Mostrando postagens com marcador Romero Lubambo. Mostrar todas as postagens
Mostrando postagens com marcador Romero Lubambo. Mostrar todas as postagens

29.2.24

MAUCHA ADNET — The Jobim Songbook (2006) APE (image+.cue), lossless

The lack of liner notes doesn't give much clue as to how long Maucha Adnet has been active professionally as a vocalist, though a quote from Antonio Carlos Jobim indicates that she toured with the late, legendary composer. Her deep, soulful voice is very appealing, similar to that of Leny Andrade. Accompanied by a mix of Brazilian and American musicians, including pianist Helio Alves, flugelhornists Claudio Roditi and Michael Brecker, trombonist Jay Ashby, guitarists Mario Adnet and Romero Lubambo, bassist Nilson Matta and drummer Duduka Da Fonsaca, she is obviously very familiar with a wide range of Jobim's compositions, covering both internationally known hits and pieces that have received less exposure outside of Brazil. The focus is on the singer, with occasional piano or guitar solos, with the brass and reed instruments providing background colors. She scats in unison with an unidentified male singer during the introduction to "Chega De Saudade" before swinging its joyous lyrics, with Alves switching to electric piano. She brings more depth to "Aquas de Marco" (The Waters of March)" than most singers, while Adnet's understated interpretation of "Outra Vez" is also welcome.  Ken Dryden  
Tracklist :
1 Vivo Sonhando 4:37
2 Só Tinha de Ser Com Você 4:19
3 Insensatez 4:57  
4 Ela é Carioca 4:33  
5 Chega de Saudade 4:54  
6 Samba Do Avião 5:26  
7 Águas de Março 3:55
8 Meditacão 3:59  
9 Desafinado 4:59  
10 Corcovado 4:29  
11 Outra Vez 5:10  
12 Garota de Ipanema 6:01  
13 Água de Beber 4:51
Credits :
Acoustic Bass – Nilson Matta
Acoustic Guitar – Romero Lubambo
Acoustic Guitar, Arranged By – Mario Adnet
Drums – Duduka Da Fonseca
Flugelhorn – Claudio Roditi, Randy Brecker
Piano – Alfredo Cardim, Helio Alves
Saxophone – Joe Lovano
Trombone – Jay Ashby
Vocals, Producer – Maucha Adnet
Written-By – A.C. Jobim, N. Medonça (tracks: 8, 9), V. de Moraes (tracks: 3, 5, 13)

6.3.23

LEE KONITZ & THE BRAZILIAN BAND - Brazilian Rhapsody (1995) FLAC (tracks+.cue), lossless

This CD focuses primarily on Brazilian standards performed by the Konitz sextet, except for the Brazilian-flavored "Lunasea," written by Peggy Stern, which features her high school choir. "Berimbau" is swinging and percussive, while the well-known "Insensatez" takes many unexpected turns. "Triste" is also a familiar theme played with relish. Vocalist Adela Dalto makes a strong impression with her guest spot on "A Felicidade." Konitz's duet with the phenomenal acoustic guitarist Romero Lubambo on "Manha De Carnaval" is breathtaking. Ken Dryden
Tracklist :
1     Samba Triste 7:28
Billy Blanco / Baden Powell
2     Berimbau 7:27
Ray Gilbert / Vinícius de Moraes / Baden Powell
3     Menina Moca 6:10
Luiz Antonio
4     Triste 6:32
Antônio Carlos Jobim
5     Felicidade 6:27
Antônio Carlos Jobim / Vinícius de Moraes
6     Lunasea 5:59
Peggy Stern
7     Manha de Carnaval 4:07
Luiz Bonfá / Antônio Maria
8     Insensatez 6:14
Antônio Carlos Jobim / Vinícius de Moraes
Credits :
Acoustic Guitar – Romero Lubambo
Alto Saxophone, Soprano Saxophone – Lee Konitz
Bass – Dave Fink
Drums – Duduka Da Fonseca
Percussion – Waltinho Anastacio
Piano – Peggy Stern
Vocals – Adela Dalto (pistas: 3)

2.3.23

LEE KONITZ & THE BRAZILIAN BAND - Brazilian Serenade (1996) FLAC (tracks+.cue), lossless

Lee Konitz has long been a versatile jazz musician, adaptable to many different styles. This Brazilian-flavored session is one of two that the alto saxophonist recorded during the mid-'90s for Venus; his session partners include trumpeter Tom Harrell, guitarist Romero Lubambo, pianist David Kikoski (who mostly sticks to electric piano), bassist David Fink, drummer Duduka Da Fonseca, and percussionist Waltinho Anastácio. As expected, Konitz's light sound works well with the Brazilian favorites they perform, with Harrell being a particularly inspired foil for the leader. The works of Antonio Carlos Jobim are well represented, including breezy takes of "Favela" and "Wave." Harrell's lyrical "September" (featuring him in a fine muted solo) and Konitz's "Brazilian Serenade" also fit the mood of this relaxing CD very well. This rewarding release is well worth investigating. Ken Dryden
Tracklist :
1    Favela 7:28
Composed By – A.C. Jobim
2    Once I Loved 6:27
Composed By – A.C. Jobim
3    Recado Bossa Nova 5:20
Composed By – D. Ferreira
4    September 6:01
Composed By – T. Harrell
5    Dindi 7:16
Composed By – A.C. Jobim
6    Wave 5:34
Composed By – A.C. Jobim
7    Meditation 6:32
Composed By – A.C. Jobim
8    Brazilian Serenade 7:44
Composed By – L. Konitz
Credits :
Alto Saxophone – Lee Konitz
Bass – David Fink
Drums – Duduka Dafonseca
Guitar – Romero Lubambo
Percussion – Waltinho Anastacio
Trumpet – Tom Harrell

28.8.21

HERBIE MANN - America / Brasil (1997) FLAC (tracks+.cue), lossless

America/Brasil is a rollicking, celebratory album that keeps Herbie Mann on the winning streak he started with the release of Peace Pieces in 1995. Recorded during a week of concerts to mark his 65th birthday in April 1995, this disc is much stronger than its immediate predecessor, Celebration, also taken from the same week of live concert performances at New York's Blue Note jazz club. The material here is superb, and the playing top-notch. As the title implies, the emphasis here is on Mann's Brazilian side, but there are touches of the non-Brazilian with Bill Evans' "Peri's Scope" and Miles Davis' "All Blues." "Summertime" is recast in an Afro-Cuban mode with Paquito D'Rivera sharing the solo space on alto sax. However, lengthy Brazilian showstoppers are placed at the beginning, middle, and end of this wonderful disc. The opening "Keep the Spirits Singing" is propelled by the polyrhythmic pulse of percussionists Cyro Baptista and "Café," and the 17-minute title track finale features trumpeters Randy Brecker and Claudio Roditi, trombonist Jim Pugh, and guitarist Romero Lubambo. Even with the all-star cast assembled for this special week of concerts, it's Herbie Mann himself whose playing shines the brightest throughout this recording, celebrating his past and affirming his place in the present as the finest flutist working in jazz. by Jim Newsom
Tracklist :
1    Keep The Spirits Singing 10:52
Bass – Paul Socolow
Composed By – O'Donel Levy
Drums – Ricky Sebastian
Flute – Herbie Mann
Guitar – Romero Lubambo
Percussion – Cyro Baptista, Edson Da Silva
Piano – Mark Soskin

2    Summertime 8:34
Acoustic Bass – Larry Grenadier
Alto Saxophone – Paquito D'Rivera
Composed By – DuBose Heyward, George Gershwin
Drums – Adam Cruz
Flute – Herbie Mann
Percussion – Milton Cardona, Ray Mantilla
Piano – Edward Simon

