Although Tadd Dameron was a talented pianist, he never considered piano playing his strong point -- the bebopper was best known for his writing and arranging, and when he recorded as a leader (which wasn't all that often), Dameron was quite happy to let his sidemen take most of the solos. Dameron can hardly be accused of hogging the solo space on 1947-1949, a collection of small-group and big-band sides he recorded as a leader for Blue Note and Savoy, among others, from August 1947-April 1949. The material, most of it superb, falls into two main categories: hard-swinging bop instrumentals and romantic ballads featuring vocalists. On the instrumentals (which include "Our Delight," "Dameronia," "The Squirrel," "Lady Bird," and other Dameron originals), he features some of early bop's heavy-hitting soloists, including trumpeter Fats Navarro (a major influence on Clifford Brown), tenor saxman Wardell Gray, and alto saxman Ernie Henry (who, like Sonny Stitt, was a Charlie Parker disciple but not a clone). And Dameron's romantic side takes over when he features Kay Penton (a delightful though underexposed vocalist) on several ballads (including "What's New" and "Gone With the Wind") and employs the Billy Eckstine-influenced Kenny Hagood on "I Think I'll Go Away." Meanwhile, singer Rae Pearl (who later went by Rae Harrison) provides a wordless vocal on Dameron's dreamy "Casbah." Boasting some of Dameron's most essential work, this French release is recommended without hesitation to lovers of early bop. Alex Henderson
Tracklist + Credits :
25.6.23
TADD DAMERON – 1947-1949 | The Classics Chronological Series – 1106 (2000) FLAC (tracks+.cue), lossless
11.6.23
BENNY GOODMAN AND HIS ORCHESTRA – 1949-1951 | The Classics Chronological Series – 1436 (2007) FLAC (tracks), lossless
This is the 34th volume in the Classics Benny Goodman chronology. It combines four titles from the Capitol records session of October 27, 1949 (Goodman's last for that label) with seven tunes recorded for Columbia on October 10 and November 24, 1950 and ten previously hard-to-find selections from a broadcast that aired April 1, 1951. Although the band on the Capitol date had Zoot Sims in the reed section, slick vocals by Dolly Houston, Buddy Greco and the Heathertones seem to use up all the air in the room. The Columbia sessions employed the Goodman Sextet, featuring pianist Teddy Wilson, vibraphonist Terry Gibbs and guitarist Johnny Smith, these last two helping to emphasize a contemporary bop-to-cool stylistic emphasis that was still playing a prominent role in Goodman's approach to music during this period. Vocalists on this leg of the journey include Nancy Reed, a carefully rehearsed, mixed vocal group known as the Pastels, and a deep-voiced male singer billed as "Rickey." This was none other than Jimmy Ricks, bass singer for the Ravens. Issued as Columbia 39121, the two instrumentals -- "Lullaby of the Leaves" b/w "Temptation Rag" -- are stunning examples of the Goodman/Gibbs collaboration at its finest. Yet the real gold in this compilation lies in the ten more traditional jazz melodies that were performed on the air, recorded and sold on a limited-edition LP in order to raise funds to benefit Fletcher Henderson, Goodman's greatest arranger as well as a pioneer of big-band jazz, who made his first jazz recordings in 1923. Henderson was ill and in serious need of cash. The fact that Goodman held this exciting jam session as a benefit for him adds considerable ethical ballast to an already superb bundle of live jazz. Teaming with Goodman in various combinations throughout the session were pianist Teddy Wilson, drummer Gene Krupa, bassist Eddie Safranski, guitarist Johnny Smith, trombonist Lou McGarity and trumpeter Buck Clayton. arwulf arwulf
Tracklist + Credits :
BENNY GOODMAN AND HIS ORCHESTRA – 1951-1952 | The Classics Chronological Series – 1450 (2007) FLAC (tracks+.cue), lossless
This is the 34th volume in the Classics Benny Goodman chronology. It combines four titles from the Capitol records session of October 27, 1949 (Goodman's last for that label) with seven tunes recorded for Columbia on October 10 and November 24, 1950 and ten previously hard-to-find selections from a broadcast that aired April 1, 1951. Although the band on the Capitol date had Zoot Sims in the reed section, slick vocals by Dolly Houston, Buddy Greco and the Heathertones seem to use up all the air in the room. The Columbia sessions employed the Goodman Sextet, featuring pianist Teddy Wilson, vibraphonist Terry Gibbs and guitarist Johnny Smith, these last two helping to emphasize a contemporary bop-to-cool stylistic emphasis that was still playing a prominent role in Goodman's approach to music during this period. Vocalists on this leg of the journey include Nancy Reed, a carefully rehearsed, mixed vocal group known as the Pastels, and a deep-voiced male singer billed as "Rickey." This was none other than Jimmy Ricks, bass singer for the Ravens. Issued as Columbia 39121, the two instrumentals -- "Lullaby of the Leaves" b/w "Temptation Rag" -- are stunning examples of the Goodman/Gibbs collaboration at its finest. Yet the real gold in this compilation lies in the ten more traditional jazz melodies that were performed on the air, recorded and sold on a limited-edition LP in order to raise funds to benefit Fletcher Henderson, Goodman's greatest arranger as well as a pioneer of big-band jazz, who made his first jazz recordings in 1923. Henderson was ill and in serious need of cash. The fact that Goodman held this exciting jam session as a benefit for him adds considerable ethical ballast to an already superb bundle of live jazz. Teaming with Goodman in various combinations throughout the session were pianist Teddy Wilson, drummer Gene Krupa, bassist Eddie Safranski, guitarist Johnny Smith, trombonist Lou McGarity and trumpeter Buck Clayton. arwulf arwulf
Tracklist :
22.12.17
MORGANA KING - Sings The Blues [1956] Mercury / FLAC
Track Listing
1 More Than You Know 4:04
Edward Eliscu / Billy Rose / Vincent Youmans
2 Frankie and Johnnie 2:42
Traditional
3 Mean to Me 3:26
Fred E. Ahlert / Roy Turk
4 When Your Lover Has Gone 3:16
Einar A. Swan
5 Something to Remember You By 3:46
Howard Dietz / Arthur Schwartz
6 I See Two Lovers 3:57
Mort Dixon / Allie Wrubel
7 Body and Soul 4:08
Frank Eyton / Johnny Green / Edward Heyman / Robert Sour
8 Mad About the Boy 3:29
Noël Coward
9 It's Only a Paper Moon 2:50
Harold Arlen / E.Y. "Yip" Harburg / Billy Rose
10 Bill 2:50
Oscar Hammerstein II / Jerome Kern / P.G. Wodehouse
11 Can't Help Lovin' Dat Man 3:56
Oscar Hammerstein II / Jerome Kern
12 Why Was I Born? 3:56
Oscar Hammerstein II / Jerome Kern
Credits
Bass – Ernie Furtado
Drums – Ralph Pollack
Guitar – Barry Galbraith
Piano – Harvey Leonard
Vibraphone [Vibraharp] – Terry Gibbs
Notes
Recorded December 1955, January 1956.
Originally ℗ 1956
Comes in a Mini LP Replica sleeve with OBI & insert.
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An exploration of the traces left by Celtic music on its journey from European music into jazz. In "Jazz at Berlin Philharmonic," ...