PABLO CASALS - The Complete EMI Recordings (1926-1955) 9CD / FLAC (tracks+.cue), lossless

CD1
J.S. Bach • Cello Suites 1-3

CD2
J.S. Bach • Cello Suites 4-6

CD3
Beethoven • Cello Sonats 1-3

CD4
Beethoven • Cello Sonata 4-5
Brahms • Cello Sonata Nr. 2

CD5
Dvorák • Cello Concerto
Elgar • Cello Concerto
Bruch • Koll Nidrei

CD6
Beethoven • Piano Trio Nr.7 'Archduke'
Schubert • Piano Trio Nr.1 D898

CD7
Mendelssohn • Piano Trio Nr.1 Op.49
Schumann • Piano Trio Nr.1 Op.63

CD8
Haydn • Piano Trio in G Hob. XV:25 Op.73 Nr.2
Brahms • Double Concerto
Boccherini • Cello Concerto in B flat

CD9
E#ncores and showpieces • Sardanes de concert

PABLO CASALS : Cello

MAURIZIO POLLINI — Maurizio Pollini Edition (2002) 13CD | APE (image+.cue), lossless

Celebrating his 60th birthday (5 January 2002) and a 30-year artistic
collaboration with Deutsche Grammophon, the Maurizio Pollini Edition presents a wide-ranging series of DG exclusive artist's classic recordings, personally selected and approved by the Maestro himself.

The Edition comprises 12 single CDs, plus a sensational bonus CD. Almost all the compilations are new, and cover all aspects of Pollini's recording career. There are three CDs of Classical and Romantic concertos, 5 CDs are devoted to the masters of Romantic solo music, and 4 CDs given over to modern repertoire, a central component of Pollini's artistic credo.

What is on the bonus CD? There are two concerto recordings released for the first time internationally. The first is Chopin's First Piano Concerto, taped live at the final concert of the 1960 International Chopin Competition in Warsaw in 1960, where Pollini was the sensational winner at the age of 18. The second is the Schumann Piano Concerto, recorded live at the Salzburg Festival in 1974 with the Vienna Philharmonic under Herbert von Karajan.

CD 1: Mozart :
Piano Concerto No.23 / Beethoven: Piano Concerto No.5 "Emperor"
Maurizio Pollini, Wiener Philharmoniker, Karl Bohm

CD 2:
Beethoven: Piano Concertos Nos.3 & 4
Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado

CD 3: Schumann:
Piano Concerto Op.54 / Brahms: Piano Concerto No.1
Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado

CD 4: Beethoven :
Piano Sonatas Op.27 No.1 & 2, Op.31 No.2 & Op.53

CD 5: Beethoven :
Piano Sonatas Op.106 "Hammerklavier" & Op.111

CD 6: Schubert :
Sonata in A major D959; Allegretto in C minor D915; 3 Klavierstucke

CD 7: Chopin :
12 Etudes Op.25; Sonata in B flat minor Op.35; Berceuse in D flat, Op.57

CD 8: Schumann :
Fantasy in C; Arabesque / Liszt: Sonata in B minor; La lugubre gondola

CD 9: Debussy :
12 Etudes / Boulez: Sonata No.2
Maurizio Pollini

CD 10: Stravinsky :
3 Dances from Petrushka / Bartok: Piano Concertos Nos.1 & 2
Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado

CD 11: Schoenberg :
Piano Works / Webern: Variations Op.27
Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado

CD 12: Nono: Como una ola de fuerza y luz; ....Sofferte onde serene....for piano
and magnetic tape / Manzoni: Masse: Omaggio a Edgar Varese
Slavka Taskova, Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks,
Claudio Abbado

CD 13: Chopin :
Piano Concerto No.1 in E minor, Op.11 / Schumann: Piano Concerto in A minor, Op.54
Maurizio Pollini, Warsaw Philharmonic Orchestra, Jerzy Katlewicz
Maurizio Pollini, Wiener Philharmoniker, Herbert von Karajan

