HELEN HUMES — Songs I Like to Sing! (1960-1988) RM | Two Version | FLAC (image+.tracks+.cue), lossless

One of the high points of Helen Humes' career, this Contemporary set (reissued on CD) features superior songs, superb backup, and very suitable and swinging arrangements by Marty Paich. Humes' versions of "If I Could Be With You," "You're Driving Me Crazy," and "Million Dollar Secret," in particular, are definitive. On four songs, she is backed by tenor great Ben Webster, a rhythm section, and a string quartet; the other numbers find her joined by a 14-piece band that includes Webster and Teddy Edwards on tenors along with altoist Art Pepper. This classic release is essential and shows just how appealing a singer Helen Humes could be. Scott Yanow
Tracklist :
1.    If I Could Be With You 3:22
Written-By – Creamer, Johnson
2.    Don't Worry 'Bout Me 2:58
Written-By – Bloom, Koehler
3.    Don't Worry 'Bout Me (Alternate Take)    2:56
4.    Mean To Me 3:25
Written-By – Ahlert, Turk
5.    Every Now And Then 3:49
Written-By – Silver, Lewis, Sherman
6.    I Want A Roof Over My Head 3:00
Written-By – Harvey Brooks 
7.    St. Louis Blues 2:43
Written-By – W. C. Handy
8.    You're Driving Me Crazy 3:09
Written-By – Walter Donaldson
9.    My Old Flame 3:20
Written-By – Johnston, Coslow
10.    Millon Dollar Secret 4:04
Written-By – Helen Humes
11.    Love Me Or Leave Me 2:58
Written-By – Kahn, Donaldson
12.    Imagination 3:04
Written-By – Burke-Van Heusen
13.    Please Don't Talk About Me When I'm Gone 2:41
Written-By – Stept, Clare
Credits :
Arranged By, Conductor – Marty Paich
Baritone Saxophone – Bill Hood (tracks: 2, 3, 4, 6 to 8, 10, 11, 13)
Bass – Leroy Vinegar
Cello – Eleanor Slatkin (tracks: 1, 5, 9, 12)
Clarinet, Alto Saxophone – Art Pepper (tracks: 2, 3, 4, 6 to 8, 10, 11, 13)
Drums – Shelly Manne
Guitar – Barney Kessel
Piano – Andre Previn
Tenor Saxophone – Ben Webster, Teddy Edwards (tracks: 2, 3, 4, 6 to 8, 10, 11, 13)
Trombone – Bob Fitzpatrick (tracks: 2, 3, 4, 6 to 8, 10, 11, 13), Harry Betts (tracks: 2, 3, 4, 6 to 8, 10, 11, 13)
Trumpet – Al Porcino (tracks: 2, 3, 4, 6 to 8, 10, 11, 13), Jack Sheldon (tracks: 2, 3, 4, 6 to 8, 10, 11, 13), Ray Triscari (tracks: 2, 3, 4, 6 to 8, 10, 11, 13), Stu Williamson (tracks: 2, 3, 4, 6 to 8, 10, 11, 13)
Viola – Alvin Dinkin (tracks: 1, 5, 9, 12)
Violin – James Getzoff (tracks: 1, 5, 9, 12), Joseph Stepansky (tracks: 1, 5, 9, 12)
Vocals – Helen Humes

HELEN HUMES — 'Tain't Nobody's Biz-ness If I Do (1959-1990) RM | FLAC (tracks+.cue), lossless

Helen Humes had not recorded as a leader in seven years when she made the first of three albums for Contemporary, all of which have been reissued on CD via the OJC imprint. Humes, 45 at the time, was at the peak of her powers, although she never really made a bad record. Accompanied by Benny Carter (on trumpet), trombonist Frank Rosolino, tenor saxophonist Teddy Edwards, pianist Andrew Previn, bassist Leroy Vinnegar, and either Shelly Manne or Mel Lewis on drums, the singer is typically enthusiastic, exuberant, and highly appealing on such numbers as "You Can Depend on Me," "When I Grow Too Old to Dream," and "''Tain't Nobody's Bizness If I Do." She even sings credible versions of "Bill Bailey" and "When the Saints Go Marching In" on this easily recommended CD. Scott Yanow
Tracklist  :
1 You Can Depend on Me 3:22
Charles Carpenter / Louis Dunlap / Earl Hines
2 Trouble in Mind 2:37 
Richard M. Jones
3 Among My Souvenirs 3:37 
Edgar Leslie / Horatio Nicholls
4 Ain't Misbehavin' 4:03
Harry Brooks / Andy Razaf / Fats Waller
5 Stardust 4:45
Hoagy Carmichael / Mitchell Parish
6 Bill Bailey 2:21
Hughie Cannon
7 When I Grow Too Old to Dream 3:34
Oscar Hammerstein II / Sigmund Romberg
8 A Good Man Is Hard to Find 3:06
Eddie Green
9 Bill 2:37
Oscar Hammerstein II / Jerome Kern / P.G. Wodehouse
10 'Tain't Nobody's Bizness If I Do 2:24
Percy Grainger / Porter Grainger / Robert Prince / Everett Robbins / Clarence Williams
11 I Got It Bad (And That Ain't Good) 3:26
Duke Ellington / Paul Francis Webster
12 When the Saints Go Marching In 4:03
James Black / Traditional
Credits :
Bass – Leroy Vinnegar
Drums – Mel Lewis (# 3, 8, 10, 11), Shelly Manne (# 1, 2, 4 ,7, 9)
Leader, Trumpet – Benny Carter
Piano – André Previn
Tenor Saxophone – Teddy Edwards
Trombone – Frank Rosolino
Vocals – Helen Humes

