Tracklist :
1. Meet Me In The Bottom (Hey Lawdy Mama) 2:49
2. No Good Woman (Fighting Blues) 2:48
3. When The Music Sounds Good 2:48
4. When I Get My Money (I Mean That Bonus) 3:07
5. New Bricks In My Pillow 2:32
6. New Big 80 Blues 2:29
7. New Policy Dream Blues 2:57
8. Back In Jail Again 2:35
9. Wet Clothes Blues 2:49
10. Any Time A Night 2:55
11. Fast Life Blues 2:49
12. Rock Hearted Woman 3:04
13. Cry On! Cry On! 3:05
14. Ease Me Down 2:53
15. Hard Driving Man 2:54
16. Must I Keep On Crying 2:58
17. Funny Feelin' 3:08
18. Lady Friend (Get Yourself A Job) 3:03
19. Letter Writing 3:10
20. Upside Down (Since My Baby Get Away) 2:17
21. New How Long How Long 2:50
22. Honest Confession 3:10
23. Christmas And No Santa Claus 3:05
24. Buggie Bed 2:58
Credits :
Clarinet, Vocals [2nd Voice/Poss.] – Arnett Nelson (tracks: 3)
Compilation Producer – Johnny Parth
Guitar – Bill Gaither (tracks: 13 to 24)
Guitar [Poss.] – Bumble Bee Slim (tracks: 7, 9 to 12)
Guitar [Prob.] – Bumble Bee Slim (tracks: 1), Tampa Red (tracks: 3)
Liner Notes – Jerry Zolten
Piano – Honey Hill (tracks: 13 to 24), Myrtle Jenkins (tracks: 5 to 12), Peetie Wheatstraw (tracks: 1, 2)
Piano [Prob.] – Myrtle Jenkins (tracks: 3, 4)
Remastered By – Gerhard Wessely
Speech – Bumble Bee Slim (tracks: 3)
Trombone – Roy Palmer (tracks: 3)
Vocals – Bumble Bee Slim, Peetie Wheatstraw (tracks: 2)
24.2.26
BUMBLE BEE SLIM — Complete Recorded Works In Chronological Order Volume 6 · 1936 | DOCD-5266 (1994) FLAC (tracks+.cue), lossless
23.2.26
THE HOKUM BOYS & BOB ROBINSON — The Complete Recorded Works 1935-1937 In Chronological Order | DOCD-5237 | RM | FLAC (tracks), lossless
Tracklist :
1. The Hokum Boys– Caught Us Doing It 2:36
Double Bass [Sb] – Bill Settles
Guitar – Big Bill Broonzy
Speech – Teddy Edwards
Vocals, Guitar – Casey Bill Weldon
2. The Hokum Boys– I Ain't Going That Way 3:02
Double Bass [Sb] – Bill Settles
Guitar – Big Bill Broonzy
Vocals, Guitar – Casey Bill Weldon
3. The Hokum Boys– Keep Your Mind On It 3:02
Double Bass [Sb; prob.] – Bill Settles
Guitar – Casey Bill Weldon
Guitar, Vocals – Big Bill Broonzy
Washboard, Vocals [Uncredited] – Washboard Sam
4. The Hokum Boys– I'm Gonna Get It 3:02
Double Bass [Sb; prob.] – Bill Settles
Guitar – Big Bill Broonzy
Guitar, Vocals – Casey Bill Weldon
Washboard, Vocals [Uncredited] – Washboard Sam
5. The Hokum Boys– I'm Gonna Get It 3:06
Double Bass [Sb; prob.] – Bill Settles
Guitar – Big Bill Broonzy
Guitar, Vocals – Casey Bill Weldon
Washboard, Vocals – Washboard Sam
6. The Hokum Boys– I'm Gonna Tell My Mama On You 2:57
Double Bass [Sb] – Bill Settles
Guitar – Big Bill Broonzy
Guitar, Vocals [Vocal Chorus] – Casey Bill Weldon
Piano – Black Bob
Vocals – Teddy Edwards
7. The Hokum Boys– Nancy Jane 3:00
Double Bass [Sb] – Bill Settles
Guitar, Vocals – Big Bill Broonzy
Guitar, Vocals [Vocal Chorus] – Casey Bill Weldon
Piano – Black Bob
8. Chicago Five– I Ain't Gonna Do It 3:19
Clarinet – Arnett Nelson
Guitar [possibly] – Tampa Red
Guitar [probably] – Big Bill Broonzy
Piano [possibly] – Black Bob
Vocals – Bob Robinson
Vocals [2nd v.] – Unknown Artist
Washboard [probably], Wood Block [probably], Percussion [effects, probably] – Washboard Sam
9 Chicago Five– I'm A Gamblin' Man 2:56
Clarinet – Arnett Nelson
Guitar [possibly] – Tampa Red
Guitar [probably] – Big Bill Broonzy
Piano [possibly] – Black Bob
Vocals – Bob Robinson
Vocals [2nd v.] – Unknown Artist
Washboard [probably], Wood Block [probably], Percussion [effects, probably] – Washboard Sam
10. The Hokum Boys– Do You Catch On 3:07
Clarinet – Arnett Nelson
Double Bass [Sb] – Bill Settles
Guitar – Big Bill Broonzy
Piano – Black Bob
Vocals [2nd v.] – Unknown Artist
Vocals [probably] – Bob Robinson
11. The Hokum Boys– Something Good 2:59
Clarinet – Arnett Nelson
Double Bass [Sb] – Bill Settles
Guitar – Big Bill Broonzy
Piano – Black Bob
Vocals [2nd v.] – Unknown Artist
Vocals [probably] – Bob Robinson
12. The Hokum Boys– Every Man For Himself 3:03
Clarinet [probably] – Arnett Nelson
Double Bass [Sb; prob.] – Bill Settles
Piano – Black Bob
Vocals [probably] – Bob Robinson
13. The Hokum Boys (2)– You Can't Have None Of That 3:03
Clarinet [probably] – Arnett Nelson
Double Bass [Sb; prob.] – Bill Settles
Piano – Black Bob
Vocals [probably] – Bob Robinson
14. Bob Robinson And His Bob-Cats– Down In The Alley 3:28
Double Bass [Sb] – Unknown Artist
Piano [possibly] – Myrtle Jenkins
Piano [probably] – Frank "Springback" James
Trumpet – "Mr. Sheiks"
Vocals – Bob Robinson
15. Bob Robinson And His Bob-Cats– Makin' A Fool Out Of Me 3:18
Double Bass [Sb] – Unknown Artist
Piano [possibly] – Myrtle Jenkins
Piano [probably] – Frank "Springback" James
Trumpet – "Mr. Sheiks"
Vocals – Bob Robinson
16. Bob Robinson And His Bob-Cats– Can Use It Myself 3:07
Double Bass [Sb] – Unknown Artist
Piano [possibly] – Myrtle Jenkins
Piano [probably] – Frank "Springback" James
Trumpet – "Mr. Sheiks"
Vocals – Bob Robinson
17. Bob Robinson And His Bob-Cats– She's A Mellow Thing 3:07
Double Bass [Sb] – Unknown Artist
Piano [possibly] – Myrtle Jenkins
Piano [probably] – Frank "Springback" James
Trumpet – "Mr. Sheiks"
Vocals – Bob Robinson
18. The Hokum Boys– Swing That Thing 2:55
Clarinet [probably] – Arnett Nelson
Double Bass [Sb; prob.] – Bill Settles
Piano – Aletha Robinson
Vocals [probably] – Bob Robinson
19. The Hokum Boys– Georgia Mule 2:51
Clarinet [probably] – Arnett Nelson
Double Bass [Sb; prob.] – Bill Settles
Piano – Aletha Robinson
Vocals [probably] – Bob Robinson
20. Bob Robinson Trio– Crying For Love 2:57
Clarinet [probably] – Arnett Nelson
Double Bass [Sb] – Unknown Artist
Piano – Unknown Artist
