PEGGY LEE — Black Coffee & Dream Street : The Complete Sessions (2009) FLAC (tracks+.cue), lossless

Black Coffee (1956)
1. Black Coffee (3:09)
Written-By – Paul Francis Webster, Sonny Burke
2. I've Got You Under My Skin (2:32)
Written-By – Cole Porter
3. Easy Living (2:47)
Written-By – Leo Robin, Ralph Rainger
4. My Heart Belongs to Daddy (2:12)
Written-By – Cole Porter
5. It Ain't Necessarily So (3:26)
Written-By – George & Ira Gershwin
6. Gee Baby, Ain't I Good to You? (3:26)
Written-By – Andy Razaf, Don Redman
7. A Woman Alone with the Blues (3:17)
Written-By – Willard Robison
8. I Didn't Know What Time It Was (2:21)
Written-By – Richard Rodgers-Lorenz Hart
9. (Ah, the Apple Trees) When the World Was Young (3:21)
Written-By – Angele Uannier, Johnny Mercer, M. Philippe Gerard
10. Love Me or Leave Me (2:11)
Written-By – Gus Kahn, Walter Donaldson
11. You're My Thrill (3:26)
Written-By – Jay Gorney, Sidney Clare
12. There's a Small Hotel (2:48)
Written-By – Richard Rodgers-Lorenz Hart
13. Do I Love You? (1:37)
Written-By – Cole Porter
14. Guess I'll Go Back Home (This Summer) (3:19)
Written-By – Ray Mayer, Willard Robison
Dream Street (1956)
15. Street of Dreams (3:23)
Written-By – Sam M. Lewis, Victor Young
16. What's New (3:00)
Written-By – Bob Haggart, Johnny Burke
17. You're Blase (2:50)
Written-By – Bruce Sievier, Ord Hamilton
18. It's All Right with Me (2:24)
Written-By – Cole Porter
19. My Old Flame (2:39)
Written-By – Arthur Johnston, Sam Coslow
20. Dancing on the Ceiling (3:41)
Written-By – Richard Rodgers-Lorenz Hart
21. It Never Entered My Mind (3:02)
Written-By – Richard Rodgers-Lorenz Hart
22. Too Late Now (3:49)
Written-By – Alan Jay Lerner, Burton Lane
23. I've Grown Accustomed to His Face (2:47)
Written-By – Alan Jay Lerner-Frederick Loewe
24. Something I Dreamed Last Night (2:30)
Written-By – Herbert Magidson, Jack Yellen, Sammy Fain
25. Last Night When We Were Young (2:57)
Written-By – Yip Harburg, Harold Arlen
26. So Blue (2:14)
Written-By – Buddy G. DeSylva, Lew Brown, Ray Henderson
27. I Still Get a Thrill (Thinking of You) (2:21)
Written-By – Benny Davis, J. Fred Coots
Credits :
Arranged By – Shorty Rogers (tracks: 15 to 27), Sy Oliver (tracks: 15 to 27)
Bass – Buddy Clark (tracks: 5, 6, 11 to 14), Max Wayne (tracks: 1 to 4, 7 to 10)
Drums – Ed Shaughnessy (tracks: 1 to 4, 7 to 10), Nick Fatool (tracks: 15 to 27)
Drums, Vibraphone – Larry Bunker (tracks: 5, 6, 11 to 14)
Flute, Saxophone – Bud Shank (tracks: 15 to 27)
Guitar – Bill Pitman (tracks: 5, 6, 11 to 27)
Harp – Stella Castellucci (tracks: 5, 6, 11 to 27)
Piano – Jimmy Rowles (tracks: 1 to 4, 7 to 10), Lou Levy (tracks: 5, 6, 11 to 14)
Saxophone – Bob Cooper (tracks: 15 to 27)
Trumpet – Pete Candoli (tracks: 1 to 4, 7 to 10)
Vibraphone, Percussion – Larry Bunker (tracks: 15 to 27)
Vocals – Peggy Lee
This cd contains the complete sessions from Peggy Lee's two celebrated albums "Black Coffee" and "Dream Street", marking the first time ever that either of these LPs is released with all of the tracks from its studio dates.

Black Coffee :
1-4 & 7-10: New York, April 30, May 1 & May 4, 1953
5-6 & 11-14: LOs Angeles, April 3, 1956

Dream Street :
15-27: Los Angeles, June 5 & 7, 1956
Bass on these sessions was either played by Max Bennett or Buddy Clark.

Tracks 13, 14, 27: from the same sessions but not issued on the original LPs.

