Tracklist :
1 A Night In Tunisia 4:00
Written-By – Gillespie, Paparelli
2 Tertia 8:32
Written-By – Claude Williamson
3 All Of You 6:03
Written-By – Cole Porter
4 Theme 3:55
Written-By – Claude Williamson
5 Jive At Five 4:29
Written-By – Basie, Edison
6 Softly As In A Morning Sunrise 5:18
Written-By – Hammerstein, Romberg
7 Polka Dots And Moonbeams 3:35
Written-By – Van Heusen-Burke
8 Pavane 6:09
Written By – Maurice Ravel
– BONUS TRACK –
9 Tangerine 5:21
Credits :
Alto Saxophone, Flute – Bud Shank
Bass – Don Prell
Drums – Chuck Flores
Piano, Celesta – Claude Williamson
1.7.24
BUD SHANK — Bud Shank Quartet ft. Claude Williamson (1956) Two Version (2003, RM | MONO | Serie Super Bit Jazz Classics ) + (2007, RM | MONO | Serie Pacific Jazz 決定盤 1500 – 5) FLAC (tracks+.cue), lossless
25.11.23
BARNEY KESSEL — Barney Kessel Volume 1 : Easy Like (1956-2006) RM | MONO | APE (image+.cue), lossless
Tracklist :
1 Easy Like 4:04
Barney Kessel
2 Tenderly 4:06
Walter Gross / Jack Lawrence
3 Lullaby of Birdland 3:16
George Shearing / George David Weiss
4 What Is There to Say? 3:10
Vernon Duke / E.Y. "Yip" Harburg
5 Bernardo 3:34
Barney Kessel
6 Vicky's Dream 2:37
Barney Kessel
7 Salute to Charlie Christian 2:52
Barney Kessel
8 That's All 3:18
Alan Brandt / Bob Haymes
9 I Let a Song Go Out of My Heart 4:12
Duke Ellington / Irving Mills / Henry Nemo / John Redmond
10 Just Squeeze Me (But Don't Tease Me) 3:41
Duke Ellington / Lee Gaines
11 April in Paris 3:00
Vernon Duke / E.Y. "Yip" Harburg
12 North of the Border 2:46
Barney Kessel
13 Easy Like 2:44
Barney Kessel
14 North of the Border 2:44
Barney Kessel
Credits :
Bass – Harry Babasin (tracks: 3 to 8, 10, 11), Red Mitchell (tracks: 1, 2, 9, 12 to 14 )
Drums – Shelly Manne
Flute, Alto Saxophone – Bud Shank (tracks: 3 to 8, 10, 11), Buddy Collette (tracks: 1, 2, 9, 12 to 14 )
Guitar – Barney Kessel
Piano – Arnold Ross (tracks: 3 to 8, 10, 11), Claude Williamson (tracks: 1, 2, 9, 12 to 14 )
8.7.21
JUNE CHRISTY - Something Cool (The Complete Mono & Stereo Versions) (2001) FLAC (image+.cue), lossless
June Christy's Something Cool, originally released as a 10" LP in 1954,
single-handedly inaugurated the cool jazz vocal movement. Christy had
been a star vocalist with the Stan Kenton Orchestra in the late '40s,
enjoying major hits with "Tampico" and "Shoo Fly Pie & Apple Pan
Dowdy." Soon after she left the band, she began working with key Kenton
arranger Pete Rugolo and a slew of top West Coast studio musicians
(including her husband, tenor saxophonist Bob Cooper) on her first solo
album for Capitol Records. The result was Something Cool, which is both a
winning showcase for Christy's wistful style and a landmark of cool
jazz modernism. From the start, Christy established herself as an artist
who strove for the very best in song selection, arrangements, and
notably intelligent interpretation. There were perhaps other vocalists
with greater vocal equipment, but few could match June Christy's
artistic integrity. The celebrated title track is the soliloquy of a
female barfly of a certain age, reminiscing (and fantasizing) about
