The title of this recording, Smack Up is ironic and inadvertently
truthful. Within a short period, Art Pepper would begin spending many
years in jail due to his heroin addiction; this was his next-to-last
album from that period. Despite the bleak future, the great altoist (who
never seemed to make an uninspired record during his unstable life) is
in excellent form in a quintet with trumpeter Jack Sheldon, pianist Pete
Jolly, bassist Jimmy Bond, and drummer Frank Butler. Highlights of this
fine album include Harold Land's title cut, the five/four blues "Las
Cuevas de Mario," and Ornette Coleman's "Tears Inside." [Some reissues
add two takes of the otherwise unknown "Solid Citizens."] Scott Yanow
Tracklist :
1 Smack Up 4:18
Harold Land
2 Las Cuevas de Mario 7:11
Art Pepper
3 A Bit of Basie 7:26
Buddy Collette
4 How Can You Lose 6:57
Benny Carter
5 Maybe Next Year 4:24
Duane Tatro
6 Tears Inside 7:47
Ornette Coleman
7 Solid Citizens 6:32
Jack Montrose
8 Solid Citizens 6:29
Jack Montrose
Credits :
Alto Saxophone – Art Pepper
Bass – Jimmy Bond
Drums – Frank Butler
Piano – Pete Jolly
Trumpet – Jack Sheldon
5.12.23
ART PEPPER QUINTET — Smack Up (1960-2001) RM | Serie Heritage Of Jazz By Digital K2 Contemporary 40 – 3 | FLAC (tracks+.cue), lossless
ART PEPPER — Art Pepper + Eleven (1959-1986) APE (image+.cue), lossless
This is a true classic. Altoist Art Pepper is joined by an 11-piece band playing Marty Paich arrangements of a dozen jazz standards from the bop and cool jazz era. Trumpeter Jack Sheldon has a few solos, but the focus is very much on the altoist who is in peak form for this period. Throughout, Pepper sounds quite inspired by Paich's charts which feature the band as an active part of the music rather than just in the background. Highlights of this highly enjoyable set include "Move," "Four Brothers," "Shaw Nuff," "Anthropology," and "Donna Lee," but there is not a single throwaway track to be heard. Essential music for all serious jazz collections. [Some reissues add two additional versions of "Walkin'" and one of "Donna Lee" to the original program.] Scott Yanow Tracklist & Credits :
8.9.21
MARTY PAICH - Four Classic Albums (2015) 2CD / FLAC (tracks+.cue), lossless
Tracklist 1 :
Tenors West (1955)
1. Tenors West (3:22)
2. There's No You (3:06)
3. The Dragon (4:14)
4. Shorty George (3:22)
5. Paichence (4:06)
6. At the Mardi Gras (3:25)
7. Take the "A" Train (3:09)
8. Ballet du Bongo (8:27)
9. Line for Lyons (3:10)
10. Jacqueline (3:34)
11. Con-Spirito (3:04)
Take Me Along (1959)
12. Overture-Take Me Along (4:46)
13. Nine O'Clock (3:09)
14. Little Green Snake (3:01)
15. Promise Me a Rose (3:22)
16. But Yours (3:32)
17. Sid, Ol' Kid (5:04)
18. Patience of a Saint (4:08)
19. Staying Young (2:49)
20. Thinkin' Things (3:45)
21. We're Home (2:47)
Tracklist 2 :
The Picasso of Big Band Jazz (1957)
1. From Now On (5:58)
2. Walkin' on Home (4:27)
3. Black Rose (5:11)
4. Tommy's Toon (4:03)
5. New Soft Shoe (3:13)
6. What's New (3:35)
7. Easy Listnin' (5:11)
8. Martyni Time (3:09)
9. Nice and Easy (4:44)
Lush, Latin & Cool (1960)
10. Honky Tonk Train (2:49)
11. Invitation (2:41)
12. Autumn Leaves (4:07)
13. Honeysuckle Rose (2:30)
14. Stella by Starlight (2:38)
15. Cumana (2:39)
16. Sabre Dance (2:13)
17. Canadian Sunset (3:39)
18. St. Louis Blues Boogie Woogie (3:36)
19. Little Rock Getaway (2:26)
20. Misirlou (3:19)
21. One O'Clock Jump (3:20)
4.9.21
CURTIS COUNCE — You Get More Bounce With Curtis Counce! (1957-1988) RM | FLAC (tracks+.cue), lossless
