MERLINE JOHNSON — The Yas Yas Girl : Complete Recorded Works In Chronological Order ★ Volume 1 • 1937-1938 | DOCD-5292 (1994) RM | FLAC (tracks), lossless

Back in the middle of the 1990s, the Vienna-based Document label reissued 71 tasty blues recordings made during the years 1937-1940 by Mississippi native Merline Johnson. Each of the three volumes is superb, and once you've caught her act you might find yourself seeking out the entire set. Volume one covers the first 11 months of her five-year reign as one of Chicago's most prolific prewar blues women. Backed by trumpeter Alfred Bell, clarinet and saxman Bill Owsley, guitarists Lonnie Johnson, Big Bill Broonzy, Willie Bee (James) and George Barnes; pianists Eddie Miller, Horace Malcolm, Blind John Davis and Joshua Altheimer, and drummer Fred Williams, Merline Johnson wrestles and wrangles with the human condition, from domestic relationships and law enforcement to government sponsored work programs, subterranean mining in the deep south, self-medication using hard liquor, and a pact with the devil himself. The first six titles were recorded on May 4, 1937 and issued on the Victor subsidiary Bluebird label. Beginning with "Sold It to the Devil," all of her recordings (issued on the ARC and Vocalion labels) identified her as the "Yas Yas Girl." Right from her opening performance, a fine version of "I'd Rather Drink Muddy Water," this woman's gutsy warmth is difficult to resist. Note that "Pallet on the Floor" is not the familiar traditional tune about sneaking around and dogging one's mate, but a straightforward answer song devised by Merline Johnson herself. "Jelly Bean Blues" was written by Ma Rainey, who recorded it in 1924 with Louis Armstrong and a little group led by Fletcher Henderson. Merline's marvelous cover, recorded on April 7, 1938, is greatly enhanced by the electrically amplified guitar of 16-year-old prodigy George Barnes. arwulf arwulf

Tracklist :
1        New Muddy Water Blues    3:03 (A)
2        He Roars Like A Lion    3:21 (A)
3        I'm Leavin' You    3:07 (A)
4        My Baby Left Me    2:59 (A)
5        Pallet On The Floor    2:49 (A)
6        Mean Mistreatin' Daddy    2:54 (A)
7        Sold It To The Devil    2:59 (B)
8        Grandpa And Grandma    3:12 (B)
9        I'd Rather Be Drinking Muddy Water, No. 2    2:59 (B)
10        Blues Everywhere    2:50 (C)
11        Working On The Project    2:55 (D)
12        I Drink Good Whiskey    3:09 (D)
13        Patrol Wagon Blues    2:47 (D)
14        Got A Man In The 'Bamma Mines    3:04 (D)
15        Jackass For Sale    2:52 (E)
16        You Got To Pay    2:49 (E)
17        My Independent Man    2:47 (F)
18        He May Be Your Man    2:39 (F)
19        New Drinking My Blues Away    2:52 (G)
20        Crime Don't Pay    2:44 (G)
21        Please Come Back To Me (Take 5)    2:34 (H)
22        Love Shows Weakness (Take 4)    2:38 (H)
23        About My Time To Check    2:49 (H)
24        Squeeze Me Tight    2:50 (H)
25        Jelly Bean Blues    2:44 (H)
26        My Man Is Gone    2:38 (H)

MERLINE JOHNSON — The Yas Yas Girl : Complete Recorded Works In Chronological Order ★ Volume 2 • 1938-1939 | DOCD-5293 (1994) RM | FLAC (tracks), lossless

If the first volume of Merline Johnson's complete recordings was highly rewarding, volume two is utterly essential, as it contains some of her all-time best, most exciting, and jazz-infused performances. Susceptible listeners may find it difficult to remain seated during "Running Down My Man" (which sounds a lot like one of Washboard Sam's upbeat creations), as a fine trumpeter (possibly Punch Miller) and a tenor saxophonist (probably Bill Owsley) swing like mad atop a well-oiled rhythm section that includes pianist Blind John Davis and electrically amplified guitarist George Barnes. This level of enjoyment is maintained during a kicking cover of Louis Armstrong's "Ol' Man Mose" and a brusque version of "Don't You Leave Me Here," previously recorded by Monette Moore with Charlie Johnson's Original Paradise Ten in 1927 and by wandering Texas guitarist Henry Thomas in 1929. Identified as the Louisiana Kid on Vocalion C-2296 ("Separation Blues"), Punch puts his horn down and sings a duet with the Yas Yas Girl. Sometimes billed as the Rhythm Rascals, Merline's bands as heard on this collection were mightily stoked by players like guitarists Big Bill Broonzy and Willie B. James; steel guitarist Casey Bill Weldon, saxophonist Buster Bennett, and trumpeters Alfred Bell, Walter Williams, and venerable Lee Collins, a New Orleans legend who made records with Jelly Roll Morton in 1924. Collins is heard here on tracks 17-22 as a member of the Yas Yas Girl's Jazz Boys, an ensemble anchored by bass vocalist Alfred Elkins, who sounds like he might have been blowing across a whiskey jug, old style. While Merline Johnson was quite capable of whipping up her own ideas, the occasional cover tunes pack a wallop, as does Billie Holiday's "Fine and Mellow" and New Orleans guitarist Danny Barker's "Don't You Make Me High," which he wrote for his wife Blue Lu Barker, who made her soon-to-be-famous recording for Decca only weeks before Merline Johnson took it on accompanied by Buster Bennett's persuasive soprano sax. Decades later, diminutive Maria Muldaur enjoyed a spate of success with her sultry update of this naughty little masterpiece. arwulf arwulf