Vocals – Bob Robinson
21. Bob Robinson Trio– Heart-Breaking Blues 2:53
Clarinet [probably] – Arnett Nelson
Double Bass [Sb] – Unknown Artist
Piano – Unknown Artist
Vocals – Bob Robinson
22. The Hokum Boys– It Started In The Garden Of Eden 2:53
Clarinet [probably] – Arnett Nelson
Double Bass [Sb; prob.] – Bill Settles
Piano – Aletha Robinson
Vocals [probably] – Bob Robinson
23. The Hokum Boys– It Started In The Garden Of Eden 2:51
Clarinet [probably] – Arnett Nelson
Double Bass [Sb; prob.] – Bill Settles
Piano – Aletha Robinson
Vocals [probably] – Bob Robinson
24. The Hokum Boys– Just Diddling Around 2:55
Clarinet [probably] – Arnett Nelson
Double Bass [Sb; prob.] – Bill Settles
Piano – Aletha Robinson
Vocals [probably] – Bob Robinson
25. The Hokum Boys (7)– You Got Your Ribs Out Of Pawn 2:59
Clarinet [probably] – Arnett Nelson
Double Bass [Sb; prob.] – Bill Settles
Piano – Aletha Robinson
Vocals [probably] – Bob Robinson
FRANKIE "Half-Pint" JAXON — Complete Recorded Works In Chronological Order Volume 1 · 1926-1929 | DOCD-5258 (1994) FLAC (tracks+.cue), lossless
At five feet two inches in height, Frankie "Half Pint" Jaxon was one of the tiniest performers in all of early to mid-20th century African-American entertainment. His often disarmingly funny vocal outbursts were delivered in tones that led and still lead many listeners to mistake him for a woman. Not surprisingly, Half Pint was an accomplished female impersonator as well as a comedian, dancer, pianist, saxophonist, songwriter, bandleader, and stage manager. Born in 1895 in Montgomery, AL, he came up in Kansas City and spent years touring the black vaudeville circuit (sometimes assisting Ma Rainey and Bessie Smith) while operating mainly out of Chicago. On this first of three volumes, which covers his entire output dating from May 1926 through July 1929, Half Pint is heard with pianists Blanche Smith Walton, Cow Cow Davenport, and Georgia Tom Dorsey; guitarist Tampa Red, cornetist Freddie Keppard, Banjo Ikey Robinson & His Bull Fiddle Band, New Orleans bassist Bill Johnson's Louisiana Jug Band, and the Cotton Top Mountain Sanctified Singers, who back him on "She's Coming Round the Mountain," otherwise known as "Charmin' Betsy" and recorded around the same time by traveling Texas folk/blues troubadour Henry Thomas. Tune for tune, this first volume is by far the best Half Pint collection ever put together on CD. It contains some of his most dazzling performances ("I'm Gonna Steal You," "Corrine," "My Four Reasons," "Get the 'L' on Down the Road") in addition to two recordings that contain some of his very best moments on record, and therefore the best examples of his artistry. "Don't Drink It in Here" is an outrageously funny depiction of a police raid on a good time flat, while "Willie the Weeper" is the perfect encapsulation of Half Pint's one-of-a-kind delivery, complete with high pitched guffaws and a punchy rhythmic pacing that other singers were rarely able to achieve or sustain. arwulf arwulf
Tracklist :
1. Frankie Jackson– Hannah Fell In Love With My Piano 2:57
Piano – De Lloyd Barnes
Vocals – Frankie Jackson
2. Frankie Jackson– If That Don’t Get It - This Sho’ Will 2:43
Piano – De Lloyd Barnes
Vocals – Frankie Jackson
3. Frankie "Half Pint" Jaxon– Can’t You Wait Till You Get Home (12919)
Piano – Blanche Smith Walton
Vocals – Frankie "Half Pint" Jaxon
4. Frankie "Half Pint" Jaxon– I’m Gonna Steal You 2:33
Piano – Blanche Smith Walton
Vocals – Frankie "Half Pint" Jaxon
5. Frankie "Half Pint" Jaxon– Willie The Weeper 2:23
Piano – Blanche Smith Walton
Vocals – Frankie "Half Pint" Jaxon
6. Frankie "Half Pint" Jaxon– She Got It 2:14
Piano [probably] – Blanche Smith Walton
Vocals – Frankie "Half Pint" Jaxon
7. Frankie "Half Pint" Jaxon– I’m Gonna Dance Wit De Guy Wot Brung Me 2:36
Piano [probably] – Blanche Smith Walton
Vocals – Frankie "Half Pint" Jaxon
8. Frankie "Half Pint" Jaxon– Corinne 2:10
Piano – Blanche Smith Walton
Vocals – Frankie "Half Pint" Jaxon
9. Frankie "Half Pint" Jaxon– Hit Ta Ditty Low Down 2:46
Cornet [probably] – Freddie Keppard
Piano [probably] – Hound Head Henry
Vocals – Frankie "Half Pint" Jaxon
10. Frankie "Half Pint" Jaxon– Down At Jasper’s Bar-B-Que 2:45
Cornet [probably] – Freddie Keppard
Piano [probably] – Cow Cow Davenport
Vocals – Frankie "Half Pint" Jaxon
11. Frankie "Half Pint" Jaxon– How Can I Get It? 2:56
Piano [probably] – Cow Cow Davenport
Vocals – Frankie "Half Pint" Jaxon
12. Frankie "Half Pint" Jaxon– Fan It (Take A) 2:57
Piano – Unknown Artist
Vocals – Frankie "Half Pint" Jaxon
13. Frankie "Half Pint" Jaxon– Fan It (Take B) 3:26
Guitar – Unknown Artist
Piano – Unknown Artist
Vocals – Frankie "Half Pint" Jaxon
Wood Block – Unknown Artist
14. "Banjo Ikey" Robinson And His Bull Fiddle Band– My Four Reasons
Acoustic Bass – Bill Johnson
Banjo – Ikey Robinson
Percussion – Unknown Artist
Piano – William Barbee
Violin – R. Waugh
Vocals – Frankie "Half Pint" Jaxon
15. "Banjo Ikey" Robinson And His Bull Fiddle Band– Rock Me Mama
Acoustic Bass – Bill Johnson
Banjo – Ikey Robinson
Violin – R. Waugh
Vocals – Frankie "Half Pint" Jaxon
Washboard – Unknown Artist
16. Frankie "Half Pint" Jaxon– Let’s Knock A Jug
Banjo – Ikey Robinson
Clarinet [possibly], Alto Saxophone [possibly] – Arnett Nelson
Clarinet [probably], Alto Saxophone [probably] – Lem Johnson
Drums [possibly] – Sid Catlett
Piano – Jimmy Flowers
Vocals – Frankie "Half Pint" Jaxon
17. Frankie "Half Pint" Jaxon– Can’t You Wait Till You Get Home (C-2952)
Banjo – Ikey Robinson
Clarinet [possibly], Alto Saxophone [possibly] – Arnett Nelson