LOUIS ARMSTRONG – 1949-1950 | The Classics Chronological Series – 1179 (2001) FLAC (tracks+.cue), lossless

Diligently reissuing all of Louis Armstrong's recordings, the Classics Chronological Series opens this volume with six sides he waxed for the Decca label during September of 1949. The first two tracks are comforting romantic pop songs sung in front of an orchestra under the direction of Sy Oliver. Much more famous and ultimately among the most lucrative recordings Armstrong ever made, "That Lucky Old Sun" and "Blueberry Hill" had the singer backed by Gordon Jenkins' squarer-sounding big band augmented with a conventional angel cake choir. Then on September 30, 1949, Armstrong recorded with Sy Oliver's band again, this time in two duets with Billie Holiday, one of his greatest admirers. Note that "My Sweet Hunk o' Trash" and "You Can't Lose a Broken Heart" were both composed by James P. Johnson, king of Harlem stride piano. The next chapter in the Armstrong story consists of pure, unadulterated traditional jazz played by a new edition of his All-Stars. The nucleus of Jack Teagarden, Barney Bigard, and Arvell Shaw was greatly fortified by the presence of pianist Earl Hines and percussionist Cozy Cole. Seven of these titles were initially issued in two parts owing to the limitations of the 10" phonograph record. Happily, and thanks to careful editing, Classics now presents each selection as a continuous extended performance, most effectively in the case of the nearly nine-minute "Bugle Call Rag." Garnished with a laid-back "My Bucket's Got a Hole in It" and a smokin' five-minute dash through "Panama," these are some of the best Armstrong jams of the early '50s.   arwulf arwulf       Tracklist + Credits :

SY OLIVER AND HIS ORCHESTRA – 1945-1949 | The Chronogical Classics – 1190 (2001) FLAC (tracks+.cue), lossless

Sy Oliver's main contributions to jazz history were his arrangements in the 1930s for Jimmie Lunceford and during the first half of the '40s for Tommy Dorsey. In 1947, he had a big band that recorded four sessions for MGM but quickly flopped, lacking its own musical personality and being born at a time when big bands were breaking up. This interesting CD is full of rare material. Oliver sings "Seventh Avenue" on a V-Disc from 1945, leads his big band on all 16 of its recordings from 1947, and heads a couple studio bands for sessions in 1949. Overall, Oliver has vocals on ten of the 23 numbers and also features singers Henry Wells, Tommy Roberts, Joe Bailey, Bobby Marshall, Charles McCormick, and the Aristokats. Although some of the sidemen are well-known swing veterans, in general they are confined to ensembles, with only a few of the tunes being worthwhile instrumentals. The music is enjoyable enough but one can easily understand why the Sy Oliver Orchestra never caught on. Scott Yanow
Tracklist + Credits : 

SY OLIVER AND HIS ORCHESTRA – 1949-1952 | The Chronogical Classics – 1365 (2004) FLAC (tracks), lossless

Tracklist + Credits :

MEZZ MEZZROW – 1936-1939 | The Chronogical Classics – 694 (1993) FLAC (tracks+.cue), lossless

Considering the collective personnel and an unusually close communication between these players, this disc is a serious contender for the "Best of Mezz" award. By 1936, Mezz Mezzrow had developed into an able clarinetist and an expert at putting together strong traditional jazz ensembles. There are five sessions' worth of material gathered together to form this segment of the Mezzrow chronology. Each date produced top-notch small band swing, played by some of the best jazz musicians in the world at that time. None of this is exaggeration. On the opening session, for example, the clarinetist is flanked by trumpeter Frankie Newton and tenor sax man Bud Freeman, backed by a rhythm section including Al Casey, Wellman Braud, and Willie "The Lion" Smith! This group's two-part rendition of Stuff Smith's "I'se a-Muggin'" is a very close cover of the somewhat smoother version cut two days earlier by Jack Teagarden with the Three T's, a leisure service of Paul Whiteman. While Teagarden's timing and tone was impeccable, part one of Mezz's take has a rather gruff vocal by the Lion, who sounded like a friendly cigar-gnawing gangster whenever engaging in theatrical patter. In his liner notes, Anatol Schenker accuses these musicians of being stoned or at least under-rehearsed. According to that criterion, most of the records made by Fats Waller, Louis Armstrong, Billie Holiday, and Lester Young would be in artistic jeopardy simply on account of cannabis and spontaneity. Criticism of this sort is inaccurate, unfair, and misleading. Mezzrow's only 1937 session as a leader used three fine jam tunes that he composed in collaboration with arranger Edgar Sampson, and a formulaic stomp based on a simple but effective idea by Larry Clinton. This band swung hard with a front line of Sy Oliver, J.C. Higginbotham, Mezzrow, and tenor saxophonist Happy Caldwell, who expresses himself marvelously on these recordings. Like all the rhythm sections on this collection, the combination of Sonny White, Bernard Addison, Pops Foster, and Jimmy Crawford is first rate. Mezzrow was lucky, savvy, and well connected in lining himself up with Tommy Ladnier, Sidney de Paris, James P. Johnson, Teddy Bunn, Elmer James, and Zutty Singleton. Anyone familiar with this kind of music should be somewhat awed by that lineup. These were to be some of Ladnier's last recording dates, and should be savored along with the Bluebird sides he made with Mezzrow and Sidney Bechet during this same time period. "Comin' on with the Come On" is laid out in the classic Mezzrow two-part configuration of slow blues/fast blues. Sidney de Paris growls through his horn, mingling wonderfully with Ladnier. A second Bluebird session about one month later scaled the band down to a quintet with Ladnier and Mezzrow backed by Pops Foster, Teddy Bunn, and the no-nonsense drumming of Manzie Johnson. Bunn played guitar exquisitely and his vocal on "If You See Me Comin'" is a gem. The last four titles feature vocalist Rosetta Crawford in front of a band chosen from several of the previous sessions. Rosetta resurrects three old-time blues masterpieces by Perry Bradford and "Stop It Joe," a little-known novelty by the great James P. Johnson -- who is sitting in at the piano. arwulf arwulf  
Tracklist + Credits :

