SONNY ROLLINS — The Quartets Featuring Jim Hall (1962-1986) RM | APE (image+.cue) lossless

This double LP contains the six songs originally on The Bridge (his comeback album after three years of retirement) plus seven additional items from 1962 and 1964 that co-star guitarist Jim Hall. At first when Rollins reappeared his style was virtually unchanged from 1959 but gradually it loosened up and became freer. This attractive two-fer, which is highlighted by "Without a Song," "Don't Stop the Carnival" and "If Ever I Would Leave You," has important music that is essential for all Sonny Rollins collectors. Scott Yanow
Tracklist :
1    God Bless The Child    7:24
 Billie Holiday / Arthur Herzog, Jr.
2    John S.    7:31
 Sonny Rollins
3    You Do Something To Me    6:47
 Cole Porter
4    Where Are You    5:07
 Harold Adamson / Jimmy McHugh
5    Without A Song    7:24
 Edward Eliscu / Billy Rose / Vincent Youmans
6    The Bridge    5:55
 Sonny Rollins
7    If Ever I Would Leave You    11:59
 Alan Jay Lerner / Frederick Loewe
8    The Night Has A Thousand Eyes    9:07
 Buddy Bernier / Jerry Brainin
Credits :
Bass – Bob Cranshaw
Drums – Ben Riley (tracks: 2 to 8)
Guitar – Jim Hall
Performer – Mickey Roker
Tenor Saxophone – Sonny Rollins

BILL SMITH — Folk Jazz (1959-2003) RM | Original Jazz Classics Limited Edition Series | FLAC (tracks+.cue), lossless

A record that could only have been made in the late '50s, 1959's Folk Jazz is a meeting of the two great collegiate crazes of the period, post-bebop modern jazz and traditional folk music. Clarinetist Bill Smith and a low-key piano-less trio ? Jim Hall on guitar, Monty Budwig on bass and the great Shelly Manne on drums ? take 10 songs from the folk tradition, strip them down to the bare essentials of melody and chord progressions and turn them into a Kind of Blue-like experiment in cool-toned modal jazz. Familiar standards like "Black Is the Color of My True Love's Hair" (which opens with an extended unaccompanied solo by Smith that's a marvel of economy) are presented in entirely new and fresh settings. Perhaps the best of the lot is an extended meditation on the spiritual "Go Down Moses" that turns the song from a gospel shout to an intimate whisper. The 2003 CD reissue adds two tracks, alternate takes of "Reuben, Reuben" and "Nobody Knows the Trouble I've Seen." Stewart Mason
Tracklist :
1    A-Roving    4:12
 Traditional
2    Greensleeves    5:00
 Traditional
3    Nobody Knows The Trouble I've Seen    3:35
 Traditional
4    John Henry    4:18
 Traditional
5    Wayfaring Stranger    4:21
 Traditional
6    Three Blind Mice    3:27
 Traditional
7    Go Down, Moses    6:44
 Traditional
8        Blow The Man Down    3:34
 Traditional
9    Black Is The Color Of My True Love's Hair    4:10
 Traditional
10    Reuben, Reuben    3:30
 Traditional
11    Nobody Knows The Trouble I've Seen (Alt. Take 1)    5:50
 James Cox
12    Reuben, Reuben (Alt. Take 14)    3:49
 Traditional
Credits :
Bass – Monty Budwig
Clarinet, Arranged By, Adapted By – Bill Smith
Drums – Shelly Manne
Guitar – Jim Hall

CHET BAKER | JIM HALL | HUBERT LAWS — Studio Trieste (1982-2007) RM | Serie CTI Timeless Collection | FLAC (image+.cue), lossless

Tracklist :
1.    Swan Lake 8:42
Composed By – Tchaikovsky
2.    All Blues 9:43
Composed By – Miles Davis
3    Malagueña 9:44
Composed By – Ernesto Lecuona
4    Django 10:02
Composed By – John Lewis
Credits :
Arranged By – Don Sebesky
Bass – George Mraz (tracks: 1, 4)
Drums – Steve Gadd
Electric Bass – Gary King (tracks: 2, 3)
Engineer – Rudy Van Gelder
Flugelhorn, Trumpet – Chet Baker (tracks: 1, 2, 3)
Flute – Hubert Laws (tracks: 1, 2, 3)
Guitar – Jack Wilkins (tracks: 2), Jim Hall (tracks: 1, 3, 4)
Keyboards – Jorge Dalto (tracks: 2, 3)
Percussion – Sammy Figueroa
Piano, Electric Piano, Synthesizer – Kenny Barron (tracks: 1, 4)
Producer – Creed Taylor

PAUL DESMOND — Easy Living ft. JIM HALL (1966-2000) RM | Serie RCA Victor Gold Series | FLAC (image+.cue), lossless

