Mostrando postagens com marcador Carmell Jones. Mostrar todas as postagens
Mostrando postagens com marcador Carmell Jones. Mostrar todas as postagens

24.2.24

THE HORACE SILVER QUINTET — Song for My Father (1964-2004) RM | Serie Blue Note 決定盤1500 – 51 | FLAC (tracks+.cue), lossless

One of Blue Note's greatest mainstream hard bop dates, Song for My Father is Horace Silver's signature LP and the peak of a discography already studded with classics. Silver was always a master at balancing jumping rhythms with complex harmonies for a unique blend of earthiness and sophistication, and Song for My Father has perhaps the most sophisticated air of all his albums. Part of the reason is the faintly exotic tint that comes from Silver's flowering fascination with rhythms and modes from overseas -- the bossa nova beat of the classic "Song for My Father," for example, or the Eastern-flavored theme of "Calcutta Cutie," or the tropical-sounding rhythms of "Que Pasa?" Subtle touches like these alter Silver's core sound just enough to bring out its hidden class, which is why the album has become such a favorite source of upscale ambience. Song for My Father was actually far less focused in its origins than the typical Silver project; it dates from the period when Silver was disbanding his classic quintet and assembling a new group, and it features performances from both bands. Still, it hangs together remarkably well, and Silver's writing is at its tightest and catchiest. The title cut became Silver's best-known composition, partly because it provided the musical basis for jazz-rock group Steely Dan's biggest pop hit "Rikki Don't Lose That Number." Another hard bop standard is introduced here in the lone non-Silver tune, tenor saxophonist Joe Henderson's "The Kicker," covered often for the challenge of its stuttering phrases and intricate rhythms. Yet somehow it comes off as warm and inviting as the rest of the album, which is necessary for all jazz collections -- mainstream hard bop rarely comes as good as Song for My Father. Steve Huey              
Tracklist:
1 Song for My Father 7:18      
Horace Silver
2 The Natives Are Restless Tonight 6:10 
Horace Silver
3 Calcutta Cutie 8:31
Horace Silver
4 Que Pasa? 7:47
Horace Silver
5 The Kicker 5:26
Joe Henderson
6 Lonely Woman 7:02
Horace Silver
Credits:
Piano – Horace Silver
Bass – Gene Taylor (tracks: 3, 6), Teddy Smith (tracks: 1, 2, 4, 5)
Drums – Roger Humphries (tracks: 1, 2, 4, 5), Roy Brooks (tracks: 3, 6)
Trumpet – Blue Mitchell (tracks: 3, 6), Carmell Jones (tracks: 1, 2, 4, 5)
Tenor Saxophone – Joe Henderson (tracks: 1, 2, 4, 5), Junior Cook (tracks: 3, 6)
Recorded By – Rudy Van Gelder

2.8.17

BUD SHANK QUINTET & SEXTET - New Groove / Barefoot Adventure [1961] FLAC / 2011 / Pacific Jazz

The two albums included here, New Groove, and Barefoot Adventure, present Bud Shank not only on alto sax, but also on baritone, an instrument he had played in clubs and as a sideman in sporadic studio sessions since the early 50s, but never before on his own recording dates. And while his alto has his customary command and fluency, his work on the less familiar baritone is equally impressive, the sound hard and driving, with expressive use of dynamics.
In these 1961 recordings, he fronts two similar groups, with a fresh approach, more groove-based and soulful, compared to previous works. With that in mind, he hired the young and talented trumpeter Carmell Jones, just arrived to the L.A. scene from Kansas City, whose warmth and enthusiasm on both sides are contagious. On Barefoot, the presence of Bob Cooper is felt throughout, with his tenor solos consistenly fluent and swinging.
In the rhythm, Dennis Budimir on guitar handles most of the comping chores in his puckish prodding way; Gary Peacock shows he was developing into a reliable rhythm mate; and Mel Lewis in the first date and Shelly Manne in the second, play with their celebrated taste, imagination, and musicianship.
"New Groove" 
1. New Groove (Shank) 6:44
2. The Awakening (Shank) 4:24
3. White Lightnin' (Shank) 5:20
4. Sultry Serenade (Ellington) 7:12
5. Well, You Needen't (Monk) 6:57
6. Liddledabllduya (Peacock) 3:55
Carmell Jones (trumpet), 
Bud Shank (alto & baritone sax), 
Dennis Budimir (guitar), 
Gary Peacock (bass), 
Mel Lewis (drums).
Recorded at Rex Productions, 
Los Angeles, February 22, 1961
"Barefoot Adventure"
7. Barefoot Adventure (Shank) 4:12
8. Shoeless Beach Meeting (Shank) 4:05
9. Jungle Cruise (Shank) 4:44
10. How High the Makaha (Shank) 3:11
11. Well, 'Pon My Soul (Shank) 4:14
12. Ala Moana (Shank) 2:15
13. Bruce Is Loose (Shank) 3:23
14. Dance of the Sea Monsters (Shank) 4:07
Personnel on "Barefoot Adventure":
Bob Cooper (tenor sax), 
 Shelly Manne (drums)  replaces Mel Lewis.
Recorded at Rex Productions, 
Los Angeles, September 8, 1961

BLIND BOY FULLER — Complete Recorded Works In Chronological Order ★ Volume 1 • 1935-1936 | DOCD-5091 (1992) RM | FLAC (tracks+.cue), lossless

The finest collection ever of blues and ragtime. Fuller is here both solo and with Gary Davis, Sonny Terry, and Bull City Red. This is Piedm...