Argentinean bandoneon player Dino Saluzzi and German cellist Anja Lechner don't like to have their work characterized as tango, although it clearly has its roots in the tango tradition. They see their collaborations more as organic, abstract musical expressions, some improvised and some based on preexisting pieces, each performance of which is unique, unencumbered by the necessity to reproduce an earlier musical experience. The fact that they create such deeply felt and mutually attuned performances is a testimony to the years they've committed to listening to and learning from each other. Some of the works have the sound and feel of tangos, but the freedom and inventiveness and expressivity Saluzzi and Lechner bring to the pieces deepens them into something more than dances -- they have the subtlety and sophistication of the best chamber music played with the spontaneity of jazz. The expert engineering by Manfred Eicher emphasizes the intimacy of the collaboration; the tiny sounds of the bandoneon's mechanics are audible, as though the listener were sitting very close, and the bandoneon and the cello are so beautifully blended that sometimes it's not immediately obvious where one instrument begins and the other leaves off. Anyone who loves Piazzolla's music should find much to appreciate in Saluzzi and Lechner's soulful and lyrical playing and in their unique take on that tradition. Stephen Eddins
Tracklist :
1. Tango A Mi Padre 4:20
2. Minguito 7:04
3. Esquina 8:44
4. Duetto 6:08
5. Ojos Negros 5:56
6. El Titere 10:23
7. Carretas 6:33
8. Serenata 8:46
Dino Saluzzi, bandoneón
Anja Lechner, violoncello
26.2.24
DINO SALUZZI | ANJA LECHNER — Ojos Negros (2007) FLAC (image+.cue), lossless
AL Di MEOLA — World Sinfonia (1991) FLAC (tracks+.cue), lossless
Comparing early Al di Meola dates like Land of the Midnight Sun and
Casino to his albums of the 1990s, it's clear how much his playing has
softened. The exceptional World Sinfonia, an entirely acoustic CD, makes
it clear that what hasn't changed is his unpredictable, spontaneous
nature. Di Meola's right-hand man throughout this highly introspective
date is the soulful bandonean player Dino Saluzzi, with whom he enjoys
an undeniably strong rapport. A long-time lover of world music, di Meola
incorporates South American, Spanish, and Middle Eastern elements, and
makes Argentine tango a very high priority. The improvisor's reverence
for Argentina's musical heritage is especially evident on Astor
Piazzola's haunting "Tango Suite" and di Meola's soul-bearing ode to the
tango legend, "Last Tango for Astor." But World Sinfonia's standout track and
most pleasant surprise of all is a 12-minute interpretation of Chick
Corea's 1975 Return to Forever classic "No Mystery," which works quite
well in an acoustic setting. Alex Henderson
Chris Carrington - Classical Guitar
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+ last month
MARGARET WHITING — Sings the Jerome Kern Song Book (1960-2002) RM | Serie : LP Reproduction | FLAC (tracks+.cue), lossless
Given Margaret Whiting's limitations as a stylist, you certainly wouldn't expect an album of Jerome Kern-penned Broadway standards t...
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