LEE KONITZ & THE AXIS STRING QUARTET - Play French Impressionist Music from the Turn of the Twentieth Century (2000) FLAC (tracks), lossless

Konitz has recorded with strings before but never like this: all alone in front of a string quartet sans rhythm section in a collection of arrangements of pieces by the French classical composers Koechlin, Chausson, Ravel, Faure, Debussy, and Satie. Unquestionably the sound and techniques of this fusion lean heavily toward the classical end, yet that mere bit of categorizing just scratches the surface of these elegant, serious, often provocative recordings. Arranger/musical director Ohad Taylor isn't afraid to inject bits of avant-garde glides and dissonances into his charts, and he loves to throw in quotes from other related or unrelated works. Ravel's "Berceuse Sur le Nom de Gabriel Faure," for example, opens in a near free-form mini-frenzy, and the strings continue to flutter about seemingly quite freely, throwing in some of Mahler's "Symphony No. 1" in the bargain. Although the Axis String Quartet generally sticks to classical style with a minimum of improvisations, the 72-year-old Konitz flits easily between the idioms without always making it apparent which one he is in at any given time (though Konitz's work in Faure's "L'Absent" has more of a jazzy feeling than the other tracks). Konitz's legion of fans are in for a pleasant, challenging surprise with this one. Richard S. Ginell  
Tracklist :
1    Les Bandar-Log    3:02
2    Le Colibri    9:14
3    Sur Un Lanterne    3:39
4    Reverie    7:12
5    Berceuse Sur Le Nom De Gabriel Faure    5:16
6    L' Absent    8:38
7    Seul A La Maison    1:58
8    Soupir    4:12
9    Valse Romantique    7:32
Credits :
Alto Saxophone – Lee Konitz
Cello – Catherine Bent
Viola – Judith Insell
Violin – Meg Okura, Rob Thomas

DEWEY REDMAN - In London (1998) FLAC (tracks+.cue), lossless

Accompanied by pianist Rita Marcotulli, bassist Cameron Brown and drummer Matt Wilson, veteran tenor saxophonist Dewey Redman puts on a well-rounded program. On "I Should Care," "The Very Thought of You" (a tribute to Dexter Gordon) and the bossa nova "Portrait In Black & White," he shows that, although his roots are in avant-garde jazz, Redman is quite capable of caressing a melody. In contrast, his renditions of "I-Pimp," "Tu-inns" and "Eleven" emphasize freer improvising and plenty of fire. In both contexts, Dewey Redman emerges as an underrated giant. Scott Yanow  
Tracklist :
1     I Should Care 10'55
Sammy Cahn / Axel Stordahl / Paul Weston   
2     The Very Thought of You 9'28
Ray Noble   
3     I-Pimp 1'45
Dewey Redman   
4     Portrait in Black and White 9'17
Chico Buarque / Antônio Carlos Jobim   
5     Tu-Inns 7'18
Dewey Redman   
6     Kleerwine 4'12
Dewey Redman   
7     Stablemates 5'21
Benny Golson   
8     Eleven 8'58
Dewey Redman
Credits :
Arranged By, Tenor Saxophone [Tenor Sax] – Dewey Redman
Bass – Cameron Brown
Drums – Matt Wilson
Piano – Rita Marcotulli