Mostrando postagens com marcador Charley Patton. Mostrar todas as postagens
Mostrando postagens com marcador Charley Patton. Mostrar todas as postagens

17.2.25

TOO LATE, TOO LATE BLUES — Newly Discovered Titles & Alternate Takes ★ Volume 1 • 1926-1944 | DOCD-5150 (1993) RM | FLAC (tracks+.cue), lossless

This CD initiated a logical series for the Document label. The company's goal of reissuing every single prewar recording has resulted in hundreds of valuable CDs being reissued. Inevitably, there were new discoveries of music after the fact, so this series consists of previously unreleased titles, alternate takes, and discoveries. Vol. 1 has selections from Blind Blake ("Early Morning Blues"), Blind Lemon Jefferson ("Lock Step Blues" and "Hangman's Blues"), George "Bullet" Williams, Bessie Tucker, the Memphis Jug Band, Willie Baker, Rev. D.C. Rice, Charlie Spand, Robert Peeples, Charley Patton (an alternate of "I Shall Not Be Moved"), Big Bill Broonzy, Frank Brasswell, Memphis Minnie, the team of Kansas City Kitty & Georgia Tom Dorsey, Bo Carter, Joe McCoy, Kokomo Arnold (a test pressing of his famous "Milk Cow Blues"), Little Buddy Doyle, and Lonnie Johnson. More general blues collectors should explore the more obvious releases first, but specialists will find these 26 performances (and those in later CDs included in this series) to be quite fascinating. Scott Yanow

Abridged from this album’s original booklet notes. Document strives to preserve and present each artist’s oeuvre in a concise, logical format that will make it available for further enjoyment and study for many years to come. Inevitably, however, some items do turn up and become available to Document after (or perhaps even because) the major alcum issue is released. It is only then that some collectors realize what rare and unusual items they already have in their collections, and they make them available for Document to share with the larger community. This issue, then, acts as a clearing house to preserve and expand on what has previously been available, and also can serve as a sampler of artists that have been featured. These additional items fall into several main categories. The Rev. D. C. Rice test pressing was one I had a dub of for some ten years, but I realized only in hindsight that it was not generally known to exist. When I sent it to Document, it turned out that technical limitations (absolute album playing time) precluded its earlier use in any case, but this is a case of better late than never. I think it was Bob Dixon who pointed out this fact of life for the compiler; as soon as the work is completed as much and as well as possible, in come the corrections and additions to keep him humble and constantly on the lookout for more. Some of these are items that have only been found in the last year or so. One of these Big Bill’s is a case in point, having been picked up in a lot that was brought in “off the street” for disposal. Richard Hite sold the 78 to Pete Wielan who made it available. Mike Kirsling has made available items that he found in the great Paramount test lot of several years ago, but which he retained. Now they will be available. Several items have been tracked down via the Rarest 78’s column in 78 Quarterly. Those we’ve been able to contact have been most generous and forthcoming to help make this (and, indeed, the whole series in general) as complete and good sounding as it is. As for the question of alternate takes, Document has been including them when they are aurally different. The Charley Patton -2 included here is an exception – not noticeably different to our ears, but a better copy in any case. Some of these alternates come to our attention aurally, as in the case of Memphis Minnie‘s Reachin’ Pete, of which only one take was thought to exist. So we know for sure that some people at least listen to these issues with intense concentration. No doubt there are interesting stories behind each item presented here, but here are included the newly found, newly recognized, and newly offered items and the background of only a few of them. In conclusion, we dedicate this issue to you, the listener, who makes this task of retrieval, preservation and presentation such a labor of love for us all. DOCD-5150
Tracklist :
1    Blind Blake–    Early Morning Blues (3057-2)    2:57
2    Blind Lemon Jefferson–    Lock Step Blues (20750)    3:05
3    Blind Lemon Jefferson–    Hangman's Blues (20751-2)    3:04
4    George "Bullet" Williams–    Frisco Leaving Birmingham (Take 3)    2:52
5    Bessie Tucker–    My Man Has Quit Me (Take 2) 3:08
Piano – K.D. Johnson
6    Memphis Jug Band–    Stealin' Stealin' (Take 3) 3:07
Vocals [Group Vcl] – Memphis Jug Band
7    Willie Baker–    Weak-Minded Woman (14782 - Test)    3:04
8    Rev. D.C. Rice–    Will They Welcome Me There? (Test) 3:17
Mandolin – Unknown Artist
Piano – Unknown Artist
Tambourine – Unknown Artist
Triangle – Unknown Artist
Trombone – Unknown Artist
Trumpet – Unknown Artist

