LOUIS ARMSTRONG AND HIS ALL STARS – 1947 | The Classics Chronological Series – 1072 (1999) FLAC (tracks+.cue), lossless

In 1947, Armstrong put together his first set of all-stars, including many old friends and colleagues. With Jack Teagarden as the constant on the majority of these sides, we see the personnel shift by year's end, bringing Peanuts Hucko and Barney Bigard into the clarinet seat, with drumming chores split between George Wettling, Cozy Cole (on a four-song orchestra date), and Big Sid Catlett. Kicking off with six tunes from the May 1947 New York Town Hall concert, the set also features a two-song Giants of Jazz session, with Pops in the company of Benny Goodman, Tommy Dorsey, Charlie Barnet, Lionel Hampton, Mel Powell, and Louis Bellson, and finishes up with four more studio sides and four performances from a 1947 Decca concert album recorded at Boston's Symphony Hall. This is Pops moving from his big-band sound to a smaller, more comfortable group, getting ready for another run at success. Cub Koda     Tracklist + Credits :

DJANGO REINHARDT – 1944-1946 | The Classics Chronological Series – 945 (1997) FLAC (tracks+.cue), lossless

Thanks to a certain high ranking Nazi official whose penchant for jazz music caused him to violate the aggressively racist policies of his own government, Django Reinhardt was able to perform his music throughout most of the Occupation without being deported, involuntarily sterilized, or exterminated along with many of his fellow Gypsies. Nevertheless, weary of an imposed police state and shaken by Allied "precision" bombardment of Paris, Reinhardt and his second wife Naguine attempted to flee to Switzerland by way of Thonon-les-Bains at Lac Leman in 1943. Apprehended and jailed at Thonon, they were set free by the same fortuitous fluke in the Nazi establishment. Given the disruptive nature of these harrowing circumstances, it is not surprising that the only recordings known to have been made with Reinhardt in attendance during the year 1944 are three sides cut on November 3, almost exactly six months after the birth of Babik Reinhardt. Performed by a big band led by tenor saxophonist Noel Chiboust, they constitute the first three selections on the thirteenth volume in Django Reinhardt's portion of the Classics Chronological Series. Recorded in January 1945, tracks four through seven are attributed to the Jazz Club Mystery Hot Band, a mostly American group consisting of Reinhardt, trumpeter Bernie Privin, tenor saxophonist Peanuts Hucko, pianist Mel Powell, bassist Joe Schulman, and drummer Ray McKinley. The Classics chronology skips over a number of recordings that Reinhardt made during 1945, including an unaccompanied guitar solo and performances by several groups of varying size. A handful of titles, played by the U.S. Air Transport Command Band under the direction of Sgt. Jack Platt, do appear as tracks 8-11. The producers of this collection chose to "cut to the chase" by delving into the first months of 1946 when Reinhardt recorded with two distinctively different Hot Club Quintettes. On January 31 and February 1 he was reunited with violinist Stéphane Grappelli in London (tracks 12-19), and on May 15 he cut four sides with a reconfigured Quintette without a violinist and greatly modernized by the innovative technique of clarinetist/alto saxophonist Hubert Rostaing (tracks 20-23). Reinhardt's postwar career (1945-1953) was characterized by what seems in retrospect to have been a puzzling gradual wane in popularity. This appears to have set in at once, for his response to a paucity of regular work during the spring of 1946 led Reinhardt to invest in a set of brushes, paints, and other materials necessary for quiet reflection as he began expanding his improvisational energies to include light as well as sound as his personal system of poetics evolved from the audible to the visual. This is a useful if incomplete sampling of Reinhardt's late wartime and immediate postwar recordings. For a more complete chronology of Reinhardt's entire surviving musical legacy, consult the exhaustively thorough Integrale series, available in 20 double-disc volumes from Fremeaux & Associes. arwulf arwulf     Tracklist :

BENNY GOODMAN AND HIS ORCHESTRA – 1941, Vol. 3 | The Classics Chronological Series – 1271 (2002) FLAC (tracks), lossless

