrontational sense, but a merger of great musical minds. by Ron Wynn
Tracklist :
1 Blues For Yolande
Written-By – Hawkins
2 It Never Entered My Mind
Written-By – Rodgers-Hart
3 Rosita
Written-By – Haenschen, O'Keefe
4 You'd Be Nice To Come Home To
Written-By – Porter
5 Prisoner Of Love
Written-By – Gaskill, Robin, Colombo
6 Tangerine
Written-By – Mercer, Schertzinger
7 Shine On Harvest Moon
Written-By – Norwith, Bayes
Credits :
Bass – Ray Brown
Drums – Alvin Stoller
Guitar – Herb Ellis
Piano – Oscar Peterson
Saxophone [Tenor] – Ben Webster, Coleman Hawkins

COLEMAN HAWKINS - Coleman Hawkins and His Confreres (1961-1988) RM | FLAC (tracks+.cue), lossless

Coleman & Confreres. Ben Webster (ts), Roy Eldridge (tpt), and Hawkins head things up. This is one of the few worthwhile releases in this special Alpha series. Ron Wynn
Tracklist :
1    Maria 6'31
Written-By – Coleman Hawkins
2    Cocktails For Two
Written-By – Arthur Johnston, Sam Coslow
3    Sunday 5'20
Written-By – Bernie Krueger, Chester Cohn, Jule Styne, Ned Miller
4    Hanid 4'52
Written-By – Coleman Hawkins
5    Honey Flower (Master) 8'41
Written-By – Coleman Hawkins
6        Nabob 9'27
Written-By – Coleman Hawkins
7        Honey Flower (Alternate)
Written-By – Coleman Hawkins
Credits :
Bass – George Duvivier (pistas: 3 to 7), Ray Brown (pistas: 1, 2)
Drums – Alvin Stoller (pistas: 1, 2), Mickey Sheen (pistas: 3 to 7)
Guitar – Herb Ellis (pistas: 1, 2)
Piano – Hank Jones (pistas: 3 to 7), Oscar Peterson (pistas: 1, 2)
Producer – Norman Granz
Remastered By – Thomas Ruff
Tenor Saxophone – Ben Webster (pistas: 1, 2), Coleman Hawkins
Trumpet – Roy Eldridge (pistas: 3 to 7)

COLEMAN HAWKINS - "The Bean" (1993) FLAC (tracks), lossless

Tracklist :
1    Coleman Hawkins Quintet–    The World Is Waiting For The Sunrise    3:49
2    Coleman Hawkins Quintet–    Ill Wind    5:34
3    Coleman Hawkins Quintet–    My Melancholy Baby    4:08
4    Coleman Hawkins Quintet–    In A Mellotone    4:45
5    Coleman Hawkins' Band–    Ain't Misbehavin'    7:34
6    Coleman Hawkins' Band–    Stompin' At The Savoy    6:18
7    Coleman Hawkins–    Midnight Sun    2:51
8    Coleman Hawkins Acc By Billy Byers And His Orchestra–    The Bean Stalks Again    3:25
9    Coleman Hawkins' Band–    Out Of Nowhere    6:46
10    Coleman Hawkins Acc By Neal Hefti's Orchestra–    Lucky Duck    2:44
11    Coleman Hawkins Quintet–    I Can't Get Started    2:52
12    Coleman Hawkins Acc By Neal Hefti's Orchestra–    Ruby    2:24
13    Coleman Hawkins And His Orchestra–    And So To Sleep Again    2:52
14    Coleman Hawkins' Band–    Get Happy    5:34
15    Coleman Hawkins–    Foolin' Around    1:20
16    Coleman Hawkins Quartet–    The Man I Love    6:48
Credits :
Bass – Ray Brown, Wendell Marshall
Drums – Alvin Stoller, Art Blakey, Jo Jones
Electric Guitar – Herb Ellis
Piano – Hank Jones, Horace Silver, Oscar Peterson
Tenor Saxophone – Coleman Hawkins, Zoot Sims
Trombone – Billy Byers, Eddie Bert, Urbie Green
Trumpet – Emmett Berry, Howard McGhee, Neal Hefti
Notas.
Track 5,6,9,14 New York, November 8, 1954
Track 1,2,3,4 Los Angeles, October 24, 1957
Track 7 New York, February 26, 1952
Track 8 New York, January 18, 1956
Track 10,12 New York, April 27, 1953
Track 11 New York, Birdland, September 6, 1952
Track 13 New York, October 19, 1951
Track 15,16 New York, Phytian Temple, November 7, 1955