9    Charlie Spand–    Levee Camp Man (Breakdown) (Take 6 - Test)    1:31
10    Charlie Spand–    Mississippi Blues (Take V6 - Test)    2:49
11    Robert Peeples–    Worry Blues (Test)    2:39
12    Charley Patton–    I Shall Not Be Moved (Take 2)    3:02
13    Big Bill–    Bow Leg Baby 2:38
Piano – Georgia Tom Dorsey
14    Frank Brasswell–    Mountain Jack Blues (16575) 2:26
Piano – Unknown Artist
15    Memphis Minnie–    Memphis Minnie-Jitis Blues (Take B) 3:15
Guitar – Kansas Joe McCoy
16    Kansas City Kitty & Georgia Tom–    Do It Some More    3:11
17    Kansas City Kitty & Georgia Tom–    Knife Man Blues    3:11
18    Bo Carter–    New Auto Blues    3:02
19    Big Bill–    Worried In Mind Blues    3:00
20    Joe McCoy–    Meat Cutter Blues (Alternate Take) 3:08
Guitar [Possibly] – Charlie McCoy
21    Joe McCoy–    What's The Matter With You? 2:55
Piano – Jimmie Gordon
22    Memphis Minnie–    Reachin' Pete (Take B)    3:10
23    Kokomo Arnold–    Milk Cow Blues – No. 5 (Test)    2:44
24    Memphis Minnie–    Running And Dodging Blues (Take 2 - Test) 2:43
Bass [String Bass, Probably] – Ransom Knowling
Clarinet – Arnett Nelson
Piano – Blind John Davis

25    Little Buddy Doyle–    Slick Capers Blues (Test) 2:35
Harmonica [Probably] – Walter Horton
26    Lonnie Johnson–    The Victim Of Love 3:10
Bass [String Bass] – Ransom Knowling
Piano – Blind John Davis

24.12.24

CHARLEY PATTON — Complete Recorded Works In Chronological Order • Volume 1 : 1929 | DOCD-5009 (1990) RM | FLAC (tracks+.cue), lossless

For completists, specialists and academics, Document's Complete Recorded Works, Vol. 1 (1929) is invaluable, offering an exhaustive overview of Charley Patton's early recordings. For less dedicated listeners, the disc is a mixed blessing. There are some absolutely wonderful, classic performances on the collection, but the long running time, exacting chronological sequencing, poor fidelity (all cuts are transferred from original acetates and 78s), and number of performances are hard to digest. The serious blues listener will find all these factors to be positive, but enthusiasts and casual listeners will find that the collection is of marginal interest for those very reasons. Thom Owens
Tracklist :
1        Mississippi Boweavil Blues 3:11
Vocals, Guitar – Charley Patton
2        Screamin' And Hollerin' The Blues 3:06
Vocals, Guitar – Charley Patton
3        Down The Dirt Road Blues 2:55
Vocals [2nd] – Unknown Artist
Vocals, Guitar – Charley Patton

4        Pony Blues 2:59
Vocals, Guitar – Charley Patton
5        Banty Rooster Blues 3:03
Vocals, Guitar – Charley Patton
6        It Won't Be Long 3:27
Vocals, Guitar – Charley Patton
7        Pea Vine Blues 3:03
Vocals, Guitar – Charley Patton
8        Tom Rushen Blues 3:08
Vocals, Guitar – Charley Patton
9        A Spoonful Blues 3:13
Vocals [2nd] – Unknown Artist
Vocals, Guitar – Charley Patton

10        Shake It And Break It (But Don't Let It Fall Mama) 3:09
Vocals, Guitar – Charley Patton
11        Prayer Of Death - Part 1 3:06
Vocals, Guitar – Charley Patton
12        Prayer Of Death - Part 2 2:53
Vocals, Guitar – Charley Patton
13        Lord I'm Discouraged 3:09
Vocals, Guitar – Charley Patton
14        I'm Goin' Home 3:05
Vocals, Guitar – Charley Patton
15        Going To Move To Alabama 3:04
Violin – Henry Sims
Vocals, Guitar – Charley Patton