Benny Goodman's 21st volume in his portion of the Classics Chronological Series contains all of the red label Columbia records the popular clarinetist and bandleader made in Chicago and New York between August 15 and October 8, 1941. This compilation contains Peggy Lee's very first recordings. Originally known as Norma Egstrom, she was singing at the Windy City's Hotel Ambassador when Goodman heard her while taking a break from his band's run at the Panther Room in the Hotel Sherman. Goodman, who needed a vocalist to fill the gap left by the sudden departure of Helen Forrest, hired her without hesitation. He also continued his struggle against bigotry by including in his band several uncommonly skilled Afro-American musicians -- trumpeter Cootie Williams, bassist John Simmons and drummers Jo Jones and Sid Catlett. Because of hassles with the Musicians' Union, Jones, who can be heard on two recently unearthed "test" takes, almost didn't get to record with Goodman at all on September 25, 1941; five of the tracks cut on that day have no drummer at all. For an interesting listening experience, compare both versions of "The Earl." Take one is powerfully propelled by Jones, who during take two may very well have been egging on the band from the sidelines as he did years later during the Ellington band's notoriously over-the-top performance at the Newport Jazz Festival. Both takes feature the piano of Mel Powell, who composed and arranged this exciting number. Jones was borrowed from Count Basie to fill in for Catlett, who had quarreled with Goodman during an appearance at Meadowbrook in New Jersey and quit shortly afterwards, only to return for the session of October 2. Another test recording that has existed for years in a sort of discographical no-man's-land devoid of matrix numbers is Goodman's two-part jam on Mary Lou Williams' "Roll 'Em." The producers of this series have determined that it belongs in this portion of the Classics Benny Goodman chronology. arwulf arwulf
Tracklist :

BENNY GOODMAN AND HIS ORCHESTRA – 1941-1942 | The Classics Chronological Series – 1303 (2003) FLAC (tracks+.cue), lossless

Tracklist :

BENNY GOODMAN AND HIS ORCHESTRA – 1942 | The Classics Chronological Series – 1324 (2003) FLAC (tracks), lossless

Tracklist :

BENNY GOODMAN AND HIS ORCHESTRA – 1945, Vol. 2 | The Classics Chronological Series – 1366 (2004) FLAC (tracks), lossless

Tracklist + Credits :

BENNY GOODMAN AND HIS ORCHESTRA – 1946 | The Classics Chronological Series – 1375 (2004) FLAC (tracks), lossless

Tracklist + Credits :

BENNY GOODMAN AND HIS ORCHESTRA – 1947, Vol. 2 | The Classics Chronological Series – 1407 (2005) FLAC (tracks+.cue), lossless

Benny Goodman's 31st volume in the Classics Chronological Series documents his stylistically diverse adventures as a Capitol recording artist with 22 titles resulting from eight different sessions that took place in New York and Los Angeles between August 11 and November 25, 1947. Jazz, like the careers of those who perform it, has never evolved in a precise and linear manner; while during this period Goodman was certainly incorporating progressive bop elements into his repertoire, he also continued his lifelong involvement with swing tropes and old-time melodies. "Nagasaki" and "Varsity Drag" are examples of old material interpreted with breathtaking modernity. The three sextet sessions reissued here feature xylo/vibraphonist Red Norvo and pianist Mel Powell. Guitarist Al Hendrickson, who specialized in pleasantly laid-back romantic vocals, is heard with both the sextet and the big band. On September 12, Goodman sat in with the Paul Weston orchestra for one of Irving Berlin's ultra-patriotic ditties entitled "The Freedom Train." This flag-waver, sung by Johnny Mercer, Peggy Lee, Margaret Whiting and a cheery vocal group known as the Pied Pipers, contains a set of lyrics that could easily have been misinterpreted by the House Un-American Activities Committee: "You can shout your anger from a steeple, you can shoot the system full of holes." (Try that one on J. Edgar Hoover.) Tracks 12 through 21 scale the action down to an intimate trio involving pianist Teddy Wilson and longtime Jimmie Lunceford drummer Jimmy Crawford. arwulf arwulf
Tracklist :

BENNY GOODMAN AND HIS ORCHESTRA – 1947-1948 | The Classics Chronological Series – 1418 (2006) FLAC (tracks), lossless