As the Paul Desmond/Jim Hall quartet's recording activities gradually came to a halt by 1965, RCA Victor assembled the remains of a number of their later sessions into one last album. These are anything but leftovers, however -- indeed, they constitute the best Desmond/Hall album since Take Ten, more varied in texture and mood, and by and large more inspired in solo content, than Bossa Antigua and Glad to Be Unhappy. As a near-ideal example of this collaboration at its intuitive peak, "Polka Dots and Moonbeams" opens with Hall paraphrasing the tune, and Desmond comes in on the bridge with a perfectly timed rejoinder that sounds as if he's asking a question. "Here's That Rainy Day" is another apt match of a standard to Desmond's sophisticated personality; he is at his dry, jaunty best on the uptempo "That Old Feeling"; and both have a ball jamming on the blues in Desmond's wry, quick "Blues for Fun." [Some reissues add a pair of outtakes, plus "Rude Old Man."] Richard S. Ginell
Tracklist :
1    When Joanna Loved Me 5:45
Written-By – J. Segal, R. Wells
2    That Old Feeling 5:44
Written-By – L. Brown, S.Fain
3    Polka Dots And Moonbeams 5:49
Written-By – J. V. Heusen, J. Burke
4    Here's That Rainy Day 5:42
Written-By – J. V. Heusen, J. Burke
5    Easy Living 7:05
Written-By – L. Robin, R. Rainger
6    I've Grown Accustomed To Her Face 4:15
Written-By – A. J. Lerner, F. Loewe
7    Bewitched 6:22
Written-By – R. Rogers - L. Hart
8    Blues For Fun 6:22
Written-By – P. Desmond
9    Rude Old Man 5:39
Written-By – E.Wright
10    Polka Dots And Moonbeams (Alternate Take) 6:09
Written-By – J. V. Heusen, J. Burke
11    Bewitched (Alternate Take) 7:46
Written-By – R. Rogers - L. Hart
Credits :
Paul Desmond - Alto Sax
Jim Hall - Guitar
Eugene Wright - Bass (1, 2, 6, 11)
Eugene Cherico - Bass (3, 4, 10)
Percy Heath - Bass (5, 7, 8, 9)
Connie Kay - Drums

BEN WEBSTER — At The Renaissance (1985-1993) RM | 24 Karat Gold | FLAC (image+.cue), lossless

This live set features tenor great Ben Webster playing with pianist Jimmy Rowles, guitarist Jim Hall, bassist Red Mitchell, and drummer Frank Butler in a club, and the music is consistently wonderful. Whether showing warmth and sentimentality on "Georgia on My Mind" and "Stardust" or growling and roaring on "Caravan" and "Ole Miss Blues," Webster (who was then somewhat taken for granted) is in superior and creative form. Recommended. Scott Yanow
Tracklist :
1    Caravan 10:15
Written-By – Ellington, Mills, Tizol
2    Georgia On My Mind 6:41
Written-By – Carmichael, Gorell
3    Ole Miss Blues 6:45
Written-By – W.C. Handy
4    What Is This Thing Called Love 7:49
Written-By – Cole Porter
5    Stardust 11:09
Written-By – Hoagy Carmichael
6    Gone With The Wind 9:01
Written-By – Wrubel, Magidson
7    Renaissance Blues 5:49
Written-By – Webster, Butler, Hall, Rowles, Mitchell
8    Mop Mop 8:27
Written-By – Heard, Wilson
Credits :
Bass – Red Mitchell
Drums – Frank Butler
Guitar – Jim Hall
Piano – Jimmy Rowles
Tenor Saxophone – Ben Webster

QUINCY JONES AND HIS ORCHESTRA — Big Band Bossa Nova (1962-2007) RM | SHM-CD | FLAC (image+.cue), lossless

A byproduct of the bossa nova fad that followed the success of "Desafinado" (and preceded the famous recording Getz/Gilberto), this set finds Quincy Jones utilizing and exploiting bossa nova rhythms in his arrangements for a big band. The personnel includes flügelhornist Clark Terry, altoist Phil Woods, pianist Lalo Schifrin, guitarist Jim Hall, and (on "Soul Bossa Nova") the remarkable Rahsaan Roland Kirk. However, since the selections are all quite brief, and some of the charts are a bit cheesy and inappropriate for the gentle rhythms, this disc (although pleasant enough) is of lesser interest. Scott Yanow
Tracklist :
1. Soul Bossa Nova (2:48)
 Quincy Jones
2. Boogie Bossa Nova (2:45)
 Charles Mingus
3. Desafinado (2:57)
 Antônio Carlos Jobim / Newton Mendonça
4. Black Orpheus (Manha De Carnaval) (2:58)
 Luiz Bonfá / Antônio Maria
5. Se E Tarde Me Pardoa (Forgive Me If I'm Late) (4:25)
 Ronaldo Bôscoli / Carlos Lyra
6. On The Street Where You Live (2:36)
 Alan Jay Lerner / Frederick Loewe
7. Samba De Uma Nota So (One Note Samba) (2:05)
 Jon Hendricks / Antônio Carlos Jobim / Newton Mendonça
8. Lalo Bossa Nova (3:13)
 Lalo Schifrin
9. Serenata (3:22)
 Leroy Anderson
10. Chega De Saudade (No More Blues) (5:39)
 Antônio Carlos Jobim
Credits :
Bass – Chris White
Drums – Rudy Collins
Flugelhorn – Clark Terry
Flute – Jerome Richardson, Rahsaan Roland Kirk (tracks: 1)
Flute [Alto] – Jerome Richardson
Guitar – Jim Hall (tracks: 3, 8-10)
Percussion – Carlos Gomez, Jack Del Rio, José Paula
Piano – Lalo Schifrin
Producer – Quincy Jones
Saxophone [Alto] – Phil Woods (tracks: 6-9)
Saxophone [Tenor] – Paul Gonsalves (tracks: 2, 4 & 7)
Trumpet – Clark Terry (tracks: 2 & 10)
Woodwind – Jerome Richardson

BILL EVANS – The Complete Interplay Sessions (2014) RM | 2CD | FLAC (tracks+.cue), lossless