Clarinet [probably], Alto Saxophone [probably] – Lem Johnson
Piano – Jimmy Flowers
Vocals – Frankie "Half Pint" Jaxon
18. Cotton Top Mountain Sanctified Singers– She’s Coming Round The Mountain 2:59
Brass Bass – Unknown Artist
Cornet – Punch Miller
Piano – Unknown Artist
Vocals – Frankie "Half Pint" Jaxon
Vocals [Vcl Group] – Unknown Artist
19. Bill Johnson's Louisiana Jug Band– Get The "L" On Down The Road 2:55
Acoustic Bass, Speech – Bill Johnson
Kazoo, Jug, Vocals – Unknown Artist
Percussion – Unknown Artist
Piano – Georgia Tom Dorsey
Vocals – Frankie "Half Pint" Jaxon
20. Bill Johnson's Louisiana Jug Band– Don’t Drink It In Here 2:50
Acoustic Bass, Speech – Bill Johnson
Piano, Speech – Georgia Tom Dorsey
Vocals – Frankie "Half Pint" Jaxon
21. Frankie "Half Pint" Jaxon– It’s Heated 3:32
Guitar – Tampa Red
Piano – Georgia Tom Dorsey
Scraper – Unknown Artist
Vocals – Frankie "Half Pint" Jaxon
22. Frankie "Half Pint" Jaxon– Jive Man Blues
Guitar – Tampa Red
Piano – Georgia Tom Dorsey
Scraper – Unknown Artist
Vocals – Frankie "Half Pint" Jaxon
23. Frankie "Half Pint" Jaxon– Corinne Blues 2:57
Clarinet [possibly] – Vance Dixon
Clarinet [probably] – Lem Johnson
Piano [possibly] – Georgia Tom
Vocals – Frankie "Half Pint" Jaxon
24. Frankie "Half Pint" Jaxon– Operation Blues 3:10
Clarinet [possibly] – Vance Dixon
Clarinet [probably] – Lem Johnson
Drums [possibly] – Jasper Taylor
Piano [possibly] – Georgia Tom
Vocals – Frankie "Half Pint" Jaxon
15.2.25
MA RAINEY — The Complete 1928 Sessions In Chronological Order with TUB JUG WASHBOARD BAND, TAMPA RED & GEORGIA TOM | DOCD-5156 (1991) RM | FLAC (tracks+.cue), lossless
Ma Rainey's final 23 recordings find her stubbornly bucking the tides of stylistic change by working with accompanists who played up the rural folk blues element. Exhibit A is her Tub Jug Washboard Band, a scruffy little outfit securely moored by the sounds of Carl Reid huffing on a whiskey jug with banjo licks by Martell Pettiford, kazoo and washboard by one Herman Brown, and Georgia Tom Dorsey at the piano. The blend of sounds and textures was very successful, and it is this session that gave the world "Hear Me Talking to You," the "Hustlin' Blues," and "Prove It on Me Blues," a proud statement from a woman who prefers the intimate company of other females. With "Daddy Goodbye Blues" Rainey appears like the setting sun as she scales her accompaniment down to Dorsey's piano and some very fine guitar playing by Hudson Whitaker, also known as Tampa Red. These are some of the most authentically bluesy recordings of her entire career. In the refrain from the "Black Eye Blues," an unflinching report on domestic violence, the singer addresses her abuser with the words: "You low down alligator/just watch me, sooner or later/I'll catch you with your britches down." Rainey's last two recordings were duets performed in October and December 1928 with singing banjoist Papa Charlie Jackson. "Ma and Pa Poorhouse Blues" depicts two old friends faced with economic hardship. Charlie Jackson's other important appearance on records was as the gritty vocalist with Freddie Keppard's Jazz Cardinals on the 1926 recording of "Salty Dog." He is the perfect counterpart for Ma Rainey on her very last record. arwulf arwulf
Tracklist :
1 Ma Rainey– Black Cat Hoot Owl Blues 2:28
2 Ma Rainey– Log Camp Blues 2:54
3 Ma Rainey– Hear Me Talking To You 3:00
4 Ma Rainey– Hustlin' Blues 2:36
5 Ma Rainey– Prove It On Me Blues 2:40
6 Ma Rainey– Victim Of The Blues 2:34
7 Ma Rainey– Traveling Blues 2:43
8 Ma Rainey– Deep Moaning Blues (take 1) 2:58
9 Ma Rainey– Deep Moaning Blues (take 2) 2:43
10 Ma Rainey– Daddy Goodbye Blues 3:12
11 Ma Rainey– Sleep Talking Blues (take 1) 3:10
12 Ma Rainey– Sleep Talking Blues (take 2) 3:16
13 Ma Rainey– Tough Luck Blues 3:05
14 Ma Rainey– Blame It On The Blues 3:09
15 Ma Rainey– Sweet Rough Man 3:05
16 Ma Rainey– Runaway Blues 2:26
17 Ma Rainey– Screech Owl Blues 2:56
Piano [Poss.] – Myrtle Jenkins
Vocals – Ma Rainey
18 Ma Rainey– Black Dust Blues 2:52
Piano [Poss.] – Myrtle Jenkins
Vocals – Ma Rainey
19 Ma Rainey– Leaving This Morning 3:08
20 Ma Rainey– Black Eye Blues (take 1) 3:18
21 Ma Rainey– Black Eye Blues (take 2) 3:12
22 Ma Rainey And Papa Charlie Jackson– Ma And Pa Poorhouse Blues 3:03
Vocals – Ma Rainey
Vocals, Banjo – Papa Charlie Jackson
23 Ma Rainey And Papa Charlie Jackson– Big Feeling Blues 2:45
Vocals – Ma Rainey
Vocals, Banjo – Papa Charlie Jackson
11.2.25
COW COW DAVENPORT — Complete Recorded Works In Chronological Order ★ Volume 1 • 1925 to 1929 | DOCD- 5141 (1992) RM | FLAC (tracks+.cue), lossless
Abridged from this albums original booklet notes. Through the efforts of early jazz enthusiasts we know more about Charles “Cow Cow” Davenport than any of the pioneer blues and boogie pianists. Born in 1894 in Anniston, Alabama into a religious and musical family, he taught himself on the church organ. A brief sojourn at the Theological Seminary, Selma was terminated in 1910 when he played piano too freely for a function where the students marched (dancing was not allowed) and “the girls got so frisky they couldn’t march in time”. This incident was to inspire his most popular and enduring song, Mama Don’t Allow No Music Playing Here while the general disapproval of church people for the music he wanted to play led to his coining the term “boogie woogie”. As badly behaved children would be threatened with the “boogie man” (“bogey man”) Davenport said, “I called my music ‘Boogie’ music”. Note that in Davenport’s dictionary the phrase covered all the music “in the honky tonks, joints where nice people did not go”.
