Mostrando postagens com marcador Carter. E (1908-2012). Mostrar todas as postagens
Mostrando postagens com marcador Carter. E (1908-2012). Mostrar todas as postagens

26.4.24

ELLIOT CARTER : A Nonesuch Retrospective (2009) 4CD BOX-SET | FLAC (tracks+.cue), lossless

Between 1968 and 1990, Nonesuch produced a remarkable series of recordings on LP and CD showcasing the works of Elliott Carter, which for many listeners was their initial encounters with this challenging yet richly rewarding music. First experiences in many cases have proved to be the best as well, since several of these performances have achieved classic status and arguably have not been surpassed. Considering such great performers as mezzo-soprano Jan de Gaetani, pianists Paul Jacobs and Gilbert Kalish, cellists Joel Krosnick and Fred Sherry, flutist Harvey Sollberger, oboist Charles Kuskin, the Composers Quartet, the Contemporary Chamber Ensemble under Arthur Weisberg, and the Chicago Symphony Orchestra with James Levine, among other acclaimed artists, it's not difficult to grasp how highly their performances are esteemed and why they have remained in print for several years, when much of Nonesuch's modern music catalog from the 1970s and ‘80s has disappeared. Fortunately, these recordings have been brought together in a slim box set of four discs and a generous booklet to celebrate Carter's 100th birthday, so the problem of collecting the individual albums has been eliminated. Here are 14 works that represent Carter's most important work from 1942 to 1982, basically the early and middle periods of his long career, since he has remained active into his centennial year and composed music not covered by this retrospective. Yet despite the lack of late pieces, this collection of core works is essential for any serious Carter admirer and is a comprehensive introductory package for newcomers to the music of this American original. Highly recommended. Blair Sanderson
Disc One
Paul Jacobs, piano (1-2)
Jan DeGaetani, mezzo-soprano; Gilbert Kalish, piano (3-4)
New York Chamber Symphony, Gerard Schwarz, conductor (5-21)
Los Angeles Chamber Orchestra, Gerard Schwarz, conductor (22)

Disc Two
Joel Krosnick, cello; Paul Jacobs, piano (1-4)
The Composers Quartet (5-7): Matthew Raimondi, Anahid Ajemian, violin; Jean Dupouy, viola; Michael Rudiakov, cello
Harvey Sollberger, flute; Charles Kuskin, oboe; Fred Sherry, cello; Paul Jacobs, harpsichord (8-10)

Disc Three
Chicago Symphony Orchestra, James Levine, conductor (1)
The Composers Quartet (2-10): Matthew Raimondi, Anahid Ajemian, violin; Jean Dupouy, viola; Michael Rudiakov, cello
Paul Jacobs, harpsichord; Gilbert Kalish, piano; The Contemporary Chamber Ensemble (11-17): Arthur Weisberg, conductor. Orchestra I (harpsichord): Paul Dunkel, flute/piccolo; Douglas Hill, horn; Allan Dean, trumpet; John Swallow, trombone; Raymond DesRoches, Claire Heldrich, percussion; Jacob Glick, viola; Jeffrey Levine, contrabass. Orchestra II (piano): George Haas, oboe; Allen Blustine, clarinet/piccolo clarinet; Donald MacCourt, bassoon; Joseph Anderer, horn; Howard Van Hyning, Richard Fitz, percussion; Linda Quan, violin; Fred Sherry, cello

Disc Four
Paul Jacobs, piano (1)
The Fires of London (2-7): Philippa Davies, flute; David Campbell, clarinet; Rosemary Furniss, violin; Jonathan Williams, cello; Gregory Knowles, percussion
Martyn Hill, tenor; London Sinfonietta, Oliver Knussen, conductor (8-13)

28.2.22

COPLAND • IVES • CARTER • BARBER • GRIFFES • SESSIONS : American Piano Sonatas (Peter Lawson) 2xCD (1992) FLAC (tracks+.cue), lossless

Pianist Peter Lawson cultivates a full and resonant sonority and wide dynamic range that suits the rugged registral valleys mapped by Carter and Copland in their respective sonatas. He lavishes similar care over the delicate harmonic twists throughout Griffes' Sonata and lovingly tends the spacious, transcendent lyricism Charles Ives spins when he's not bashing out good dissonances like a man. Listen, for instance, to Lawson's sustained calm and delicately placed "celesta" notes midway through Ives' Three Page Sonata, or to his twinkling dispatch of the Copland Sonata's zesty middle movement. Lawson sustains the slow movement of Roger Sessions' gnarly Second Sonata as eloquently as Robert Helps' more texturally differentiated live recording (CRI), and offers a cogent, somewhat reserved foil to Charles Rosen's more amply engineered and dramatically colored Elliott Carter Sonata (Bridge).  by Jed Distler
1.  Sonata for Piano in E flat minor, Op. 26 by Samuel Barber 
 Length: 19 Minutes 46 Secs. 
Performer:  Peter Lawson (Piano) 
Period: 20th Century 
Written: 1949; USA 
  Date of Recording: 1989 
Venue:  EMI Abbey Road Studio no 1, London, UK 

2.  Sonata for Piano "Three Page" by Charles Ives 
Performer:  Peter Lawson (Piano) 
Period: 20th Century 
Written: 1905; USA 
Date of Recording: 1989 
Venue:  EMI Abbey Road Studio no 1, London, UK 
Length: 7 Minutes 16 Secs. 