Interplay stands as some of Bill Evans' most enigmatic and unusual music in makeup as well as execution. It was recorded in July 1962 with a very young Freddie Hubbard from the Jazz Messengers, guitarist Jim Hall, bassist Percy Heath, and drummer Philly Joe Jones performing five veteran standards. Evans has a more blues-based approach to playing: harder, edgier, and in full flow, fueled in no small part by Hall, who is at his very best here, swinging hard whether it be a ballad or an uptempo number. Hubbard's playing, on the other hand, was never so restrained as it was here. Using a mute most of the time, his lyricism is revealed to jazz listeners for the first time -- with Art Blakey it was a blistering attack of hard bop aggression. On this program of standards, however, Hubbard slips into them quite naturally without the burden of history -- check his reading and improvisation on "When You Wish Upon a Star." Ironically, it's on the sole original, the title track, where the band in all its restrained, swinging power can be best heard, though the rest is striking finger-popping hard bop jazz, with stellar crystalline beauty in the ballads.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa'<-
Tracklist & Credits :

BILL EVANS & LEE KONITZ - Play The Arrangements Of Jimmy Giuffre (1959-2005) FLAC (tracks+.cue), lossless

This Lone Hill Jazz compilation presents the contents of two separate releases Lee Konitz Meets Jimmy Giuffre and You and Lee featuring Lee Konitz and Jimmy Giuffre (the latter playing baritone sax and contributing the arrangements) together, with pianist Bill Evans being the prominent sideman, though the ensemble includes tenor saxophonists Warne Marsh and Ted Brown (both of whom studied with Lennie Tristano alongside Konitz), and alto saxophonist Hal McKusick, though it is Konitz that is featured throughout the sessions from Lee Konitz Meets Jimmy Giuffre. Konitz contributed the quirky blues "Cork 'N' Bib," which features an unusually bluesy solo by Evans, plus an atonal offering by Marsh and Giuffre's robust single chorus. The breezy setting of "The Song Is You" is an excellent wrap to this spring session. Later the same year the musicians returned to the studio while adding guitarist Jim Hall to record the Verve LP You and Lee, which had not been reissued on CD until appearing in this anthology. Play the Arrangements of Jimmy Giuffre concentrates exclusively on Giuffre's arrangements of standards and while it isn't quite as wide-ranging as the earlier effort, Konitz is obviously inspired by the arrangements and excellent ensemble behind him. Ken Dryden  
Tracklist :
1    Palo Alto    3:08
 Konitz
2    When Your Lover Has Gone    5:02
 Swan
3    Cork 'N Bib    9:50
Konitz
4    Somp'm Outa' Nothin'    4:29
Giuffre
5    Someone To Watch Over Me    3:36
 George Gershwin / Ira Gershwin
6    Uncharted    3:55
Giuffre
7    Moonlight In Vermont    3:59
Suessdorf / Blackburn
8    The Song Is You    5:08
 Oscar Hammerstein II / Jerome Kern
9    Darn That Dream    1:58
De Lange / Van Heusen
10    Ev'rything I've Got (Belongs To You)    4:48
Rodgers / Hart
11    You Don't Know What Love Is    4:19
Raye / De Paul
12    I Didn't Know About You    4:00
Ellington / Russell
13    I'm Getting Sentimental Over You    3:57
 George Bassman / Ned Washington
14    You're Driving Me Crazy    4:11
Donaldson
15    You're Clear Out Of This World    4:08
Arlen / Mercer
16    The More I See You    3:39
Warren / Gordon
17    You Are Too Beautiful    4:12
Rodgers / Hart
Credits :   
Alto Saxophone – Hal McKusick (tracks: 1 to 9), Lee Konitz (tracks: 1 to 9)
Baritone Saxophone, Arranged By – Jimmy Giuffre (tracks: 1 to 17)
Bass – Buddy Clark (tracks: 1 to 8), Sonny Dallas (tracks: 10 to 17)
Drums – Ronnie Free (tracks: 1 to 8), Roy Haynes (tracks: 10 to 17)
Guitar – Jim Hall (tracks: 14 to 17)
Piano – Bill Evans (tracks: 1 to 8, 10 to 13)
Tenor Saxophone – Ted Brown (tracks: 1 to 9), Warne Marsh (tracks: 1 to 9)
Trombone – Bill Byers, Eddie Bert
Trumpet – Ernie Royal, Marky Markowitz, Phil Sunkel  

LEE KONITZ | ARRANGEMENTS BY JIMMY GIUFFRE - You and Lee (1960-2007) RM | Lee Konitz By Special Requests – 6 | FLAC (tracks), lossless

One of the lesser-known Lee Konitz albums, this LP (which has not been reissued yet on CD) features the altoist joined by six brass and a rhythm section for eight Jimmy Giuffre arrangements. The shouting brass contrasts well with Konitz's cool-toned solos and together they perform eight underplayed standards. Guitarist Jim Hall and pianist Bill Evans (who are on four songs apiece) are major assets behind Konitz on this pleasing set. Scott Yanow
Tracklist :
1     I'm Getting Sentimental over You
George Bassman / Ned Washington
2     You Don't Know What Love Is
Gene DePaul / Don Raye
3     I Didn't Know About You
Duke Ellington / Bob Russell
4     Everything I Have Belongs to You
Bob Russell, Duke Ellington
5     You're Clear Out of This World
Harold Arlen, Johnny Mercer
6     You Are Too Beautiful
Lorenz Hart / Richard Rodgers
7     The More I See You
Mack Gordon / Harry Warren
8     You're Driving Me Crazy
Walter Donaldson
Credits :    
Alto Saxophone – Lee Konitz
Arranged By, Conductor – Jimmy Giuffre
Bass – Sonny Dallas
Drums – Roy Haynes
Guitar – Jim Hall (faixas: 3, 5, 6, 7)
Piano – Bill Evans (faixas: 1, 2, 4, 8)
Trombone – Billy Byers, Bob Brookmeyer
Trumpet – Ernie Royal, Marky Markowitz, Phil Sunkel