The magnitude of Benny Goodman's recorded legacy becomes apparent when one reflects upon the fact that this is Volume 32 in the Classics reissue label's comprehensive chronology of his complete works. Aware that the second AFM recording ban would soon paralyze commercial studio activity in the U.S., Goodman waxed quite a number of sides during December 1947 with his sextet, septet and orchestra. Three individuals who really shone during this period were vibraphonist Red Norvo, vocalist Peggy Lee, who had swiftly matured into a sultry, expressive interpreter of romantic songs, and trumpeter Jake "Vernon" Porter who added an extra dimension to Goodman's ensembles by growling through a mute like Herman Autrey or Cootie Williams. The sextet sessions of December 9 and 11 resulted in several superb instrumentals including the old Dixieland standard "That's a Plenty," Rodgers & Hart's "You Took Advantage of Me" and Fats Waller's "Henderson Stomp," here arranged by Fletcher Henderson himself. Henderson's big-band arrangement of Kid Ory's "Muskrat Ramble" yielded spectacular results; how frustrating it must have been for Goodman to know that within days he would be officially prevented from continuing this wonderful spell of creative production. Capitol chose not to issue "The Record Ban Blues," part of a subgenre of protest songs devised and recorded by artists who were disgruntled with the policies of AFM president James C. Petrillo. Goodman wasn't able to record in a studio under his own name again until August 20, 1948, when he cut a series of government-sponsored V-Discs with a stunningly cool and modern ensemble that included tenor saxophonist Wardell Gray and pianist, arranger and composer Mary Lou Williams. Four out of six sides were rejected; only "Benny's Bop" and "There's a Small Hotel" were deemed suitable for circulation among armed forces personnel. Anybody who loves Wardell Gray should be sure and latch on to the beautiful recordings that he made during the summer of 1948 with the Benny Goodman Sextet. arwulf arwulf

Tracklist :

BENNY GOODMAN AND HIS ORCHESTRA – 1951-1952 | The Classics Chronological Series – 1450 (2007) FLAC (tracks+.cue), lossless

This is the 34th volume in the Classics Benny Goodman chronology. It combines four titles from the Capitol records session of October 27, 1949 (Goodman's last for that label) with seven tunes recorded for Columbia on October 10 and November 24, 1950 and ten previously hard-to-find selections from a broadcast that aired April 1, 1951. Although the band on the Capitol date had Zoot Sims in the reed section, slick vocals by Dolly Houston, Buddy Greco and the Heathertones seem to use up all the air in the room. The Columbia sessions employed the Goodman Sextet, featuring pianist Teddy Wilson, vibraphonist Terry Gibbs and guitarist Johnny Smith, these last two helping to emphasize a contemporary bop-to-cool stylistic emphasis that was still playing a prominent role in Goodman's approach to music during this period. Vocalists on this leg of the journey include Nancy Reed, a carefully rehearsed, mixed vocal group known as the Pastels, and a deep-voiced male singer billed as "Rickey." This was none other than Jimmy Ricks, bass singer for the Ravens. Issued as Columbia 39121, the two instrumentals -- "Lullaby of the Leaves" b/w "Temptation Rag" -- are stunning examples of the Goodman/Gibbs collaboration at its finest. Yet the real gold in this compilation lies in the ten more traditional jazz melodies that were performed on the air, recorded and sold on a limited-edition LP in order to raise funds to benefit Fletcher Henderson, Goodman's greatest arranger as well as a pioneer of big-band jazz, who made his first jazz recordings in 1923. Henderson was ill and in serious need of cash. The fact that Goodman held this exciting jam session as a benefit for him adds considerable ethical ballast to an already superb bundle of live jazz. Teaming with Goodman in various combinations throughout the session were pianist Teddy Wilson, drummer Gene Krupa, bassist Eddie Safranski, guitarist Johnny Smith, trombonist Lou McGarity and trumpeter Buck Clayton. arwulf arwulf
Tracklist : 

WINGY MANONE – 1940-1944 | The Classics Chronological Series – 1091 (1999) FLAC (tracks+.cue), lossless

The seventh in Classics' Wingy Manone series (reissuing all of the trumpeter-vocalist's recordings as a leader into the mid-'40s) has 21 numbers from his lesser-known 1940-1944 period. The good-humored Manone is heard leading Dixielandish groups that include at various times clarinetists Joe Marsala and Matty Matlock, trombonists George Brunies and Abe Lincoln, pianists Mel Powell and Joe Sullivan, and drummer Zutty Singleton plus many lesser-known names. The best cuts are "Ain't It a Shame About Mame," "Ochi Chornya," "Mama's Gone Good-Bye," a remake of "Isle of Capri," "The Tailgate Ramble" (which has Manone sharing the vocals with its lyricist Johnny Mercer), "Sister Kate," and the only instrumental, "Memphis Blues." The six-part 16-minute "Jam and Jive" (which is rarely reissued) is a disappointment, mostly featuring Manone jiving in unimaginative fashion with the vaudevillian Eddie Marr. But, otherwise, the music is reasonably enjoyable if not essential. Scott Yanow  
Tracklist & Credits :

