Mostrando postagens com marcador Chandos. Mostrar todas as postagens
Mostrando postagens com marcador Chandos. Mostrar todas as postagens

21.1.26

YORK BOWEN : Phantasy Quintet · Piano Trios · Clarinet Sonata (Robert Plane · Gould Piano Trio) (2014) Two Version | FLAC (image+.tracks+.cue), lossless

YORK BOWEN (1884-1961)
1-3.  Clarinet Sonata In F Minor, Op. 109    (15:31)
4.    Rhapsody Trio In A Minor, Op. 80    13:32
5.    Piano Trio In D Minor    11:06
6.    Phantasy Quintet For Bass Clarinet And String Quartet In D Minor, Op. 93    14:11
7-9.    Piano Trio in E Minor, Op. 118    (24:07
Credits : 
Bass Clarinet – Robert Plane (tracks: 6)
Cello – Alice Neary (tracks: 6)
Clarinet – Robert Plane (tracks: 1 to 3)
Ensemble – Gould Piano Trio
Piano – Benjamin Frith (tracks: 1 to 3)
Viola – David Adams (9) (tracks: 6)
Violin – Lucy Gould (tracks: 6), Mia Cooper (tracks: 6)
Recorded at the Champs Hill Music Room, West Sussex; 11 January 2013 (Phantasy Quintet), 29 April 2013 

19.1.26

FRANCK : The Piano Trios Vol. 2 (The Bekova Sisters) (1999) Two Version | APE (image+.tracks+.cue), lossless

CÉSAR FRANCK (1822-1890)
1-4.    Piano Trio No. 2, Op. 1 No. 2 (Trio De Salon) In B Flat Major    (24:04)
5.    Piano Trio No. 4, Op. 2 In B Minor    (18:55)
6-8.    Piano Trio No. 3, Op. 1 No. 3 In B Minor    (28:54)
Credits : 
Cello – Alfia Bekova
Piano – Eleonora Bekova
Violin – Elvira Bekova 

13.1.26

CÉSAR FRANCK : Organ Works (Piet Kee) (1991) Two Version | FLAC (image+.tracks+.cue), lossless

CÉSAR FRANCK (1822-1890)
1.    Choral III    13:50
2.    Cantabile    6:29
3.    Pièce Héroïque    9:01
4.    Andantino In E Major    4:50
5.    Choral II    15:40
6.    Prélude, Fugue Et Variation Op. 18    11:25
Organ – Piet Kee
Recorded in the Basilica de Santa Maria del Coro, San Sebastian, Spain on 13-14 March 1990.
Total Time: 61:43
 

4.9.24

KORNGOLD : Symphony in Fis-Dur · Abschiedslieder (Linda Finnie · BBC Philharmonic Orchestra · Edward Downes) (1993) APE (image+.cue), lossless

The two substantial selections on this Chandos release represent the early and late phases of Erich Wolfgang Korngold's impressive career and show the wide stylistic range and versatility of his work. The lush post-Romanticism of the Lieder des Abschieds, Op. 14, is typical of the youthful Korngold's music from the early '20s, and this haunting work is contemporary with his operatic masterpiece Die tote Stadt. These four orchestral songs partake of the musical language of Gustav Mahler and Richard Strauss, particularly in their poignant harmonies, richly colored orchestration, and overwhelmingly melancholy moods. In contrast, the Symphony in F sharp major is a rough-hewn and problematic work that reflects the tensions of tonal modernism in the years following WWII, as well as the difficulties the composer faced in using the expanded Romantic symphonic form for the first and only time. The 1992 performance of the songs by contralto Linda Finnie and the BBC Philharmonic, conducted by Edward Downes, does justice to Korngold's tenderly lyrical side, while the same orchestra and conductor give the symphony a muscular reading that is striking in its vehemence and power. Chandos delivers excellent reproduction in both offerings, though the sound is somewhat crisper and more concentrated in the recording of the symphony. Blair Sanderson    Tracklist & Credits :

25.4.24

FRANK BRIDGE : Orchetral Works, Vol. 1 (BBC National Orchestra Of Wales · Richard Hickox) (2001) FLAC (image+.cue), lossless

Tracklist & Credits 

FRANK BRIDGE : Orchetral Works, Vol. 2 (BBC National Orchestra Of Wales · Richard Hickox) (2002) FLAC (image+.cue), lossless

Tracklist & Credits

FRANK BRIDGE : Orchetral Works, Vol. 3 (Howard Shelley · BBC National Orchestra Of Wales · Richard Hickox) (2004) FLAC (image+.cue), lossless