ELLA FITZGERALD – 1949 | The Classics Chronological Series – 1153 (1999) FLAC (tracks), lossless

In her live performances of 1949, Ella Fitzgerald (who turned 33 that year) often showed the influence of bebop in her phrasing and improvising. However, her studio recordings for Decca (all 21 selections that she cut that year on are on this CD) are surprisingly absent of bebop, instead alternating ballads and bluish pieces with a few swing-oriented numbers. Fitzgerald sounds typically wonderful and cheerful, but the arrangements (for the orchestras of Sy Oliver, Gordwillon Jenkins, and Sonny Burke) are often closer to middle-of-the-road pop music than to jazz. Fitzgerald sounds in fine form on such numbers as "Old Mother Hubbard," "Happy Talk," "Black Coffee," "In the Evening," and "I Hadn't Anyone Till You," imitating Louis Armstrong a bit on "Basin Street Blues." In addition, there are two numbers with Louis Jordan's Tympany Five (including "Baby It's Cold Outside") and two forgettable selections with the Mills Brothers. This CD is a real gap-filler (few of these selections are ever reissued), but not essential. Scott Yanow
Tracklist + Credits :

ELLA FITZGERALD – 1950 | The Classics Chronological Series – 1195 (2001) FLAC (tracks+.cue), lossless

Few vocalists have managed to succeed so well in both jazz and pop music as did Ella Fitzgerald. The 11th installment in her complete Classics chronology presents 24 Decca recordings made between February 2 and December 20, 1950. On eight of these she is backed by Sy Oliver & His Orchestra, sometimes singing duets with Oliver himself. Fitzgerald seems to have been able to make sense out of any routine and had the ability to put a song across in virtually any company. During this period she collaborated with two vocal groups: the aggressively wholesome Four Hits & a Miss and the Ink Spots, with whom she'd made records back in 1944. She also rendered up a suite of eight Gershwin tunes with Ellis Larkins at the piano, sat in with Louis Jordan & His Tympany 5, cut a pair of delightful duets with Louis Armstrong, and rattled off a couple of idiotic novelty tunes, accompanied by a giggling, unidentified vocal group composed of either children or foolish adults. "Molasses, Molasses" was also recorded by Spike Jones & His City Slickers with a falsetto group vocal led by squeaky-voiced George Rock, a capable trumpeter who had an annoying habit of impersonating little boys. Ella Fitzgerald's version is better, if that means anything. For a much hipper and funnier song about molasses, see Bob Howard (1937-1947, Classics 1055). arwulf arwulf
Tracklist + Credits :

ELLA FITZGERALD – 1951 | The Classics Chronological Series – 1261 (2002) FLAC (tracks+.cue), lossless

Most of Ella Fitzgerald's recordings from 1951 (all of which are on this CD) are obscure and have rarely been reissued. "The First Lady of the American Song" turned 34 that year and was in peak form, as she would be throughout the decade. The music ranges from novelties ("Two Little Men In A Flying Saucer," and a cover of "Come On-A My House,") to worthy versions of "Love You Madly," "Smooth Sailing," and "Baby Doll." The settings range from tunes with Sy Oliver's Orchestra and occasional background singers, to a date with Hank Jones, and four lesser-known but delightful duets with Louis Armstrong: "Necessary Evil," "Oops," "Would You Like To Take A Walk," and "Who Walks In When I Walk Out." Scott Yanow
Tracklist :

ELLA FITZGERALD – 1952 | The Classics Chronological Series – 1328 (2003) FLAC (tracks+.cue), lossless