MEL POWELL - Four Classic Albums Plus : Borderline / Thigamagig / Mel Powell Out on a Limb / The Mel Powell Bandstand (2012) 2xCD / FLAC (tracks+.cue), lossless

Tracklist 1:

Album: Mel Powell Trio ‎– Borderline (1954)
1. Borderline 3.28
2. Makin' Whoopie 4.45
3. What's New 8.36
4. Quin And Sonic 3.41
5. If Dreams Come True 3.37
6. Cross Your Heart 2.15
7. Avalon 3.33

Album: Mel Powell Trio ‎– Thigamagig (1954)
8. Thigamagig 2.29
9. You're My Thrill 5.20
10. Button Up Your Overcoat 3.15
11. Don-Que-Dee 3.29
12. Bouquet 4.53
13. Ain't She Sweet 4.10
14. Take Me In Your Arms 4.05
15. California, Here I Come 3.07

Album: Mel Powell ‎– Out On A Limb (1955)
16. Gone With The Wind 2.54
17. Bunny Hug 4.00
18. Pennies From Heaven 3.57
19. Stomping At The Savoy 3.42
20. When Your Lover Has Gone 3.52

Tracklist 2:

Album: Mel Powell ‎– Out On A Limb (1955)
1. Cooch 3.00
2. Beale St. Blues 3.36
3. Three Little Words 3.12
4. You're Lucky To Me 3.45
5. Liza 3.44
6. The Best Thing For You Would Be Me 2.43
7. Rosetta 2.54

Album: Mel Powell And His Orchestra ‎– The Mel Powell Bandstand (1954)
8. Ezz-May 4.32
9. My Last Millionaire 3.25
10. Everything I've Got 3.08
11. Firebug 1.47
12. Easy Swing 4.43
13. Soon 3.24
14. When Did You Leave Heaven 3.41

Album: Mel Powell Septet ‎– Mel Powell Septet (1953)
15. 'S Wonderful 4.17
16. It's Been So Long 3.47
17. I Must Have That Man 7.07
18. You're Lucky To Me 4.58

EP: Mel Powell - Classics In Jazz (1947)
19. Anything Goes 2.40
20. Hallelujah 2.06
21. There's A Small Hotel 2.54
22. Way Down Yonder In New Orleans 2.10

Total playing time:
CD One 79.58
CD Two 78.58
Compilation & remastering: Dave Bennett
Noise processing & final masters: Ted Kendall

CD ONE

Mel Powell Trio ‎– Borderline (1954)
New York, 17 August 1954
Tracks 1 to 7
Mel Powel TRIO
Paul Quinichette, tenor sax
Bobby Donaldson, drums
Mel Powel, piano

Mel Powell Trio ‎– Thigamagig (1954)
New York, 24 August 1954
Tracks 8 to 15
Mel Powel TRIO
Ruby Braff, trumpet
Bobby Donaldson, drums
Mel Powel, piano

Mel Powell ‎– Out On A Limb (1955)
New York. 19 October 1955
Tracks 16 to 20
Mel Powel, piano
Al Mattaliano, trumpet
Michael "Peanuts" Hucko, clarinet
Nick Caiazza, tenor sax
Tommy Kay, guitar
Arnold Fishkin, bass
Bobby Donaldson, drums

CD TWO

Mel Powell ‎– Out On A Limb (1955)
New York. 19 October 1955
Tracks 1 to 7
Mel Powel, piano
Ruby Braff, trumpet
Oscar Pettiford, bass
Skeeter Best, guitar
Bobby Donaldson, drums

Mel Powell And His Orchestra ‎– The Mel Powell Bandstand (1954)
New York, 1 December 1954
Tracks 8 to 14
John Glasel, trumpet
Chuck Russo, clarinet, alto and baritone sax
Mel Powel, piano
Joe Kay, bass
Jimmy Buffington, French horn
Boomie Richman, Tenor sax
Mundell Lowe, guitar
Eddie Phyfe, drums
Joan Wile, vocalist

Mel Powell Septet ‎– Mel Powell Septet (1953)
New York, 30 December 1953
Tracks 15 to 18
Edmond Hall, clarinet
Buck Clayton, trumpet
Henderson Chambers, trombone
Steve Jordan, guitar
Walter Page, bass
Mel Powel, piano
Jimmy Crawford, drums

Mel Powell - Classics In Jazz (1947)
December 10, 1947, Hollywood, California
Tracks 19 to 22
Piano Mel Powell
Sax Bumps Myers
Trumpet Jake Porter
Drums lee Young
Bass Red Collender