SPOHR, HUMMEL, BERWALD, KREUTZER, BEETHOVEN & SCHUBERT : Septets, Octets & Nonets (2006) 6CD | FLAC (image+.cue), lossless

In hard times, everyone is looking for the killer deal. In respect to wind chamber music of the early romantic period, one could hardly do better than with Brilliant Classics' Romantic Ensembles, a six-CD box set that contains much of the major wind literature from the first half of the nineteenth century. At the beginning of the nineteenth century, a fad in Europe for harmoniemusik -- groups of wind bands that usually played potpourris of operatic hits -- was current. Composers such as Hummel, Kreutzer, Spohr, Schubert, Berwald, and Beethoven here seized upon this format to express more complex and ambitious musical concepts. Beethoven's Septet in E flat, Op. 20, though not as highly regarded some of his symphonies in retrospect, played a major role in establishing Beethoven's reputation as a composer. The Schubert Octet in F, D. 803, and Berwald's Grand Septet in B flat were works that looked to Beethoven's as a kind of model; others represented here to some degree tap into the eighteenth century approach to harmoniemusik and forges something new and original out of it. The early nineteenth century was the most fruitful era of any concerning developments in the wind chamber format; as such groups merged into larger units and became more concerned with popular music, interest among composers in producing works like these began to flag in the latter half of the century.

One of the reasons this modest and innocuous-looking box is so desirable is the performances included. These are not just any groups performing these works, but top-flight ensembles -- The Berlin Philharmonic Octet, the Wiener Kammerensemble, and Britain's the Nash Ensemble. The reason that this can be marketed so cheaply is that all are older recordings, but most are at least digital and the performances are all first-rate. Brilliant Classics' Romantic Ensembles would make a lovely gift for a wind player, or someone specifically interested in wind ensemble music, and the modest asking price won't break the bank. by Uncle Dave Lewis  
All Tracks & Credits

RADU LUPU - Complete Decca Solo Recordings (2010) 10CD / FLAC (tracks+.cue), lossless

It takes only 10 discs to contain the complete solo Decca recordings of Radu Lupu, one of the great pianists of the late 20th century. It's also amazing that these few recordings stretch over a quarter of a century, from 1971 to 1995, making Lupu one of the most infrequently recorded of the great pianists; even Argerich and Michelangeli have outdistanced him. Yet even that is not the most amazing thing about this collection; it is the performances themselves, some of which are among the greatest ever made. Has any pianist ever topped Lupu's heroic account of Brahms' F minor Sonata, or his poetic readings of the composer's late piano works? Has any ever equaled, much less surpassed, his deeply inward performances of Schubert's Moments musicaux or his two sets of Impromptus? Has any account of Beethoven's "Moonlight" Sonata ever glowed brighter, or any reading of the "Waldstein" Sonata ever been more ecstatically serene? And has any pianist ever caught the uncanny mixture of the playful, the romantic, and the diabolical in Schumann's Kreisleriana? Anyone interested in great piano playing should avail themselves of these superlative performances at their earliest possible opportunity. by James Leonard  
All Tracks & Credits

CLARA HASKIL - Philips Recordings 1951-1960 Concertos & Sonatas (Beethoven, Chopin, Falla, Ravel, Scarlatti, Mozart, Schubert, Schumann) (2007) 7CD / APE (image+.cue), lossless

Romanian pianist Clara Haskil began her career as a child prodigy at the Bucharest Conservatory under Richard Robert at age 7, making her debut at the age of 10. Haskil ultimately graduated from Alfred Cortot's class at the Paris Conservatoire at 15 with the Prémier Prix to her credit. By the age of 18, however, Haskil was forced to endure the first of many physical setbacks that would hold back her career, in this case an attack of meningitis that kept her in a body cast for four years. Haskil did recover, making her New York debut in 1924 and her London debut in 1926. Although it was late in her career that her name was inextricably linked with the Mozart piano concerti, at this stage Haskil was associated with Romantic literature. Her performances of the Schumann concerto in Philadelphia with Leopold Stokowski were widely praised.

