AL MILLER — Complete Recorded Works In Chronological Order 1927-1936 | DOCD-5306 (1994) RM | FLAC (image+.cue), lossless

Even though mandolinist Al Miller should really be counted among the pioneers of Western swing, his blend of country dance and hokum blues seems to have pushed him to the periphery of historic music appreciation circles. Indeed, were it not for Document's handsome complete edition of 1995, Miller's recorded legacy would have receded to a position even further off of most peoples' cultural radar. His earliest-known records were cut in Chicago on July 15, 1927 and issued on the now-legendary Black Patti label. "I Found a Four-Leaf Clover" sounds like a precedent for Emmett Miller & His Georgia Crackers, largely because Al's voice was similarly pitched. The main difference is that Emmett Miller liked to yodel -- his direct descendant appears to have been Hank Williams. The instrumental "Saturday Night Hymn" is a fine example of a whimsical blues played on mandolin, and was originally pressed with a title by Kid Brown & His Blue Band on the flip side. A little over 80 years after it was released, one of the few copies of this platter known to exist was being offered on the rare record circuit for more than $4,400.00. Although in many ways "Saturday Night Hymn" might be the very best recording this artist ever made, the CD is considerably more affordable and provides an additional 25 songs. One of the few individuals even tentatively identified in the discography is a guitarist with the surname Rodgers, and "I Would If I Could" was released on Paramount as by Miller and Rodgers. In February 1929 Miller began making records in a style that aimed to please the growing audience for Chicago's increasingly popular hokum blues. Miller's lasting achievement as a composer was a raunchy number with the attention-getting title "Somebody's Been Using That Thing." He recorded it five times, and the three issued takes are sprinkled throughout this album. In June 1934 Tampa Red cut a rowdy cover version for Bluebird that worked well for Tampa without, it seems, doing very much for Miller, who had frankly based much of his acquired hokum technique on records by Tampa Red, Georgia Tom, and a group specifically billed as the Hokum Boys.

The hokum formula demanded a full range of smutty lyrics laid over simple bluesy melodies that anybody could sing along with. One of hokum's major exponents was Tampa's cohort Lovin' Sam Theard. In March 1929 the second version of "Somebody's Been Using That Thing" was waxed by Al Miller & His Market Street Boys, which was nothing more than Miller and Rodgers with pianist Frank Melrose sitting in. There are 13 additional recordings from 1929 that use the same instrumentation with no one except Miller identified. Much of the material was directed at a Prohibition-era audience looking for naughty good-time music to listen to while partying with friends. Titles like "I Found Your Key-Hole," "It Ain't Killed Nobody Yet," "Gimme a Li'l Taste," and "That Stuff Ain't No Good" are typical of this mini-genre's hedonistic fixations. "Thirty First and State," with open references to prostitution, is one of several tunes inspired by the fast life on Chicago's South Side. "Let Me Put My Shoes Under Your Bed," on the other hand, is a nicely phrased love song, similar to what mild-mannered Ollie Shepard like to sing during the late '30s and early ‘40s. This collection and Al Miller's primary discography close with four sides cut for Decca in February 1936. Billed as Al Miller & His Swing Stompers, the group consisted of Miller, now apparently handling a guitar; an unidentified string bassist; pianist Cripple Clarence Lofton; and a frowsy clarinetist named Odell Rand, who did most of his recording with the Chicago-based Harlem Hamfats. Further instances of Al Miller's artistry may be found among the discographies of Lofton and vocalists Mozelle Alderson, Luella Miller, and Red Nelson Wilborn, as well as King Mutt & His Tennessee Thumpers. arwulf arwulf
Tracklist :
1    Al Miller–    I Found A Four-Leaf Clover    2:27
2    Al Miller–    Someday Sweetheart    2:17
3    Al Miller's String Band–    Saturday Night Hymn    2:47
4    Miller And Rodgers–    I Would If I Could (21061)    2:29
5    Al Miller–    Mister Mary Blues    2:44
6    Al Miller–    Somebody's Been Using That Thing (14799)    2:34
7    Al Miller–    On An Island All By Myself    2:43
8    Al Miller–    No Fish For Me    2:40
9    Al Miller And His Market Street Boys–    Somebody's Been Using That Thing (C-3080)    2:44
10    Al Miller And His Market Street Boys–    I Would If I Could (C-3083)    2:59
11    Al Miller–    It Ain't Killed Nobody Yet    2:46
12    Al Miller–    Maybe You'd Feel That Way Too    2:43
13    Al Miller–    Don't Be A Fool    2:56
14    Al Miller–    I Found Your Key-Hole    3:04
15    Al Miller–    Thirty First And State    3:14
16    Al Miller–    It Must Be Good    2:50
17    Al Miller–    Let Me Put My Shoes Under Your Bed    2:55
18    Al Miller–    That Stuff Ain't No Good    2:53
19    Al Miller–    Gimme A Li'l Taste    3:00
20    Al Miller–    Somebody's Been Using That Thing Part II    2:50
21    Al Miller–    That Stuff You Sell    2:29
22    Al Miller–    Bone Blues    2:38
23    Al Miller And His Swing Stompers–    It's Got To Be Done    2:22
24    Al Miller And His Swing Stompers–    Juicy Mouth Shorty    2:20
25    Al Miller And His Swing Stompers–    Truckin' Old Fool    2:28
26    Al Miller And His Swing Stompers–    Ain't That A Mess?    2:43

TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 6 • 1934-1935 | DOCD-5206 (1993) RM | FLAC (tracks+.cue), lossless

At the sessions of June and October 1934, Tampa Red’s repertoire was very much a mixture of what he had recorded for Vocalion (DOCD-5073 – 5076). There were, however, some notable exceptions. For the first three months of 1934 Tampa had been absent from recording and during that time Leroy Carr had found success with his “Mean Mistreater Mama” (DOCD-5137). Perhaps at Bluebird’s behest Tampa Red recorded a word for word, vocal inflection for vocal inflection, copy of the song as Mean Mistreater Blues. To his own bottleneck accompaniment and augmented by a jug player and strumming guitarist, the song was driven along by the compelling rhythm that the simple use of such instruments produced. At his next session for Bluebird in October one number, Worried Devil Blues, featured Tampa’s Jimmie Rodgers inspired “yodelling” phrases. This affectation may possibly have been occasioned by the popularity of the Mississippi Sheiks who used the technique to great commercial success for Okeh (DOCD-5083-5086) and who early in 1934 had joined the Bluebird roster.Along with Big Bill Broonzy, one of the stand-out figures in the transactional period of pre-war “Country Blues” to post war “City Blues” and on through to the energised, electric “Chicago Blues” of the 1950s is Hudson Whittaker better known as ‘Tampa Red’. His recordings influenced many, including Robert Nighthawk, Elmore James and BB King. Volume Six of fifteen volumes dedicated to Tampa’s recording career stretching from 1929 to 1953 features 22 tracks recorded at three sessions between June 1934 and February 1935.
Experimenting with rhythm lines being underlined by jugs and washboards and kazoo, many of the tracks hail the emergence of a hip, swing influenced Tampa of the mid 30s. Carrying on the successful guitar piano formula that he had with his early recording partner Georgia Tom Dorsey, most of the tracks find him accompanied by piano players Black Bob or Henry “45” Scott plus occasional second guitar. Although Tampa’s dreaded kazoo makes an occasional appearance it is mostly his powerful vocals and his distinctive single string slide guitar work that carries the CD along. The material is varied and includes a couple of topical items Christmas And New Years Blues and Stockyard Fire. It is fairly likely that such a fire occurred and Tampa’s reference to eating only one meal in three may have been something he and his wife experienced as a result. It is suggested that I’ll Get A Break Someday (I’ll Be Up Someday”) is not by Tampa but Carl Martin who has a session listed right after Tampa’s – a fine cut whoever it is though.
Tampa returns to the studio in February in chirpy mood the following year, recording a further seven sides. Armed with his guitar and his small but potent kazoo, and accompanied by “probably” Black Bob on piano and “probably” the mysterious Mississippi Sarah on jug he romps his way through Worthy Of You and If It Ain’t That Gal Of Mine, a little ditty about Sally, who, on the street, can make more money than Henry Ford.
Thankfully, after this number Tampa seems to have mislaid his Kazoo. Or has Sarah slipped it into her jug, if you pardon the phrase?
Two takes of Mean Old Tom Cat is a pounding blues with Tampa peppering the accompaniment with the use of some bottleneck licks on his National steel guitar. Both takes are excellent and were worthy of release though the pace is picked up a little more on the second.
We’re then given a breather with two, very nice, blues including the excellent, rolling, Singing And Crying Blues.
But Tampa really is in party mood and falling back onto his Hokum style he leaves volume 6 with the spicy Shake It Up A Little.  DOCD-5206

 Tracklist :
1    Tampa Red–    I'm Just Crazy 'Bout You (A) 2:49
2    Tampa Red–    I Still Got California On My Mind (A) 2:54
3    Tampa Red–    Grievin' And Worryin' Blues  (A) 3:01
4    Tampa Red–    Give It Up Buddy And Get Goin'    (A) 2:32
5    Tampa Red–    Somebody's Been Using That Thing (take 1) (A) 2:56
6    Tampa Red–    Somebody's Been Using That Thing (take 2)  (A) 3:09
7    Tampa Red–    Mean Mistreater Blues     (A) 2:47
8    Tampa Red–    Happy Jack  (B) 3:16
9    Tampa Red–    I'm So Disappointed In You   (B) 2:50
10    Tampa Red–    Worried Devil Blues   (B) 3:24
11    Tampa Red–    Christmas And New Year's Blues  (B) 3:22
12    Tampa Red–    Sweet Woman  (B) 3:20
13    Tony Hollins–    Big Time Woman   (B) 2:36
Bass [Imb./Uncredited] – Unknown Artist
Vocals [Uncredited], Guitar [Uncredited/Prob.] – Tony Hollins
Washboard [Uncredited] – Unknown Artist
14    Tampa Red–    Witchin' Hour Blues (B) 3:13
15    Tampa Red–    Stockyard Fire   (B) 3:12
16    Tampa Red–    Worthy Of You  (C) 2:50
17    Tampa Red–    If it Ain't That Gal Of Mine (C)    3:00
18    Tampa Red–    Mean Old Tom Cat Blues (take 1) (C)    2:52
19    Tampa Red–    Mean Old Tom Cat Blues (take 3) (C)    2:40
20    Tampa Red–    Don't Dog Your Woman (C)    3:30
21    Tampa Red–    Singing And Crying Blues (C) 3:13
22    Tampa Red–    Shake It Up A Little (C) 2:42