 On COSMOPOLITAN LIFE Russian guitarist, singer, and rock star Leonid Agutin teams up with six-string virtuoso Al Di Meola for a tour through a collection of songs that spans borders and styles. Elements of jazz, Cuban, gypsy music, African, tango, and mainstream pop are brought together to dazzling effect, and while Agutin’s distinctive voice is one of the album’s most notable qualities, it’s the guitar interplay between the two artists that makes COSMOPOLITAN LIFE a satisfying listen. This disc comes recommended to fans of either artist, as well as those that enjoy crossover jazz and music with an international flavor. Anthony Tognazzini
On COSMOPOLITAN LIFE Russian guitarist, singer, and rock star Leonid Agutin teams up with six-string virtuoso Al Di Meola for a tour through a collection of songs that spans borders and styles. Elements of jazz, Cuban, gypsy music, African, tango, and mainstream pop are brought together to dazzling effect, and while Agutin’s distinctive voice is one of the album’s most notable qualities, it’s the guitar interplay between the two artists that makes COSMOPOLITAN LIFE a satisfying listen. This disc comes recommended to fans of either artist, as well as those that enjoy crossover jazz and music with an international flavor. Anthony Tognazzini
Tracklist :
1    Cuba Africa    5:36
2    Cosmopolitan Life 4:11
Backing Vocals [Back Vocal] – Beatriz Malnic, Lilian Viana, Pedro Ferreira, Rogerio Moura
3    Nobody    4:47
4    Price To Learn    5:30
5    Tango    3:55
6    Smile    4:23
7    Portofino    3:37
8    If I'll Get A Chance... 4:09
Vocals – Angelica Varum
9    Blue River 4:44
Drum [Drum Track] – Vinnie Colaiuta
Recorded By – Ego Works
10    Shade Of Your World    6:15
Video    Cosmopolitan Life    4:08
Personnel :
Acoustic Guitar [Acoustic Guitars], Electric Guitar [Electric Guitars] – Al Di Meola
Acoustic Guitar [Additional] – Anatoly Kotov
Arranged By – Al Di Meola, Albert Fedoseev, Leonid Agutin
Backing Vocals [Back Vocal] – Albert Fedoseev, Artia Lockett, Aster Wilson, Farah Lopez, Randy Singer Group, Ron Taylor, Angelica Varum
Bass – Anthony Jackson, Julio Hernandez, Sergey Korolev, Oleg Tarkhov
Composed By – Leonid Agutin
Drums – Lee Levine, Vinnie Colaiuta, Arthur Gazarov
Keyboards, Piano, Electric Organ [Hammond] – Albert Fedoseev
Lead Vocals [Leading Vocal], Keyboards [Keyboard], Acoustic Guitar – Leonid Agutin
Lyrics By – Alex Sino
Percussion – Gumbi Ortiz, Richard Bravo, Arthur Gazarov
Saxophone – Ed Calle
Soloist [All Solos], Guitar – Al Di Meola
Trombone – John Kricker
Trumpet – Tony Concepcion
22.3.24
Al DI MEOLA & LEONID AGUTIN — Cosmopolitan Life (2005) APE (image+.cue), lossless
26.2.24
AL Di MEOLA — World Sinfonia (1991) FLAC (tracks+.cue), lossless
 Comparing early Al di Meola dates like Land of the Midnight Sun and 
Casino to his albums of the 1990s, it's clear how much his playing has 
softened. The exceptional World Sinfonia, an entirely acoustic CD, makes
 it clear that what hasn't changed is his unpredictable, spontaneous 
nature. Di Meola's right-hand man throughout this highly introspective 
date is the soulful bandonean player Dino Saluzzi, with whom he enjoys 
an undeniably strong rapport. A long-time lover of world music, di Meola
 incorporates South American, Spanish, and Middle Eastern elements, and 
makes Argentine tango a very high priority. The improvisor's reverence 
for Argentina's musical heritage is especially evident on Astor 
Piazzola's haunting "Tango Suite" and di Meola's soul-bearing ode to the
 tango legend, "Last Tango for Astor." But World Sinfonia's standout track and 
most pleasant surprise of all is a 12-minute interpretation of Chick 
Corea's 1975 Return to Forever classic "No Mystery," which works quite 
well in an acoustic setting. Alex Henderson
Comparing early Al di Meola dates like Land of the Midnight Sun and 
Casino to his albums of the 1990s, it's clear how much his playing has 
softened. The exceptional World Sinfonia, an entirely acoustic CD, makes
 it clear that what hasn't changed is his unpredictable, spontaneous 
nature. Di Meola's right-hand man throughout this highly introspective 
date is the soulful bandonean player Dino Saluzzi, with whom he enjoys 
an undeniably strong rapport. A long-time lover of world music, di Meola
 incorporates South American, Spanish, and Middle Eastern elements, and 
makes Argentine tango a very high priority. The improvisor's reverence 
for Argentina's musical heritage is especially evident on Astor 
Piazzola's haunting "Tango Suite" and di Meola's soul-bearing ode to the
 tango legend, "Last Tango for Astor." But World Sinfonia's standout track and 
most pleasant surprise of all is a 12-minute interpretation of Chick 
Corea's 1975 Return to Forever classic "No Mystery," which works quite 
well in an acoustic setting. Alex Henderson
Chris Carrington - Classical Guitar