LEE KONITZ - The Lee Konitz Duets (1967-1986) RM | Series : Jazz CD On Gold Disc And... – 7 | FLAC (tracks+.cue), lossless

This LP comprises one of altoist Lee Konitz's greatest sessions. In 1967 he recorded a series of very diverse duets, all of which succeed on their own terms. Konitz is matched with valve trombonist Marshall Brown on a delightful version of "Struttin' with Some Barbecue" and matches wits with the tenor of Joe Henderson on "You Don't Know What Love Is." He plays "Checkerboard" with pianist Dick Katz, "Erb" with guitarist Jim Hall, "Tickle Toe" with the tenor of Richie Kamuca (Konitz switches to tenor on that cut), and an adventurous and fairly free "Duplexity" with violinist Ray Nance. Konitz also has three different duets in five versions of "Alone Together" and, on "Alphanumeric," welcomes practically everyone back for a final blowout. The music ranges from Dixieland to bop and free, and is consistently fascinating. Scott Yanow
Tracklist  
1 –Lee Konitz With Marshall Brown
_ Struttin' With Some Barbecue 3:02
Written-By – Lil Armstrong
2 –Lee Konitz With Joe Henderson
 _ You Don't Know What Love Is 3:27
Written-By – Raye, DePaul
Variations On Alone Together 14:59
3a –Lee Konitz
Variations On Alone Together I 1:03
Written-By – Dietz-Schwartz
3b –Lee Konitz With Elvin Jones
 _ Variations On Alone Together II 3:14
Written-By – Dietz-Schwartz
3c –Lee Konitz With Karl Berger
_ Variations On Alone Together III 2:23
Written-By – Dietz-Schwartz
3d –Lee Konitz With Eddie Gomez 3:28
_Variations On Alone Together IV
Written-By – Dietz-Schwartz
3e –Lee Konitz With Elvin Jones, Karl Berger & Eddie Gomez
_Variations On Alone Together V 4:40
Written-By – Dietz-Schwartz
4 –Lee Konitz With Dick Katz Checkerboard 5:44
Written-By – Dick Katz
5 –Lee Konitz With Jim Hall Erb 3:05
Written-By – Jim Hall
6 –Lee Konitz With Richie Kamuca Tickle Toe 2:53
Written-By – Lester Young
7 –Lee Konitz With Ray Nance Duplexity 6:16
Written-By – Konitz, Nance
8 –Lee Konitz Alphanumeric 5:17
Written-By – Marshall Brown
Credits :    
Alto Saxophone – Lee Konitz (tracks: 1, 2, 3.1, 3.3, 3.5, 4, 5, 8)
Baritone Saxophone – Lee Konitz (tracks: 1)
Bass – Eddie Gomez (tracks: 3.4, 3.5, 8)
Drums – Elvin Jones (tracks: 3.2, 3.5, 8)
Euphonium – Marshall Brown (tracks: 1)
Guitar – Jim Hall (tracks: 5, 8)
Piano – Dick Katz (tracks: 4, 8)
Producer – Dick Katz
Remastered By – Phil De Lancie
Supervised By – Orrin Keepnews
Tenor Saxophone – Joe Henderson (tracks: 2, 8), Lee Konitz (tracks: 3.2, 3.4, 6, 7), Richie Kamuca (tracks: 6, 8)
Valve Trombone – Marshall Brown (tracks: 1, 8)
Vibraphone – Karl Berger (tracks: 3.3, 3.5, 8)
Violin – Ray Nance (tracks: 7)

ORNETTE COLEMAN - Broken Shadows (1982) LP | Contemporary Masters Series | 24bits-192Hz | FLAC (image+.cue), lossless

This LP contains eight selections taken from Ornette Coleman's three-year period with Columbia that were previously unreleased. Cut prior to Coleman's formation of Prime Time, these performances serve as an unintentional retrospective of his career up to that point. Not that any of the original compositions (all by Coleman) had ever been recorded before but such alumni as trumpeters Don Cherry and Bobby Bradford, tenor saxophonist Dewey Redman, bassist Charlie Haden, and drummers Ed Blackwell and Billy Higgins appear on most of the selections in one combination or another (and all of them are on two septet selections). In addition, a pair of numbers ("Good Girl Blues" and "Is It Forever") have Coleman, Redman, Haden and Blackwell joined by guitarist Jim Hall, pianist Cedar Walton, a singer and a woodwind section; these look back a bit at Ornette's guest appearances on a John Lewis/Gunther Schuller album. Scott Yanow
SIDE A
A1     Happy House 9'50
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Billy Higgins, Ed Blackwell
Tenor Saxophone – Dewey Redman
Trumpet – Bobby Bradford
Trumpet [Pocket] – Don Cherry
A2     Elizabeth 10'30
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Billy Higgins, Ed Blackwell
Tenor Saxophone – Dewey Redman
Trumpet – Bobby Bradford
Trumpet [Pocket] – Don Cherry
A3     School Work 5'40
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Ed Blackwell
Tenor Saxophone – Dewey Redman
Trumpet – Bobby Bradford
SIDE B
B1     Country Town Blues 6'27
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Billy Higgins
Trumpet [Pocket] – Don Cherry
B2     Broken Shadows 6'45
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Billy Higgins, Ed Blackwell
Tenor Saxophone – Dewey Redman
Trumpet – Bobby Bradford
Trumpet [Pocket] – Don Cherry
B3     Rubber Gloves 3'26
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Ed Blackwell
Tenor Saxophone – Dewey Redman
B4     Good Girl Blues 3'07
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Ed Blackwell
Electric Guitar – Jim Hall
Piano [Acoustic] – Cedar Walton
Tenor Saxophone – Dewey Redman
Vocals – Webster Armstrong
B5     Is It Forever 4'52
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Ed Blackwell
Electric Guitar – Jim Hall
Piano [Acoustic] – Cedar Walton
Tenor Saxophone – Dewey Redman
Vocals – Webster Armstrong
Notas.
Uncredited woodwind section on B4 and B5.
Original Contemporary Masters Series. Red and black label. "Columbia NY" on run-out groove.
A1 to B2 are previously unreleased sessions from the recording of Science Fiction in September 1971. Tracks B3 to B5 previously unreleased sessions recorded in September 1972.