Although the title and even the cover photo have been changed, this CD reissue has the same music as was earlier issued as Counceltation; the "bonus cut" "Woody 'n You" has also been reissued on Sonority. In any case, the program features the underrated but talented Curtis Counce Quintet of 1956-1957, a group consisting of the bassist/leader, trumpeter Jack Sheldon, tenor saxophonist Harold Land, pianist Carl Perkins, and drummer Frank Butler. Counce contributed two originals but otherwise the band sticks to jazz standards, with some of the best moments being on "Too Close for Comfort," "Mean to Me," and Charlie Parker's "Big Foot." Scott Yanow
Tracklist :
1 Complete 5:51
Curtis Counce
2 How Deep Is the Ocean? 6:35
Irving Berlin
3 Too Close for Comfort 5:36
Jerry Bock / Larry Holofcener / George David Weiss
4 Mean to Me 4:31
Fred E. Ahlert
5 Stranger in Paradise 7:03
Alexander Borodin / George Forrest / Robert Wright
6 Counceltation 6:01
Curtis Counce
7 Big Foot 9:02
Charlie Parker
8 Woody 'n You 6:14
Dizzy Gillespie
Credits :
Bass – Curtis Counce
Drums – Frank Butler
Piano – Carl Perkins
Tenor Saxophone – Harold Land
Trumpet – Jack Sheldon
21.7.21
GLORIA SMYTH + HELYNE STEWART - Like Soul! + Love Moods (2019) M4A (tracks) lossless [16bits 44.1khz]
"This release in Fresh Sound’s Best Voices Time Forgot series sees the pairing of two more overlooked albums from the late 50s and early 60s: Gloria Smyth’s Like Soul! and Helyne Stewart’s Love Moods.
The Gloria Smyth album, from World Pacific, is mixed – some of the uptempo tracks don’t sound that convincing, and although she has a forceful and strong voice, some of the inflections seem a little forced. I feel she is at her best on the slower ones and the ballads, and it is on these that her voice sounds more assured and controlled. She sings attractively on Sittin’ And Sighin’, on which she benefits from the presence of Teddy Edwards’ sensitive tenor accompaniment, and on I’ll Remember April, where both singer and saxophonist use some imaginative phrasing.
Helyne Stewart is a more rounded and stylish vocalist, with good range and accurate pitch, and a voice at times reminiscent of Dinah Washington. Once more Teddy Edwards is involved, both as arranger and as a featured soloist, with a quartet and an all-star septet that includes fellow West Coast players Frank Butler, Art Pepper, Jack Sheldon and Frank Rosolino.
Issued originally on Contemporary Records, the material is a strong selection of standards and well-known numbers and Stewart handles them well, with straightforward interpretations and good accompanying solos – Why Don’t You Do Right is an example in point. A fine follow-on from the Lil Green and Peggy Lee versions, this has blues-tinged contributions from Edwards and pianist Phineas Newborn Jr. How Deep Is The Ocean is notable for her warm and rich delivery and for Pete Jolly’s unobtrusive but soulful background piano, the higher keys riding the wave of the lush horn arrangement." by Matthew Wright
Tracklist :
GLORIA SMYTH - LIKE SOUL! (1960)
1. Running Wild 2:14
(Gibbs-Grey-Wood)
2. Billy 1:59
(Paley-Kendis-Goodwin)
3. Sittin’ and Sighin’ (Prison) 3:35
(D’Vogna White)
4. Imagination 2:59
(Burke-Van Heusen)
5. Sometimes I Feel Like a Motherless Child 2:02
(Traditional)
6. I’ll Remember April 3:20
(Raye-DePaul-Johnson)
7. I’ll Be Over 2:10
(Gloria Smyth)
8. Bye Bye Blackbird 2:13
(Henderson-Dixon)
9. When You’re Smiling 2:44
(Shay-Fisher-Goodwin)
10. Gee Baby Ain’t I Good to You 2:34
(Redman-Razaf)
11. Sometimes I’m Happy 3:29
(Youmans-Caesar-Grey)
12. Time After Time 3:44
(Styne-Cahn)
13. It Don’t Mean a Thing 2:32
(Ellington-Mills)
Personnel on “Like Soul!":
Gloria Smyth, vocals
Tracks #4,6,9,12: Teddy Edwards, tenor sax; Les McCann, piano; Leroy Vinnegar, bass; Ron Jefferson, drums.