The 13th installment in the Classics Ella Fitzgerald chronology documents her recording activity during a period extending from early January to late November 1952. The two opening tracks constitute a veritable scat fest with accompaniment by the Ray Charles Singers and a small band anchored by organist Bill Doggett and pianist Hank Jones. The next nine titles document Fitzgerald's continuing collaborations with bandleader Sy Oliver. Matt Dennis' ballad "Angel Eyes" is rendered beautifully, even if it is nestled among silly titles like "Goody Goody," "A Guy Is a Guy," and "Ding-Dong Boogie," a rowdy novelty better suited for Teresa Brewer; it benefits greatly from a gutbucket sax solo by Sam "The Man" Taylor. Accompanied by Bobby Orton's Teen-Aces, Ella makes her own stunning "Contribution to the Blues," revives Una Mae Carlisle's magnum opus "Walking by the River," and presents "My Bonnie Lies Over the Ocean" as a West Indian dance number bristling with bongos and conga drums. This was not Ella's first venture into Caribbean territory; her infamous calypso outing "Stone Cold Dead in the Market," recorded with Louis Jordan & His Tympany 5 during the mid-'40s, is still a force with which to be reckoned (see 1945-1947, Classics 998). Throughout her tenure as a Decca recording artist, Fitzgerald demonstrated an uncanny ability to sing anything; she would convert weak material into good stuff or transform great songs into masterpieces. It is now known that during the early '50s producer Norman Granz "harshly criticized" the A&R management at Decca Records for consistently handing Ella Fitzgerald patently inferior material and sometimes teaming her up with musicians who were either not in her league or were incapable of tuning in to her wavelength. Until this vocalist's Decca contract expired, Granz could only include her in his touring Jazz at the Philharmonic package (those concert performances were assiduously recorded in their entirety for later release) while making plans for their eventual studio collaborations, which would include the multiple great American composer Song Book projects. arwulf arwulf
Tracklist :

ELLA FITZGERALD – 1953-1954 | The Classics Chronological Series – 1404 (2005) FLAC (tracks+.cue), lossless

The 14th installment in the Classics Ella Fitzgerald chronology examines a trail of Decca recordings made between February 13, 1953, and March 30, 1954. Aside from a pair of sentimental numbers sweetened by the Ray Charles Singers, Fitzgerald spent most of the year 1953 making records with Sy Oliver's orchestra. "Somebody Bad Stole de Wedding Bell" is yet another chapter in Fitzgerald's ongoing involvement with West Indian or calypso-styled repertoire; earlier Caribbean manifestations were "Stone Cold Dead in the Market" and "My Bonnie Lies Over the Ocean." Ella closed out the year by recording with a string-laden orchestra led by John Scott Trotter, then famous for his work with Bing Crosby. Her next three studio sessions occurred toward the end of March 1954. The first of these involved the dreaded Gordon Jenkins string orchestra and chorus. Although few singers could have withstood the avalanche of refined white sugar represented by Jenkins and his soporific ensemble, Fitzgerald stood her ground and sounded great. At the beginning of the following week she made her second collaborative series of recordings with pianist Ellis Larkins; their first studio duets had taken place in September of 1950 (see Classics 1195). These beautiful performances benefit from the sort of professional autonomy and artistic integrity that Ella Fitzgerald would soon enjoy after ditching Decca and signing on with Norman Granz. arwulf arwulf
Tracklist :

ELLA FITZGERALD – 1954-1955 | The Classics Chronological Series – 1457 (2008) FLAC (tracks+.cue), lossless

The 15th installment in the complete studio recordings of Ella Fitzgerald as reissued in the Classics Chronological Series contains 22 titles cut between March 30, 1954, and August 5, 1955, marking the tail end of her contractual obligations as a Decca recording artist. Ella's involvement with Decca extended a full 20 years back to her initial recording session with the Chick Webb Orchestra in June 1935; by January of 1956 she would be working with Norman Granz (who had already been recording her in live performance with his Jazz at the Philharmonic package), inaugurating one of the great longstanding singer/producer collaborations in the entire history of recorded jazz. Drawing upon material originally made available on the LPs Sweet and Hot, Songs in a Mellow Mood, The First Lady of Song, Lullabies of Birdland and Songs from "Pete Kelly's Blues" (a motion picture in which Ella appeared cast as a jazz singer), this patchwork compilation opens with three songs that close out one of the delightful sessions that she shared with pianist Ellis Larkins during the spring of 1954. The next two titles come from a date that was typical of Decca's approach to artists and repertoire, for here Ella and a sextet including tenor saxophonist Sam Taylor, pianist Hank Jones, and organist Bill Doggett were pitted against a standard issue '50s pop vocal choir. Other ensembles heard on this disc were conducted or supervised by Benny Carter, Sy Oliver, André Previn, Dick Hyman, and Toots Camarata. Altogether, it's a fine portrait of Ella Fitzgerald in one of her primes, and an effective appetizer for the next chapter in her musical biography. arwulf arwulf
Tracklist + Credits :

JIMMIE LUNCEFORD AND HIS ORCHESTRA – 1930-1934 | The Classics Chronological Series – 501 (1990) FLAC (image+.cue), lossless