Tracklist :
1        Running Down My Man 2:53 (A)
2        Ol' Man Mose 2:57 (B)
3        Don't You Leave Me Here 2:55 (B)
4        Separation Blues 2:56 (C)
5        You Can't Shoot Your Pistol 2:40 (D)
6        Whiskey Fool 2:40 (E)
7        Don't You Make Me High 2:40 (F)
8        Love With A Feeling 2:52 (F)
9        Some Day I'll Be Gone Away 2:42 (G)
10        Easy Towing Mama 2:40 (G)
11        Grieving Heart Blues 2:43 (G)
12        Reckless Life Blues 2:27 (G)
13        Breakin' 'Em Down Tonight 2:32 (H)
14        Someone To Take Your Place 2:48 (H)
15        Got A Mind To Ramble 2:30 (H)
16        True Love 2:41 (H)
17        Fine And Mellow 2:55 (I)
18        Nobody Knows How I Feel 2:54 (I)
19        I Need You By My Side 2:51 (I)
20        You Can't Have None Of That 2:46 (I)
21        I Got To Have It Daddy 2:47 (I)
22        Don't Have To Sing The Blues 2:47 (I)

MERLINE JOHNSON — The Yas Yas Girl : Complete Recorded Works In Chronological Order ★ Volume 3 • 1939-1940 | DOCD-5294 (1994) RM | FLAC (tracks), lossless

Most of Chicago blues woman Merline Johnson's recordings were reissued by the Vienna-based Document label during the 1990s. Volume three opens with three remaining titles from her session of August 31, 1939, which resulted in nine selections issued under the heading of "The Yas Yas Girl and Her Jazz Boys." In addition to some fine blowing by old-time New Orleans trumpeter Lee Collins and all-purpose Windy City alto saxophonist Buster Bennett, as well as solid rhythm accompaniments by guitarist Big Bill Broonzy and pianist Blind John Davis, these recordings are intriguing for the presence of Alfred Elkins, a bassist who used only his voice, although it is possible he was huffing away on a big bottle or something as if he were holding down the business end of an old-fashioned jug band. Other participants on volume three are pianist Joshua Altheimer and no-nonsense drummer Fred Williams. Merline Johnson sings a lot of straightforward blues on this collection, occasionally tearing up with lively numbers like "You're a Pain in the Neck to Me," "I'd Rather Be Drunk," "I Just Keep on Drinking," "Want to Woogie Some More," "I Won't Sell My Love," "You Know It Ain't Right," and "Man to Man." The rest of the songs move more gradually and are, in some cases, melodically similar enough to sound like continuous installments in a sort of extended blues oratorio. Certainly tracks 4 through 23, with accompaniment pared down to piano and drums, have the singer sounding less like a jazz artist than ever before; "Stop and Listen" is a peculiarly moving performance similar to Victoria Spivey's bittersweet approach to the blues. This portion of the Yas Yas Girl's chronology ends with eight recordings made on October 7, 1940. Six more Okeh sides from 1941 and a previously unreleased "Bad Whiskey Blues" recorded in 1947 were included in a compilation entitled Female Chicago Blues (Document 5295) along with recordings by Trixie Butler, Clara Morris, and Billie McKenzie. All of the Yas Yas Girl's recordings are well worth obtaining, with Document's volume two offering maximum enjoyment. arwulf arwulf

 Tracklist :
1    You're a Pain in the Neck to Me 2:52 (A)
2    I'd Rather Be Drunk 2:38 (A)
3    I Just Keep on Drinking 2:45 (A)
4    Front Door Blues 2:37 (B)
5    I'll Try to Forget 2:44 (B)
6    Want to Woogie Some More 2:48 (B)
7    You Don't Know My Mind 2:42 (B)
8    Mama's Bad Luck Child 2:50 (B)
9    Black Gypsy Blues 3:01 (C)
10    Screaming the Blues 2:48 (C)
11    Yellow Basket Blues 2:46 (C)
12    I'm Not Your Fool 3:02 (C)
13    I Won't Sell My Love 2:45 (C)
14    Don't Forget It 2:41 (C)
15    Stop and Listen 2:39 (C)
16    You Know It Ain't Right 2:36 (D)
17    Man to Man 2:51 (D)
18    Evil Old Nightmare 2:45 (D)
19    See Saw Blues 3:01 (D)
20    Black Ghost Blues 2:52 (D)
21    Worried Heart Blues 2:51 (D)
22    Milkman Blues 2:51 (D)
23    Got the Blues for My Baby 2:38 (D)