3    Peri's Scope 6:38
Acoustic Bass – Eddie Gomez
Composed By – Bill Evans
Drums – Victor Lewis
Flute – Herbie Mann
Guitar – Bruce Dunlap
Piano – Edward Simon

4    Baghdad/Candle Dance 2:06
Bass – Paul Socolow
Composed By – Herbie Mann
Flute – Herbie Mann
Percussion – Babatunde Olatunji, Cyro Baptista, Edson Da Silva

5    Ovo 7:30
Acoustic Bass – Nilson Matta
Composed By – Geraldo Vandré, Hermeto Pascoal
Drums – Duduka Da Fonseca
Flute – Herbie Mann
Guitar – Romero Lubambo
Percussion – Cyro Baptista, Edson Da Silva

6    All Blues 9:46
Acoustic Bass – Ron Carter
Alto Saxophone – Bobby Watson
Composed By – Miles Davis
Drums – Victor Lewis
Flute – Herbie Mann
Piano – Billy Taylor
Trumpet – Terell Stafford

7    America / Brasil 17:16
Arranged By – Sy Johnson
Bass – Sergio Brandao
Composed By – Ivan Lins, Vitor Martins
Drums – Ricky Sebastian
Flute – Herbie Mann
Guitar – Romero Lubambo
Percussion – Cyro Baptista, Edson Da Silva
Trombone – Jim Pugh
Trumpet – Claudio Roditi, Randy Brecker

24.7.21

JANE MONHEIT - Taking A Chance On Love (2004) FLAC (tracks+.cue), lossless

While the early 2000s bore witness to a bevy of youthful standards singers with earnestly traditional vocals, New Yorker Jane Monheit preceded Norah Jones, Michael Buble, Katie Melua et al. She wowed the jazz world when she was barely out of her teens with her 2000 debut, NEVER NEVER LAND, and quickly ascended to stardom. Monheit's fourth record, 2004's TAKING A CHANCE ON LOVE, expresses her love for movie musicals of the 1930s and '40s.
From both Monheit's song choices and the fervor she pours into these selections, it's virtually impossible to challenge the sincerity of her affection. Monheit opens by finding a truly original, offbeat angle to the oft-visited Fats Waller classic "Honeysuckle Rose" and continues to connect throughout the 11 subsequent tracks. She teams up with the aforementioned Michael Buble on a charged version of the always-lively "I Won't Dance" and finds every ounce of sultriness in "Why Can't You Behave?" and "Dancing in the Dark." As with most of the acclaimed jazz stylists of her day, Monheit possesses incredible vocal shrewdness, but it is her almost spiritual connection to the tunes of a bygone era that clearly sets her apart. by AllMusic  
Tracklist :
1    Honeysuckle Rose 3:38
Double Bass [Bass] – Christian McBride
Drums – Lewis Nash
Lyrics By – Andy Razaf
Music By – Thomas 'Fats' Waller
Piano – Geoffrey Keezer

2    In The Still Of The Night 5:06
Arranged By, Conductor [Orchestra] – Jorge Calandrelli
Written-By – Cole Porter

3    Taking A Chance On Love 3:19
Alto Saxophone – Donald Harrison
Arranged By, Piano – Michael Kanan
Double Bass [Bass] – Orlando Le Fleming
Drums – Rick Montalbano
Lyrics By – John Latouche, Ted Fetter
Music By – Vernon Duke
Rhythm Guitar – Miles Okazaki

4    Bill 5:16
Lyrics By – Oscar Hammerstein II, P.G. Wodehouse
Music By – Jerome Kern
Piano – Michael Kanan

5    I Won't Dance 3:35
Arranged By, Piano – Rob Mounsey
Double Bass [Bass] – Ron Carter
Drums – Lewis Nash
Horns – Andy Snitzer, Bob Malach, Dave Taylor, Jim Hynes, Lawrence Feldman, Lew Soloff, Michael Davis, Roger Rosenberg
Lyrics By – Jimmy McHugh - Dorothy Fields, Oscar Hammerstein II, Otto Harbach
Music By – Jerome Kern
Vocals [Duet With] – Michael Bublé

6    Too Late Now 5:21
Arranged By, Piano – Michael Kanan
Double Bass [Bass] – Orlando Le Fleming
Drums – Rick Montalbano
Lyrics By – Burton Lane
Music By – Alan Jay Lerner
Soprano Saxophone – Joel Frahm

7    Why Can't You Behave? 4:07
Arranged By, Piano – Michael Kanan
Double Bass [Bass] – Orlando Le Fleming
Drums – Rick Montalbano
Guitar – Miles Okazaki
Written-By – Cole Porter

8    Do I Love You? 4:52
Arranged By, Conductor [Orchestra] – Alan Broadbent
Written-By – Cole Porter

9    Love Me Or Leave Me 3:34
Alto Saxophone – Donald Harrison
Arranged By, Double Bass [Bass] – Christian McBride
Drums – Lewis Nash
Lyrics By – Gus Kahn
Music By – Walter Donaldson
Piano – Geoffrey Keezer
Tenor Saxophone – Joel Frahm

10    Embraceable You 3:47
Guitar – Romero Lubambo
Lyrics By – Ira Gershwin
Music By – George Gershwin

11    Dancing In The Dark 5:03
Arranged By, Conductor [Orchestra] – Vince Mendoza
Lyrics By – Arthur Schwartz
Music By – Howard Dietz

- Bonus Track -
12    Over The Rainbow 3:54
Arranged By, Conductor [Orchestra] – Ed Shearmur
Lyrics By – E.Y. Harburg
Music By – Harold Arlen

Credits :
Contractor [Orchestra] – Joe Soldo
Vocals – Jane Monheit

JANE MONHEIT - The Lovers, The Dreamers And Me (2009) FLAC (tracks+.cue), lossless

The beautifully subtle pop/jazz vocalist has been one of the great old souls of music since launching her recording career after winning the first runner up prize at the 1998 Thelonious Monk Institute Vocal Competition. But she celebrated the significant chronological milestone of passing 30 while making this graceful and exquisite album. Beyond that, Monheit also celebrates her new motherhood to son Jack, and that's what inspired the inclusion of the always welcome "Rainbow Connection"; she sings the charming song -- and its lyrics that inspired the name of the recording -- to Jack all the time. At home, however, it doesn't have the exquisite Gil Goldstein accordion touch that makes this one of the best renditions ever. Goldstein arranged many of the tracks, but one of the most exciting jazzy turns, Monheit's swinging, swaggering "Get Out of Town," was done by pianist Michael Kanan, who was part of the ensemble that recorded half of these tracks while the singer was still pregnant. In many ways, then, this 13-track collection is a chronicle of the singer pre- and post-motherhood -- and all something that Jack will be proud of as he grows older. As always, the key to a great interpreter's project is the choice of material, and Monheit makes interesting picks, ranging from a wistful take on Paul Simon's "I Do It for Your Love" to Fiona Apple's dark and haunting "Slow Like Honey" and Corinne Bailey Rae's "Like a Star." She also mines her traditional comfort zone with songs by Cole Porter, Jimmy Dorsey, and Leonard Bernstein, but taps into even richer emotions with Ivan Lins' "Acaso" and the bubbling samba "A Primeira Vez." Another triumphant set, no matter what side of 30 or motherhood Monheit is on. by Jonathan Widran  
Tracklist :
1    Like A Star 5:15
Written-By – Corinne Bailey Rae
2    Something Cool 4:56
Written-By – William C. Barnes
3    Slow Like Honey 5:58
Written-By – Fiona Apple
4    This Girl's In Love With You 4:56
Written-By – Burt Bacharach-Hal David
5    I'm Glad There Is You 5:08
Guitar – Frank Vignola
Written-By – Jimmy Dorsey, Paul Mertz