A short-lived (one year) marriage to a blues singer pianist Helen Rivers led to Cow Cow Blues (Railroad Blues) his most famous song: “I was so blue I commenced to get drunk. I went from honky tonk to honky tonk drinking everything I could get my hands on. When I walked out on stage that night I could hardly stand up straight. But I had sense enough to pretend like it was part of the act. I made up some words right there on the spot and began to sing my sadness:
Lord I woke up this morning, my gal was gone Fell out my bedside, hung my head and moaned Went down to state and I couldnt be satisfied Had those Railroad Blues I just too mean to cry
His despair was short-lived too for he met singer Dora Carr who “pestered” him until they teamed up and worked the T.O.B.A. circuit as Davenport And Carr. Laid off in New Orleans they met Ralph Peer who sent them to New York and the first recordings as a vocal duo for Okeh followed in 1924 with Clarence Williams on piano and it was to be a year before Cow Cow Davenport was to play piano on record. Even then the session for Gennett went unissued (possibly because of the Okeh contract?) and it was later that year that Williams allowed him to accompany Dora on Cow Cow Blues. One more Davenport And Carr duo the next year (see BDCD-6040) and the relationship with Dora and, it seems, Okeh broke up. A Paramount session in 1927 with new partner Ivy Smith had violin accompaniment from Leroy Pickett and cornet by B. T. Wingfield who was in Pickett’s band at the Apollo Theatre, Chicago but 1928 and ’29 were the boom years with over twenty sessions for Vocalion and Gennett with Ivy Smith, novelty numbers with his new discovery Sam Theard, accompaniments to Hound Head Henry, probably Jim Towel and Memphis Joe (BDCD-6041) and brilliant solo sessions in a rich variety of styles. Along the definitive Cow Cow Blues and State Street Jive, great classics of Blues piano, Alabama Strut and Atlanta Rag were consummate ragtime while Mootch Piddle hinted at his vaudeville comedy routines. Cow Cow Blues was his most influential number but Dirty Ground Hog was even recalled by John Lee Hooker at his 1952 Chess session. Constantly in demand Cow Cow Davenport must have thought the good times were going to last for ever. DOCD-5141
Tracklist :
1 Cow Cow Blues 2:53
2 Alabama Mistreater 3:01
3 Jim Crow Blues 3:07
4 Goin' Home Blues 3:18
5 New Cow Cow Blues 2:53
6 Stealin' Blues 2:38
7 Cow Cow Blues [Take 1] 3:05
8 Cow Cow Blues [Take 2] 3:10
9 State Street Jive [Take 1] 3:01
10 State Street Jive [Take 2] 3:04
11 Chimin' The Blues 3:11
12 Alabama Strut 2:52
13 Alabama Mistreater 2:53
14 Dirty Ground Hog (Blues) 2:51
15 Chimes Blues 3:19
16 Struttin' The Blues 3:07
17 Givin' It Away 2:28
18 Slow Drag 3:15
19 Atlanta Drag 3:11
20 That'll Get It 3:22
21 I'm Gonna Tell You In Front So You Won't Be Hurt Behind 3:24
22 State Street Blues 2:49
23 Back In The Alley 2:56
24 Mootch Piddle 2:53

13.1.25
TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 1 • 1928-1929 | DOCD-5073 (1991) RM | FLAC (tracks+.cue), lossless
Abridged from this album’s original booklet notes. Through Train Blues was a strange one to kick off a recording career with and one cannot help but wonder if the gentle huffing and puffing of a tuba to fill out a bass rhythm was Tampa’s idea or that of someone else trying to be creative at the recording session for Paramount records. Either way, it kind of works, depending on ones mood and at least it gets Tampa off the mark with some characteristic slide guitar playing and a song. For the moment, that was it’, one side and no more! The recording was issued as a flip side to Blind Lemon Jefferson ‘How Long How Long’ (Document DOCD-5019) maybe as a ploy to encourage the market to listen to Tampa. After four months Tampa Red was in the recording studio again but this time only as a session man for Foster And Harris (Ma Rainey’s Boys) as they played out The Alley Crap Game a performance which would be taken up by the two blues brothers from Georgia Robert ‘Barbecue Bob’ Hicks and Charlie “Laughing Charlie” Hicks in 1930 with their ‘Dark Town Gamblin’ Part 1 (The Crap Game) ” (Document DOCD-5048). Dodging the ricocheting dices, Tampa provides a gentle slide guitar accompaniment and keeps out of the arguing between the two gamblers. A month later, in September 1928, Tampa arrived at the Vocalian studios with a piano player called “Georgia Tom” (Thomas A. Dorsey). In the same month, like Tampa, Tom had been on the fringe of trying to make recording part of his musical career having had two sessions for the Vocalion label. Of six sides cut only one was released coupled with a single recording made for the label later that year. Their first recording of Tampa Red and Georgia Tom which took place in 1928 was a bawdy ragtime number, Its Tight Like That. It was an instant and massive hit with record sales catapulting into the hundreds of thousands. It has been reported that the sales breached the million mark and went much higher. The sessions on this album see two revisits to the Tight Like That theme but there are other recordings which added greatly to their success including the lively Selling That Stuff and Beedle Um Bum both of which were subsequently covered by many other blues, jazz and hokum artists. The duo are found in accompanying role providing backing for recordings with vocalists Madylyn (Red Hot Shakin’) Davis, Frankie “Half-Pint” Jaxon as lead vocalist for Tampa Red’s Hokum Jug Band, Papa Too Sweet, and Junie Cobb as vocalist for the State Street Stompers. Many of the recordings are good time, raucous performances and it doesn’t take much of the imagination to think of them being the dance music of parties and in particular the rent parties of the time as described by Big Bill Bronnzy in his autobiography. The last five of the twenty five tracks presented here are solid blues performed by Tampa Red with his partner, Georgia Tom. Having had something of an uncertain start to their recording careers, they are assured and confident in their performances, having already been established by their first recording together as one of the most successful piano / guitar duos from the “pre-war blues” era. DOCD-5073
Tracklist :
1 Tampa Red– Through Train Blues 2:44
Tuba – Unknown Artist
Vocals, Guitar – Tampa Red
2 Foster & Harris (Ma Rainey's Boys)– The Alley Crap Game 3:00
Guitar – Tampa Red
Vocals [Male Vcl Duet] – Foster & Harris (Ma Rainey's Boys)
3 Tampa Red And Georgia Tom– It's Tight Like That 3:01
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
4 Madlyn (Red Hot Shakin') Davis– Gold Tooth Papa Blues 2:38
Guitar – Tampa Red
Piano – Georgia Tom
Vocals – Madlyn (Red Hot Shakin') Davis
5 Madlyn (Red Hot Shakin') Davis– Death Bell Blues 2:50
Guitar – Tampa Red
Piano – Georgia Tom
Vocals – Madlyn (Red Hot Shakin') Davis
6 Madlyn (Red Hot Shakin') Davis– It's Red Hot 3:07
Guitar – Tampa Red
Piano – Georgia Tom
Vocals – Madlyn (Red Hot Shakin') Davis
7 Madlyn (Red Hot Shakin') Davis– Too Black Bad 3:08
Guitar – Tampa Red
Piano – Georgia Tom
Vocals – Madlyn (Red Hot Shakin') Davis
8 Tampa Red's Hokum Jug Band– Good Gordon Gin 2:47
Guitar – Martell Pettiford, Tampa Red
Horn [Jazzhorn] – Carl Reid
Kazoo, Washboard – Herman Brown
Piano – Georgia Tom
Vocals – Frankie "Half-Pint" Jaxon
9 Tampa Red's Hokum Jug Band– Down The Alley 3:09
Guitar – Martell Pettiford, Tampa Red
Horn [Jazzhorn], Jug – Carl Reid
Kazoo, Washboard – Herman Brown
Piano – Georgia Tom
Vocals – Frankie "Half-Pint" Jaxon
10 Tampa Red's Hokum Jug Band– It's Tight Like That 2:45
Guitar – Martell Pettiford, Tampa Red
Horn [Jazzhorn], Jug – Carl Reid
Kazoo, Washboard – Herman Brown
Piano – Georgia Tom
Vocals – Frankie "Half-Pint" Jaxon
11 Tampa Red's Hokum Jug Band– How Long How Long Blues 3:10
Guitar – Martell Pettiford, Tampa Red
Horn [Jazzhorn], Jug – Carl Reid
Kazoo, Washboard – Herman Brown
Piano – Georgia Tom