ZOOT SIMS | BOB BROOKMEYER - Stretching Out + Kansas City Revisited (1958-2007) FLAC (image+.cue), lossless

"Stretching Out". Like many studio sessions recorded for United Artists, this 1958 session co-led by Zoot Sims and Bob Brookmeyer can be a bit tricky to find. Brookmeyer contributed most of the charts, including the easygoing blues which serves as the title track, as well as updated treatments of Jelly Roll Morton's "King Porter Stomp" and "Ain't Misbehavin'." Al Cohn is responsible for a swinging chart of "Pennies from Heaven" during which he switches to baritone sax, while Bill Potts wrote and arranged "Bee Kay." The rest of the superb band includes Harry "Sweets" Edison, Hank Jones, bassist Eddie Jones, guitarist Freddie Green, and drummer Charlie Persip. Aside from a few innocuous reed squeaks, the music is essentially flawless and has stood the test of time very well.

"Kansas City Revisited". Cool jazz meets swing on this valuable LP. Valve trombonist Bob Brookmeyer, tenors Al Cohn and Paul Quinichette, pianist Nat Pierce, guitarist Jim Hall, bassist Addison Farmer and drummer Osie Johnson perform four songs associated with the late-'30s Count Basie Orchestra plus a couple of numbers ("A Blues" and "Travlin' Light") that are sung by the underrated vocalist Big Miller who was making his recording debut at the time. web
Stretching Out
1    Zoot Sims - Bob Brookmeyer Octet–    Stretching Out    6:08
Written-By – Bob Brookmeyer
2    Zoot Sims - Bob Brookmeyer Octet–    Now Will You Be Good 5:27   
Written-By – Terke, Jentes, Pease
3    Zoot Sims - Bob Brookmeyer Octet–    Pennies From Heaven    6:15
Written-By – Johnston, Burke
4    Zoot Sims - Bob Brookmeyer Octet–    King Porter Stomp    4:38
Written-By – Morton, Robbins, Burke
5    Zoot Sims - Bob Brookmeyer Octet–    Ain't Misbehavin'    6:54
Written-By – Razaf, Brooks, Waller
6    Zoot Sims - Bob Brookmeyer Octet–    Bee Kay    6:42
Written-By – Bill Potts
Kansas City Revisited   
7    Bob Brookmeyer's KC Seven–    Jumpin' At The Woodside    8:00
8    Bob Brookmeyer's KC Seven–    A Blues (What's On Your Mind)    5:05
9    Bob Brookmeyer's KC Seven–    Blue And Sentimental    6:53
10    Bob Brookmeyer's KC Seven–    Doggin' Around    8:40
11    Bob Brookmeyer's KC Seven–    Moten Swing    10:12
12    Bob Brookmeyer's KC Seven–    Trav'lin' Light    3:35
Credits :
1-6
Arranged By – Bill Potts
Arranged By, Baritone Saxophone, Tenor Saxophone – Al Cohn
Arranged By, Valve Trombone, Liner Notes – Bob Brookmeyer
Bass – Eddie Jones
Drums – Charlie Persip
Guitar – Freddie Green
Piano – Hank Jones
Tenor Saxophone – Zoot Sims
Trumpet – Harry Edison
7-12
Bass – Addison Farmer
Drums – Osie Johnson
Guitar – Jim Hall
Piano – Nat Pierce
Tenor Saxophone – Al Cohn, Paul Quinichette
Valve Trombone – Bob Brookmeyer

ZOOT SIMS — Choice (1961-2002) RM | Super Bit Jazz Classics | FLAC (tracks), lossless