With the outbreak of war, Haskil was trapped in occupied Paris, but was able to escape to Marseilles. There she survived a surreptitious surgical procedure to remove a tumor from her optic nerve, and was then smuggled to Vevey, Switzerland, where Haskil settled for the rest of her days. With war's end she resumed her career yet again, and thereafter enjoyed her greatest successes with a busy concert and recording schedule that took her around the world. Despite her amazing stamina, she proved unable to survive a fall she suffered in a Paris railway station in 1960, and died one month short of her 66th birthday.

With Haskil, musicianship came first and technical matters were irrelevant; she had enormous hands and could play a 12th in her left hand with a fingering of 2-5. Haskil reputedly had an amazing memory, and could accurately play back a piece of music she'd heard only once, even after the passage of several years, without ever having seen the score. The Clara Haskil Prize, awarded once every two years in Vevey, Switzerland, was established in 1962 as a memorial to the pianist. by Uncle Dave Lewis
Tracklist :
CD 1    Domenico Scarlatti (1685 - 1757) Sonata In E Flat Major K.193 - Sonata In B Minor, K.87 - Wolfgang Amadeus Mozart (1756 - 1791) Nine Variations In D, K.573 On A Minuet By J.P. Duport - Piano Sonata No.10 In C Major, K.330 - Maurice Ravel (1875 - 1937) Sonatine, M. 40 For Piano - Robert Schumann (1810 - 1856) Bunte Blätter, Op.99 -
CD 2    Robert Schumann (1810 - 1856) Kinderszenen, Op. 15 - Waldszenen, Op.82 - Ludwig van Beethoven (1770 - 1827) Piano Sonata No. 17 In D Minor, Op. 31 No. 2 "The Tempest" - Piano Sonata No. 18 In E Flat Major, Op. 31, No. 3 -"The Hunt"
CD 3    Franz Schubert (1797 - 1828) Piano Sonata No. 21 In B-Flat Major, D. 960 - Ludwig van Beethoven (1770 - 1827) Piano Sonata No. 17 In D Minor, Op. 31 No. 2 "The Tempest" - Piano Sonata No. 18 In E Flat Major, Op. 31, No. 3 -"The Hunt"
CD 4    Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto No. 9 In E Flat Major, K.271 - "Jeunehomme" - Piano Concerto No. 20 In D Minor, K. 466
CD 5    Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto No. 20 In D Minor, K. 466 - Piano Concerto No.24 In C Minor, K.491 - Ludwig van Beethoven (1770 - 1827) Piano Concerto No. 3 In C Minor, Op. 37
CD 6    Ludwig van Beethoven (1770 - 1827) Piano Concerto No. 3 In C Minor, Op. 37 - Wolfgang Amadeus Mozart (1756 - 1791) Piano Concerto No. 23 In A Major, K.488 - Robert Schumann (1810 - 1856) Piano Concerto In A Minor, Op. 54
CD 7    Manuel de Falla Matheu (1876 - 1946) Noches En Los Jardines de España - Frédéric Chopin (1810 - 1849) Piano Concerto No.2 In F Minor, Op.21

PROKOFIEV : Piano Sonata No. 2; SCHUBERT : Impromptus, D 899 (Elisso Bolkvadze) (2015) FLAC (tracks), lossless