Vocals – Frankie "Half-Pint" Jaxon
12 Tampa Red's Hokum Jug Band– You Can't Come In 3:04
Guitar – Martell Pettiford, Tampa Red
Horn [Jazzhorn], Jug – Carl Reid
Kazoo, Washboard – Herman Brown
Piano – Georgia Tom
Vocals – Frankie "Half-Pint" Jaxon
13 Tampa Red "The Guitar Wizard" With Georgia Tom– It's Tight Like That No. 2 2:40
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
14 Papa Too Sweet– (Honey) It's Tight Like That 2:36
Guitar – Tampa Red
Piano – Georgia Tom
Vocals – Harry Jones, Papa Too Sweet
15 Papa Too Sweet– Big Fat Mama 3:36
Guitar – Tampa Red
Piano – Georgia Tom
Vocals – Papa Too Sweet
16 The Hokum Boys– Selling That Stuff (Matrix 21035-3) 2:49
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
17 The Hokum Boys– Beedle Um Bum (Take 3) 2:46
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
18 State Street Stompers– Rolling Mill Stomp (Take 1) 3:12
Drums – Jimmy Bertrand
Guitar – Tampa Red
Piano – Alex Hill
Vocals, Soprano Saxophone, Tenor Saxophone – Junie Cobb
19 State Street Stompers– Rolling Mill Stomp (Take 2) 3:10
Drums – Jimmy Bertrand
Guitar – Tampa Red
Piano – Alex Hill
Vocals, Soprano Saxophone, Tenor Saxophone – Junie Cobb
20 State Street Stompers– Panama Blues 3:08
Drums – Jimmy Bertrand
Guitar – Tampa Red
Piano, Speech – Alex Hill
Soprano Saxophone, Tenor Saxophone – Junie Cobb
21 Tampa Red– Juicy Lemon Blues 3:02
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
22 Tampa Red– Chicago Moan Blues 3:07
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
23 Tampa Red– Strange Woman Blues 2:32
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
24 Tampa Red– Jelly Whippin' Blues 3:08
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
25 Tampa Red– Train Time Blues (Matrix C-2782) 3:16
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 2 • 1929 | DOCD-5074 (1991) RM | FLAC (tracks+.cue), lossless
The second volume in Document's series of Complete Recorded Works covers barely six months in the career of Tampa Red, though the range of material is quite wide. The slide guitar legend recorded a few guitar solos, led the Hokum Boys through several songs, did two sides of gospel, and invited high-profile guests including Georgia Tom, Frankie "Half Pint" Jaxon, and Lil Johnson. Thom Owens
Abridged from this albums original booklet notes. The first session included here is a remake of a session that took place in December 1928. Why the original titles were not released, is not quite clear. Anyway, the January 1929 session showed a mixture of straight, low down blues and so-called hokum blues. This was to become Tampa Reds trademark for the next three or four years. Following the success of Its Tight Like That, Tampa Red and Georgia Tom recorded a couple of titles in mid-tempo with a refrain and double-entendre lyrics, often combined with a tongue-in-cheek-way of looking at things. (What about this as a definition for hokum?) On five titles we also hear Frankie Half-Pint Jaxon, an enigmatic singer, who fits perfectly in Tampas hokum concept. A good example for Tampas guitar style is the aptly titled Voice Of The Blues. Georgia Tom handles the vocals here, and Tampa Red can concentrate on his guitar playing. His delicate slide playing, full of subtleties, conveys the right atmosphere for a real low down blues. It becomes evident that Tampa could get across much more of his feelings to the listener by his slide than by his singing (he never was much of a singer). The last session on this album displays another specialty of Tampa Red. Under the name of The Guitar Wizard that was to reappear time and again in his long career, he demonstrated all his abilities as a solo guitarist. And a true guitar wizard he was indeed!. DOCD-5074
Tracklist :
1 Tampa Red "The Guitar Wizard" With Georgia Tom– It's Tight Like That No. 3 2:48
Piano – Thomas A. Dorsey (Georgia Tom)
Vocals, Guitar – Tampa Red
2 Tampa Red "The Guitar Wizard" With Georgia Tom– Uncle Bud (Dog-Gone Him) 2:37
Vocals, Guitar – Tampa Red
Vocals, Piano – Thomas A. Dorsey (Georgia Tom)
3 Tampa Red "The Guitar Wizard" With Georgia Tom– Train Time Blues (Matrix TC-2792-A) 3:28
Piano – Thomas A. Dorsey (Georgia Tom)
Vocals, Guitar – Tampa Red
4 Tampa Red "The Guitar Wizard"– How Long, How Long Blues 3:03
Guitar – Tampa Red
5 Tampa Red "The Guitar Wizard"– It's Tight Like That 2:48
Guitar – Tampa Red "The Guitar Wizard"
6 The Hokum Boys– Selling That Stuff (Matrix 21156-1) 2:50
Guitar – Tampa Red
Piano – Georgia Tom Dorsey
7 Tampa Red's Hokum Jug Band– Mess, Katie, Mess 2:56
Bass – Bill Johnson
Guitar – Tampa Red
Horn [Jazzhorn], Jug – Carl Reid
Piano – Unknown Artist
Vocals – Frankie Jaxon
Washboard – Herman Brown
8 Tampa Red's Hokum Jug Band– Sho' Is Hot 3:10
Bass – Bill Johnson
Guitar – Tampa Red
Horn [Jazzhorn], Jug – Carl Reid
Piano – Unknown Artist
Vocals – Frankie Jaxon
Washboard – Herman Brown
9 Tampa Red's Hokum Jug Band– Boot It Boy 2:56
Bass – Bill Johnson
Guitar – Tampa Red
Horn [Jazzhorn], Jug – Carl Reid
Piano – Unknown Artist
Vocals – Frankie Jaxon
Washboard – Herman Brown
10 Tampa Red's Hokum Jug Band– My Daddy Rocks Me (With One Steady Roll) 3:28
Bass – Bill Johnson
Guitar – Tampa Red
Horn [Jazzhorn], Jug – Carl Reid
Piano – Unknown Artist
Vocals – Frankie Jaxon
Washboard – Herman Brown
11 Tampa Red And Georgia Tom– Givin' It Away 3:04
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
12 Tampa Red And Georgia Tom– What You Gonna Do? 2:52
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
13 Tampa Red And Georgia Tom– It's So Nice 3:17
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
14 Tampa Red And Georgia Tom– Voice Of The Blues 3:00
Guitar – Tampa Red
Vocals, Piano – Georgia Tom
15 Gospel Camp Meeting Singers– Come And Go To That Land 2:50
Guitar – Tampa Red
Piano [Poss.] – Georgia Tom Dorsey
Vocals [Vocal Group] – Unknown Artist
16 Gospel Camp Meeting Singers– Hold To His Hand 2:57
Guitar – Tampa Red
Piano [Poss.] – Georgia Tom Dorsey
Vocals [Vocal Group] – Unknown Artist
17 Tampa Red, Georgia Tom– The Duck Yas-Yas-Yas 2:52
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
18 Tampa Red, Georgia Tom– Pat That Bread 2:37
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
19 Frankie "Half-Pint" Jaxon– It's Heated 3:27
Guitar – Tampa Red
Piano [Prob.] – Georgia Tom Dorsey
Vocals, Scraper – Frankie "Half-Pint" Jaxon
20 Frankie "Half-Pint" Jaxon– Jive Man Blues 2:48
Guitar – Tampa Red
Piano [Prob.] – Georgia Tom Dorsey
Vocals, Scraper – Frankie "Half-Pint" Jaxon
21 Tampa Red– What Is It That Tastes Like Gravy? 2:48
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
22 Tampa Red– You Better Tighten Up On It 2:44
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
23 Tampa Red "The Guitar Wizard"– Prison Bound Blues 3:26
Guitar – Tampa Red "The Guitar Wizard"
24 Tampa Red "The Guitar Wizard"– You Got To Reap What You Sow 3:17
Guitar – Tampa Red "The Guitar Wizard"
25 Lil Johnson– House Rent Scuffle 2:47
Guitar – Tampa Red
Piano – Charles Avery
Vocals – Lil Johnson
12.1.25
TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 3 • 1929-1930 | DOCD-5075 (1991) RM | FLAC (tracks+.cue), lossless
Document's Complete Recorded Works, Vol. 3 (1929-1930) wraps up a year in the life of Tampa Red, finding the Chicago bluesman recording a parade of blues, including "Chicago Moan Blues" and "Whiskey Drinkin' Blues." He also takes on several tracks of lighthearted hokum ("I Wonder Where My Easy Rider's Gone?," "Mama Don't Allow No Easy Riders Here"), along with the traditional standard "Corrine, Corrina." Thom Owens