31.8.17
AL DI MEOLA – Pursuit of Radical Rhapsody (2011) FLAC (tracks+.cue), lossless
 Al Di Meola has enjoyed an impressively long career as a recording artist. The guitar virtuoso was only 22 when he recorded his first album as a leader, Land of the Midnight Sun, back in 1976 (although he had joined Chick Corea's Return to Forever at 19), and a 56-year-old Di Meola was still going strong when 2011 arrived. Di Meola's playing has evolved along the way; the shredding, intensity, speed, and pyrotechnics of his early albums were replaced by a more lyrical and introspective approach that shows some awareness of Pat Metheny yet is distinctively Al Di Meola. But one thing about the guitarist that hasn't changed is his affection for world music, which was a major influence on early albums such as Land of the Midnight Sun, Elegant Gypsy, and Casino, and is also a strong influence on his 2011 release Pursuit of Radical Rhapsody. This excellent album is jazz-rock fusion, but it is also world jazz; Di Meola maintains a decidedly international perspective throughout the CD, incorporating everything from Argentinian tango to Spanish flamenco to Middle Eastern and North African music. Afro-Cuban salsa is also part of the equation, and two of Di Meola's guests are people with definite Latin credentials: bassist Charlie Haden (let's not forget Haden's Revolution Music Orchestra of the '60s and '70s, or the boleros he played on 2000's Nocturne), and Havana-born pianist Gonzalo Rubalcaba. The Afro-Cuban influence is especially strong on "Gumbiero" and "Destination: Gonzalo," although "Gumbiero" also incorporates flamenco and tango elements. Most of the material on Pursuit of Radical Rhapsody was composed by Di Meola himself, but two exceptions are the Beatles' "Strawberry Fields" and Harold Arlen's "Over the Rainbow." And Di Meola, behaving like the jazz improviser that he is, genuinely interprets those well-known popular songs and brings something personal to the table instead of playing the type of lame, note-for-note covers that smooth jazz (which Di Meola has adamantly stayed away from) is infamous for. Granted, Di Meola is by no means a jazz purist or a straight-ahead bebopper; he never claimed to be Barney Kessel or Tal Farlow, but his mentality is very much an improviser's mentality, and that mentality serves him consistently well on Pursuit of Radical Rhapsody. Alex Henderson
 Al Di Meola has enjoyed an impressively long career as a recording artist. The guitar virtuoso was only 22 when he recorded his first album as a leader, Land of the Midnight Sun, back in 1976 (although he had joined Chick Corea's Return to Forever at 19), and a 56-year-old Di Meola was still going strong when 2011 arrived. Di Meola's playing has evolved along the way; the shredding, intensity, speed, and pyrotechnics of his early albums were replaced by a more lyrical and introspective approach that shows some awareness of Pat Metheny yet is distinctively Al Di Meola. But one thing about the guitarist that hasn't changed is his affection for world music, which was a major influence on early albums such as Land of the Midnight Sun, Elegant Gypsy, and Casino, and is also a strong influence on his 2011 release Pursuit of Radical Rhapsody. This excellent album is jazz-rock fusion, but it is also world jazz; Di Meola maintains a decidedly international perspective throughout the CD, incorporating everything from Argentinian tango to Spanish flamenco to Middle Eastern and North African music. Afro-Cuban salsa is also part of the equation, and two of Di Meola's guests are people with definite Latin credentials: bassist Charlie Haden (let's not forget Haden's Revolution Music Orchestra of the '60s and '70s, or the boleros he played on 2000's Nocturne), and Havana-born pianist Gonzalo Rubalcaba. The Afro-Cuban influence is especially strong on "Gumbiero" and "Destination: Gonzalo," although "Gumbiero" also incorporates flamenco and tango elements. Most of the material on Pursuit of Radical Rhapsody was composed by Di Meola himself, but two exceptions are the Beatles' "Strawberry Fields" and Harold Arlen's "Over the Rainbow." And Di Meola, behaving like the jazz improviser that he is, genuinely interprets those well-known popular songs and brings something personal to the table instead of playing the type of lame, note-for-note covers that smooth jazz (which Di Meola has adamantly stayed away from) is infamous for. Granted, Di Meola is by no means a jazz purist or a straight-ahead bebopper; he never claimed to be Barney Kessel or Tal Farlow, but his mentality is very much an improviser's mentality, and that mentality serves him consistently well on Pursuit of Radical Rhapsody. Alex Henderson+ last month
JOHANN WILHELM HÄSSLER — Keyboard Sonatas (Michele Benuzzi) 4CD (2016) FLAC (image+.cue), lossless
As Michele Benuzzi himself explains in a booklet-essay, the idea for this comprehensive collection came about through the success of his sma...
 
 
 

 
 
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