ART PEPPER – The Trip (1977-1990) FLAC (tracks+.cue), lossless

Art Pepper made a name for himself around Los Angeles in the '50s as a leading light in the style then known as West Coast jazz -- a cool alternative to the hot hard bop being made in East Coast cities like New York and Philadelphia. Pepper never really fit the cool stereotype, however; he was too incendiary a soloist (influenced by Lester Young, perhaps, and Bird certainly), more inclined to inject overt anger and passion into his playing than contemporaries like Getz or Mulligan. By the time these sides were made in 1976, any residual coolness had been displaced by hot emotionalism and an almost manic intensity. The lessons of John Coltrane had clearly been absorbed, harmonically and otherwise; not only was Pepper more assertive than ever, but he also took more chances. Polish is for shoes and fingernails: by the late '70s Pepper was rough, raw, and nakedly vulnerable. Every solo this late in his career was an adventure. On this record the adventure is joined by ex-Coltrane drummer Elvin Jones, who doesn't interact with Pepper as much as one might expect, but nevertheless puts down the hard grooves the altoist needed to be at his best. There's a bit of a tentative cast to much of this record, almost as if the musicians were not yet completely comfortable with one another. Pepper's playing is first-rate, however: his interpretation of Michel Legrand's melody, "The Summer Knows," is by itself worth the price of the album. Given that he would not live many years longer after its recording, this one is a keeper. Chris Kelsey
Tracklist :
1    The Trip (Original Take) 8:46
Composed By – Art Pepper
2    The Trip (Alternate Take) 12:58
Composed By – Art Pepper
3    A Song For Richard 6:17
Composed By – Joe Gordon
4    Sweet Love Of Mine 6:34
Composed By – Woody Shaw
5    Junior Cat 7:46
Composed By – Art Pepper
6    The Summer Knows 7:09
Composed By – Alan & Marilyn Bergman, Michel LeGrand
7    Red Car 5:45
Composed By – Art Pepper
Credits :
Art Pepper - Alto Saxophone
George Cables - Piano
David Williams - Bass
Elvin Jones - Drums

WOODY SHAW — Blackstone Legacy (1970-1999) RM | FLAC (tracks+.cue), lossless

Originally a two-fer on vinyl and now on one CD, Shaw's debut as a leader is one of the first "free bop" sessions, in many ways his answer to Bitches Brew. The trumpeter's ensemble extracts dense, energetic, meaty collective sounds based in pure improvisation with a skeleton of a rhythmic framework to expound upon. Saxophonists Gary Bartz & Bennie Maupin, electric pianist George Cables, twin bassists Ron Carter and Clint Houston, and drummer Lenny White respond to Shaw's heavy direction, making for some of the most kinetic jazz heard in that period of early fusion. Shaw's bright melodicism, hard edged swing and refusal to compromise are his greatest assets. They come shining through on tuneful classics like the unstoppable "Think On Me" and stop-start gymnastics of "Boo-Ann's Grand." It represents the progressive bop aesthetic at a fever pitch. The title track is as wild and wooly as Woody could be, while "Lost & Found" is free bop at its finest. "New World" is a free funk number, quite a trend setter for its time, while "A Deed For Dolphy" shows an abstract, no-time side rarely heard from Shaw. All tunes are quite lengthy, no shorter than nine, no longer than seventeen minutes. This allows the band to develop their ideas and interact in a manner more akin to a concert setting. Bartz (alto and soprano saxophone) and Maupin (tenor saxophone, bass clarinet and flute) consistently show why they are two of the best improvising jazzmen out there. As much as the music is the thing, it is the singular presence of Shaw that refracts many colors of light and dark, like a multi-hued beacon directing many ships to port. There is not a better example of this music from its inception, documented on tape, than this other worldly session that brought the trumpeter to the jazz world's attention. Furthermore, few have done it better since. Truly a landmark recording, and a pivot point in the history of post-modern music. Michael G. Nastos
Tracklist
1    Blackstone Legacy    16:08
Composed By – Woody Shaw
2    Think On Me 10:49
Composed By – George Cables
3    Lost And Found    10:45
Composed By – Woody Shaw
4    New World 17:06
Composed By – George Cables
5    Boo-Ann's Grand    14:25
Composed By – Woody Shaw
6    A Deed For Dolphy    8:56
Composed By – Woody Shaw
Credits :
Alto Saxophone [Left Channel], Soprano Saxophone [Left Channel] – Gary Bartz
Bass [Left Channel] – Ron Carter (tracks: 2 to 6)
Bass [Right Channel] – Clint Houston (tracks: 1, 2, 4 to 6)
Drums – Lenny White
Piano, Electric Piano – George Cables
Tenor Saxophone [Right Channel], Bass Clarinet [Right Channel], Flute [Right Channel] – Bennie Maupin
Trumpet – Woody Shaw