Abridged from this albums original booklet notes. You might call it a period of transition, for after a fulminate start with their success of “It’s Tight Like That” and a period of follow-ups, the duo of Tampa Red and Georgia Tom gradually left the “hokum” genre and concentrated more and more on two easy things: the swinging, jazz-influenced up-tempo pieces like Easy Rider, and they got deeper and deeper into the real slow blues numbers, exploring several aspects of blues playing, and it is plain to hear that especially Tampa Red was getting more and more self confident in his playing refining his guitar style to a degree that he really became a champion, or in other words, a “guitar wizard”. The very first title included here, I Wonder Where My Easy Rider’s Gone (also known as “Easy Rider Blues), shows him as a leader of a small band that foreshadows his later “Chicago Five“. The flip side of this song was Come On Mama, Do That Dance it becomes evident that the swinging impetus of the two records comes not from the bass and washboard accompaniment, but from Tampa’s guitar. The same can be said for another track called Mama Don’t Allow to a degree that the listener doesn’t miss any rhythm instruments. Another side to Tampa Red‘s playing is revealed in the slow blues numbers such as Moanin’ Heart Blues, Chicago Moan Blues or I.C. Moan Blues. The moaning is not accomplished by his vocals, as is done by so many other blues singers, but by his guitar. Tampa is able to hold long notes with his slide, and then bend them in long melody bows. The two tracks Dying Mercy Blues and Black Hearted Blues have fine piano accompaniment, the later by Bill O’Bryant, a boogie specialist, plays the accompaniment. DOCD-5075
Tracklist :
1 Tampa Red And His Hokum Jug Band– I Wonder Where My Easy Rider's Gone? 2:45
Bass – Bill Johnson
Guitar – Tampa Red
Piano – Georgia Tom Dorsey
Vocals – Frankie Jaxon
Washboard [Prob.] – Jasper Taylor
2 Tampa Red And His Hokum Jug Band– Come On, Mama, Do That Dance 2:48
Bass – Bill Johnson
Guitar – Tampa Red
Piano – Georgia Tom Dorsey
Vocals – Frankie Jaxon
Washboard [Prob.] – Jasper Taylor
3 Tampa Red And Georgia Tom– Friendless Blues 3:05
Bass [Poss.] – Bill Johnson
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
4 Tampa Red And His Hokum Jug Band– Mama Don't Allow No Easy Riders Here 3:11
Kazoo, Jug – Unknown Artist
Piano [Prob.] – Cow Cow Davenport
Vocals – Frankie Jaxon
Vocals, Guitar – Tampa Red
Washboard [Prob.] – Jasper Taylor
5 Tampa Red And His Hokum Jug Band– Saturday Night Scrontch 3:12
Guitar – Tampa Red
Kazoo, Jug – Unknown Artist
Piano [Prob.] – Cow Cow Davenport
Vocals – Frankie Jaxon
Washboard [Prob.] – Jasper Taylor
6 Tampa Red And Georgia Tom– Mama Don't Allow No Easy Riders Here 2:53
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
7 Tampa Red And Georgia Tom– Strewin' Your Mess 2:48
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
8 Tampa Red "The Guitar Wizard"– Dying Mercy Blues 3:07
Piano [Prob.] – Romeo Nelson
Vocals, Guitar – Tampa Red
9 Jenny Pope– Whiskey Drinkin' Blues 3:12
Guitar – Tampa Red
Piano – Georgia Tom Dorsey
Vocals – Jenny Pope
10 Jenny Pope– Doggin' Me Around Blues 3:04
Guitar – Tampa Red
Piano – Georgia Tom
11 Tampa Red– Worried Man Blues 3:17
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
12 Tampa Red– Mrs. Baker's Blues 3:10
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
13 Tampa Red And Georgia Tom– Corrine Corrina 2:57
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
14 Georgia Tom, Tampa Red And Frankie Jaxon (The Black Hill Billies)– Kunjine Baby 3:05
Vocals – Frankie Jaxon
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
15 Tampa Red– That Stuff You Sell 2:17
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
16 Tampa Red– Station Time Blues 3:02
Vocals, Guitar – Tampa Red
17 Tampa Red "The Guitar Wizard"– Moanin' Heart Blues 2:48
Guitar – Tampa Red
18 Tampa Red "The Guitar Wizard"– Chicago Moan Blues 3:15
Guitar – Tampa Red
19 Tampa Red– Black Hearted Blues 2:57
Piano – Bill O'Bryant
Vocals, Guitar – Tampa Red
20 Tampa Red And Georgia Tom– But They Got It Fixed Right On 2:54
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
21 Tampa Red And Georgia Tom– Corinne Corinna No. 2 2:43
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
22 Tampa Red And Georgia Tom– The Dirty Dozen No. 2 3:14
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
23 Tampa Red And Georgia Tom– I. C. Moan Blues 2:58
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
24 Tampa Red And Georgia Tom– Cryin' Shame Blues 3:04
Vocals – Georgia Tom
Vocals, Guitar – Tampa Red
TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 4 • 1930-1931 | DOCD-5076 (1991) RM | FLAC (tracks+.cue), lossless
Volume four in the Document series of Tampa Red's Complete Recorded Works reissues two dozen sides originally recorded during late 1930 and most of 1931. During this period, he introduced two career classics ("Boogie Woogie Dance," "Things 'Bout Coming My Way"), did several versions of "You Rascal You," and took on boogie-woogie with a pair of novelties. Still, only collectors and serious blues fans should feel the need to pursue this compilation, instead of the excellent It Hurts Me Too collection available on Indigo. Thom Owens
Abridged from this albums original booklet notes. Tampa Red had been a permanent resident of Chicago since 1925. The same is true for some of his colleagues, like Bumble Bee Slim or Big Bill Broonzy. Those were the people who created what I would like to call the First Chicago Blues. Common to them was an urban approach to the blues, a more sophisticated siyle. Their singing was less expressive, but full of subtleties. There was no “shouting” or “grumbling” in between the vocals. Their lyrics were less concerned with cows, mules, crops or other important things of country life, but rather dealt with attributes of the city. The use of the piano as an accompaniment to guitar playing is another characteristic trait. Thus Leroy Carr and Scrapper Blackwell, though residents of Indianapolis, were able to appeal to the musical taste of urban blacks. And this also explains the success of the duo of Tampa Red and Georgia Tom in Chicago. Tampa Red also enlarged his repertoire with songs not strictly taken from the blues field. Songs like Mama Don’t Allow or Corrine Corrina were taken from folk sources. Another typical feature of the early City Blues is the adaption of material originally taken from the pop or jazz sphere (in the 1920s this was just about the same thing). So we can hear on this album three versions of You Rascal You (also recorded by people like Louis Armstrong or Cab Calloway). The third version, where the duo is augmented by jug player Carl Reid (of Philipp’s Louisville Jug Band) and, again, by Frankie Jaxon, is the best one, in a really exuberant mood, with new lyrics and a fine jug solo. This is jazz-influenced “hokum” at its best! They Call It Boogie Woogie has nothing to do with the musical form of that name, but it is another song in the “Tight Like That” vein, using the name, because it was fashionable at the time. Boogie Woogie Dance, on the other hand, must have been the first guitar boogie on record, performed with artistic fervor, a true masterpiece indeed. Finally, there is evidence that Tampa Red also wrote topical songs of the day. Sad News Blues and especially Depression Blues reflect political events that were going to affect the black community (and not only them). DOCD-5076
Tracklist :
1 Tampa Red– You Rascal You No. 2 2:35
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
2 Tampa Red– You Rascal You No. 1 3:10
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
3 Sweet Papa Tadpole– Have You Ever Been Worried In Mind? - Part 1 3:08
Guitar – Tampa Red
Vocals – Sweet Papa Tadpole
4 Sweet Papa Tadpole– Have You Ever Been Worried In Mind? - Part 2 3:04
Guitar – Tampa Red
Piano – Unknown Artist
Vocals – Sweet Papa Tadpole
5 Sweet Papa Tadpole– You Baby Can't Get Enough 3:09
Guitar – Tampa Red
Vocals – Sweet Papa Tadpole, Unknown Artist
6 Sweet Papa Tadpole– Keep Your Yes Ma'am Clean 2:38
Guitar – Tampa Red
Piano – Unknown Artist
Vocals – Sweet Papa Tadpole
7 Tampa Red And His Hokum Jug Band– You Rascal You 2:53
Guitar – Tampa Red
Jug – Carl Reid
