MAX REGER (1873-1916)
Tracklist :
CD1 recorded at Thomaskirche Leipzig, March 29-31, 2012.
CD2 recorded at Marienkirche Salzwedel, April 3-4, 2013.
Credits :
Organ – Gerhard Weinberger
Cover – Christiane Grimm, Design – Lothar Bruweleit
 
 
 
Along with other chorale fantasias and chorale preludes, vol.3 of our edition of Max Reger’s organ works presents his Twelve Pieces op.59. These works inaugurated Reger’s series of composite works intended for practical use in religious services. These are the only works by Reger based on Gregorian melodies, which, however in no way evoke modal harmonic structures but are fully integrated into his complex harmonic structures. prestomusic
MAX REGER (1873-1916)
Tracklist :
CD1: Played on the Wilhelm Sauer Organ, Dom St. Petri Bremen (1894)
CD2: Played on the Wilhelm Sauer Organ, Stadtkirche Bad Salzungen (1909)
Credits :
Organ – Gerhard Weinberger 
Cover – Christiane Grimm, Design – Lothar Bruweleit
The Reger Edition continues, following three releases accompanied by rave reviews from the critics. klassik-heute wrote in 2015, ‘In this sumptuous music Gerhard Weinberger turns enthusing technical virtuosity into an audio event. We can eagerly look forward to the other volumes of this complete recording and already certify that this edition will do an outstanding job of initially introducing the Reger beginner to his organ cosmos.’ And Musik & Theater opined in 2016, ‘These discs rank with the best currently available recordings in the field of Reger’s organ music.’ Vol. 4 again features two CDs in the best Surround Sound. The focus is formed by Reger’s op. 57, to which he added the adjective ‘Symphonic’, thereby making it absolutely clear that this work would represent a high point not only in his own organ oeuvre but also in the whole of the organ literature. In his op. 145 collection published in early 1916 – first designated as the ‘Seven Organ Pieces’ in posthumous editions – all the pieces have in common the quotation of chorales corresponding in content to the particular work title. The Introduction and (above all) the Passacaglia in F minor are surely the most outstanding numbers among the twelve pieces constituting his Monologues op. 63. prestomusic
MAX REGER (1873-1916)
Tracklist 1 :
1-2.    Symphonische Phantasie Und Fuge D-moll Op. 57    (20:35)
3-9.    Sieben Orgelstücke Op. 145 (Sieben Fantasien Zu Den Hauptfesten Des Kirchenjahres)    (51:42)
Tracklist 2 :
1-3.      Aus Monologe Op. 63: Introduktion Und Passacaglia Nr. 5, 6; Ave Maria Nr. 7    (19:04)
4-9.  Sechs Trios Op. 47    (18:08)
10-16.  Suite Op. 92    (30:18)
Credits :
Organ – Gerhard Weinberger 
Cover – Christiane Grimm, Design – Lothar Bruweleit
 
 
 
Volume 53 in Hyperion's acclaimed series, The Romantic Piano Concerto, presents two works of such tonal complexity, textural density, and late vintage that they should properly be regarded as post-Romantic, though they are not outside the broad purview of this extensive survey. Certainly, Max Reger's Piano Concerto in F minor qualifies as post-Romantic by virtue of its composition date of 1910, and Richard Strauss' Burlesque in D minor, though completed in 1886, is forward-looking in its textural lushness and harmonic ripeness. Because these are also enormously challenging pieces that require phenomenal performing skills, the presence of the superb Marc-André Hamelin as soloist guarantees that they are played as accurately and brilliantly as possible. The accompaniment provided by Ilan Volkov and the Berlin Radio Symphony Orchestra is dramatic and brooding in the Reger and vigorous and muscular in the Strauss, so Hamelin is given suitable support. Hyperion's nuanced recording captures everything with great separation, so the orchestra never overwhelms the piano, and all the inner parts are easily heard. While this album will interest fans of music from the period, casual classical listeners may find the best way to appreciate the music is by paying attention to Hamelin's artistry. Indeed, this exceptional pianist makes this CD attractive to a much wider audience than would normally seek out these works. Blair Sanderson  
Max Reger (1873-1916)
Piano Concerto In F Minor Op 114 (37:23)
Richard Strauss (1864-1949)
Burleske In D Minor 19:25
Credits :
Conductor – Ilan Volkov
Orchestra – Rundfunk-Sinfonieorchester Berlin
Piano – Marc-André Hamelin
As Michele Benuzzi himself explains in a booklet-essay, the idea for this comprehensive collection came about through the success of his sma...