The first in Classics' "complete" Jimmie Lunceford series has two titles apiece from 1930 (when the band was based in Tennessee) and 1933 along with its first six sessions for Decca in 1934. Lunceford's band had an immediately recognizable sound by 1934 and, despite the presence of such top soloists as altoist Willie Smith, tenor-saxophonist Joe Thomas and high-note trumpeter Tommy Stevenson, it was its arranged ensembles (particularly those of Sy Oliver) that gave the orchestra its musical identity. Among the better selections on this CD are "Flaming Reeds And Screaming Brass," "White Heat," "Swinging' Uptown," "Rose Room," "Miss Otis Regrets" and the band's fresh interpretations of Duke Ellington's "Black And Tan Fantasy" and "Mood Indigo." Scott Yanow
Tracklist :
1    Jimmie Lunceford And His Chickasaw Syncopators–    In Dat Mornin' 3:21
Speech [Preaching] – Moses Allen
2    Jimmie Lunceford And His Chickasaw Syncopators–    Sweet Rhythm     2:41
3    Jimmie Lunceford And His Orchestra–    Flaming Reeds And Screaming Brass    2:57
4    Jimmie Lunceford And His Orchestra–    While Love Lasts     3:06
5    Jimmie Lunceford And His Orchestra–    White Heat 2:29
Arranged By – Will Hudson
6    Jimmie Lunceford And His Orchestra–    Jazznocracy 2:42
Arranged By – Will Hudson
7    Jimmie Lunceford And His Orchestra–    Chillun Get Up 3:19
Arranged By – Sy Oliver
Vocals – Henry Wells
8    Jimmie Lunceford And His Orchestra–    Leavin' Me 3:05
Vocals – Henry Wells
9    Jimmie Lunceford And His Orchestra–    Swingin' Uptown 2:37
Arranged By – Sy Oliver
10    Jimmie Lunceford And His Orchestra–    Breakfast Ball 3:00
Arranged By, Vocals – Sy Oliver
11    Jimmie Lunceford And His Orchestra–    Here Goes (A Fool) 2:45
Vocals – Henry Wells
12    Jimmie Lunceford And His Orchestra–    Remember When 3:20
Vocals – Henry Wells
13    Jimmie Lunceford And His Orchestra–    Sophisticated Lady 3:10
Arranged By – Willie Smith
14    Jimmie Lunceford And His Orchestra–    Mood Indigo 2:58
Arranged By – Willie Smith
15    Jimmie Lunceford And His Orchestra–    Rose Room 3:06
Arranged By – Willie Smith
16    Jimmie Lunceford And His Orchestra–    Black And Tan Fantasy 2:51
Arranged By – Sy Oliver
17    Jimmie Lunceford And His Orchestra–    Stratosphere 2:15
Arranged By – Jimmie Lunceford
18    Jimmie Lunceford And His Orchestra–    Nana 3:10
Arranged By – Sy Oliver
Vocals – Henry Wells
19    Jimmie Lunceford And His Orchestra–    Miss Otis Regrets 2:41
Arranged By – Edwin Wilcox
Vocals – Sy Oliver
20    Jimmie Lunceford And His Orchestra–    Unsophisticated Sue     3:08
21    Jimmie Lunceford And His Orchestra–    Stardust 3:02
Arranged By – Edwin Wilcox
Vocals – Henry Wells
22    Jimmie Lunceford And His Orchestra–    Dream Of You 3:09
Arranged By, Vocals – Sy Oliver
23    Jimmie Lunceford And His Orchestra–    Stomp It Off 3:13
Arranged By – Sy Oliver
24    Jimmie Lunceford And His Orchestra–    Call It Anything (It Wasn't Love) 3:18
Arranged By – Edwin Wilcox
Vocals – Henry Wells
25    Jimmie Lunceford And His Orchestra–    Because You're You 3:23
Arranged By – Sy Oliver
Vocals – Henry Wells
Credits :    
Alto Saxophone – Jimmie Lunceford (tracks: 1 to 12), LaForet Dent (tracks: 13 to 25)
Alto Saxophone, Baritone Saxophone – Earl Carrothers
Alto Saxophone, Clarinet, Baritone Saxophone – Willie Smith
Bass – Moses Allen
Directed By – Jimmie Lunceford
Drums, Vibraphone – Jimmy Crawford
Guitar – Al Norris
Piano, Celesta – Edwin Wilcox
Tenor Saxophone – George Clark (tracks: 1, 2)
Tenor Saxophone, Clarinet – Joe Thomas (tracks: 3 to 25)
Trombone – Henry Wells, Russell Bowles (tracks: 3 to 25)
Trumpet – Eddie Tompkins (tracks: 3 to 25), Sy Oliver (tracks: 1, 2, 5 to 25), Tommy Stevenson (tracks: 3 to 25), William "Sleepy" Tomlin (tracks: 3, 4)

JIMMIE LUNCEFORD AND HIS ORCHESTRA – 1934-1935 | The Classics Chronological Series – 505 (1990) FLAC (tracks+.cue), lossless