Piano – Georgia Tom (Thomas A. Dorsey)
Vocals – Frankie Jaxon
8 Tampa Red And His Hokum Jug Band– She Can Love So Good 3:15
Guitar – Tampa Red
Horn [Jazzhorn], Jug – Carl Reid
Piano – Georgia Tom
Vocals – Frankie Jaxon
9 Tampa Red– Bear Cat's Kittens 2:45
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
10 Tampa Red– Unhappy Blues 2:54
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
11 Tampa Red– Jealous Hearted Mama Blues 2:55
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
12 Tampa Red– They Call It Boogie Woogie 2:26
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
13 Tampa Red– Toogaloo Blues 2:54
Speech, Piano – Georgia Tom
Vocals, Guitar – Tampa Red
14 Tampa Red– Jinx Doctor Blues 3:04
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
15 Tampa Red "The Guitar Wizard"– Boogie Woogie Dance 3:10
Guitar – Tampa Red
16 Tampa Red "The Guitar Wizard"– Bumble Bee Blues 3:25
Guitar – Tampa Red
17 Tampa Red– New Strangers Blues 3:03
Vocals, Guitar – Tampa Red
Vocals, Piano – Georgia Tom
18 Tampa Red– Georgia Hound Blues 3:09
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
19 Tampa Red– Things 'Bout Coming My Way 3:26
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
20 Tampa Red– Cotton Seed Blues 2:53
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
21 Tampa Red– Stop And Listen Blues 2:54
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
22 Tampa Red– Down In Spirit Blues 2:56
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
23 Tampa Red– Sad News Blues 3:18
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
24 Tampa Red– Depression Blues 2:56
Piano – Georgia Tom
Vocals, Guitar – Tampa Red
TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 5 • 1931-1934 | DOCD-5077 (1991) RM | FLAC (tracks+.cue), lossless
Abridged from this albums original booklet notes. This fifth volume of Tampa Red‘s early recordings marks two important events in his career: the splitting up of his duo with Georgia Tom, and the end of his Vocalion recordings. The album starts as a continuation of his earlier recordings, featuring hokum songs and down home blues. Don’t Leave Me Here can be heard in two versions, the first being recorded in Chicago in October 1931 and the second recorded in February 1932 in New York! On the May 7,1932 session, Tampa Red is solo again, and he plays two wonderfully relaxed blues. Then there is a gap of almost two years, probably caused by the Depression, as it happened to so many other blues and jazz artists. When the gap was over, things had changed. In March 1934, Tampa Red had a new partner, pianist Black Bob. This first session for Bluebird, this new “race” label of the RCA Victor company, also featured one of his greatest guitar solos, Kingfish Blues. Then the next day, there was one last session for Vocalion, again with Black Bob. There wasn’t a duo any more, just a singer/guitarist with piano accompaniment. The last Vocalion session is remarkable for two reasons: First, there is Tampa’s Black Angel Blues, the first of so many versions of the song. In the course of the following years, it has become somewhat of a classic of modern Chicago Blues, and artists like Robert Nighthawk, Earl Hooker and B. B. King had or have it in their repertoire. This also shows another aspect of Tampa’s creativity: that of a prolific songwriter. Many more of these classic tunes were to follow. And then there is Denver Blues, another wonderful guitar solo, Tampa’s good-bye present to Vocalion. DOCD-5077
Tracklist :
1 Tampa Red "The Guitar Wizard"– Mama Don't Leave Me Here (A) 3:08
2 Tampa Red "The Guitar Wizard"– Please Mister Blues (A) 2:53
3 Tampa Red– No Matter How She Done It (B) 3:14
4 Tampa Red– Reckless Man Blues (B) 2:48
5 Tampa Red– Don't Leave Me Here (B) 2:42
6 Tampa Red– Dead Cats On The Line (C) 2:45
7 Tampa Red– You Can't Get That Stuff No More (C) 2:48
8 Tampa Red– Things 'Bout Coming My Way No. 2 (C) 3:10
9 Tampa Red "The Guitar Wizard"– Turpentine Blues (D) 3:20
10 Tampa Red "The Guitar Wizard"– Western Bound Blues (D) 3:16
11 Tampa Red– I'll Kill Your Soul (E) 2:55
12 Tampa Red– If I Let You Get Away With It (E) 3:20
13 Tampa Red– I'll Find My Way (E) 3:10
14 Tampa Red– You've Got To Do Better (E) 3:07
15 Tampa Red– Kingfish Blues (E) 3:05
16 Tampa Red– You Don't Want Me Blues (E) 3:20
17 Tampa Red– Nobody's Sweetheart Now (E) 2:47
18 Tampa Red– That Stuff Is Here (F) 3:20
19 Tampa Red– Sugar Mama Blues No. 1 (F) 3:25
20 Tampa Red– Sugar Mama Blues No. 2 (F) 3:17
21 Tampa Red– Black Angel Blues (F) 3:24
22 Tampa Red– Things 'Bout Coming My Way (G) 3:12
23 Tampa Red– Denver Blues (G) 2:53
11.1.25
TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 6 • 1934-1935 | DOCD-5206 (1993) RM | FLAC (tracks+.cue), lossless
At the sessions of June and October 1934, Tampa Red’s repertoire was very much a mixture of what he had recorded for Vocalion (DOCD-5073 – 5076). There were, however, some notable exceptions. For the first three months of 1934 Tampa had been absent from recording and during that time Leroy Carr had found success with his “Mean Mistreater Mama” (DOCD-5137). Perhaps at Bluebird’s behest Tampa Red recorded a word for word, vocal inflection for vocal inflection, copy of the song as Mean Mistreater Blues. To his own bottleneck accompaniment and augmented by a jug player and strumming guitarist, the song was driven along by the compelling rhythm that the simple use of such instruments produced. At his next session for Bluebird in October one number, Worried Devil Blues, featured Tampa’s Jimmie Rodgers inspired “yodelling” phrases. This affectation may possibly have been occasioned by the popularity of the Mississippi Sheiks who used the technique to great commercial success for Okeh (DOCD-5083-5086) and who early in 1934 had joined the Bluebird roster.Along with Big Bill Broonzy, one of the stand-out figures in the transactional period of pre-war “Country Blues” to post war “City Blues” and on through to the energised, electric “Chicago Blues” of the 1950s is Hudson Whittaker better known as ‘Tampa Red’. His recordings influenced many, including Robert Nighthawk, Elmore James and BB King. Volume Six of fifteen volumes dedicated to Tampa’s recording career stretching from 1929 to 1953 features 22 tracks recorded at three sessions between June 1934 and February 1935.
Experimenting with rhythm lines being underlined by jugs and washboards and kazoo, many of the tracks hail the emergence of a hip, swing influenced Tampa of the mid 30s. Carrying on the successful guitar piano formula that he had with his early recording partner Georgia Tom Dorsey, most of the tracks find him accompanied by piano players Black Bob or Henry “45” Scott plus occasional second guitar. Although Tampa’s dreaded kazoo makes an occasional appearance it is mostly his powerful vocals and his distinctive single string slide guitar work that carries the CD along. The material is varied and includes a couple of topical items Christmas And New Years Blues and Stockyard Fire. It is fairly likely that such a fire occurred and Tampa’s reference to eating only one meal in three may have been something he and his wife experienced as a result. It is suggested that I’ll Get A Break Someday (I’ll Be Up Someday”) is not by Tampa but Carl Martin who has a session listed right after Tampa’s – a fine cut whoever it is though.
Tampa returns to the studio in February in chirpy mood the following year, recording a further seven sides. Armed with his guitar and his small but potent kazoo, and accompanied by “probably” Black Bob on piano and “probably” the mysterious Mississippi Sarah on jug he romps his way through Worthy Of You and If It Ain’t That Gal Of Mine, a little ditty about Sally, who, on the street, can make more money than Henry Ford.
Thankfully, after this number Tampa seems to have mislaid his Kazoo. Or has Sarah slipped it into her jug, if you pardon the phrase?