6    Get Out Of Town 3:40
Tenor Saxophone – Seamus Blake
Written-By – Cole Porter

7    I Do It For Your Love 4:04
Written-By – Paul Simon
8    I Ain't Gonna Let You Break My Heart 5:21
Written-By – David Eldon Lasley, Julie Ann Lasley
9    Ballad Of The Sad Young Men 6:01
Written-By – Frances Landesman, Thomas J. Wolf, Jr.
10    No Tomorrow (Acaso) 5:12
Written-By – Abel Ferreira Da Silva, Ivan Lins, Peter Eldridge
11    Lucky To Be Me 5:26
Written-By – Adolph Green, Betty Comden, Leonard Bernstein
12    A Primeira Vez 3:03
Written-By – Armando Marcal, Bide
13    Rainbow Connection 4:09
Written-By – Kenneth Ascher, Paul Williams
Credits :
Accordion – Gil Goldstein (faixas: 9, 13)
Arranged By – Gil Goldstein (faixas: 1 to 4, 7 to 9, 13), Michael Kanan (faixas: 5, 6), Romero Lubambo (faixas: 10, 12)
Bass Clarinet – Charles Pillow (faixas: 1, 7, 9)
Double Bass [Bass] – Neal Miner (faixas: 5, 6, 10), Scott Colley (faixas: 1 to 4, 7 to 9)
Drums – Antonio Sànchez (faixas: 1 to 4, 7 to 9), Rick Montalbano (faixas: 5, 6, 10)
Flute – Gen Shinkai (faixas: 1, 7, 9)
Flute [Alto] – Gen Shinkai (faixas: 2), Kathleen Nester (faixas: 1, 3, 7, 9)
Flute [Bass] – Kathleen Nester (faixas: 2), Wendy Stern (faixas: 1 to 3, 7, 9)
Guitar – Peter Bernstein (faixas: 3, 4, 8, 13), Romero Lubambo (faixas: 1, 2, 7, 9, 10, 12)
Other [Makeup & Hair] – Maria Verel
Other [Wardrobe Stylist] – Nikko
Percussion – Bashiri Johnson (faixas: 1, 3, 4, 7, 10)
Piano – Gil Goldstein (faixas: 1 to 4, 7, 8, 13), Michael Kanan (faixas: 5, 6, 10, 11)
Vibraphone [Vibes] – Stefon Harris (faixas: 2 to 4, 7, 9)
Viola – Kathryn Lockwood (faixas: 1, 3, 7 to 9)
Violin – Entcho Todorov (faixas: 1, 3, 7 to 9)
Vocals – Jane Monheit

JANE MONHEIT – The Heart Of The Matter (2013) FLAC (tracks+.cue), lossless

A technically proficient singer with a distinctive style that straddles the line between Ella Fitzgerald's extroverted, loosely swinging approach and Linda Eder's more restrained Broadway and cabaret style, Jane Monheit is a virtuoso. One minute she's dazzling you with her resonant bebop-ready chops and the next she's making you cry with a single verse of a ballad. On her ninth studio album, 2013's Heart of the Matter, Monheit brings all of her gifts to bear on a set of mature, heartfelt songs that rank among her best. The album also works as a companion piece to 2009's The Lovers, the Dreamers and Me. With that album, Monheit celebrated such milestones as the birth of her son Jack and turning 30. She then followed up with 2010's equally as compelling if more swinging and straight-ahead jazz-sounding Home. Heart of the Matter, with its ruminations on motherhood and fidelity, returns Monheit to the more intimate, contemporary pop sound of The Lovers, the Dreamers and Me. Working with producer/arranger Gil Goldstein (who also adds his lyrical accordion sound to several tracks) and her usual rhythm section of drummer Rick Montalbano (her husband), pianist Michael Kanan, and bassist Neal Miner, Monheit has crafted a sumptuous, immaculately arranged album that once again shines a light on her immense vocal talent. Whether she's framed by a lush orchestral backing on the bossa nova "Depende de Nós" or a spare electric piano and flute arrangement on "Two Lonely People," Heart of the Matter finds Monheit nestled deep into the pocket of her own cross-genre sound, and it's a warm place to be. Matt Collar
Tracklist :
1     Until It's Time for You to Go 6:01
Accordion – Gil Goldstein
Bass – Neal Miner
Cello – Richard Locker
Drums – Rick Montalbano
Percussion – Rogerio Boccato
Vocals [Vocal] – Jane Monheit
Words By, Music By – Buffy Sainte-Marie    

2     Depende de Nós 4:32
Accordion – Gil Goldstein
Alto Flute – Barry Crawford
Backing Vocals [Background Vocals] – Jane Monheit
Bass – Neal Miner
Cello – David Eggar, Richard Locker
Drums – Rick Montalbano
Flute [Bass] – Sheryl Henze
Guitar – Romero Lubambo
Percussion – Rogerio Boccato
Piano – Michael Kanan
Vocals [Vocal] – Jane Monheit
Words By, Music By – Ivan Lins, Victor Martins

3     Little Man You’ve Had a Busy Day 5:16
Alto Flute – Kathleen Nester
Bass – Neal Miner
Cello – David Eggar, Richard Locker
Drums – Rick Montalbano
Electric Piano – Gil Goldstein
Flute [Bass] – Sheryl Henze
Guitar – Romero Lubambo
Percussion – Rogerio Boccato
Piano – Michael Kanan
Vocals [Vocal] – Jane Monheit
Words By, Music By – Al Hoffman, Mable Wayne, Maurice Sigler

4     Two Lonely People 4:53
Alto Flute – Kathleen Nester
Electric Piano – Gil Goldstein
Flute [Bass] – Sheryl Henze
Lyrics By – Carol Hall
Music By – Bill Evans
Vocals [Vocal] – Jane Monheit

5     A Gente Merece Ser Feliz 5:27
Accordion – Gil Goldstein
Alto Flute – Barry Crawford
Backing Vocals [Background Vocals] – Jane Monheit
Bass – Neal Miner
Cello – David Eggar, Richard Locker
Drums – Rick Montalbano
Flute [Bass] – Sheryl Henze
Guitar – Romero Lubambo
Percussion – Rogerio Boccato
Piano – Michael Kanan
Vocals [Vocal] – Jane Monheit
Words By, Music By – Ivan Lins, Paulo Pinheiro

6     Golden Slumbers/Long and Winding Road 7:19
Bass – Neal Miner
Cello – David Eggar, Richard Locker
Drums – Rick Montalbano
Electric Piano – Gil Goldstein
Percussion – Rogerio Boccato
Piano – Michael Kanan
Vocals [Vocal] – Jane Monheit
Words By, Music By – John Lennon And Paul McCartney

7     When She Loved Me 2:54
Alto Flute – Barry Crawford
Cello – David Eggar, Richard Locker
Flute [Bass] – Sheryl Henze
Guitar – Romero Lubambo
Vocals [Vocal] – Jane Monheit
Words By, Music By – Randy Newman

8     Born to Be Blue 4:22
Alto Flute – Barry Crawford
Arranged By [Rhythm Arrangement] – Neal Miner
Bass – Neal Miner
Cello – David Eggar, Richard Locker
Drums – Rick Montalbano
Flute [Bass] – Sheryl Henze
Guitar – Romero Lubambo
Lyrics By – Mel Tormé
Music By – Robert Wells
Orchestrated By [Orchestration] – Gil Goldstein
Piano – Michael Kanan
Vocals [Vocal] – Jane Monheit