The second of Classics' reissuance of all the master takes of Jimmie Lunceford's recordings finds the orchestra gaining in popularity and in power. Among the highlights (most of the songs were arranged by Sy Oliver or Ed Wilcox) are "Since My Beat Gal Turned Me Down," "Rhythm Is Our Business," "Shake Your Head," "Sleepy-Time Gal," "Four or Five Times" and "Swanee River." The high musicianship and clean ensembles (along with the showmanship) are most impressive and the concise solos (particularly from altoist Willie Smith, tenor saxophonist Joe Thomas and trumpeter Sy Oliver) are enjoyable and fit in logically as part of the arrangements. Scott Yanow
Tracklist :
1    Chillum, Get Up 3:03
Arranged By – Sy Oliver
Vocals – Henry Wells, Sy Oliver, Willie Smith
Written-By – Parker
2    Solitude 3:10
Vocals – Henry Wells
Written-By – Ellington, DeLange
3    Rain 3:20
Arranged By – Sy Oliver
Vocals – Henry Wells, Sy Oliver, Willie Smith
Written-By – Swansstrom, Morgan, Ford
4    Since My Best Gal Turned Me Down 3:30
Arranged By – Sy Oliver
Vocals – Henry Wells, Sy Oliver, Willie Smith
Written-By – Quicksell, Ludwig
5    Jealous 3:07
Arranged By – Edwin Wilcox
Vocals – Henry Wells
Written-By – Finch, Little, Malie
6    Rhythm Is Our Business 3:08
Arranged By – Edwin Wilcox
Chorus – Jimmie Lunceford And His Orchestra
Vocals – Willie Smith
Written-By – Lunceford, Cahn, Chaplin
7    I'm Walking Through Heaven With You 3:12
Arranged By – Edwin Wilcox
Vocals – Henry Wells
Written-By – Lunceford
8    Shake Your Head (From Side To Side) 2:52
Arranged By – Sy Oliver
Written-By – Gerow, Cahn
9    Sleepy Time Gal 3:08
Alto Saxophone – Jimmie Lunceford
Arranged By – Edwin Wilcox
Written-By – Lorenzo, Alden, Whiting
10    Bird Of Paradise 3:20
Arranged By – Eddie Durham, Edwin Wilcox
Written-By – Ellington
11    Rhapsody Junior 3:23
Arranged By – Eddie Durham, Edwin Wilcox
Written-By – Ellington
12    Runnin' Wild 3:11
Arranged By – Willie Smith
Vocals – Sy Oliver
Written-By – Gibbs, Grey, Wood
13    Four Or Five Times 3:07
Arranged By, Vocals – Sy Oliver
Written-By – Gay, Hellman
14    (If I Had) Rhythm In My Nursery Rhymes 3:01
Arranged By – Edwin Wilcox
Vocals – Willie Smith
Written-By – Ray, Lunceford, Cahn, Chaplin
15    Babs 3:07
Arranged By – Sy Oliver
Vocals – Dan Grissom, Sy Oliver, Willie Smith
Written-By – Ahlert, Young
16    Swanee River 2:45
Arranged By – Sy Oliver
Written-By – Foster
17    Thunder 3:04
Arranged By – Edwin Wilcox
Vocals – Dan Grissom
Written-By – Manners, Lewis
18    Oh! Boy 3:10
Arranged By – Eddie Durham
Written-By – Durham, Lunceford
19    (You Take The East, Take The West, Take The North) I'll Take The South 2:40
Arranged By – Sy Oliver
Vocals – Dan Grissom, Sy Oliver, Willie Smith
Written-By – Palmer, Klages
20    Avalon 3:05
Arranged By – Eddie Durham
Written-By – Jolson, De Sylva, Rose
21    Charmaine 2:50
Arranged By – Sy Oliver
Vocals – Dan Grissom
Written-By – Rapee, Pollack
22    Hittin' The Bottle 3:07
Arranged By – Eddie Durham
Vocals – Sy Oliver
Written-By – Arlen, Koehler
Credits :    
Alto Saxophone – LaForest Dent
Bass – Moses Allen
Clarinet, Alto Saxophone – Dan Grissom (tracks: 10 to 22)
Clarinet, Alto Saxophone, Baritone Saxophone – Earl Carruthers, Willie Smith
Clarinet, Tenor Saxophone – Joe Thomas
Drums, Vibraphone – Jimmy Crawford
Guitar – Al Norris
Leader, Arranged By – Jimmie Lunceford
Orchestra – Jimmie Lunceford And His Orchestra
Piano, Celesta – Edwin Wilcox
Trombone – Elmer Crumbley (tracks: 9 to 22), Henry Wells (tracks: 1 to 8), Russell Bowles
Trombone, Guitar – Eddie Durham (tracks: 9 to 22)
Trumpet – Eddie Tompkins, Paul Webster (tracks: 9 to 22), Sy Oliver, Tommy Stevenson (tracks: 1 to 8)

JIMMIE LUNCEFORD AND HIS ORCHESTRA – 1939 | The Classics Chronological Series – 532 (1990) FLAC (tracks+.cue), lossless