GABRIEL BIANCO - Guitar Recital (2009) FLAC (tracks+.cue), lossless

The young French guitarist Gabriel Bianco adds First Prize in the 2008 GFA International Solo Competition to an impressive list of previous awards from international competitions. He started playing guitar at the age of five, and graduated at the age of twenty with first prize from the Conservatoire National de Région de Paris. The same year, he received the highest mark and ranking in the entrance competition to the Conservatoire National Supérieur de Musique et de Danse de Paris. Gabriel Bianco gave his first concert in Paris when he was fifteen, and is now invited to play throughout the world. His teachers have included Ramon de Herrera, Oliver Chassain and Judicaël Perroy. naxos
Tracklist:
Schubert, Franz
Mertz, Johann Kaspar, arranger(s)
Lob der Tranen (Praise of Tears), D. 711 (arr. J. K. Mertz)
1.  Lob der Tranen (Praise of Tears), D. 711 (arr. J. K. Mertz) 3:23
Mertz, Johann Kaspar
Bardenklange, Op. 13 (excerpts)
2. Book 3: No. 3. Capriccio 1:36
3. Book 6: No. 1. Tarantelle 3:53
Elegy
4. Elegy 8:31
3 Morceaux, Op. 65: No. 1. Fantaisie hongroise
5. 3 Morceaux, Op. 65: No. 1. Fantaisie hongroise 7:29
Bach, Johann Sebastian
Violin Sonata No. 3 in C Major, BWV 1005 (arr. for guitar)
6. I. Adagio 4:21
7. II. Fuga: Alla breve 8:38
8. III. Largo 3:06
9. IV. Allegro assai 5:38
Koshkin, Nikita
Guitar Sonata
10. I. Allegro energico 9:18
11. II. Adagio molto 9:23
12. III. Presto, risoluto energico 8:42

MITSUKO UCHIDA : Mitsuko Uchida Plays Schubert (2004) 8xCD Box-Set / FLAC (tracks+.cue), lossless

 All tracks & credits

ELISABETH SCHUMANN - Icon : Silver Thread of Song (2011) 6xCD BOX-SET / MONO / APE (image+.cue), lossless

The German soprano Elisabeth Schumann was one of the finest lyric sopranos of the 20th Century. She made her professional debut in Hamburg in 1909 and died in 1952, having given her last public concert the previous year. In 1985 the eminent vocal expert Alan Blyth wrote of her: ‘No artist so endeared herself to her public as Elisabeth Schumann. The charm of her manner is legendary; so is the attraction of her slivery voice and outgiving style. Whether in her operatic portrayals, her Lieder or her operetta offerings, she captivated her audiences.’

CDs 1 and 2 contain an unrivalled collection of Schumann's famous recordings of songs by Franz Schubert, the centrepiece of which is Der Hirt auf dem Felsen (‘The Shepherd on the Rock’) with Reginald Kell as the distinguished clarinet soloist. Every one of these songs is illuminated by the singer's unique style of vocal clarity and brightness as well as rhythmic bouyancy and spontaniety.

CD 3 brings together a number of Elisabeth Schumann's recordings of songs by her namesake Robert Schumann, including the famous cycle for female voice: Frauenliebe und-leben. Also on this CD are a group of songs by Brahms including several from the delightful ‘49 Deutsche Volkslieder’

CD 4 begins with Schumann's elegant performances of several soprano pieces by Bach and Handel, which are followed by a variety of contrasting works by Mozart including the main arias for Susanna and Cherubino in Le nozze di Figaro and both of Zerlina's solos from Don Giovanni. The Mozart programme continues with an engaging performance of the ‘Alleluja’ from Exsultate, jubilate, a small group of songs and then finally the Benedictus from Mozart’s final work, the moving Requiem in D minor.

CD 5 is a mixed Lieder recital starting with songs by Haydn and Beethoven, then a collection of Hugo Wolf and ending with a group of Richard Strauss compositions, all touched by Schumann's own personal vocal magic.

The final CD opens with three extracts from Der Rosenkavalier that amply demonstrate Elisabeth Schumann's radiant interpretation of Sophie that was acclaimed in theatres around the world. Then we hear Schumann gloriously floating the soprano line in the Quintet from Die Meistersinger, followed by a collection of charming English songs, all sung with impeccable pronunciation. The disc ends with some of the most entertaining performances of arias from Viennese operettas ever put on record that will guarantee to bring a smile of delight to even the most critical listener.