9     Close 4:19
Alto Flute – Barry Crawford
Bass – Neal Miner
Cello – David Eggar, Richard Locker
Drums – Rick Montalbano
Electric Piano – Gil Goldstein
Flute [Bass] – Sheryl Henze
Guitar – Romero Lubambo
Lyrics By – Cliff Goldmacher
Music By – Larry Goldings
Piano – Michael Kanan
Vocals [Vocal] – Jane Monheit

10     Night Night Stars 3:08
Alto Flute – Barry Crawford
Bass – Neal Miner
Cello – David Eggar, Richard Locker
Drums – Rick Montalbano
Electric Piano – Gil Goldstein
Flute [Bass] – Sheryl Henze
Guitar – Romero Lubambo
Percussion – Rogerio Boccato
Piano – Michael Kanan
Vocals [Vocal] – Jane Monheit
Words By, Music By – Jane Monheit

11     I Get Along Without You Very Well 4:12
Alto Flute – Barry Crawford
Arranged By [Rhythm Arrangement] – Michael Kanan
Arranged By, Conductor [Conducted By] – Gil Goldstein
Bass – Neal Miner
Cello – David Eggar, Richard Locker
Drums – Rick Montalbano
Flute [Bass] – Sheryl Henze
Guitar – Romero Lubambo
Lyrics By – Jane Brown Thompson
Music By – Hoagy Carmichael
Orchestrated By [Orchestration] – Gil Goldstein
Percussion – Rogerio Boccato
Piano – Michael Kanan
Vocals [Vocal] – Jane Monheit

12     Sing 5:13
Alto Flute – Barry Crawford
Backing Vocals [Background Vocals] – Jane Monheit
Bass – Neal Miner
Cello – David Eggar, Richard Locker
Drums – Rick Montalbano
Electric Piano – Gil Goldstein
Flute [Bass] – Sheryl Henze
Guitar – Romero Lubambo
Percussion – Rogerio Boccato
Piano – Michael Kanan
Vocals [Vocal] – Jane Monheit
Written-By – Joe Raposo

5.7.21

TESSA SOUTER – Nights Of Key Largo (2008) FLAC (tracks+.cue), lossless

Since arriving in New York City, Tessa Souter has built a dedicated following. She was a relative latecomer to jazz, taking time out to raise a family at a young age and work as a journalist before studying at the Manhattan School of music and privately with vocal great Mark Murphy, though she has developed into a formidable singer in a relatively short time. Souter's gorgeous, natural vocals never show pretension or gimmickry, while her taste in songs is amazingly wide-ranging and occasionally risk-taking. For these 2008 sessions, her accompanists include the brilliant pianist Kenny Werner (who works especially well with vocalists), saxophonist Joel Frahm, Brazilian guitarist Romero Lubambo, veteran first-call bassist Jay Leonhart, and the in-demand drummer Billy Drummond. Souter's lush treatment of "Close Enough for Love" captures the essence of this beautiful standard (a favorite of the late Shirley Horn and many others). The haunting setting of "Morning of the Carnaval" opens with Werner's elegant piano and Leonhart's mournful arco bass, while Souter's spacious, lovely performance is also complemented by Frahm's moving soprano sax. The vocalist uncovered a gem in Benny Carter's neglected "Key Largo," which she casts in a setting that suggests a midnight stroll along the beach with her lover. But Souter is at her most stunning when she tackles songs that one doesn't normally hear in a jazz setting. Her infectious, slinky take of Van Morrison's "Moondance" opens with her sexy vocals over Leonhart's walking bass, with judicious use of reverb that is never overdone. John Lennon's "Imagine" has long been a pop standard, though jazz arrangements have been few and mostly disappointing, but Souter is buoyed by her imaginative rhythm section, though she takes few liberties with it until she is well into the song. Tessa Souter will win you over, as well, if you give her the opportunity. Ken Dryden  
Tracklist :
1    The Island    5:59
2    Close Enough For Love    7:12
3    Moondance    4:11
4    So Many Stars    4:24
5    The Look Of Love    3:53
6    You Only Live Twice    4:50
7    Key Largo    3:58
8    Slow Hot Wind    4:33
9    Moon And Sand    4:25
10    I'm Glad There Is You    5:18
11    All Or Nothing At All    4:50
12    Morning Of The Carnival    4:40
13    Imagine    4:40
Credits :
Bass – Jay Leonhart
Drums – Billy Drummond
Guitar – Romero Lubambo
Piano – Kenny Werner
Soprano Saxophone, Tenor Saxophone – Joel Frahm
Vocals – Tessa Souter

30.5.21

PAQUITO D'RIVERA - TICO TICO (1989) FLAC (image+.cue), lossless

Paquito D'Rivera's alto and clarinet skills were ably displayed on this session, which featured him working in Afro-Latin, salsa, funk, swing and hard bop. Compositions ranged from intense, jam-flavored numbers with torrid solos, like "Recife's Blue" and the title tune, to introspective ballads, group pieces with rhythmically explosive sections and numbers displaying classical influences. The unifying force was D'Rivera, who also played tenor, but was most prominent on clarinet, doing both swing-oriented and looser, freer solos. While not as strict a jazz vehicle as his Columbia dates, this session presented a more eclectic, versatile Paquito D'Rivera. by Ron Wynn
Tracklist :
1     Danza Caracteristica 5:47
Leo Brouwer
2     Añorado Encuentro 4:47
Alberto Vera, Bea Giraldo
3     Three Venezuelan Waltzes: Valse Criollo 1:03
Antonio Lauro
4     Three Venezuelan Waltzes: El Mardino 1:13
Antonio Lauro
5     Three Venezuelan Waltzes: Carola 1:46
Antonio Lauro
6     Tico-Tico 5:31
Jose Abreu / Ervin Drake / Aloysio Oliveira
7     Song for Maura 6:55
Paquito D'Rivera
8     To Brenda With Love 7:21
Paquito D'Rivera
9     Serenata 7:11
Carlos Franzetti
10     Elizabeth 4:56
Danilo Pérez
11     Chorinho No. 3: Sheep Meadow 2:17
David Chesky
12     Recife's Blue 7:14
Claudio Roditi
Credits :
Bass – David Finck (faixas: 1, 2, 5, 9, 10), Nilson Matta (faixas: 6 to 8, 12)
Drums – Mark Walker (faixas: 1. 2. 5. 9. 10), Porthino (faixas: 6 to 8, 12)
Executive-Producer – Norman Chesky
Guitar – Fareed Haque (faixas: 1), Romero Lubambo (faixas: 6, 8, 11), Tiberio Nascimiento (faixas: 4, 5)
Percussion – Raphael Cruz
Piano – Danilo Perez
Producer, Clarinet, Alto Saxophone, Tenor Saxophone – Paquito D'Rivera

29.5.21

PAQUITO D'RIVERA - La Habana : Rio Conexion (1992-2005) FLAC (tracks+.cue), lossless