Two takes of Mean Old Tom Cat is a pounding blues with Tampa peppering the accompaniment with the use of some bottleneck licks on his National steel guitar. Both takes are excellent and were worthy of release though the pace is picked up a little more on the second.
We’re then given a breather with two, very nice, blues including the excellent, rolling, Singing And Crying Blues.
But Tampa really is in party mood and falling back onto his Hokum style he leaves volume 6 with the spicy Shake It Up A Little. DOCD-5206
Tracklist :
1 Tampa Red– I'm Just Crazy 'Bout You (A) 2:49
2 Tampa Red– I Still Got California On My Mind (A) 2:54
3 Tampa Red– Grievin' And Worryin' Blues (A) 3:01
4 Tampa Red– Give It Up Buddy And Get Goin' (A) 2:32
5 Tampa Red– Somebody's Been Using That Thing (take 1) (A) 2:56
6 Tampa Red– Somebody's Been Using That Thing (take 2) (A) 3:09
7 Tampa Red– Mean Mistreater Blues (A) 2:47
8 Tampa Red– Happy Jack (B) 3:16
9 Tampa Red– I'm So Disappointed In You (B) 2:50
10 Tampa Red– Worried Devil Blues (B) 3:24
11 Tampa Red– Christmas And New Year's Blues (B) 3:22
12 Tampa Red– Sweet Woman (B) 3:20
13 Tony Hollins– Big Time Woman (B) 2:36
Bass [Imb./Uncredited] – Unknown Artist
Vocals [Uncredited], Guitar [Uncredited/Prob.] – Tony Hollins
Washboard [Uncredited] – Unknown Artist
14 Tampa Red– Witchin' Hour Blues (B) 3:13
15 Tampa Red– Stockyard Fire (B) 3:12
16 Tampa Red– Worthy Of You (C) 2:50
17 Tampa Red– If it Ain't That Gal Of Mine (C) 3:00
18 Tampa Red– Mean Old Tom Cat Blues (take 1) (C) 2:52
19 Tampa Red– Mean Old Tom Cat Blues (take 3) (C) 2:40
20 Tampa Red– Don't Dog Your Woman (C) 3:30
21 Tampa Red– Singing And Crying Blues (C) 3:13
22 Tampa Red– Shake It Up A Little (C) 2:42
TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 7 • 1935-1936 | DOCD-5207 (1993) RM | FLAC (tracks+.cue), lossless
Tracklist :
1 Tampa Red– My Baby Said Yes (A) 2:56
2 Tampa Red– I'm Betting On You (A) 2:57
3 Tampa Red– Rowdy Woman Blues (A) 3:18
4 Tampa Red– Keep On Dealin' (Play Your Hand) (A) 3:26
5 Tampa Red– (I Could Learn To Love You) So Good (A) 3:19
6 Tampa Red– When I Take My Vacation In Harlem (B) 3:07
7 Tampa Red– Drinkin' My Blues Away (B) 2:47
8 Tampa Red– Dark And Stormy Night (B) 3:23
9 Tampa Red– Good Woman Blues (B) 3:00
10 Tampa Red– You Missed A Good Man (B) 3:35
11 Tampa Red– Waiting Blues (B) 3:14
12 Tampa Red And The Chicago Five– When You Were A Gal Of Seven (C) 3:10
13 Tampa Red And The Chicago Five– Let's Get Drunk And Truck (C) 3:05
14 Tampa Red And The Chicago Five– Maybe It's Someone Else You Love (C) 3:25
15 Tampa Red And The Chicago Five– I Wonder What's The Matter (C) 2:46
16 Tampa Red And The Chicago Five– She Don't Know My Mind (C) 2:58
17 Tampa Red And The Chicago Five– She Don't Know My Mind - Part 2 (C) 3:36
18 Tampa Red– Stormy Sea Blues (D) 2:44
19 Tampa Red– Nutty And Buggy Blues (D) 2:39
20 Tampa Red And The Chicago Five– You Stole My Heart (E) 3:05
21 Tampa Red And The Chicago Five– You Got Me Worryin' (E) 3:14
22 Tampa Red And The Chicago Five– All Night Long (E) 2:34
23 Tampa Red And The Chicago Five– That's The Way I Do (E) 2:55
24 Tampa Red And The Chicago Five– I Hate Myself (E) 2:41
TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 8 • 1936-1937 | DOCD-5208 (1993) RM | FLAC (tracks+.cue), lossless
Tracklist :
1 I Need Yoz By My Side (A) 3:24
2 Blue And Evil Blues (A) 3:05
3 If It Wasn't For You (B) 3:04
4 Right Or Wrong (B) 3:21
5 Stop Truckin' And Suzy-Q (B) 2:46
6 Cheatin' On Me (B) 2:47
7 Your One And Only (B) 3:10
8 My Za Zu Girl (B) 3:02
9 Someday I'm Bound To Win (C) 3:11
10 Taking It And Make My Get Away (C) 3:04
11 She Said It (D) 2:53
12 It's Hard To Believe It's True (D) 2:50
13 When Love Comes In (D) 2:53
14 You Got To Learn To Do It (D) 2:50
15 I Give My Love To You (D) 3:14
16 I See You Can't Take It (D) 2:44
17 My Gal Is Gone (E) 3:11
18 When The One You Love Is Gone (E) 3:05
19 You're More Than A Palace To Me (F) 3:10
20 Harlem Swing (F) 3:08
21 Oh Babe, Oh Baby (F) 3:18
22 I'm Gonna Get High (F) 3:03
TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 9 • 1938-1939 | DOCD-5209 (1993) RM | FLAC (tracks+.cue), lossless
One of the greatest slide guitarists of the early blues era, and a man with an odd fascination with the kazoo, Tampa Red also fancied himself a piano player and bandleader, tendencies that come to the fore on this ninth installment of Document's attempt to release all of his known recorded work in chronological order. Covering the years 1937 and 1938, this collection is hardly typical of Red's work, since it has relatively few tracks featuring his trademark National Steel slide sound. Half of the disc is given over to small combo jazz pieces featuring Tampa Red's pleasant but ordinary vocal skills, and while these tracks are certainly professional and competent, it is a bit like discovering a Jimi Hendrix record with no guitar on it. Steve Leggett
Tracklist :
1 Tampa Red– Delta Woman Blues (A) 3:04
2 Tampa Red– Deceitful Friend Blues (A) 2:58
3 Tampa Red– Wrong Idea (A) 2:49
4 Tampa Red– Whoopee Mama (A) 2:54
5 Tampa Red– Travel On (A) 2:21
6 Tampa Red– Seminole Blues (A) 3:01
7 Tampa Red And The Chicago Five– (B) The Most Of Us Do 2:47
8 Tampa Red And The Chicago Five– (B) We Gonna Get High Together 3:09
9 Tampa Red And The Chicago Five– (B) Happily Married 3:06
10 Tampa Red And The Chicago Five– (B) A Lie In My Heart 3:10
11 Tampa Red And The Chicago Five– (B) Heck Of A How-Do-You-Do 2:47
12 Tampa Red And The Chicago Five– (B) That May Get It Now 2:59
13 Tampa Red– That Don't Matter Now (C) 2:40
14 Tampa Red– Grouchy Hearted Woman (C) 2:53
15 Tampa Red– Why Should I Care? (C) 3:22
16 Tampa Red– Got To Leave My Woman (C) 3:15
17 Tampa Red And The Chicago Five– (D) Now That You've Gone 2:54
18 Tampa Red And The Chicago Five– (D) Rock It In Rhythm 2:51
19 Tampa Red And The Chicago Five– (D) I Do 2:59
20 Tampa Red And The Chicago Five– (D) Sweetest Gal In Town 2:34
21 Tampa Red– Crazy With The Blues (E) 3:17
22 Tampa Red– Love With A Feeling (E) 2:57
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Accessibility and exclusivity are by turns peddled as a measure of value when the agenda dictates. Often, when Laurie Anderson's music f...