better days to a fellow male patron who just might buy her another
drink. It immediately became Christy's signature performance, and
remained so throughout her career. Other highlights include a swinging
"It Could Happen to You," "Midnight Sun," and an ambitious arrangement
of Kurt Weill's "Lonely House." by Richard Mortifoglio
Tracklist:
1 Something Cool 4:17
Bass – Joe Confort
Drums – Frank Carlson
Flute, Alto Saxophone – Gus Bivona
Guitar – Barney Kessel
Piano – Geoff Clarkson
Trumpet – Jimmy Zito
Written-By – Bill Barnes
2 It Could Happen To You 1:55
Written-By – J. Van Heusen, J. Burke
3 Lonely House 3:56
Written-By – K. Weill, L. Hughes
4 This Time The Dream's On Me 1:29
Written-By – H. Arlen-J. Mercer
5 The Night We Called It A Day 4:48
Written-By – M. Dennis*, T. Adair
6 Midnight Sun 3:13
Alto Saxophone – Skeets Herfurt, Willie Schwartz
Bass Trombone – Dick Noel
Drums – Alvin Stoller
Guitar – Tony Rizzi
Piano – Paul Smith
Tenor Saxophone – Fred Fallensby
Trombone – Dick Reynolds, Nick DiMaio
Trumpet – Ray Linn, Ray Triscari, Uan Rasey
Written-By – Mercer, Hampton, Burke
7 I'll Take Romance 2:19
Written-By – B. Oakland, O. Hammerstein
8 A Stranger Called The Blues 3:56
Written-By – M. Torme, R. Wells
9 I Should Care 2:08
Written-By – Stordahl, Weston, Cahn
10 Softly As In A Morning Sunrise 2:13
Piano – Claude Williamson
Trombone – Bob Fitzpatrick
Written-By – O. Hammerstein, S. Romberg
11 I'm Thrilled 2:39
Written-By – S. Lippman, S. Dee
12 Something Cool 4:57
Written-By – Bill Barnes
13 It Could Happen To You 2:00
Written-By – J. Van Heusen, J. Burke
14 Lonely House 4:03
Written-By – K. Weill, L. Hughes
15 This Time The Dream's On Me 1:36
Written-By – H. Arlen-J. Mercer
16 The Night We Called It A Day 4:53
Written-By – M. Dennis T. Adair
17 Midnight Sun 3:31
Written-By – Mercer, Hampton, Burke
18 I'll Take Romance 2:20
Written-By – B. Oakland, O. Hammerstein
19 A Stranger Called The Blues 4:19
Written-By – M. Torme, R. Wells
20 I Should Care 2:11
Written-By – Stordahl, Weston, Cahn
21 Softly As In A Morning Sunrise 2:14
Written-By – O. Hammerstein, S. Romberg
22 I'm Thrilled 2:47
Written-By – S. Lippman, S. Dee
Credits:
Alto Flute – Bud Shank (tracks: 4, 5, 11), Harry Klee (tracks: 4, 5, 11)
Alto Saxophone [Soloist] – Bud Shank
Alto Saxophone, Flute – Bud Shank (tracks: 1 to 5, 7 to 22), Harry Klee (tracks: 2 to 5, 7 to 9, 11, 12, 14 to 17, 20, 21)
Arranged By, Conductor – Pete Rugolo
Baritone Saxophone – Bob Gordon (tracks: 4, 5, 10, 11), Chuck Gentry (tracks: 1, 6 to 8), Johnny Rotella (tracks: 2, 3, 9)
Bass – Harry Babasin (tracks: 4, 5, 11), Joe Mondragon (tracks: 2, 3, 6 to 10, 12 to 22)
Bass Trombone – George Roberts (tracks: 1, 12 to 22)
Drums – Larry Bunker (tracks: 12 to 22), Shelly Manne (tracks: 2 to 5, 7 to 11)
Flute – Ted Nash (tracks: 1 to 3, 7 to 9)
French Horn – John Graas (tracks: 2, 3, 7 to 9), Vincent DeRosa (tracks: 4, 5, 11, 13 to 16, 18 to 20, 22)
Guitar – Howard Roberts (tracks: 2 to 5, 7 to 11), Jack Marshall (tracks: 12 to 22)
Piano – Claude Williamson (tracks: 4, 5, 11), Joe Castro (tracks: 12 to 22), Russ Freeman (tracks: 2, 3, 7 to 9)