La Habana: Rio Conexion is saxophonist Paquito D'Rivera's attempt to bring the gospel of historical bolero to American listeners. These 12 cuts are steeped in the grand Cuban tradition and reinsert its cultural and historical center into a music that has been watered down to the point of being nondescript. But, of course, this is also a jazz recording, and D'Rivera is a jazz musician. The rhythmic and harmonic extrapolations are minimal, however, and focus on the integral form of the music whether it be the album's opening danza, Ernesto Lecuona's "La Comparsa," or the chorinho that closes the proceedings, Pixinguinha's "Segura Ele." In between are wonderfully romantic boleros, ballads of almost unbearable longing. D'Rivera surrounds himself with brilliant players, such as Danílo Perez, Fareed Haque, Pablo Zinger, Johnny Rodriguez, Claudio Roditi, and Jose Madera, to name a few. He also employs a full string section on many tunes. These range from sextets with strings to simple trio pieces, all of them having in common the form of the bolero as it migrated from Havana to Rio and interacted with samba. D'Rivera performs tunes by everyone from Ivan Lins to the great Cuban composers Ignacio Cervantes and Portillo de la Luz. This is an unabashedly romantic recording, which nonetheless possesses serious chops and killer arrangements by the late Chico O'Farrill, Pablo Zinger, and Carlos Franzetti. Highly recommended.
(This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa')
Tracklist :
1     La Comparsa 3:32
Ernesto Lecuona
2     Canção de Noite 4:35
Ivan Lins
3     Danzas Cubanas: A los Tres Golpes 1:21
Ignacio Cervantes
4     Danzas Cubanas: Invitación 0:48
Ignacio Cervantes
5     Noche Cubana 3:08
César Portillo De La Luz
6     Contigo en la Distancia 4:33
César Portillo De La Luz
7     Canción Simple 5:35
Nicolás Reynoso
8     Como un Milagro 4:15
Juanito Márquez
9     Impressions from Tien-An-Men Square 5:39
Paquito D'Rivera
10     No Puedo Ser Felíz 4:16
Adolfo Guzmán
11     Como Fué 4:33
Ernesto Duarte
12     Ciego Reto 3:42
Tania León
13     Segura Ele 3:10
Benedicto Lacerda / Pixinguinha
Credits :
Contrabass – David Finch
Drums – Mark Walker
Guitar – Fareed Haque, Romero Lubambo
Percussion – Johnny Rodriguez, José Madera
Piano – Danilo Perez, Pablo Zinger
Piano, Keyboards – Carlos Franzetti
Saxophone – Paquito D'Rivera
Trumpet – Claudio Roditi

 

PAQUITO D'RIVERA & THE UNITED NATION ORCHESTRA - A Night in Englewood (1994) FLAC (tracks+.cue), lossless

After Dizzy Gillespie's death in 1991, his colorful Afro-Cuban United Nation Orchestra (which was formed in 1988) was headed by altoist-clarinetist Paquito D'Rivera. With the better-known sidemen on this 1993 CD including first trumpeter Byron Stripling, trombonist Conrad Herwig and tenor saxophonist Mario Rivera, additional solo space was allocated to some of the other talented players as were guest spots for trumpeter Claudio Roditi, trombonist Slide Hampton and vibraphonist Dave Samuels. A Night in Englewood is an easily recommended set. The music is very Latin-oriented and shows that the orchestra had moved away from Gillespie's usual repertoire to exclusively feature originals by bandmembers (including D'Rivera's "I Remember Diz"). Definitely worth investigating. by Scott Yanow
Tracklist :
1    Snow Samba    6:38
Paquito D'Rivera / Claudio Roditi
2    Alma Llanera    6:18
Pedro Elias Gutiérrez
3    I Remember Diz    5:04
Paquito D'Rivera
4    Blues For Astor    6:31
Diego Urcola
5    Modo Cubano    5:30
Leopoldo "Pucho" Esclante
6    La Puerta    3:17
Luis Demetrio
7    Bonitinha    5:02
Carlos Franzetti
8    Milonga Para Paquito    6:53
Diego Urcola
9    To Brenda With Love    7:09
Paquito D'Rivera
Credits :
Alto Saxophone – Marshall McDonald
Congas – Horacio "El Negro" Hernandez (faixas: 6)
Drums – Adam Cruz (faixas: 1, 3 to 9), Horacio "El Negro" Hernandez (faixas: 2)
Electric Bass – Oscar Stagnaro
Guest, Bandoneon – Raul Jaurena (faixas: 4, 8)
Guest, Marimba, Vibraphone – Dave Samuels (faixas: 2, 6, 9)
Guest, Trombone – Slide Hampton (faixas: 1, 3)
Guest, Trumpet – Claudio Roditi (faixas: 1)
Guitar – Romero Lubambo (faixas: 1, 2, 3, 5, 6, 7)
Leader, Alto Saxophone, Flute – Paquito D'Rivera
Percussion, Guiro, Bata, Claves, Congas, Bongos – Bobby Sanabria
Piano – Carlos Franzetti (faixas: 4, 7, 8), Mike Orta (faixas: 1, 2, 3, 5, 6, 9)
Tenor Saxophone – Andres Boiarsky (faixas: 1, 2, 3, 5, 6, 9), Steve Sacks (faixas: 4, 7, 8)
Tenor Saxophone, Flute – Mario Rivera (faixas: 8)
Tenor Trombone, Bass Trombone – William Cepeda
Trombone – Conrad Herwig
Trumpet – Byron Stripling
Trumpet, Flugelhorn – Diego Urcola (faixas: 3, 8), Mike Ponella (faixas: 8, 9) 

14.3.21

HELIO ALVES - It's Clear (2009) FLAC (tracks+.cue), lossless

Since coming to the U.S. during the 1980s to study at Berklee, Brazilian pianist Helio Alves has built a formidable discography as a sideman with Joe Henderson, Claudio Roditi, Slide Hampton, and Louis Hayes (among others), while his work as a leader has been consistently rewarding as well. After working frequently with a trio on his own recordings, he expanded to a quartet with the addition of masterful guitarist (and fellow countryman) Romero Lubambo, plus bassist Scott Colley and drummer Ernesto Simpson. Alves opens with Lubambo's driving "Sweeping the Chimney," which is highlighted by terrific solos all around and an engaging theme. The leader contributed several originals, including the unusual, rather abstract "Helium," in which Alves' piano lines seem to float in unpredictable ways. Alves also explores the works of several Brazilian greats, including an intimate, romantic arrangement of Antonio Carlos Jobim's "Falando de Amor," a relaxing setting of Luis Ecca's "The Dolphin" (a favorite of Stan Getz and Denny Zeitlin), and a sparkling duet with Lubambo of Jaco Do Bandolim's "Doce de Coco." Highly recommended. by Ken Dryden  
Tracklist:
1    Sweeping the Chimney 6:09   
Romero Lubambo
2    Duality 6:15
Helio Alves
3    Doce de Coco 4:21
Jacob Do Bandolim
4    Helium 5:56
Helio Alves
5    Intro 0:53
Helio Alves
6    It's Clear 7:34
Helio Alves
7    Ta Boa, Santa 6:35
Egberto Gismonti
8    Falando de Amor 4:43
Antônio Carlos Jobim
9    Coisa #10 5:51
Moacir Santos
10    The Dolphin 5:56
Luiz Eça
Credits:
Bass – Scott Colley
Drums – Ernesto Simpson
Guitar – Romero Lubambo
Piano – Helio Alves
 

10.3.21

TRIO DA PAZ - Brasil From The Inside (1992) FLAC (tracks), lossless

Tracklist:
1    Pedra Bonita 4:39
Mario Adnet
2    Keep the Spirits Singing 4:27
O'Donel Levy
3    Aquarela Do Brasil 3:50
Ary Barroso
4    Vera Cruz 5:06
Milton Nascimento
5    This Is for Luisa 4:52
Nilson Matta
6    Jeca's Baiao 4:40
Romero Lubambo
7    Forgive Me 4:49    
Duduka Da Fonseca / Astrud Gilberto
8    Trio da Paz 5:12
Romero Lubambo
9    Cor Do Pecado 4:14
10    Manhattan Style 5:05
Duduka Da Fonseca
11    Festa de Sao Joao 5:36
Credits
Maúcha Adnet - Vocals
Joanne Brackeen - Piano
Duduka Da Fonseca - Drums, Percussion
Romero Lubambo - Guitar (Acoustic), Guitar (Electric), Guitar (Synthesizer)
Herbie Mann - Flute, Flute (Alto)
Nilson Matta - Bass, Bass (Acoustic), Bass (Electric), Electric Upright Bass
Claudio Roditi - Flugelhorn, Trumpet