Tracklist & Credits 

FRANK BRIDGE : Orchetral Works, Vol. 4 (BBC National Orchestra Of Wales · Richard Hickox) (2004) FLAC (image+.cue), lossless

Tracklist & Credits 

FRANK BRIDGE : Orchetral Works, Vol. 5 (BBC National Orchestra Of Wales · Richard Hickox) (2004) FLAC (image+.cue), lossless

 Tracklist & Credits 

FRANK BRIDGE : Orchetral Works, Vol. 6 (BBC National Orchestra Of Wales · Richard Hickox) (2005) FLAC (image+.cue), lossless

Tracklist & Credits

4.4.22

KABALEVSKY : Violin and Cello Concertos (Mordkovitch, Wallfisch) (2002) FLAC (image+.cue), lossless

Dmitry Kabalevsky

1-3    Violin Concerto, Op. 48 (1948) [16:08]
Conductor – Neeme Järvi
Leader [SNO] – Edwin Paling
Orchestra – Scottish National Orchestra
Violin – Lydia Mordkovitch

4-6    Cello Concerto No. 2, Op. 77 (1964) [29:49]
Cello – Raphael Wallfisch
Conductor – Bryden Thomson
Leader [LPO] – David Nolan
Orchestra – London Philharmonic Orchestra

3.4.22

KABALEVSKY : Piano Concertos Nr. 2 & 3 • Colas Breugnon Overture • The Comedians (Stott, Sinaisky) (2003) FLAC (image+.cue), lossless

Dmitry Kabalevsky (1904-1987)

1    Overture to "Colas Breugnon", Op. 24 [4:40]
2-4    Piano Concerto No. 2, Op. 23 (1935/36, revised version 1973) [23:49]
Piano – Kathryn Stott
5-14    The Commedians, Op. 26, (Suite for Small Orchestra) [14:59]    
15-17    Piano Concerto No. 3, Op. 50 [18:07]
Piano – Kathryn Stott

Orchestra - BBC Philharmonic
Yuri Torchinsky - Leader
Conductor – Vassily Sinaisky

KABALEVSKY : Piano Concerto Nr. 1 & 4 • Symphony Nr. 2 (Neeme Järvi, Kathryn Stott) (1996) FLAC (image+.cue), lossless

The big news here isn't that Kathryn Stott has turned in another impressive recording of Kabalevsky's piano concertos. The virtuosic English pianist had already done that with her previous recording of his second and third concertos in 2005. The big news here is that Neeme Järvi, once the most recorded conductor in the world, has turned in his third recording for the Chandos label since the two bitterly and publicly parted company more than a decade ago. A talented conductor with a prodigious ability to learn scores, Järvi benefited greatly from the increased popularity of classical music with the introduction of digital technology. By the early '90s, Järvi had recorded enormous amounts of music outside the mainstream -- the complete symphonies of Berwald, Schmidt, and Kalinnikov, for example -- and he came to believe Chandos ought to give him a shot at more standard repertoire. After the artistic and financial disappointment of his Brahms cycle, however, Chandos declined to expand Järvi's territory. Breaking the unofficial code of silence, Järvi took his complaints to the media -- and Chandos let his contract expire.

But following two discs of Busoni's orchestral music, this 2006 Kabalevsky disc reaffirms Järvi's primacy in second-rank repertoire. In the Concerto, pianist Stott tears into the bravura and almost Romantic First with gusto and brio and the brilliant and not quite Modernist Fourth with zest and strength while Järvi supports her with a colorful, characterful, and powerful accompaniment. But in the disc's central C minor Second Symphony, Järvi leads the superb BBC Philharmonic in a performance that makes the "social realist" work sound as much as possible like first-rate music for as long as it's playing. And after it's over, if its themes seem too heroic, its forms seem too dramatic, its rhythms seem too driven, its colors seem too bright, and its gestures seem too familiar to be believed, these doubts do not exist while Järvi is pushing its tempos, inflating its rhetoric, and enhancing its climaxes. With only a handful of other recordings of the Second available -- the antique 1949 recording with Jacques Rachmilovich leading the Accademia di Santa Cecilia Orchestra, the classic 1973 recording with David Measham leading the New Philharmonia, the strident 1977 recording with Erwin Acél leading the Szeged Philharmonic, and the vigorous 1998 recording with Loris Tjeknavorian leading the Armenian Philharmonic Orchestra -- Järvi and the BBC's rises right to the top of the list. Chandos' sound is appropriately loud and direct. by James Leonard  