For this Classics CD, most of the Jimmie Lunceford Orchestra's earlier Vocalion recordings (owned by Columbia) are reissued. The loss of Sy Oliver in August 1939 (he was lured away by Tommy Dorsey) would soon hurt the band but they were still using Oliver's arrangemetns in the last session. "Baby, Won't You Please Come Home," "What Is This Thing Called Swing," a classic rendition of "Ain't She Sweet," "Well, All Right Then" and "Belgium Stomp" are among the more memorable selections on this CD which also has a few typically inferior Dan Grissom ballad vocals. Swing fans will want all of these CDs even if they do not include Lunceford's alternate takes. Scott Yanow
Tracklist :
1    Baby Won't You Please Come Home? 2:50
Arranged By – Sy Oliver
Vocals – Joe Thomas
2    You're Just A Dream 2:51
Arranged By – Sy Oliver
Vocals – Dan Grissom
3    The Lonesome Road 2:31
Arranged By – Sy Oliver
Vocals – Trummy Young
4    You Set Me On Fire 2:38
Arranged By – Sy Oliver
Vocals – Dan Grissom
5    I've Only Myself To Blame 2:45
Arranged By – Sy Oliver
Vocals – Dan Grissom
6    What Is This Thing Called Swing? 2:26
Arranged By – Sy Oliver
Vocals – Joe Thomas
7    Mixup 2:18
Arranged By – Sy Oliver
8    Shoemaker's Holiday 2:50
Arranged By – Sy Oliver
9    Blue Blazes 2:50
Arranged By – Sy Oliver
10    Mandy 2:52
Arranged By – Sy Oliver
11    Easter Parade 2:40
Arranged By – Sy Oliver
Vocals – Trummy Young
12    Ain't She Sweet? 2:27
Arranged By – Sy Oliver
Vocals – Trummy Young
13    White Heat 2:20
Arranged By – Will Hudson
14    Oh Why, Oh Why 2:49
Arranged By – Sy Oliver
Vocals – Dan Grissom
15    Well, All Right Then 2:42
Vocals – Orchestra
16    You Let Me Down 2:52
Arranged By – Sy Oliver
Vocals – Dan Grissom
17    I Love You 2:46
Arranged By – Sy Oliver
Vocals – Dan Grissom
18    Who Did You Meet Last Night? 2:35
Arranged By – Will Beines
Vocals – Dan Grissom
19    You Let Me Down 2:46
Arranged By – Sy Oliver
Vocals – Dan Grissom
20    Sassin' The Boss 2:43
Arranged By – Jesse Stone
Vocals – Willie Smith
21    I Want The Waiter (With The Water) 2:43
Arranged By – Sy Oliver
Vocals – Orchestra, Trummy Young
22    I Used To Love You (But It's All Over Now) 2:45
Arranged By – Milton Hill
Vocals – Joe Thomas
23    Belgium Stomp 2:29
Arranged By – Billy Moore, Jr.
24    You Can Fool Some Of The People (Some Of TheTime) 2:21
Arranged By – Billy Moore, Jr.
Vocals – Trummy Young
25    Think Of Me, Little Daddy 2:42
Arranged By – Edward Inge
Vocals – Trummy Young
26    Liza (All The Clouds'll Roll Away) 2:37
Arranged By – Edward Inge
Flute – Jimmie Lunceford, Joe Thomas, Ted Buckner
Credits :    
Alto Saxophone – Dan Grissom, Ted Buckner
Bass – Moses Allen
Clarinet, Alto Saxophone, Baritone Saxophone – Earl Carruthers, Willie Smith
Clarinet, Tenor Saxophone – Joe Thomas
Directed By – Jimmie Lunceford
Drums, Vibraphone – Jimmy Crawford
Guitar – Al Norris
Piano, Celesta – Edwin Wilcox
Trombone – Elmer Crumbley, Russell Bowles, James "Trummy" Young
Trumpet – Eddie Tompkins, Gerald Wilson (tracks: 18 to 26), Paul Webster, Sy Oliver (tracks: 1 to 17)

JIMMIE LUNCEFORD AND HIS ORCHESTRA – 1935-1937 | The Classics Chronological Series – 510 (1990) FLAC (tracks+.cue), lossless