TRIO DA PAZ - Black Orpheus (1994) FLAC (tracks+.cue), lossless

No discussion of the history of Brazilian music is complete without mentioning the 1959 Brazilian film Black Orpheus, which brought attention to the music of Brazilian composers Antonio Carlos Jobim and Luiz Bonfá and popularized the Bonfá classics "Manha de Carnaval" and "Samba de Orfeo." The Black Orpheus soundtrack was a major source of inspiration for Stan Getz, Charlie Byrd. and other key figures in the bossa nova explosion of the early to mid-'60s, and it's also Brazilian group Trio da Paz's primary inspiration on this jazz-oriented release, which flutist Herbie Mann produced for his Kokopelli label. Consisting of guitarist Romero Lubambo, bassist Nilson Matta, and drummer Dudaka da Fonseca, Paz favors what could be called Brazilian hard bop. Though the Brazilians are quite melodic, they favor a much more intense and hard-swinging approach to the samba, and to Bonfá and Jobim's gems than Getz did in the early to mid-'60s. Subtlety and restraint characterized Getz's bossa nova, but Trio da Paz is passionately aggressive on this excellent CD. by Alex Henderson
Tracklist:
1    A Felicidade 0:58
Lyrics By – Vinicius De Moraes
Written-By – Antonio Carlos Jobim

2    Frevo 5:11    
Antônio Carlos Jobim
3    A Felicidade 7:49
Lyrics By – Vinicius De Moraes
Written-By – Antonio Carlos Jobim

4    Manha de Carnaval 4:20
Luiz Bonfá
5    O Nosso Amor 4:02
Antônio Carlos Jobim
6    Chão de Estrelas 7:38
Orestes Barbosa / Silvio Caldas
7    Samba de Orfeu 5:27    
Luiz Bonfá / Antônio Maria
8    Doña María 3:43
Duduka Da Fonseca
9    A Felicidade (vocal) 1:58
Lyrics By – Vinicius De Moraes
Written-By – Antonio Carlos Jobim

10    Manha de Carnaval 4:22
Luiz Bonfá
11    Namacumba 1:52
Naná Vasconcelos
12    Hugs & Kisses 4:20
Nilson Matta
13    Samba de Orfeo 2:41
Luiz Bonfá / Antônio Maria
Credits:
Bass – Nilson Matta
Drums, Percussion – Duduka Da Fonseca
Flute – Herbie Mann
Guitar – Romero Lubambo
Percussion – Cyro Baptista, Jorge Silva, Naná Vasconcelos
Trumpet, Flugelhorn – Claudio Roditi
Vocals – Alana Da Fonseca, Geoff Mann, Maucha Adnet

TRIO DA PAZ - Café (2002) Mp3

Trio da Paz's fourth record offers an alluring mix of originals, Brazilian classics, and jazz material seldom heard in a Latin context (Clifford Brown's "Blues Walk," for instance). Guitarist Romero Lubambo, one of Brazilian jazz's premier fingerstylists, is the main attraction, but he shares equal billing with bassist Nilson Matta and drummer Duduka Da Fonseca. Not for a moment do the trio's three special guests -- Joe Lovano, Dianne Reeves, and Hammond organist César Camargo Mariano -- come across as mere celebrity walk-ons; their contributions are genuine and substantial. Highlights include Reeves' haunting chromaticism on the very slow "Softly, As in a Morning Sunrise," Lubambo's fretless guitar work on the Egberto Gismonti-penned title track, and the closing romp on Chick Corea's "Humpty Dumpty." Lubambo's lively original, "48th Street Baião," provides the strongest example of his brilliant, rhythmically inventive single-note playing. by David R. Adler
Tracklist:
1    Saudade da Bahia 4:15
Dorival Caymmi
2    Love Is Here to Stay 4:54
George Gershwin / Ira Gershwin
feat: Dianne Reeves  
     
3    Arioso 4:56
Johann Sebastian Bach
4    Baden 6:47
Nilson Matta
5    Wave 4:51
Antônio Carlos Jobim
feat: Joe Lovano 
   
6    Blues Walk 5:56
Clifford Brown
feat: César Camargo Mariano    
7    Café 4:49    
Egberto Gismonti
8    Influencia do Jazz 5:21
Carlos Lyra
9    Softly, As in a Morning Sunrise 5:06
Oscar Hammerstein II / Sigmund Romberg
feat: Dianne Reeves  
     
10    48th Street Baião 6:19
Romero Lubambo
feat: Joe Lovano  
 
11    Gentle Rain 5:22
feat: César Camargo Mariano     
   
12    Humpty Dumpty 4:40
Chick Corea
Credits:
Acoustic Bass – Nilson Matta
Drums – Duduka Da Fonseca
Guitar – Romero Lubambo

TRIO DA PAZ - Somewhere (2005) Mp3

 The well-traveled musicians who make up Trio da Paz (guitarist Romero Lubambo, bassist Nilson Matta, and drummer Duduka Da Fonseca) have eclectic tastes that range well beyond their native Brazil -- and they choose to exercise them without restraint on this album. Starting out with Miles Davis' "Seven Step to Heaven," the trio swings back and forth between Brazil and the U.S. without a care, filtering almost everything through the bossa nova and samba idioms. The Grover Washington, Jr. hit "Winelight" takes very well to a medium-tempo bossa nova treatment. Even, so help us, "Ding Dong the Witch Is Dead" is within their range, transformed into a swift samba. However Trio da Paz give Leonard Bernstein's "Somewhere" a straightforward, American pop standard rhythm, perhaps because they couldn't figure out how to Brazilian-ize it, and the off-kilter three-quarter meter take on the five-four meter "Take Five" nearly stumbles on itself. Among the Brazilian-made tunes, there is some exquisite out-of-the-way Antonio Carlos Jobim ("Look to the Sky") as well as standard-issue Jobim ("Corcovado"), rapid-fire Baden Powell in "Babel (Samba Novo)" and "O Astronauta," and a marvelous treatment of Durval Ferreira's "Batida Diferente." Whatever the sources of the material, this trio generates combustible fission that many of today's post-bossa nova recordings don't have. by Richard S. Ginell  
Tracklist:
1    Seven Steps to Heaven 3:49
Miles Davis
2    Partido Alto 5:52
3    Look to the Sky 5:08
A.C. Jobim
4    Babel (Samba Novo) 3:19
Baden Powell
5    Winelight 5:11
William H. Eaton Jr.
6    Ding Dong the Witch Is Dead 3:55    
E.Y. "Yip" Harburg
7    Brazilian National Anthem 4:30
Fransisco Manuel Da Silva
8    Take Five 5:23
Paul Desmond
9    Batida Diferente 4:17    
Maurício Einhorn / Durval Ferreira
10    O Astronauta 3:00
Baden Powell
11    Somewhere 6:12
Leonard Bernstein / Stephen Sondheim
12    Loro 4:51
Egberto Gismonti
13    Corcovado 5:32
Antônio Carlos Jobim
Musicians:
Romero Lubambo - Acoustic & Electric Guitars
Nilson Matta - Acoustic Bass
Duduka Da Fonseca - Drums 