Tracklist :
1    I'll Remember April 4:15
Bass – Red Mitchell
Drums – Larry Bunker
Leader [Leadership] – Gerry Mulligan
Piano – Bobby Brookmeyer
Tenor Saxophone – Zoot Sims
Written-By – Raye, DePaul, Johnston
2    Flamingo 2:15
Baritone Saxophone, Leader [Leadership] – Gerry Mulligan
Bass – Red Mitchell
Drums – Larry Bunker
Piano – Bobby Brookmeyer
Tenor Saxophone – Zoot Sims
Trumpet – Jon Eardley
Written-By – Anderson, Grouya
3    There Will Never Be Another You 5:00
Baritone Saxophone, Leader [Leadership] – Gerry Mulligan
Bass – Red Mitchell
Drums – Larry Bunker
Tenor Saxophone – Zoot Sims
Valve Trombone – Bobby Brookmeyer
Written-By – Warren, Gordon
4    Red Door 7:00
Bass – Red Mitchell
Drums – Larry Bunker
Leader [Leadership] – Gerry Mulligan
Piano – Bobby Brookmeyer
Written-By, Tenor Saxophone – Zoot Sims
5    You're Driving Me Crazy 4:47
Bass – Monte Budwig
Drums – Mel Lewis
Guitar – Billy Bean
Piano – Russ Freeman
Tenor Saxophone – Zoot Sims
Written-By – Walter Donaldson
6    Brushes 6:30
Bass – Monte Budwig
Guitar – Jim Hall
Piano – Russ Freeman
Tenor Saxophone – Zoot Sims
Written-By – Freeman
Written-By, Drums – Lewis
7    Choice Blues 4:30
Bass – Monte Budwig
Drums – Mel Lewis
Guitar – Jim Hall
Tenor Saxophone – Zoot Sims
Written-By, Piano – Russ Freeman

THE ART FARMER QUARTET - Perception (1962-2018) RM | FLAC (tracks+.cue), lossless

This 1964 release of a 1961 date with pianist Harold Mabern, drummer Ron McCurdy, and bassist Tommy Williams is a breezy affair, a stark contrast to the hard bop that was still pervasive at that time. Farmer had fully developed his sensual and lyrical style by this time, and was making records with Benny Golson when he led this date. The set features two fine originals, which are notable because Farmer didn't compose much: the elegant and spring-like "Punsu" and "Kayin," a breezy West Coast affair. Farmer had given up the trumpet completely by this time and concentrated all of his efforts on the flügelhorn. Its large, warm tone and rounded sound fit perfectly with Farmer's penchant for the exploration of melodic modes within a given tune. On "Lullaby of the Leaves," Farmer's lead into the melody prefigures his solo by moving both off key and off beat to shape a large conical center in the tune. On Ray Bryant's "Tonk," Farmer swings out of the blues and into a shimmering solo all around a triplet figure in B flat. Mabern does far more than comp his way through the changes here, extending his chord voicings to let Farmer fall inside the cracks and nest. This is a gorgeous record, full of light and airiness; it showcases the depth rather than the breadth of Farmer's contribution.
>This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa'<
Tracklist :
1     Punsu 5'14
Art Farmer
2     The Day After 2'25
Tom McIntosh
3     Lullaby of the Leaves 4'18
Bernice Petkere / Joe Young
4     Kayin' 3'57
Art Farmer
5     Tonk 4'37
Ray Bryant        
6     The Blue Room 3'58
Lorenz Hart / Richard Rodgers
7     Change Partners 5'23
Irving Berlin
8     Nobody's Heart 4'05
Lorenz Hart / Richard Rodgers
Credits :
Bass – Tommy Williams
Drums – Roy McCurdy
Flugelhorn – Art Farmer
Piano – Harold Mabern

THE ART FARMER QUARTET - Live at the Half Note (1962-1987) RM APE (image+.cue), lossless

After the Jazztet that he co-led with tenor-saxophonist Benny Golson broke up, flugelhornist Art Farmer led a pianoless quartet during 1963-64 with guitarist Jim Hall. For this reissue in the Atlantic Jazzlore series, Farmer and Hall are joined by bassist Steve Swallow and drummer Walter Perkins. Their repertoire is a bit surprising since four of the five songs were veteran swing standards; all but Miles Davis's obscure "Swing Spring." Hall (who has "I'm Gettin' Sentimental over You" as his feature) was a perfect musical partner for Farmer since both musicians have mellow sounds and thoughtful improvising styles that are more complex than expected. This 1987 reissue is well worth picking up. The group only lasted long enough to make three records, all of which are out-of-print. Scott Yanow
Tracklist :
1     Stompin' at the Savoy 12'27
Benny Goodman / Andy Razaf / Edgar Sampson / Chick Webb
2     Swing Spring 5'51
Miles Davis
3     What's New? 4'24
Johnny Burke / Bob Haggart
4     I Want to Be Happy 9'41
Irving Caesar / Vincent Youmans
5     I'm Gettin' Sentimental Over You 5'03
George Bassman / Ned Washington
Credits :
Bass – Steve Swallow
Drums – Walter Perkins
Flugelhorn – Art Farmer (pistas: 1 to 4)
Guitar – Jim Hall

ART FARMER & JIM HALL QUARTET - The Complete Live Recordings (2008) FLAC (image+.cue), lossless

The Art Farmer-Jim Hall Quartet recorded only a handful of times in the early 1960s, making this reissue of two separate live performances all the more valuable. By the time Farmer recruited Hall for his new group, he had made the switch from trumpet to the richer sound of the flugelhorn, while the guitarist's style of playing complemented the leader perfectly. The first date originally was issued by Atlantic, though both the album and the subsequent CD reissue have long been unavailable; the rhythm section consists of Steve Swallow (who had not yet made the switch to electric bass) and drummer Walter Perkins. Except for Miles Davis' "Swing Spring," all of the songs are from the swing era. The extended workout of "Stompin' at the Savoy" is illustrative of the group's abilities, while Hall is featured in a lush setting of "I'm Getting Sentimental Over You." The last five tracks first appeared on the Moon bootleg CD Meets Mulligan & Hall, though it too has been out of print for some time, with Pete La Roca (aka Pete Sims) taking over on drums. The sound of these performances is a bit muddy, as if taken from a second or third generation of a broadcast taping, though the music is excellent throughout the set. This Gambit reissue repeats the earlier CD's sloppy composer credits, which attribute the lilting take of "Sometime Ago" to Chick Corea instead of Sergio Mihanovich, though the addition of detailed liner notes is welcome. The heartfelt arrangement of "'Darn That Dream" and burning take of Sonny Rollins' unusual jazz waltz "Valse Hot" are also highlights. Ken Dryden  