SCHUBERT, MATTHUS, DOHNÁNYI : String Trios (Gaede Trio) (1998) FLAC (image+.cue), lossless

 

KATHLEEN FERRIER - EDITION BOX SET (2004) 10CD / DECCA / Mp3

Although her career was tragically short, Kathleen Ferrier was among the most famous English singers of the twentieth century. Her contralto voice -- a rarity in itself -- was characterized by a firm, warm tone that found its expressive niche in the great works of oratorio and art song, as well as in her two operatic roles (only two!): Lucretia in Britten's The Rape of Lucretia and Orfeo in Gluck's Orfeo ed Euridice.

Born in Lancashire on April 22, 1912, Ferrier studied the piano with great success as a child and intended a concert career; her concurrent vocal studies were considered more recreational in nature. In her mid-20s, however, after taking two first prizes at the 1937 Carlisle Festival -- one for piano and one for singing -- she made the decision to pursue singing as her vocation. She studied with J.E. Hutchinson in Newcastle upon Tyne, then with Roy Henderson in London.

During the years of WWII Ferrier toured widely in England, gaining a reputation as an especially fine concert artist. She joined the Bach Choir in London, and was alto soloist for a 1943 performance of Handel's Messiah at Westminster Abbey. Benjamin Britten first put her on the operatic stage at Glyndebourne on July 12, 1946, in the premiere of his chamber opera The Rape of Lucretia. She then toured with the work throughout England and appeared on an historic recording of major extracts from the work conducted by the composer. Britten would later compose the alto part in his Canticle No. 2 for her.

She appeared in the United States for the first time in Mahler's Das Lied von der Erde with the New York Philharmonic and Bruno Walter; her subsequent recording of the work -- also under Walter's direction -- remains a classic. Walter also appeared as her accompanist in lieder recitals in Edinburgh and London. Another of Ferrier's notable successes was the part of the Angel in Elgar's The Dream of Gerontius.

In February 1953, Covent Garden staged Gluck's Orfeo ed Euridice specifically for Ferrier, who was deemed ideal for the part of Orpheus. However, she was able to appear in only two of the scheduled four performances because of weakness caused by her already advanced cancer. These were her last appearances; she died in London on October 8, 1953. Before she died she was made a Commander of the Order of the British Empire.  by Rovi Staff

Tracklist

CD01 Gluck - Orfeo ed Euridice

CD02 Bach St Matthew Passion

CD03 Kathleen Ferrier

CD04 Schumann-Brahms-Schubert

CD05 Chausson-Brahms-Ferguson-Wordsworth-Rubbra-Kathleen Ferrier

CD06 Purcell-Handel-Bach-Wolf-Stanford-Warlock

CD07 Historical Recordings 1947-1952

CD08 Blow the Wind Southerly - Traditional Songs

CD09 Bruno Walter - The Legendary Edinburgh Festival

CD10 Mahler-Brahms

KATHLEEN FERRIER - EDITION BOX SET

 [2004] 10CD / DECCA / CBR320 / scans

O Púbis da Rosa

FRIDA LEIDER - A Vocal Portrait [2003] 2CD / NAXOS

 FRIDA LEIDER - A Vocal Portrait 

[2003] 2CD / NAXOS / CBR320 / scans

O Púbis da Rosa

THE HEIFETZ COLLECTION Vol.1 - The Acoustic Recordings 1917-1924 [RCA Gold Seal] 1994 / 3CD / FLAC

THE HEIFETZ COLLECTION Vol.1 

The Acoustic Recordings 1917-1924

[RCA Gold Seal] 1994 / FLAC

O Púbis da Rosa

SCHUBERT : The Piano Sonatas (Wilhelm Kempff) 7CD BOX-SET (2000) FLAC (image+.cue), lossless

Wilhelm Kempff was a master of poetic lyricism, with a wondrous keyboard touch and a breathtaking command of subtle dynamics and tonal colorations–all invaluable attributes of any Schubert interpreter. He also had the knack of holding together large structures that can often seem aimless, thus avoiding another trap many pianists fall into, that of lavishing so much attention on passing detail that Schubert's "heavenly lengths" can seem wayward wanderings. The one criticism often heard is that Kempff emphasizes poetry at the expense of drama. This magnificent set leaves that claim unsubstantiated.