Reeds – Buddy Collette (tracks: 13, 18, 19, 22), Chuck Gentry (tracks: 12 to 22)
Tenor Saxophone – Jimmy Giuffre (tracks: 4, 5, 10, 11), Ted Nash (tracks: 1 to 3, 6 to 9)
Tenor Saxophone, Flute – Bob Cooper (tracks: 1 to 3, 7 to 10, 12 to 22), Paul Horn (tracks: 12 to 22)
Trombone – Frank Rosolino (tracks: 4, 5, 11 to 22), Harry Betts (tracks: 2 to 5, 7 to 9, 11, 12, 17, 21), Herbie Harper (tracks: 1, 10), Milt Bernhart (tracks: 1 to 5, 7 to 22), Tommy Pederson (tracks: 1 to 3, 6 to 9)
Trumpet – Conrad Gozzo, Conte Candoli (tracks: 10, 12 to 22), Frank Beach (tracks: 6, 12 to 22), Maynard Ferguson (tracks: 1 to 5, 7 to 9, 11), Ollie Mitchell (tracks: 12, 17, 21), Shorty Rogers (tracks: 1 to 5, 7 to 11)
Tuba – Paul Sarmento (tracks: 2 to 5, 7 to 9, 11), Phil Stephens (tracks: 13 to 16, 18 to 20, 22)
Vocals – June Christy
22.6.20
GERRY MULLIGAN / JOHNNY HODGES - Gerry Mulligan Meets Johnny Hodges (1959-2003) RM / FLAC (tracks+.cue), lossless
Gerry Mulligan's 1959 studio date with Johnny Hodges is one of the most satisfying sessions of his various meetings with different saxophonists for Verve, yet it was inexplicably the last to be made available on CD. With a hand-picked rhythm section consisting of pianist Claude Williamson, bassist Buddy Clark, and drummer Mel Lewis, and three originals contributed by each of the two leaders, everything gels nicely, though several tracks took more than three takes (in spite of liner note writer Nat Hentoff's assertions) to reach their final form. Mulligan contributed the gorgeous ballad "What's the Rush" (where he sat back to enjoy Hodges' solo and never plays his own horn), the easygoing swinger "Bunny," and the brisk cooker "18 Carrots (For Rabbit)," the latter which its composer would revisit with his Concert Jazz Band. The veteran alto saxophonist contributed the low-key ballad "Shady Side," the sassy blues "Back Beat" (later re-recorded by Hodges during a still unreleased 1960 studio meeting with Ben Webster), and "What It's All About," another potent blues. Throughout the date, the two saxophonists blend beautifully and complement one another's efforts, even though this was their only opportunity to record together in the studio. Sadly, no alternate takes or unissued numbers (at least two of which exist) have been added to this long anticipated reissue. by Ken Dryden
Tracklist:
1 Bunny 5:40
Written-By – Mulligan
2 What's The Rush 3:40
Written-By – Mulligan, Holliday
3 Back Beat 7:27
Written-By – Hodges
4 What's It All About 3:59
Written-By – Hodges
5 18 Carrots For Rabbit 6:40
Written-By – Mulligan
6 Shady Side 5:43
Written-By – Hodges
Credits:
Alto Saxophone – Johnny Hodges
Baritone Saxophone – Gerry Mulligan
Bass – Buddy Clark
Drums – Mel Lewis
Piano – Claude Williamson
+ last month
TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 9 • 1938-1939 | DOCD-5209 (1993) RM | FLAC (tracks+.cue), lossless
One of the greatest slide guitarists of the early blues era, and a man with an odd fascination with the kazoo, Tampa Red also fancied himsel...