Tracklist :
1     Stompin' at the Savoy 12'25
Benny Goodman & His Orchestra / Andy Razaf / Edgar Sampson / Chick Webb
2     Swing Spring 5'56
Miles Davis
3     What's New? 4'28
Haggart / Burke   
4     I Want to Be Happy 9'43
Irving Caesar / Vincent Youmans
5     I'm Getting Sentimental Over You 5'07
George Bassman / Ned Washington
6     Sometime Ago 7'49
Chick Corea
7     Bilbao Song 6'10
Kurt Weill
8     Darn That Dream 4'55
James Van Heusen
9     Valse Hot 11'21
Sonny Rollins
10     Theme 0'58
Art Farmer
Credits :
Bass – Steve Swallow
Drums – Pete La Roca, Walter Perkins
Flugelhorn – Art Farmer
Guitar – Jim Hall

ART FARMER AND JIM HALL — Big Blues (1978-2006) RM | Serie CTI Timeless Collection | FLAC (tracks+.cue), lossless

Flügelhornist Art Farmer and guitarist Jim Hall had a regular group for a time in the mid-'60s but (with one exception) didn't play together again until this 1978 LP. It's an unusual effort for CTI in that it is a quintet set without added horns, strings, or keyboards. Farmer and Hall are joined by vibraphonist Mike Mainieri, bassist Michael Moore, and drummer Steve Gadd for two standards, the title cut, and a jazz adaptation of a piece by Ravel. Since Farmer and Hall have long had very complementary styles (both being lyrical, harmonically advanced, and thoughtful in their improvisations), it is little surprise that this set is a complete success. Scott Yanow
Tracklist :
1     Whisper Not 8:44
Benny Golson
2     A Child Is Born 7:40
Thad Jones
3     Big Blues 7:23
Jim Hall
4     Pavane for a Dead Princess 10:50
Maurice Ravel
Credits :
Arranged By – David Matthews
Bass – Mike Moore
Drums – Steve Gadd
Flugelhorn – Art Farmer
Guitar – Jim Hall
Vibraphone – Mike Mainieri

LURLEAN HUNTER - Blue And Setimental (1960) lp / Mp3

Singer Lurlean Hunter made five albums on her own during the second half of the '50s, starting out as a Lonesome Gal on RCA and winding up still feeling Blue & Sentimental for Atlantic. She was discovered in Chicago where she had been singing in many clubs, including a collaboration with drummer Red Saunders that held forth at the Club DeLisa. Hunter's move to New York City in 1955 was prompted by RCA's interest in recording her. The singer's recording career actually began before she left the Windy City at the behest of indie jazz labels, some of them quite short-lived -- such as Seymour, with a catalog topping out at four releases. The press described Hunter as a "blues thrush" in announcing her interpretations of three numbers actually written by the label's owner, producer and record store owner Seymour Schwartz.

The latter promotional blurb inevitably told some truth about Hunter's stylistic traits, if not her relation to winged fauna. Her recordings were more about rhythm & blues and pop than jazz, yet were done in an era when such sessions often involved fine mainstream jazz players in the accompaniment. The 1956 Night Life, for example, featured pianist Hank Jones and tenor saxophonist Al Cohn. Blue & Sentimental -- with arrangements by the progressive Jimmy Giuffre -- was reissued in 2000 as a split CD also including an album by fellow singer Betty Bennett, a former wife of pianist André Previn. Hunter's final recordings were done in 1964, at which point she was still well under 40 years old. She is known to have died young, although details of this tragedy are murky. In one version of the story she was knocked off by a mobster lover, yet whether anybody was really that mean to Lurlean cannot be completely confirmed.  by Eugene Chadbourne
Tracklist :
A1. Crazy He Calls Me
Bob Russell / Carl Sigman
A2. Blue & Sentimental
Count Basie / Mack David / Jerry Livingston
A3. If You Could See Me Now
Tadd Dameron / Carl Sigman
A4. Blue Turning Grey over You
Andy Razaf / Fats Waller
A5. As Long as I Live
Harold Arlen / Ted Koehler
A6. We'll Be Together Again
Carl Fischer / Frankie Laine
B1. Just Imagine
Lew Brown / Mack David / Buddy DeSylva / Ray Henderson
B2. My Kinda Love
Louis Alter / Jo Trent
B3. Fool That I Am
Floyd Hunt
B4. Then I'll Be Tired of You
E.Y. "Yip" Harburg / Arthur Schwartz
B5. The Song Is You
Oscar Hammerstein II / Jerome Kern
Credits:
Arranged By, Conductor – Jimmy Giuffre
Bass – George Duvivier (faixas: A1, A2, A4, A6, B5), Trigger Alpert (faixas: A3, A5, B1 to B4)
Clarinet – Rudy Rutherford
Drums – Don Lamond
Guitar – Jim Hall
Piano – Jimmy Jones
Tenor Saxophone – Bud Freeman
Trumpet – Harry Edison