TRIO DA PAZ & JOE LOCKE - Live At Jazz Baltica (2008) Mp3

The exciting Brazilian jazz group Trio da Paz -- guitarist Romero Lubambo, bassist Nilson Matta, and drummer Duduka Da Fonseca -- are joined by vibraphonist Joe Locke for this 2007 concert at JazzBaltica in Salzau, Germany. Lubambo's lyrical acoustic guitar makes him the logical heir to earlier Brazilian greats like Laurindo Almeida. Each of the bandmembers contributes enticing originals. The drummer's intense cooker "Dona Maria" showcases Locke in a furious solo, though the guitarist's percolating solo that follows is hardly anticlimactic. Matta's "Copacabana" is a relaxing bossa nova ballad, while Lubambo's driving"Bachião" is the highlight of their set. Locke's soft ballad "Sword of Whispers" also blends in perfectly. One could hardly expect a Brazilian group to overlook the works of the masterful Antonio Carlos Jobim, and intimate renditions of "Wave" and "Look to the Sky," with Locke sitting out on both, are the Jobim numbers featured on Live at JazzBaltica. A follow-up recording to this enjoyable concert is clearly merited. by Ken Dryden
Tracklist:
1    Dona Maria 7:38
Duduka Da Fonseca
2    Copacabana 4:45
Nilson Matta
3    Pro Flávio 8:35
Romero Lubambo
4    Sword of Whispers 6:50
Joe Locke
5    Bachião 9:24
Romero Lubambo
6    Wave 5:44
Antônio Carlos Jobim
7    All the Things You Are 8:40
Oscar Hammerstein II / Jerome Kern
8    Look to the Sky 6:05
Antônio Carlos Jobim
Credits:
Bass – Nilson Matta
Drums – Duduka Da Fonseca
Guitar – Romero Lubambo
Vibraphone – Joe Locke

TRIO DA PAZ - 30 (2016) Mp3

Only very special collaborations last 30 years, and rarely do they become more exciting and together over the decades. Trio da Paz, however, is one such long-lasting and still lightning band. The team of drummer Eduardo "Duduka" Da Fonseca, guitarist Romero Lubambo and bassist Nilson Matta, all Brasilian jazzmen of New York City, is just as dashing today as when the three first met in 1985.
So 30, their seventh album and ZOHO debut release, wastes no time glancing back. Rather, Trio da Paz celebrates the past as a way to get to what's now and what's next. This is not to imply that the band or 30 denies history. As friends, Duduka, Romero and Nilson are utterly secure in their enduring triangle, and as musicians they tap well-established elements of bedrock Brasilian samba and bossa nova -- the music of Jobim, Gilberto and Bonfá -- as well as bebop and its developments, Wes Montgomery, third stream and even free improvisation for ingredients of their signature sound. Romero's urban gypsy melodies and percussive chording, Nilson's firm yet flexible baselines and Duduka's rhythms -- which, whether surging or simmering, are always energized -- flow fast and inseparably over the course of 30.
Sampa 67 is characteristic: A brisk tune that welcomes the listener to enjoy the musicians' empathic interplay. The composition is slangily named for São Paulo, where Nilson, its composer, was born, and his rubato statement is at the track's center. Hear how Romero and Duduka, in stimulating exchanges, ramp the tempo back up to where it started.
In a similar mood and moving quickly, For Donato is Romero's tribute to bandleader and pianist Joao Donato, a Brazilian master who absorbed Caribbean accents during his stints with Mongo Santamaria, Cal Tjader and Tito Puente, among others, when he lived in the United States during the late '50s and '60s. The tune uses an afoxé rhythm that comes from Bahia, and is closely related to an Afro-Cuban groove.
The pace slows somewhat – Duduka using brushes instead of sticks - for Romero's bossa nova Outono ("Autumn"). Says the guitarist-composer: "With its changing of colors and cooler days after the summer, autumn is really a season for romantic music." And this is really music for romance. Alana is Duduka's piece for his older daughter, now an adult. Her father says Alana's personality is reflected in the song, which changes meter from 15/8 to 6/8 to a doubletimed 4/4 for the bass solo to Duduka's own episode in 15/8. So may we assume Alana is a sparkling and strong woman whose many dimensions fit together gracefully? Complementary yet contrasting, Luisa is for Romero's daughter, currently 17. The guitarist calls her "a beautiful person inside and out, who I love very much!" Although written in ?, "Luisa" is not phrased as a jazz waltz but instead sways in a way that Duduka identifies as a waltz with a Brasilian lilt.
Brasilian guitar virtuoso Baden Powell (1937 – 2000), obviously a hero to Romero, Nilson and Duduka as an early exemplar of the pan-stylistic approach Trio da Samba favors, wrote Samba Triste which at a breakneck tempo doesn't seem triste at all. Nilson's Águas Brasileiras refers to the Atlantic ocean, which has exerted implacable influence on the Trio's native land. A ballad, the song moves in soft waves; the trio's improvisation opens up the theme's depths and crosscurrents. Nilson recorded this previously, on his 2010 ZOHO album Copacabana.
Sweeping the Chimney, which Duduka calls "fast, really fast," was inspired by workers attending to Romero's house in New Jersey. "Luisa was three years old when I wrote that," the guitarist mentions, "and she helped me decide some of the notes." Duduka contributed Flying Over Rio, the melody of which came to him in an airplane taking off over Guanabara Bay, giving him a view of the mountains around Rio and Sugar Loaf, their peak. "Wow, it was gorgeous," he remembers – also remembering to credit Paulo Jobim (Tom Jobim's son) with suggesting to him one perfect note that launched the bridge "in a completely different direction."

To conclude, Nilson's LVM/Direto Ao Assunto (the initials of his wife and sons/"to the point") goes in a flash from subtle reflection to searing line. Both of these songs have been recorded before by Duduka and Nilson with pianist Helio Alves: "Flying over Rio" in 2008 on The Brazilian Trio's ZOHO release "Forests", and "LVM/Direto ao Assunto" on that group's album "Constelacao". Nilson introduced the song on the late pianist Don Pullen's album Kele Mou Bana, released in 1991.
That was just one year before Trio da Paz's own recording debut, Brasil from the Inside. Annotating that album, I wrote, "If North Americans hadn't invented jazz, surely Brasilians such as guitarist Romero Lubambo, bassist Nilson Matta and percussionist Duduka Da Fonseca would have." In fact, the members of Trio da Paz have invented jazz that's personally and musically unique. Their music is cool and hot, rooted in Brasilian heritage but cosmopolitan, timely and timeless.
"After 30 years together, we still bring the same energy, emotion and happiness whether we're stepping onstage or into a recording session," says Nilson. "That's the secret to Trio da Paz, what captivates our fans and why we keep making new ones all over the world." Romero agrees: "To play as Trio da Paz is a unique experience because the music always transcends notes, chords, tempos and anything written on sheet music. Naturally, because we've been playing together for 30 years, we know each other so well that we don't need to explain anything. These are qualities that are impossible to teach or articulate in words. They come from the hearts, souls and feelings that we have as individuals and as a group." Duduka adds simply, "When we play, we're very organic and spontaneous. Even to songs we perform often, we like to take a fresh approach. Sometimes one of us does something a little different, and we all realize it's better, so we stick with that. It's like a democracy. We all have ideas and try to do our best." The best of Trio da Paz is very fine. And though journalists used to use "-30-" to indicate the end of a story, 30 whets the appetite for more from a band in its prime. -- Howard Mandel
Tracklist:
1    Sampa 67 5:15
Nilson Matta
2    For Donato 5:45
Romero Lubambo
3    Outono 4:18
Romero Lubambo
4    Alana 5:01
Duduka Da Fonseca
5    Luisa 3:33
Romero Lubambo
6    Samba Triste 4:05
Baden Powell
7    Águas Brasileiras 4:47
Nilson Matta
8    Sweeping the Chimney 4:05
Romero Lubambo
9    Flying Over Rio 3:30
Duduka Da Fonseca
10    Lvm/Direto Ao Assunto 5:24
Nilson Matta
Musicians:
Romero Lubambo - Acoustic & Electric Guitars
Nilson Matta - Acoustic Bass
Duduka Da Fonseca - Drums 