16        Elder Green Blues (Take 1) 3:02
Violin – Henry Sims
Vocals, Guitar – Charley Patton

17        Elder Green Blues (Take 2) 3:01
Violin – Henry Sims
Vocals, Guitar – Charley Patton

18        Circle Round The Moon 2:35
Violin – Henry Sims
Vocals, Guitar – Charley Patton

19        Devil Sent The Rain Blues 2:59
Violin – Henry Sims
Vocals, Guitar – Charley Patton

20        Mean Black Cat Blues 2:54
Vocals, Guitar – Charley Patton

CHARLEY PATTON — Complete Recorded Works In Chronological Order • Volume 2 : 1929 | DOCD-5010 (1990) RM | FLAC (tracks+.cue), lossless

For completists, specialists and academics, Document's Complete Recorded Works, Vol. 2 (1929) is invaluable, offering an exhaustive overview of Charley Patton's early recordings. For less dedicated listeners, the disc is a mixed blessing. There are some absolutely wonderful, classic performances on the collection, but the long running time, exacting chronological sequencing, poor fidelity (all cuts are transferred from original acetates and 78s), and number of performances are hard to digest. The serious blues listener will find all these factors to be positive, but enthusiasts and casual listeners will find that the collection is of marginal interest for those very reasons. Thom Owens
Tracklist :
1    Charley Patton–    Frankie And Albert 3:12
Vocals, Guitar – Charley Patton
2    Charley Patton–    Some These Days I'll Be Gone (Take 1) 2:59
Vocals, Guitar – Charley Patton
3    Charley Patton–    Some These Days I'll Be Gone (Take 2) 3:18
Vocals, Guitar – Charley Patton
4    Charley Patton–    Green River Blues 3:12
Vocals, Guitar – Charley Patton
5    Henry Sims–    Farrell Blues 3:08
Guitar – Charley Patton
Vocals, Violin – Henry Sims

6    Henry Sims–    Come Back Corrina 3:11
Guitar – Charley Patton
Vocals, Violin – Henry Sims

7    Charley Patton–    Hammer Blues (Take 1) 3:20
Vocals, Guitar – Charley Patton
8    Charley Patton–    Hammer Blues (Take 2) 3:17
Vocals, Guitar – Charley Patton
9    Charley Patton–    Magnolia Blues 3:10
Vocals, Guitar – Charley Patton
10    Charley Patton–    When Your Way Gets Dark 3:08
Vocals, Guitar – Charley Patton
11    Charley Patton–    Heart Like Railroad Steel 2:52
Vocals, Guitar – Charley Patton
12    Charley Patton–    Some Happy Day 3:11
Vocals, Guitar – Charley Patton
13    Charley Patton–    You're Gonna Need Somebody When You Die 2:57
Vocals, Guitar – Charley Patton
14    Charley Patton–    Jim Lee Blues - Part I 2:59
Vocals – Henry Sims
Vocals, Guitar – Charley Patton

15    Charley Patton–    Jim Lee Blues - Part II 3:03
Vocals, Guitar – Charley Patton
16    Charley Patton–    High Water Everywhere - Part I 3:04
Vocals, Guitar – Charley Patton
17    Charley Patton–    High Water Everywhere - Part II 3:04
Vocals, Guitar – Charley Patton
18    Charley Patton–    Jesus Is A Dying-Bed Maker 2:55
Vocals, Guitar – Charley Patton
19    Charley Patton–    I Shall Not Be Moved 3:03
Vocals, Guitar – Charley Patton
20    Charley Patton–    Rattlesnake Blues 2:41
Violin – Henry Sims
Vocals, Guitar – Charley Patton

CHARLEY PATTON — Complete Recorded Works In Chronological Order • Volume 3 : 1929-1934 | DOCD-5011 (1990) FLAC (tracks+.cue), lossless

For completists, specialists and academics, Document's Complete Recorded Works, Vol. 3 (1929-1934) is invaluable, offering an exhaustive overview of Charley Patton's early recordings. For less dedicated listeners, the disc is a mixed blessing. There are some absolutely wonderful, classic performances on the collection, but the long running time, exacting chronological sequencing, poor fidelity (all cuts are transferred from original acetates and 78s), and number of performances are hard to digest. The serious blues listener will find all these factors to be positive, but enthusiasts and casual listeners will find that the collection is of marginal interest for those very reasons.  Thom Owens
Tracklist :
1    Charley Patton–    Running Wild Blues 2:53
Violin – Henry Sims
Vocals, Guitar – Charley Patton

