Mostrando postagens com marcador Rosinha de Valença. Mostrar todas as postagens
Mostrando postagens com marcador Rosinha de Valença. Mostrar todas as postagens

24.3.21

ROSINHA DE VALENÇA - Um Violão Em Primeiro Plano (1971-2008) RM / FLAC (tracks+.cue), lossless

ROSINHA DE VALENÇA, também do violão, instrumento que toca con maestria imprimindo em todos os ritmos acordes modernos e batidas diferentes. Ouvindo ROSINHA você duvida, vendo ROSINHA você não acredita que tão meiga criatura possa dominar um instrumento que para muitos é previlegio só de homens. O violão sempre foi a arma utilizada pelos bohêmios do mundo inteiro, até que em Valença nasceu uma jovem que mais tarde tomaria conta do Brasil e se faria conhecer em todo o mundo como a mais fiel intérprete do violão que, neste disco, está em primeiro plano para nossa satisfação. Notas do CD.
Tracklist:
1    Asa Branca 4:03
Written-By – Humberto Teixeira, Luiz Gonzaga

2    London, London 2:46
Written-By – Caetano Veloso
3    Mudei De Idéia 2:05
Written-By – Antônio Carlos-Jocafi
4    Zanzibar 2:16
Written-By – Edu Lôbo
5    Boi Ta-Tá 2:27
Written-By – Eugênio Malta, Messias Dos Santos

6    Marinheiro Só 2:38
Written-By – Caetano Veloso
7    Summertime 3:03
Written-By – DuBose Heyward, George Gershwin

8    De Conversa Em Conversa 1:54
Written-By – Haroldo Barbosa, Lúcio Alves

9    One O'Clock Last Morning 2:40
Written-By – Gilberto Gil
10        Samba Da Minha Terra 2:14
Written-By – Dorival Caymmi
11        Concierto De Aranjuez 2:46
Written-By – Joaquim Rodrigo Vidre
12    Tema Espanhol 3:30
Written-By – Rosinha de Valença

Créditos:
Rosinha de Valença - Violão 

ROSINHA DE VALENÇA - Apresentando Rosinha de Valença (1964) MONO / lp / Mp3

Rosinha de Valença was at her peak during the '60s when she was performing at the Bottle's nightclub in Rio (one of the focal points of bossa nova). In that decade, she was celebrated by important artists like Baden Powell, Maria Bethânia, Aloysio de Oliveira (who invited her to record her first album), Sérgio Mendes (with whom she and his band, Brasil 65, performed during an eight-month American tour), Sivuca, Martinho da Vila, and others. She was forced to abandon her artistic career prematurely in 1992 due to brain damage caused by a heart attack. She left her hometown for Rio de Janeiro in 1963, sitting in several nightclubs until she became acquainted with de Oliveira, who at the time owned the Elenco recording company. At his invitation, Valença recorded her debut album, Apresentando Rosinha de Valença, which was followed by a very successful eight-month season at the Bottle's nightclub, at the Beco das Garrafas. The popularity she achieved in that period yielded her several invitations for participation in TV and radio shows, ultimately bringing her to the stage at the historic show O Fino da Bossa (the first bossa nova show in the city of São Paulo), at the Paramount Theater. She left for her eight-month tour through the U.S. that same year, accompanying Sérgio Mendes and Brasil 65. During that tour, she participated in the recording of two live albums: Brasil '65 -- Wanda de Sah Featuring the Sergio Mendes Trio and In Person at El Matador -- Sergio Mendes & Brasil '65. In late 1965, she toured Europe, performing in 24 countries under the auspices of the Brazilian diplomatic service. In 1968, she departed for a long international season in which she performed in several countries of Africa, Europe, and Middle East, returning to Brazil in 1971. After intense activity that comprised more tours abroad, she formed a band in Brazil which counted on João Donato, Miúcha, Ivone Lara, and Copinha. Along with her nine albums released in Brazil, Valença also recorded others in Europe and the U.S. by Alvaro Neder
Tracklist:
A1    Tristeza Em Mim 2:45
Written-By – José Guimarães, Mauro Tavares
A2    Tema Do Boneco De Palha 2:53
Composed By – Sivan Castelo Neto, Vera Brasil
A3    Ela É Carioca 2:53
Composed By – A. C. Jobim, Vinicius De Moraes
A4    Praça 11 2:52
Composed By – Grande Otelo, H. Martins
Trombone – Nelsinho
A5    Com Que Roupa 2:17
Composed By – Noel Rosa
B1    Consolação 3:35
Composed By – Baden, Vinicius
B2    Até Londres 1:58
Composed By, Scat – Oscar Castro Neves
Scat – Rosinha

B3    Atirei O Pau No Gato 1:48
Arranged By – Oscar Castro Neves
B4    Estrada Do Nada 2:27
Composed By – Billy Blanco
B5    Minha Saudade 2:10
Composed By – Donato, J. Gilberto
Credits:
Sergio Barroso - Bass (Acoustic)
Oscar Castro-Neves - Arranger, Composer, Guitar (Rhythm), Piano, Vocals (Background)
Jorge Ferreira da Silva    - Flute
Aloysio de Oliveira - Producer
Rosinha de Valença - Guitar (Acoustic), Vocals
Nelsinho - Trombone
Dom Um Romão - Drums

1.9.18

GUITARS UNLIMITED - Quiet Nights and Brazilian Guitars [1966] Capitol-Japan / FLAC

Yet another record of instrumental hits meant to cash in on the bossa nova craze, or L.A. session musicians at the top of their game? Certainly fans of Howard Roberts, once a recording artist for Verve, will not want to miss this one, as the cool guitarist lends solos to all but one of the tracks here, a usual assortment of Jobim and Gilberto tunes and soundalikes. No strings anywhere on the album, and arranger Jack Marshall keeps things light and lively. Easy to find in cut-out bins and certainly worth the dollar or two price.  by Ted Mills
Tracklist:
1. The Girl from Ipanema (Jobim) - 2:44
2. Manha de Carnival (Theme from "Black Orpheus") (Bonfa) - 2:42
3. Meditation (Meditacao) (Jobim) - 3:06
4. Here Lies Love (Marshall-Mosher) - 2:26
5. Ho-Ba-La-La (Gilberto) - 2:18
6. Bim-Bom (Gilberto) - 2:23
7. Desafinado (Jobim) - 2:41
8. Quiet Nights of Quiet Stars (Corcovado) (Jobim) - 2:03
9. One Note Samba (Samba de Uma Nota So) (Jobim) - 2:34
10. These Are the Ways of Love (Marshall-Mosher) - 2:37
11. O Barquinho (Little Boat) (Menescal-Boscoli) - 2:32

Credits:
Jack Marshall - conductor, arranger, guitar (2,5,7,11)
Howard Roberts, Bob Bain, Tony Rizzo, Al Hendrikson, Tommy Tedesco, Laurindo Almeida (1,3,4,6,8-10) alternating with Rosinha de Valenca - guitar
Shelly Manne, Milton Holland - drums, percussion
Frank Flynn - bells (1,3,4,6,8-10)
Joe Mondragon - bass
Produced by Jack Marshall and David Cavanaugh.
Recorded in 1966.
GUITARS UNLIMITED - Quiet Nights and Brazilian Guitars
 [1966] Capitol-Japan / FLAC / scans
O Púbis da Rosa

ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless

Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...