Recorded at Rex Productions Studio, Los Angeles, May 2, 1960
Tracks #1,11,13: Donald Sleet, trumpet; Daniel Jackson, tenor sax; Terry Trotter, piano; Herbie Lewis, bass; Lenny McBrowne, drums.
Recorded at Rex Productions Studio, Los Angeles, March 1960
Tracks #2,3,8: Teddy Edwards, tenor sax (out #2); Ronnie Ball, piano; Ben Tucker, bass; Al Levitt, drums.
Recorded at Sound Enterprises, Los Angeles, September 12, 1959
Tracks #7,10: Teddy Edwards, tenor sax; Joe Castro, piano; Leroy Vinnegar, bass; Billy Higgins, drums.
Recorded at Sound Enterprises, Los Angeles, September 12, 1959
Track #5: Terry Trotter, piano; Herbie Lewis, bass.
Recorded at Rex Productions Studio, Los Angeles, March 1960
HELYNE STEWART - LOVE MOODS (1961)
14. Love Is Here To Stay 3:22
(George Gershwin / Ira Gershwin)
15. I Hadn't Anyone 'Til You 3:49
(Ray Noble)
16. My Heart Belongs To Daddy 2:04
(Cole Porter)
17. That Old Feeling 3:01
(Lew Brown / Sammy Fain)
18. This Love Of Mine 3:48
(Henry W. Sanicola, Jr. / Sol Parker / Frank Sinatra)
19. The Man I Love 3:11
(George Gershwin / Ira Gershwin)
20. Why Don't You Do Right? (Give Me Some Money Too) 2:56
(Kansas Joe McCoy)
21. How Deep Is The Ocean 3:25
(Irving Berlin)
22. Easy To Love 3:35
(Cole Porter)
23. Besame Mucho 3:24
(Sunny Skylar / Consuelo Velázquez)
24. My Silent Love 3:05
(Edward Heyman / Dana Suesse)
25. This Can't Be Love 2:13
(Lorenz Hart / Richard Rodgers)
Personnel on "Love Moods":
Helyne Stewart, vocals
Tracks #14,19,21,24: Teddy Edwards Septet
Jack Sheldon, trumpet; Frank Rosolino, trombone; Art Pepper, alto sax; Teddy Edwards, tenor sax, arranger; Pete Jolly, piano; Jimmy Bond, bass; Frank Butler, drums.
Recorded at Contemporary Records, Los Angeles, January 20, 1961
Tracks #15,16,17,18,20,22,23,25: Teddy Edwards Quartet
Teddy Edwards, tenor sax, arranger; Phineas Newborn, Jr., piano; Leroy Vinnegar, bass; Milt Turner, drums.
Recorded at Contemporary Records, Los Angeles, August 21 & 22, 1961
27.2.20
ANN RICHARDS - Ann, Man! (1961-2002) Mp3
Ann Richards, an excellent singer who was married to Stan Kenton for a few years, only recorded a few solo albums before slipping away into obscurity. Ann, Man! is her most intimate date, a quartet set with trumpeter Jack Sheldon, guitarist Barney Kessel, bassist Red Callender, and drummer Larry Bunker. Four of the songs (including "There's a Lull in My Life" and "You Go to My Head") are duets with Kessel. Richards shows off her versatility and sensitivity on this well-rounded set, swinging lightly and singing with restrained emotions. It is a pity that she did not have a prosperous career, for the talent was definitely there. by Scott Yanow
Credits:
+ last month
THE TWO POOR BOYS — Joe Evans & Arthur McClain (1927-1931) The Complete Recorded Works In Chronological Order | DOCD-5044 (1991) FLAC (tracks+.cue), lossless
So deeply ingrained are perceptions of race and ethnicity in North American culture that certain artists who recorded during the 1920s and ...