2    Henry Sims –    Tell Me Man Blues
Guitar – Charley Patton
Vocals, Violin – Henry Sims

3    Henry Sims–    Be True Be True Blues
Guitar – Charley Patton
Vocals, Violin – Henry Sims

4    Charley Patton–    Joe Kirby 3:11
Violin – Henry Sims
Vocals, Guitar – Charley Patton

5    Charley Patton–    Mean Black Moan 3:11
Violin – Henry Sims
Vocals, Guitar – Charley Patton

6    Charley Patton–    Dry Well Blues 3:19
Guitar [2nd] – Willie Brown
Vocals, Guitar – Charley Patton

7    Charley Patton–    Some Summer Day - Part I 2:56
Vocals, Guitar – Charley Patton
8    Charley Patton–    Moon Going Down 3:14
Guitar [2nd] – Willie Brown
Vocals, Guitar – Charley Patton

9    Charley Patton–    Bird Nest Bound 3:09
Guitar [2nd] – Willie Brown
Vocals, Guitar – Charley Patton

10    Charley Patton–    Jersey Bull Blues 3:09
Vocals, Guitar – Charley Patton
11    Charley Patton–    High Sheriff Blues 3:09
Vocals, Guitar – Charley Patton
12    Charley Patton–    Stone Pony Blues 2:50
Vocals, Guitar – Charley Patton
13    Bertha Lee–    Yellow Bee 2:53
Guitar – Charley Patton
Vocals – Bertha Lee
14    Bertha Lee–    Mind Reader Blues 2:54
Guitar – Charley Patton
Vocals – Bertha Lee

15    Charley Patton–    34 Blues 2:57
Vocals, Guitar – Charley Patton
16    Charley Patton–    Love My Stuff 2:58
Vocals, Guitar – Charley Patton
17    Charley Patton–    Revenue Man Blues 2:42
Vocals, Guitar – Charley Patton
18    Charley Patton–    Oh Death 2:54
Vocals – Bertha Lee
Vocals, Guitar – Charley Patton

19    Charley Patton–    Troubled 'Bout My Mother 2:59
Vocals – Bertha Lee
Vocals, Guitar – Charley Patton

20    Charley Patton–    Poor Me 3:00
Vocals, Guitar – Charley Patton
21    Charley Patton–    Hang It On The Wall 2:40
Vocals, Guitar – Charley Patton

13.5.21

CHARLEY PATTON – Complete Recordings 1929-1934 (2002) RM | 5CD BOX-SET | FLAC (image+.cue), lossless

At the end of just the first disc on this five-CD set, the listener may feel like he/she was in the audio equivalent of a visual "white-out," so powerful are the sounds on that disc. From the opening bars of"Pony Blues," Charley Patton becomes a gigantic musical presence, who gets even bigger as his work goes on; with a guttural, stentorian voice that paves the way for everyone from Louis Armstrong to early Bob Dylan -- but especially for Howlin' Wolf -- he cuts through the poor condition surviving Paramount pressings like a call from the Great Beyond, almost unnaturally powerful and expressive in its smallest gesture. What's more, Patton must have broken more than his share of strings, because his playing also comes through on these sides better than almost any artist that ever recorded for Paramount, even on ruined masters like "Pea Vine Blues." This is all a lot more than a trip through history for the scholar, and some sides are just too close to some classics of the future to ignore -- "Down In The Dirt Road Blues," which could be where Willie Dixon got the idea for "Down In The Bottom," and the notion that Howlin' Wolf was the man to record it; similarly, "Some Summer Day," from the other end of Patton's career, could easily have been the demo for "Sittin' On Top Of The World" -- actually, the geneology of both songs is a lot more complicated than that, but each of these could easily have been a key part of the evolutionary chain for one or the other. And there is a raw, primordial power to Patton's music that not only grabs the listener but leaves them wanting more; that's why this box makes perfect sense, even for the casual blues listener -- the man never recorded a second-rate side or one that didn't offer at least a few of the attributes that made his best work so powerful. On a cautionary note, however, the producers have actually been a bit misleading by presenting this set as 92 sides by Charley Patton -- there are actually 63 sides by Patton, and the rest, appended to each disc, are recordings by other artists and are believed to have featured Patton, playing and singing or just playing, and people who were featured on Patton's sides; the latter two groups include Son House, Louise Johnson, Henry "Son" Sims, and Willie Brown, with the Big Delta Four filling out the last disc. And these sides offer some fascinating sounds, including killer tracks by Son House in his prime, and oddities like Brown's "Future Blues," which lifts part of its content from Jimmie Rodgers' repertory. The audio is remarkably consistent and, in fact, the whole set is so rewarding, that it raises an interesting notion -- might JSP or another enterprising label consider doing a series of Paramount Records boxes, assembling the surviving sides, blues, gospel, or whatever, in chronological order, as Bear Family did with Sun Records a few years back?  Bruce Eder 