Few pianists have been so successful, for example, in what may be Schubert's wildest single movement, the nightmarish Andantino of the A major Sonata, D. 959. Here, Kempff captures the tortured mood of the piece to perfection without breaking its Classical frame. Tempos are generally expansive, but Kempff's tonal luster and unerring sense of natural phrasing never make you want him to step on the accelerator. A special treat is the inclusion of rarely heard early works. Some of these were left unfinished; others reflect a composer still mastering his craft. But most are of more than passing interest, and some have an enchanting, aching beauty. Kempff's Schubert set has been a recording classic since its release on LP; its availability in a space-saving CD box at a budget price is cause for celebration. – Dan Davis Amazon 

Deutsche Grammophon repackages Wilhelm Kempff's classic Schubert sonata cycle in a space-saving box, and slashes the cost down to budget price. In addition, the performances have been sonically upgraded. An A/B comparison between DG's previous edition and the present remastering reveals Kempff's magical, intimate sonority to take on newfound robustness and detail. You can better ascertain Kempff's sparse and subtle pedaling, and there seems to be more air between the notes. These improvements reinforce the pianist's innate stylistic grasp and unpressured authority in this music.

Kempff's virtuosity is very real, yet never draws attention to itself. He approaches Schubert not so much as a two-handed pianist as a one-man chamber ensemble, or a seasoned lieder singer backed by a sensitive accompanist. There are, of course, a wealth of great individual Schubert Sonata interpretations that differ from, and even surpass Kempff's individual readings. But if you love the Schubert Sonatas, your life will be poorer for not knowing Kempff's irreplaceable recordings. –Jed Distler, ClassicsToday.com 

Tracklist + Credits :

SCHUBERT: The String Quartet [Melos Quartet] 6CD BOX SET / APE / 1999

String Quartet No. 1 in G minor/B flat major, D. 18

String Quartet No. 2 in C major (fragment), D. 32

String Quartet No. 3 in B flat major, D. 36

String Quartet in C minor (one movement: Grave & Allegro), D. 103

String Quartet No. 4 in C major, D. 46

String Quartet No. 5 in B flat major (fragment), D. 68

String Quartet No. 6 in D major, D. 74

String Quartet No. 7 in D major, D. 94

String Quartet No. 8 in B flat major, D. 112 (Op. posth. 168)

String Quartet No. 9 in G minor, D. 173

String Quartet No. 10 in E flat major, D. 87 (Op. 125/1)

String Quartet No. 13 in A minor (“Rosamunde”), D. 804 (Op. 29)

String Quartet No. 11 in E major, D. 353 (Op. posth. 125/2)

String Quartet No. 14 in D minor (“Death and the Maiden”), D. 810 Unspecified excerpt

String Quartet No. 12 in C minor (“Quartettsatz”), D. 703

String Quartet No. 15 in G major, D. 887 (Op. posth. 161)

Disc 1:

01. String Quartet (in various keys) D 18 (No.1) – 1. Andante – Presto vivace

02. String Quartet (in various keys) D 18 (No.1) – 2. Menuetto

03. String Quartet (in various keys) D 18 (No.1) – 3. Andante

04. String Quartet (in various keys) D 18 (No.1) – 4. Presto

05. String Quartet in C major D 32 (No.2) – 1. Presto

06. String Quartet in C major D 32 (No.2) – 2. Andante

07. String Quartet in C major D 32 (No.2) – 3. Menuetto. Allegro

08. String Quartet in C major D 32 (No.2) – 4. Allegro con spirito

09. String Quartet in B flat major D 36 (No.3) – 1. Allegro

10. String Quartet in B flat major D 36 (No.3) – 2. Andante

11. String Quartet in B flat major D 36 (No.3) – 3. Menuetto. Allegro ma non troppo

12. String Quartet in B flat major D 36 (No.3) – 4. Allegretto

13. Quartet Movement in C minor D 103 – Grave – Allegro

Disc 2:

01. String Quartet in C major D.46 (No.4) – 1. Adagio – Allegro con moto

02. String Quartet in C major D.46 (No.4) – 2. Andante con moto

03. String Quartet in C major D.46 (No.4) – 3. Menuetto. Allegro

04. String Quartet in C major D.46 (No.4) – 4. Allegro

05. String Quartet in B flat major D 68 (No.5) – 1. Allegro

06. String Quartet in B flat major D 68 (No.5) – 2. Allegro

07. String Quartet in D major D 74 (No.6) – 1. Allegro ma non troppo

08. String Quartet in D major D 74 (No.6) – 2. Andante

09. String Quartet in D major D 74 (No.6) – 3. Menuetto. Allegro

10. String Quartet in D major D 74 (No.6) – 4. Allegro

Disc 3:

01. String Quartet in D major, D.94 – 1. Allegro

02. String Quartet in D major, D.94 – 2. Andante con moto

03. String Quartet in D major, D.94 – 2. Menuetto and Trio – Allegretto

04. String Quartet in D major, D.94 – 4. Presto

05. String Quartet in B flat major, D112 (Op.Post.168) – 1. Allegro ma non troppo

06. String Quartet in B flat major, D112 (Op.Post.168) – 2. Andante sostenuto

07. String Quartet in B flat major, D112 (Op.Post.168) – 3. Menuetto: Allegro

08. String Quartet in B flat major, D112 (Op.Post.168) – 4. Presto

09. String Quartet in G minor, D173 – 1. Allegro con brio

10. String Quartet in G minor, D173 – 2. Andantino

11. String Quartet in G minor, D173 – 3. Menuetto: Allegro vivace

12. String Quartet in G minor, D173 – 4. Allegro

Disc 4:

01. String Quartet No.10 in E flat, D.87 – 1. Allegro moderato

02. String Quartet No.10 in E flat, D.87 – 2. Scherzo: Prestissimo

03. String Quartet No.10 in E flat, D.87 – 3. Adagio

04. String Quartet No.10 in E flat, D.87 – 4. Allegro

05. String Quartet No.13 in A minor, D.804 – “Rosamunde” – 1. Allegro ma non troppo

06. String Quartet No.13 in A minor, D.804 – “Rosamunde” – 2. Andante

07. String Quartet No.13 in A minor, D.804 – “Rosamunde” – 3. Menuetto (Allegretto)

08. String Quartet No.13 in A minor, D.804 – “Rosamunde” – 4. Allegro moderato

Disc 5:

01. String Quartet in E major, D353, op.post.125, no.2 – 1. Allegro con fuoco

02. String Quartet in E major, D353, op.post.125, no.2 – 2. Andante

03. String Quartet in E major, D353, op.post.125, no.2 – 3. Menuetto: Allegro vivace

04. String Quartet in E major, D353, op.post.125, no.2 – 4. Rondo: Allegro vivace

05. String Quartet No.14 in D minor, D.810 -“Death and the Maiden” – 1. Allegro

06. String Quartet No.14 in D minor, D.810 -“Death and the Maiden” – 2. Andante con moto

07. String Quartet No.14 in D minor, D.810 -“Death and the Maiden” – 3. Scherzo (Allegro molto)

08. String Quartet No.14 in D minor, D.810 -“Death and the Maiden” – 4. Presto

Disc 6:

01. String Quartet No.12 in C minor, D.703 – “Quartettsatz”

02. String Quartet No.15 in G, D.887 – 1. Allegro molto moderato

03. String Quartet No.15 in G, D.887 – 2. Andante un poco mosso

04. String Quartet No.15 in G, D.887 – 3. Scherzo (Allegro vivace)

05. String Quartet No.15 in G, D.887 – 4. Allegro assai

O Púbis da Rosa