3.  Sonata for Piano no 2 by Roger Sessions 
Performer:  Peter Lawson (Piano) 
Period: 20th Century 
Written: 1946; USA 
 Date of Recording: 1991 
Venue:  EMI Abbey Road Studio no 1, London, UK 
Length: 15 Minutes 15 Secs. 

4.  Sonata for Piano no 1 by Charles Ives 
Performer:  Peter Lawson (Piano) 
Period: 20th Century 
Written: 1901-1909; USA 
  Date of Recording: 1991 
Venue:  EMI Abbey Road Studio no 1, London, UK 
Length: 39 Minutes 18 Secs. 

5.  Sonata for Piano in G major by Aaron Copland 
Performer:  Peter Lawson (Piano) 
Period: 20th Century 
Written: 1920-1921; USA 
  Date of Recording: 1989 
Venue:  EMI Abbey Road Studio no 1, London, UK 
Length: 23 Minutes 43 Secs. 

 6.  Sonata for Piano by Elliott Carter 
Performer:  Peter Lawson (Piano) 
Period: 20th Century 
Written: 1945-1946; USA 
  Date of Recording: 1989 
Venue:  EMI Abbey Road Studio no 1, London, UK 
Length: 24 Minutes 11 Secs. 

 7.  Sonata for Piano by Charles T. Griffes 
Length: 17 Minutes 25 Secs. 
Performer:  Peter Lawson (Piano) 
Period: 20th Century 
Written: 1917-1918; USA 
  Date of Recording: 1991 
Venue:  EMI Abbey Road Studio no 1, London, UK 

ARDITTI STRING QUARTET - U.S.A. (1994) APE (image+.cue), lossless

Conlon Nancarrow : String Quartet N°1    (10:55)

Elliott Carter : Elegy    (3:39)

Charles Ives : Scherzo    (1:30)

Jay Alan Yim :    Autumn Rhythm    16:50

Morton Feldman : Structures    (6:29)

Alvin Lucier : Fragments    7:22

La Monte Young : On Remembering A Naiad    (6:23)

John Cage : Four    20:00

Arditti String Quartet :
Cello – Rohan de Saram
Viola – Garth Knox
Violin – David Alberman, Irvine Arditti

THE LONDON GABRIELI BRASS ENSEMBLE - From the Steeples and the Mountains (1992) FLAC (tracks), lossless

‘Fascinating … the most interesting and enterprising brass collection I have yet encountered … first rate, and very realistic recording … the brass playing throughout is vividly expert and the recording is splendidly real’ (Gramophone)

‘From the very opening track the London Gabrieli Brass Ensemble demands close attention. All say something that makes you want to listen’ (BBC Music Magazine)

‘A real gem of a disc. The performances are excellent … This was both an education and an entertainment’ (Classic CD)

‘Performances are ideal. The British have given us a thoroughly American disc of extraordinary beauty; for which, many thanks!’ (Fanfare, USA)
Reviews

Charles Ives–    From The Steeples And The Mountains 4:24
Samuel Barber–    Mutations From Bach (For Brass Choir And Timpani) 5:41
Roy Harris–    Chorale For Organ And Brass 12:49
Virgil Thomson    Family Portrait (For Brass Quintet)(11:29)
Henry Cowell–    Grinnell Fanfare 3:05
Henry Cowell–    Tall Tale 4:19
Henry Cowell    Hymn And Fuguing Tune No 12 (For Three Horns) (4:27)
Henry Cowell–    Rondo 4:45
Philip Glass    Brass Sextet (7:27)
Carl Ruggles–    Angels (For Muted Brass)3:06
Elliott Carter–    A Fantasy About Purcell's Fantasia Upon One Note 3:15
Charles Ives–    Processional: Let There Be Light 2:42

Ensemble – The London Gabrieli Brass Ensemble
Conductor – Christopher Larkin

e.s.t. — Retrospective 'The Very Best Of e.s.t. (2009) FLAC (tracks+.cue), lossless

"Retrospective - The Very Best Of e.s.t." is a retrospective of the unique work of e.s.t. and a tribute to the late mastermind Esb...