9.3.21

DUDUKA DA FONSECA - Samba Jazz Fantasia (2008) APE (image+.cue), lossless

"Fantasia" aptly describes this exuberant debut by drummer/percussionist Duduka Da Fonseca. Many tracks feature him with his partners in Trio da Paz (guitarist Romero Lubambo, bassist Nilson Matta), but there's also a rotating cast of jazz heavyweights: guitarist John Scofield, trumpeters Tom Harrell and Claudio Roditi, saxophonists Joe Lovano, David Sanchez, and Billy Drewes, pianists Kenny Werner and Marc Copland, and more. The results are upbeat, melodic, and richly textured, with ample and inspired improvisations -- the above names virtually guarantee it. Da Fonseca includes three of his own compositions: the odd-metered "Partido Out," the Tyner-esque "Dona Maria" (a tour de force for Kenny Werner and Billy Drewes), and the bright finale, "Manhattan Style." There are also original entries by Scofield, Harrell, Lubambo, and Helio Alves, along with gems by Dori Caymmi, Jobim, and others. The blend of electric and acoustic guitars (courtesy of Scofield and Lubambo) on "Pro Flavio" is one of the album's many winning moments; Da Fonseca sets up the track with a two-minute "Berimbau Fantasia." Albums like these raise the creative bar for Brazilian jazz, bringing the form squarely into the new millennium. by David R. Adler
Tracklist:
1    Pardito Out 5:35
Bass – Eddie Gomez
Drums, Cuica – Duduka Da Fonseca
Percussion – Valtinho Anastacio
Piano – Helio Alves
Tenor Saxophone, Soprano Saxophone – Billy Drewes
Trombone – Jay Ashby
Vocals – Alana Da Fonseca, Lisa Ono, Maucha Adnet
Written-By, Arranged By – Chico Adnet, Duduka Da Fonseca

2    Terrestris 6:26
Bass – Dennis Irwin
Drums – Duduka Da Fonseca
Percussion – Valtinho Anastacio
Piano – Dom Salvador
Tenor Saxophone – Joe Lovano
Written-By, Arranged By, Flugelhorn – Tom Harrell

3    Sco's Bossa 6:04
Acoustic Guitar – Romero Lubambo
Bass – Nilson Matta
Drums, Bells, Arranged By – Duduka Da Fonseca
Piano – Marc Copland
Tenor Saxophone – Richard Perry (2)
Vocals – Alana Da Fonseca, Lisa Ono, Maucha Adnet
Written-By, Arranged By, Guitar – John Scofield
Acoustic Guitar – Romero Lubambo

4    Bala Com Bala 5:37
Acoustic Guitar – Romero Lubambo
Arranged By [Horn], Piano – Helio Alves
Bass – Nilson Matta
Drums, Arranged By – Duduka Da Fonseca
Tenor Saxophone – David Sanchez
Written-By – João Bosco

5    Pedra Bonita 5:49
Bass – Eddie Gomez
Drums, Arranged By – Duduka Da Fonseca
Piano, Arranged By – Helio Alves
Written-By – Mario Adnet

6    Dona Maria 6:10
Bass – Nilson Matta
Piano – Kenny Werner
Soprano Saxophone – Billy Drewes
Vocals – Isabel Adnet Da Fonseca
Written-By, Arranged By, Drums – Duduka Da Fonseca

7    Saveiros 5:12
Acoustic Guitar, Arranged By – Romero Lubambo
Bass – Nilson Matta
Drums, Arranged By – Duduka Da Fonseca
Piano – Kenny Werner
Soprano Saxophone – Billy Drewes
Vocals – Maucha Adnet
Written-By – Dori Caymmi, Nelson Motta

8    Song For Claudio 5:44
Bass – Nilson Matta
Drums – Duduka Da Fonseca
Flugelhorn – Claudio Roditi
Tenor Saxophone – David Sanchez
Written-By, Arranged By, Piano – Helio Alves

9     Berimbau Fantasia 2:17
Written-By, Berimbau – Duduka Da Fonseca
10     Pro Flavio 8:19
Acoustic Guitar, Arranged By – Romero Lubambo
Bass – Nilson Matta
Drums, Berimbau, Caxixi, Vibraslap, Arranged By – Duduka Da Fonseca
Guitar – John Scofield
Percussion – Valtinho Anastacio
Written-By – Romero Lubambo

11     Fotografia 4:44
Bass – Nilson Matta
Drums – Duduka Da Fonseca
Flugelhorn – Tom Harrell
Lyrics By – Vinicius De Moraes
Piano, Arranged By – Alfredo Cardim
Tenor Saxophone – Joe Lovano
Vocals – Maucha Adnet
Written-By – Antonio Carlos Jobim

12     Manhattan Style 6:41
Bass – Nilson Matta
Piano – Helio Alves
Tenor Saxophone – David Sanchez
Trumpet – Claudio Roditi
Written-By, Arranged By, Drums – Duduka Da Fonseca

DUDUKA DA FONSECA & HÉLIO ALVES ft. MAUCHA ADNET - Samba Jazz & Tom Jobim (2019) FLAC (tracks), lossless

Tom Jobim and João Gilberto’s partnership provided one of the most incredible musical contributions to the musical world. In 1958, the first Bossa Nova album, Chega de Saudade, was recorded by Gilberto, featuring arrangements by Jobim. American Jazz musicians, including Dizzy Gillespie, Charlie Byrd, Keter Betts and Herbie Mann, went to Brasil around that time and fell in love with Brazilian music. They brought several Bossa Nova albums to the United States. Charlie Byrd was the one who introduced Stan Getz to the music of Jobim and Gilberto. Bossa Nova was a great influence to American Jazz from then on.
Jobim’s legacy has lived on through his admirers, followers and apprentices. Bossa Nova and the Brazilian jazz tradition continue to flourish, led by the likes of drummer Duduka Da Fonseca and pianist Helio Alves. With the addition of the great vocalist Maucha Adnet, the friends have assembled a program of music highlighting the beauty of the Brazilian Jazz music that they have performed all over the world. Their new recording, Samba Jazz & Tom Jobim, was recorded to spread their passion even further. dudukadafonseca.bandcamp
Tracklist:
1. Gemini Man (feat. Claudio Roditi) 6:00
2. Alana 6:28
3. Untitled 7:01
4. Pato Preto 3:58
5. Dindi 6:49
6. A Correnteza 2:49
7. Pedra Bonita Da Gavea 6:04
8. Helium 5:59
9. Você Vai Ver 3:56
10. Polo Pony 4:55
11. A Vontade Mesmo (feat. Wynton Marsalis) 4:50
12. I Loves You Porgy (Bonus Track) 6:26
Credits:
Billy Drewes - saxofones e flauta (2, 3, 4, 5, 6, 7, 9, 10, 12)
Romero Lubambo - guitarras (1, 2, 5, 9, 10, 11)
Hans Glawischnig - baixo
Maucha Adnet - voz (4, 5, 6, 9, 10, 12)
Helio Alves - piano e Rhodes
Duduka Da Fonseca - bateria
Claudio Roditi - trompete (1)
Wynton Marsalis - trompete (11)

e.s.t. — Retrospective 'The Very Best Of e.s.t. (2009) FLAC (tracks+.cue), lossless

"Retrospective - The Very Best Of e.s.t." is a retrospective of the unique work of e.s.t. and a tribute to the late mastermind Esb...