FREDA PAYNE - After The Lights Go Down Low (1963-2005) RM / FLAC (tracks+.cue), lossless

By the year 2000, the golden oldie rotation of "Band of Gold" was the main thing keeping the memory of this singer alive. Yet, deep in the catalog of this classic jazz label lies this ambitious, largely successful recording which shows just how diverse and indeed brilliant Freda Payne can be. The album is divided half into big band tracks, half into small combo. The main presence in both cases is alto saxophonist Phil Woods, and this is one of the few recordings he doesn't turn into a football scrimmage for bebop yardage. There is an incredible wealth of material here, and it is definitely impressive to consider that Duke Ellington wrote a song specifically for the session. It is the singer's confidence and marvelous vocal abilities that steal the show at every turn, but that is not to demean the contributions of top-drawer jazz musicians such as pianist Walter Perkins and guitarist Jim Hall. The record is dominated by Tin Pan Alley material, to be sure, but on the second side some serious jazz is attempted, including a beautiful "Round Midnight" and a version of "Lonely Woman" by Ornette Coleman. When it comes to the latter tune, the author of the liner note seems to be straining to hide his contempt, referring to the song as a "composition" in italics, as if it was too touchy to print such a thing in a regular font. It is hoped that an Impulse re-issue will see the light of day in this case so that the line "all that's left is a band of gold" will no longer be true in the case of this virtuoso songstress. by Eugene Chadbourne  
Tracklist :
1. After the Lights Go Down Low 3:23
L.C. Lovett / A. White
2. Sweet Pumpkin 2:56
Ronnell Bright
3. Blue Piano 2:48
Duke Ellington / Bill Katz / Ruth Roberts / Bob Thiele
4. The Things We Love To Do 2:32
Stanley Clayton / Clara Ward
5. Awaken My Lonely One 2:07
Philip Moody / Doris Pony Sherrell
6. Sweet September 2:33
Bill McGuffie
7. I Cried for You 3:58
Gus Arnheim / Arthur Freed / Abe Lyman
8. 'Round Midnight 4:20
Bernie Hanighen / Thelonious Monk / Cootie Williams
9. Out of This World 3:10
Harold Arlen / Johnny Mercer
10. Lonely Woman 3:53
Ornette Coleman / Margo Guryan 
11. I Wish I Knew 3:50
Mack Gordon / Harry Warren
12. It's Time 1:53
Pauline Rivelli / Ruth Roberts
Credits :
Freda Payne - Vocals
Al DeRisi - Trumpet
Jimmy Nottingham - Trumpet
Ernie Royal - Trumpet
Nick Travis - Trumpet
Quentin Jackson - Trombone
Alan Raph - Trombone
Bob Brookmeyer - Valve Trombone
Phil Woods - Alto Saxophone
Seldon Powell - Tenor Saxphone
Zoot Sims - Tenor Saxphone
Sol Schlinger - Baritone Saxophone
Hank Jones - Piano
Art Davis - Bass
Gus Johnson - Drums
Manny Albam - Arranger, Conductor
Recorded September 1963
at RCA Studios, New York City
Tracks 1 and 2 on September 17
Tracks 3-6 on September 18
Tracks 7-12
Phil Woods - Alto Saxophone
Hank Jones - Piano
Jim Hall - Guitar
Art Davis - Bass
Walter Perkins - Drums

JIM HALL - Concierto (1975-2003) RM / SACD / FLAC (tracks+.cue), lossless

Guitarist Jim Hall is the sort of musician who displays such technical expertise, imaginative conception, and elegance of line and phrase that almost any recording of his is worth hearing. Still, Concierto ranks among the best albums of his superb catalog. For starters, the personnel here is a jazz lover's dream come true. Paul Desmond (saxophone), Chet Baker (trumpet), Roland Hanna (piano), Ron Carter (bass), and Steve Gadd (drums) are on board, creating -- along with Hall -- one of the highest profile lineups ever put to tape. Yet Concierto is not about star power and showboating. As subtle, nuanced, and considered as any of Hall's output, the ensemble playing here demonstrates great group sensitivity and interplay, giving precedence to mood and atmosphere over powerhouse soloing. Conductor and arranger Don Sebesky evinces a chamber ambience from the sextet on "You'd Be So Nice to Come Home To," the smoky "The Answer Is Yes," and the Hall centerpiece "Concierto de Aranjuez." by Anthony Tognazzini
Tracklist:
1    You'd Be So Nice To Come Home To 7:05
Written-By – Cole Porter
2    Two's Blues 3:50
Written-By – Jim Hall
3    The Answer Is Yes 7:35
Written-By – Jane Hall
4    Concierto De Aranjuez 19:20
Written-By – Joaquin Rodrigo
- Bonus Tracks -
5    Rock Skippin' 6:11
Written-By – Billy Strayhorn, Duke Ellington
6    Unfinished Business (La Paloma Azul) 4:40
Written-By – Carlos Chávez, Johnny Andrews
7    You'd Be So Nice To Come Home To (Alternate Take) 7:26
8    The Answer Is Yes (Alternate Take)    5:34
9    Rock Skippin' (Alternate Take)    6:06
Credits:
Adapted By – Don Sebesky (tracks: 4)
Alto Saxophone – Paul Desmond
Arranged By – Don Sebesky
Bass – Ron Carter
Drums – Steve Gadd
Guitar – Jim Hall
Piano – Roland Hanna
Producer – Creed Taylor
Recorded By – Rudy Van Gelder
Trumpet – Chet Baker