VICKY LANE - I Swing For You (1959-2010) Mp3

This RCA Victor LP marked the recording debut of Vicky Lane, a native of Ireland who was also an actress. Although gifted with an attractive voice in the alto range, Lane evidently didn't make much of an impression with record buyers, as this also seems to be the only recording under her name. This doesn't mean this is a bad record; in fact, she shows a lot of promise for a first time recording artist, assisted by Pete Candoli's swinging arrangements and a supporting cast that also includes Jimmy Rowles, Barney Kessel, Alvin Stoller, and Joe Mondragon, along with a host of additional percussionists.  by Ken Dryden
Tracklist:
1 The Trolley Son 2:21
Ralph Blaine / Hugh Martin
2 Our Very Own 3:15
Jack Elliott / Victor Young
3 My Romance 2:50
Lorenz Hart / Richard Rodgers
4 You Hit the Spot 2:03
Mack Gordon / Harry Revel
 5 Love Isn't Born (It's Made) 3:52
Frank Loesser / Arthur Schwartz
 6 My Heart Stood Still 2:51
Lorenz Hart / Richard Rodgers
 7 They Say It's Wonderful 2:40
Irving Berlin
8 The Song Is You 2:35
Oscar Hammerstein II / Jerome Kern
9 Long Ago (And Far Away) 2:22
Ira Gershwin / Jerome Kern
10 I Love You 1:58
Cole Porter
11 Right as the Rain 2:18
Harold Arlen
12 This Heart of Mine 1:44
Vicky Lane
Credits :
Arranged By, Conductor, Trumpet – Pete Candoli
Bass – Joe Mondragon
Drum – Alvin Stoller, Larry Bunker
Guitar – Barney Kessel
Percussion – Gene Estes, John Cyr, Lou Singer, Milt Holland, Ralph Hansell
Piano – Jimmy Rowles, Johnny Williams
Vocals – Vicky Lane

COLEMAN HAWKINS - The Genius of Coleman Hawkins (1957-1986) FLAC (tracks+.cue), lossless

Genius may not be the right word, but "brilliance" certainly fits. At the age of 51 in 1957, Hawkins had already been on records for 35 years and had been one of the leading tenors for nearly that long. This date matches him with the Oscar Peterson Trio (plus drummer Alvin Stoller) for a fine run-through on standards. Hawk plays quite well, although the excitement level does not reach the heights of his sessions with trumpeter Roy Eldridge. by Scott Yanow
Tracklist:
1 I'll Never Be the Same 3:29
Gus Kahn / Matty Malneck / Frank Signorelli
2 You're Blasé 3:35
Ord Hamilton / Bruce Sievier
3 I Wished on the Moon 3:38
Dorothy Parker / Ralph Rainger
4 How Long Has This Been Going On? 3:54
George Gershwin / Ira Gershwin
5 Like Someone in Love 3:55
Johnny Burke / James Van Heusen
6 My Melancholy Baby 4:08
Ernie Burnett / George Norton
7 Ill Wind 5:33
Harold Arlen / Ted Koehler
8 In a Mellow Tone 4:45
Duke Ellington / Milt Gabler
9 There's No You 3:25
Tom Adair / Hal Hopper
10 The World Is Waiting for the Sunrise 3:49
Eugene Lockhart / Ernest Seitz
11 Somebody Loves Me 3:51
Buddy DeSylva / George Gershwin / Ballard MacDonald
12 Blues for Rene 3:03
Coleman Hawkins
Credits:
Bass – Ray Brown
Drums – Alvin Stoller
Guitar – Herb Ellis
Piano – Oscar Peterson
Producer [Original Session] – Norman Granz
Saxophone [Tenor] – Coleman Hawkins

VICKY LANE - I Swing For You (1959-2010) Mp3

This RCA Victor LP marked the recording debut of Vicky Lane, a native of Ireland who was also an actress. Although gifted with an attractive voice in the alto range, Lane evidently didn't make much of an impression with record buyers, as this also seems to be the only recording under her name. This doesn't mean this is a bad record; in fact, she shows a lot of promise for a first time recording artist, assisted by Pete Candoli's swinging arrangements and a supporting cast that also includes Jimmy Rowles, Barney Kessel, Alvin Stoller, and Joe Mondragon, along with a host of additional percussionists.
Track Listing
1 The Trolley Son 2:21
Ralph Blaine / Hugh Martin
2 Our Very Own 3:15
Jack Elliott / Victor Young
3 My Romance 2:50
Lorenz Hart / Richard Rodgers
4 You Hit the Spot 2:03
Mack Gordon / Harry Revel
 5 Love Isn't Born (It's Made) 3:52
Frank Loesser / Arthur Schwartz
 6 My Heart Stood Still 2:51
Lorenz Hart / Richard Rodgers
 7 They Say It's Wonderful 2:40
Irving Berlin
8 The Song Is You 2:35
Oscar Hammerstein II / Jerome Kern
9 Long Ago (And Far Away) 2:22
Ira Gershwin / Jerome Kern
10 I Love You 1:58
Cole Porter
11 Right as the Rain 2:18
Harold Arlen
12 This Heart of Mine 1:44
Vicky Lane
Personnel: 
Pete Candoli, Barney Kessel, Johnny Williams, Joe Mondragon, Alvin Stoller, Larry Bunker, Milt Holland, Lou Singer, Ralph Hansell, Johnny Cyr, Gene Estes