Dmitry Kabalevsky (1904-1987)

1-9    First Concerto For Piano And Orchestra, Op. 9*    (31:13)
10-12    Symphony No. 2, Op. 19    (24:11)
13-16    Fourth Concerto For Piano And Orchestra, op. 99 'Prague'*    (11:57)

Piano - Kathryn Stott*
Orchestra - BBC Philharmonic
Yuri Torchinsky - Leader
Conducted - Neeme Järvi

21.3.22

TCHAIKOVSKY : Piano Concerto No. 2 • KHACHATURIAN : Piano Concerto (Xiayin Wang, Peter Oundjian) (2016) 24bits-96hz / FLAC (tracks), lossless

Pyotr Ilyich Tchaikovsky (1840-1893)
Concerto No. 2 In G Major For Piano And Orchestra, Op. 44 (Original Version) (42:03)

Aram Khachaturian (1903-1978)
Concerto In D Flat Major For Piano With Orchestra, Op. 38 (33:35)

Conductor – Peter Oundjian
Leader – Maya Iwabuchi
Orchestra – Royal Scottish National Orchestra
Piano – Xiayin Wang

KHACHATURIAN : Piano Concerto • Gayaneh • Masquerade (Oberlian-Järvi) (1987) APE (image+.cue), lossless

Aram Khatchaturian (1903-1978)

1-3 Concerto For Piano & Orchestra* (33:13)
4-8 Masquerade-Suite (16:17)
9-12 Gayaneh - 4 Movements From The Ballet (12:21)

Conductor – Neeme Järvi
Orchestra – Scottish National Orchestra
Piano – Constantine Orbelian* 

17.3.22

WEINBERG : Соncertos (Thord Svedlund) (2008) SACD / FLAC (tracks), lossless

Fantasia For Cello And Orchestra, Op.52 (18:51)
Cello – Claes Gunnarsson

Concerto No.2 For Flute And Orchestra, Op.148 (19:31)
Flute – Anders Jonhäll

Concerto No.1 For Flute And Orchestra, Op.75 (14:43)
Flute – Anders Jonhäll

Concerto For Clarinet And String Orchestra, Op.104 (25:49)
Clarinet – Urban Claesson

Concertmaster – Christer Thorvaldsson
Conductor – Thord Svedlund
Orchestra – Gothenburg Symphony Orchestra

16.3.22

WEINBERG : Cello Concerto • Symphony No. 20 (Thord Svedlund) (2012) SACD / FLAC (image+.cue), lossless

With the general increase in the popularity of Dmitry Shostakovich's music, that of his protégé Mieczyslaw Weinberg has also been gaining a hearing outside the former East Bloc. A Polish-born Jew, Weinberg survived two waves of Nazi invasion only to find himself buffeted by the same political forces as Shostakovich, by then his mentor, in the postwar Soviet Union. The Cello Concerto in C minor, Op. 43, dating from 1948, is parallel to Shostakovich's works of enforced conservatism from that period, but is somehow more joyful and genuinely melodic. More interesting is the Symphony No. 20, Op. 150, written in 1988 and here receiving its premiere recording. It's a roughly symmetrical five-movement work, on a large orchestral canvas, with slow movements with continuous melody on the outside, scherzo-like pieces of contrasting character second and fourth, and an extremely unusual centerpiece that seems to lose its integrity as it goes along. Weinberg in his later years seems to have tried to pursue avenues suggested by Shostakovich's very personal late works, and this piece, down to the Mahlerian feel, is in that vein. It's not Shostakovich, but it's quite absorbing, and the performances by Sweden's Gothenburg Symphony Orchestra are clean and on top of Weinberg's long lines in the outer movements of the symphony. A strong entry in the catalog of a composer on the rise. by James Manheim  

Symphony No. 20 Op. 150 (1988)    (39:37)
Concerto, Op. 43 (1948)    (31:04)*

Cello – Claes Gunnarson *
Conductor – Thord Svedlund
Leader – Per Enoksson
Orchestra – Gothenburg Symphony Orchestra

JOSEPH GABRIEL RHEINBERGER : Organ Works • 5 (Wolfgang Rübsam) (2003) The Organ Encyclopedia Series | Two Version | WV (image+.tracks+.cue), lossless

Although Rheinberger was successful during his lifetime in a variety of genres, he is remembered today largely for his demanding organ works...