Mostrando postagens com marcador East of Eden. Mostrar todas as postagens
Mostrando postagens com marcador East of Eden. Mostrar todas as postagens

26.5.25

EAST OF EDEN — East of Eden (1971-2001) RM | Two Version | FLAC (image+.tracks+.cue), lossless

"East of Eden" was a British progressive rock band, who had a top 10 hit in the UK with the single "Jig-a-Jig", which did not resemble their usual sound or anything else they normally played. Combining flutes, saxes, violins and tape loops to folk, blues and psychedelic music, the East of Eden style was always heavily supported on a pure rock base, strong and experimental. This is 2001 German reissue of their 1971 album. The highlight is "Crazy Daisy," a pungent hard rock jazz jam, which alone makes the album worth seeking.
Tracklist :
 1. Wonderful Feeling (6:11)
2. Goodbye (5:48)
3. Crazy Daisy (6:54)
4. Here Comes The Day (4:33)
5. Take What You Need (5:03)
6. No Time (6:03)
7. To Mrs. V (5:18)
Total Time: 39:50
Credits :
Dave Arbus - Violin, Saxophone, Flute
David Jack - Bass, Vocals, Acoustic Guitar
Jeff Allen - Drums, Percussion

6.5.25

EAST OF EDEN – Mercator Projected (1969-2008) RM | FLAC (tracks+.cue), lossless

East of Eden's debut LP is one of the hardest rocking albums to come out of the progressive rock movement, and maybe the best non-Rolling Stones albums issued by English Decca during all of the late 1960s. It's also one of the most daring debut albums of its period, less tightly focused than, say, King Crimson's Court of the Crimson King but otherwise equally bold and maybe more challenging. The whole record is eerie -- coming from a pop culture where most psychedelic rock tended toward the light and airy -- the way the high-impact bass, drum, and guitar parts interact with the distinctly Oriental and Central/Eastern European classical influences. The title track is a surprise coming from any British psychedelic band of the period, opening with a pounding heavy metal beat pumped out on Steve York's bass and Dave Dufort's drums, while Dave Arbus' electric violin subs for what would normally be the rhythm guitar part and Geoff Nicholson's guitar twists a blues riff around before setting a Jimi Hendrix-like wave of tonal pyrotechnics ablaze for the finale. Though most of the rest isn't as hard rocking as that, it is still progressive rock with balls. "Isadora" may have a few flute flourishes too many, but it also has a beat, and "Waterways" (described on the original jacket as "Niotic Landscape in 5/4"), after a meandering opening, breaks loose in a hard-edged piece of heavy metal raga rock (with a sax part that fits in perfectly), something like what the Yardbirds might've attempted if they'd stayed together through 1969 and forsaken their pop pretensions -- and then it finishes with the kind of brooding, violin-based ballad that anticipates the 1973-era David Cross/John Wetton/Bill Bruford lineup of King Crimson. And "Centaur Woman" takes us back to almost a mid-1960s blues-rock mode, reminiscent of the Graham Bond Organization, except that East of Eden quickly kicks out the song structures, taking Coltrane-like sax excursions before throwing in an extended bass guitar solo. Side two of the album opens with the brooding "Bathers," perhaps the most conventional progressive cut on this album and, not coincidentally, the least interesting song here. "Communion," by comparison, is a composition whose inspiration was a Bartok string quartet, and is dominated by Arbus' violin. The album finishes with the high-energy "In the Stable of the Sphinx," a blazing showcase for electric guitar, violin, tenor, and alto sax that's worth the price of admission by itself and must've been amazing to hear on stage. Mercator Projected was reissued on CD in Japan in 2000 as part of the British Rock Legend Series by Universal Music Group. Bruce Eder  
Tracklist :
1 Northern Hemisphere 5:02
2 Isadora 4:32
3 Waterways 6:49
4 Centaur Woman 7:09
Vocals – Ron Caines
5 Bathers 4:57
6 Communion 4:03
7 Moth 3:54
8 In The Stable Of The Sphinx 8:30
– BONUS TRACKS –
9 Waterways (Demo) 6:40
10 In The Stable Of The Sphinx (Demo) 11:10
11 Eight Miles High 6:51
Written-By – David Crosby, Gene Clark, Roger McGuinn
Credits :
Bass Guitar, Harmonica, Kalimba [Indian Thumb Piano] – Steve York
Guitar, Vocals – Geoff Nicholson
Percussion – Dave Dufont
Soprano Saxophone, Alto Saxophone, Organ – Ron Caines
Violin [Electric], Flute, Bagpipes, Saxophone, Recorder, Other [Lavatory] – Dave Arbus

FREDDIE HUBBARD — Hub Cap (1961) RM | Three Version | SACD, Hybrid | RVG Edition | The Blue Note Reissues Series | APE + FLAC (image+.tracks+.cue), lossless

On Hub Cap, his third effort as a leader, Freddie Hubbard sticks to the tried-and-true hard bop formula, which is something of a mixed bles...