Mostrando postagens com marcador Janáček. L (1854-1928). Mostrar todas as postagens
Mostrando postagens com marcador Janáček. L (1854-1928). Mostrar todas as postagens

23.7.25

MARTHA ARGERICH — Edition Chamber Music (2011) 8CD BOX-SET | Martha Argerich Edition Series | Two Version | FLAC (image+.tracks+.cue), lossless

Perhaps the world's most charismatic pianista, Martha Argerich is also a generous and convivial colleage - a virtuoso who eschews solo recitals in favour of chamber music. Indeed, with the Martha Argerich Project in Lugano, she has become the linchpin of a festival devoted to ensemble performance.
This 8-CD set sees Argerich collaborating with na array of colleagues that includes Itzhak Perlman, Maxim Vergerov, Renaud Capuçon, Misha Maisky, Gautier Capuçon, and Micahel Collins.
CD1.
Beethoven : Violin Sonata No.9 “Kreutzer"
Franck : Violin Sonata in A major
CD2.
Beethoven : Piano Quartet in C major WoO36 No.3 · Clarinet Trio, op.11 · Piano Trio in D major, op.70 No.1 “Ghost”
Chopin : Intoduction and Polonaise brillante 
CD3.
Schumann : Violin Sonata No.1 & 2 · Fantasiestücke op.73 · Märchenbilder, op.113
CD4.
Schumann : Piano Quintet · Piano Quartet · Andante and Variations, op.46
CD5.
Haydn : Piano Trio in G major, Hob.XV:25 “Gipsy Trio”
Mendelssohn : Piano Trio No.1 i
Schumann : Fantasiestücke, op.88
Debussy : Cello Sonata · La plus que lente · Minstrels · Prélude No.12
CD6.
Franck : Cello Sonata 
Bartók : Violin Sonata No.1 · Contrasts 
CD7.
Shostakovich : Piano Quintet · Piano trio No.2 in E minor, op.67
Leoš Janáček : Concertino
CD8.
Schumann : Piano Quintet · Violin Sonata No.2 · Fantasiestücke, op.73

23.2.22

JANÁCEK QUARTET - The Complete Recordings on Deutsche Grammophon (2002) 7xCD / FLAC (image+.cue), lossless

1.1
String Quartet In G Major, K. 387 (29:05)
Composed By – Wolfgang Amadeus Mozart

String Quartet In C Major, Op. 33 No.3 "The Bird" (Hob III:39) (22:01)
Composed By – Joseph Haydn

2.1
String Quartet In E Flat Major, Op.33 No.2 "The Joke" (Hob III:38) (18:03)
Composed By – Joseph Haydn

String Quartet In F Major, Op.3 No.5 "Serenade" (Hob III:17) (15:05)
Composed By – Roman Hoffstetter

String Quartet In D Minor, Op.76 No.2 "Fifths" (Hob. III:76)
Composed By – Joseph Haydn

3.1
Octet In E Flat Major, Op.20 (34:04)
Composed By – Felix Mendelssohn-Bartholdy
Ensemble – Janáček Quartet, Smetana Quartet

String Quartet In E Minor, Op.59 No.2 "Razumovsky"    (37:56)

4.1
Piano Quintet In F Minor, Op.34 (41:15)
Composed By – Johannes Brahms
Piano – Eva Bernáthová

Piano Quintet In A Major, Op.81 (B. 155) (32:56)
Composed By – Antonín Dvořák
Piano – Eva Bernáthová

5.1
String Quartet In D Minor, Op.34 (B. 75) (28:37)
Composed By – Antonín Dvořák

String Quartet In F Major, Op.96 "American" (B. 179) (25:07)
Composed By – Antonín Dvořák

6.1
String Quartet In E Flat Major, Op.51 (B. 92) (31:44)
Composed By – Antonín Dvořák

String Quartet In A Flat Major, Op.105 (B. 193) (33:41)
Composed By – Antonín Dvořák

7.1
String Quartet No.1 In E Minor "From My Life" (Z Mého Zivota), JB 1:105 (T 116) (30:12)
Composed By – Bedřich Smetana

String Quartet No.2 "Intimate Letters" (Listy Duverné), JW VII/13 (27:58)
Composed By – Leoš Janáček

30.12.20

DOHNÁNYI, JANÁCEK : Violin Sonatas (Shaham-Erez) (2009) FLAC (image+.cue), lossless

The violin sonatas, and indeed the vast majority of the works for violin and piano, by Dohnányi and Janácek are rarely performed in the concert hall and even less frequently recorded. Neither of the sonatas represent the pinnacle in either composer's compositional arsenal. Dohnányi's contribution, like many of his works, is highly romantic with lush melodies and rich harmonies. Janácek also does not stray far from his norm with sonatas featuring many fragmentary melodies and angular harmonies. In both cases, performances by musicians who do not have a clear plan as to their execution leave listeners struggling to digest exactly what' going on in the music. This Hyperion album with violinist Hagai Shaham and pianist Arnon Erez is sadly no different. Both Shaham and Erez possess a reasonably strong technique (although Shaham's intonation is sometimes shaky), but both seem to be doing their thing and rarely meeting up in the middle to produce something that can truly be considered chamber music. The duo also tends to focus on the often overwrought nature of their entire program, accentuated with intense, non-stop vibrato, exaggerated accents, and slides into big shifts, rather than giving listeners a break with a bit of simplicity and delicacy. There's just not enough clear-cut direction and intentionality to their playing, and certainly not enough of a unified concept of the score, to elevate these works to a position tantamount to others written around the same time. by Mike D. Brownell

PATTI AUSTIN — The Real Me (1988) Two Version | FLAC (image+.tracks+.cue), lossless

And how! Austin tackles standards such as "Smoke Gets in Your Eyes" and "They Can't Take That Away from Me," and suc...