Although there have been a few GRP/Decca samplers released domestically, the best way for serious collectors to acquire the recordings of Jimmie Lunceford are by getting the reissue CDs put out by the European labels. On Classics' third Lunceford set, the personnel stays the same (except for one minor change) during the 15-month period that is covered. The well-rehearsed unit continued to grow and develop during this time. Among the highpoints of the CD are "My Blue Heaven," "Organ Grinder's Swing," "Harlem Shout" and "Slumming on Park Avenue." Although one can do without the occasional Dan Grissom vocals, the concise solos, tricky charts and hip singing of Sy Oliver make this music well worth investigating by fans of the swing era. Scott Yanow
Tracklist :
1    My Blue Heaven 3:10
Arranged By – Sy Oliver
Violin – Al Norris
Vocals – Dan Grissom, Sy Oliver, Willie Smith
2    I'm Nuts About Screwy Music 3:03
Arranged By – Edwin Wilcox
Vocals – Willie Smith
3    The Best Things In Life Are Free 3:20
Arranged By – Edwin Wilcox
Vocals – Dan Grissom
4    The Melody Man 3:06
Arranged By, Vocals – Sy Oliver
5    Organ Grinder's Swing 2:37
Arranged By – Sy Oliver
6    On The Beach At Bali-Bali 2:57
Arranged By, Vocals – Sy Oliver
7    Me And The Moon 3:02
Arranged By – Sy Oliver
Vocals – Dan Grissom, Sy Oliver, Willie Smith
8    Living From Day To Day 3:04
Arranged By – Sy Oliver
Vocals – Dan Grissom
9    'Tain't Good (Like A Nickle Made Of Wood) 3:11
Arranged By – Sy Oliver
Vocals – Dan Grissom, Sy Oliver, Willie Smith
10    Muddy Water (A Mississippi Moan) 2:55
Arranged By – Sy Oliver
Vocals – Dan Grissom, Sy Oliver, Willie Smith
11    I Can't Escape From You 3:00
Arranged By – Sy Oliver
Vocals – Dan Grissom
12    Harlem Shout 3:01
Arranged By – Eddie Durham
13    (This Is) My Last Affair 2:48
Arranged By – Sy Oliver
Vocals – Dan Grissom
14    Running A Temperature 3:00
Arranged By – Eddie Durham
Vocals – Sy Oliver
15    Count Me Out 3:12
Arranged By – Eddie Durham
Vocals – Dan Grissom
16    I'll Sell You In My Dreams 2:46
Arranged By – Edwin Wilcox
Vocals – Dan Grissom
17    He Ain't Got Rhythm 2:43
Arranged By – Sy Oliver
Vocals – Joe Thomas
18    Linger Awhile 2:32
Arranged By – Sy Oliver
Vocals – Dan Grissom
19    Honest And Truly 2:59
Arranged By – Edwin Wilcox
Vocals – Dan Grissom
20    Slumming On Park Avenue 3:01
Vocals – Dan Grissom, Sy Oliver, Willie Smith
21    Coquette 3:10
Arranged By – Sy Oliver
Vocals – Dan Grissom
22    The Merry-Go-Round Broke Down 2:50
Arranged By – Sy Oliver
Vocals – Sy Oliver
23    Ragging The Scale 3:09
Arranged By – Sy Oliver
Credits :    
Alto Saxophone – Ed Brown (tracks: 21 to 23), LaForet Dent (tracks: 1 to 20)
Clarinet, Alto Saxophone – Dan Grissom
Clarinet, Alto Saxophone, Baritone Saxophone – Earl Carruthers, Willie Smith
Clarinet, Tenor Saxophone – Joe Thomas
Directed By – Jimmie Lunceford
Drums, Vibraphone – Jimmy Crawford
Guitar – Al Norris
Piano, Celesta – Edwin Wilcox
Trombone – Elmer Crumbley, Russell Bowles
Trombone, Guitar – Eddie Durham
Trumpet – Eddie Tompkins, Paul Webster, Sy Oliver

JIMMIE LUNCEFORD AND HIS ORCHESTRA – 1937-1939 | The Classics Chronological Series – 520 (1990) FLAC (tracks), lossless

For this entry in Classics' complete reissuance of Jimmie Lunceford's recordings, the biggest news for the band was the addition of trombonist Trummy Young who, in addition to being a major soloist, had vocal hits in "Margie" and "'Tain't What You Do (It's The Way That You Do It)." Other highlights of this well-rounded CD include "Annie Laurie," "Sweet Sue" and "By the River Saint-Marie." Scott Yanow
Tracklist :
1     Hell's Bells 3:10
Art Kassel
2     For Dancers Only 2:43
Sy Oliver / Don Raye / Vic Schoen
3     Posin' 3:00
Sammy Cahn / Saul Chaplin
4     The First Time I Saw You 2:47
Nathaniel Shilkret / Allie Wrubel
5     Honey, Keep Your Mind on Me 3:10
Jimmie Lunceford / Allan Roberts / Porter Roberts
6     Put on Your Old Grey Bonnet 2:49
Stanley Murphy / Percy Wenrich
7     Pigeon Walk 2:41
Sam M. Lewis / James V. Monaco
8     Like a Ship at Sea 2:47
Jimmie Lunceford
9     Teasin' Tessie Brown 2:56
Jimmie Lunceford / Andy Razaf
10     Annie Laurie 3:12
Traditional
11     Frisco Fog 3:12
Leon Carr / Bill Smith
12     Margie 3:09
Con Conrad / Benny Davis / J. Russel Robinson
13     The Love Nest 3:04
Otto Harbach / Walter Hirsch
14     I'm Laughing Up My Sleeve (Ha-Ha-Ha-Ha-Ha) 2:53
Jack Lawrence / Peter Tinturin
15     Down by the Old Mill Stream 3:00
Tell Taylor
16     My Melancholy Baby 3:06
Ernie Burnett / George Norton
17     Sweet Sue, Just You 2:49
Will J. Harris / Victor Young
18     By the River Sainte Marie 3:15
Edgar Leslie / Harry Warren
19     Rainin' 2:59
Sy Oliver
20     'Tain't What You Do (It's the Way That You Do It) 3:05
Sy Oliver / Trummy Young
21     Cheatin' on Me 2:47
Lew Pollack / Jack Yellen
22     Le Jazz Hot 2:43
Hal Mooney / Sy Oliver
23     Time's A-Wastin' 2:33
Jimmie Lunceford