 
 Disc: 1
1. Pony Blues
2. Spoonful Blues
3. Down The Dirt Road Blues
4. Prayer Of Death
5. Prayer Of Death
6. Screamin' And Hollerin' The Blues
7. Banty Rooster Blues
8. Tom Rushen Blues
9. It Won't Be Long
10. Shake It And Break It (But Don't Let It Fall Mama)
11. Pea Vine Blues
12. Mississippi Bo Weavil Blues
13. Lord I'm Discouraged
14. I'm Goin' Home
15. Snatch It And Grab It
16. Rag Blues
17. How Come Mama Blues
18. Voice Throwin' Blues
Disc: 2
1. Hammer Blues
2. I Shall Not Be Moved
3. High Water Everywhere
4. High Water Everywhere
5. I Shall Not Be Moved
6. Rattlesnake Blues
7. Going To Move To Alabama
8. Hammer Blues
9. Joe Kirby
10. Frankie And Albert
11. Magnolia Blues
12. Devil Sent The Rain Blues
13. Runnin' Wild Blues
14. Some Happy Day
15. Mean Black Moan
16. Green River Blues
17. That's My Man
18. Honey Dripper Blues: No. 2
19. Eight Hour Woman
20. Nickel's Worth Of Liver Blues: No 2
Disc: 3
1. Some Of These Days I'll Be Gone
2. Elder Green Blues
3. Jim Lee
4. Jim Lee
5. Mean Black Cat Blues
6. Jesus Is A-Dying
7. Elder Green Blues
8. When Your Way Gets Dark
9. Some Of These Days I'll Be Gone
10. Heart Like Railwood Steel
11. Circle Round The Moon
12. You're Gonna Need Somebody When You Die
13. Be True Be True Blues
14. Farrell Blues
15. Tell Me Man Blues
16. Come Back Corrina
Disc: 4
1. Some Summer Day
2. Bird Nest Bound
3. Future Blues
4. M & O Blues
5. Walkin' Blues
6. My Black Mama
7. My Black Mama
8. Preachin' The Blues
9. Preachin' The Blues
10. Dry Spell Blues
11. Dry Spell Blues
12. All Night Long Blues
13. On the Wall
14. All Night Long Blues
15. By The Moon And Stars
16. Long Ways From Home
Disc: 5
1. Dry Well Blues
2. Moon Going Down
3. We All Gonna Face The Rising Sun
4. Moaner Let's Go Down In The Valley
5. Jesus Got His Arms Around Me
6. God Won't Forsake His Own
7. I'll Be Here
8. Where Was Eve Sleeping
9. I Know My Time Ain't Long
10. Watch And Pray
11. High Sheriff Blues
12. Stone Pony Blues
13. Jersey Bull Blues
14. Hang It On The Wall
15. 34 Blues
16. Love My Stuff
17. Poor Me
18. Revenue Man Blues
19. Troubled 'Bout My Mother
20. Oh Death
21. Yellow Bee
22. Mind Reader Blues
 Credits :
Baritone Vocals – Will Mosely (faixas: 5-3 to 5-10)
Bass Vocals – Archie Smith (faixas: 5-3 to 5-10)
Lead Vocals – Wheeler Ford (faixas: 5-3 to 5-10)
Tenor Vocals – Ivory Lou Allen (faixas: 5-3 to 5-10)
Vocals – Bertha Lee (faixas: 5-19 to 5-22)
Vocals, Fiddle – Henry Sims (faixas: 3-13 to 3-16)
Vocals, Guitar – Walter Hawkins (faixas: 1-15 to 1-18), Charley Patton (faixas: 1-1 to 1-3, 1-7 to 1-11, 1-13, 1-14, 2-1 to 2-16, 3-1 to 3-12, 4-1, 4-2, 5-1, 5-2, 5-11 to 5-20), Elder J J Hadley (faixas: 1-4, 1-5), Son House (faixas: 4-5 to 4-11), The Masked Marvel (faixas: 1-6, 1-12), Willie Brown (faixas: 4-3, 4-4)
Vocals, Piano – Edith North Johnson (faixas: 2-17 to 2-20), Louise Johnson (faixas: 4-12 to 4-16)

THELMA GRACEN — Night And Day (1956-1990) Jazz-Club Serie – 69 | FLAC (image+.cue), lossless

Thelma Gracen's lone EmArcy date boasts a warm, nocturnal atmosphere that belies the precision and complexity of its performances. G...