One of Blue Note's greatest mainstream hard bop dates, Song for My 
Father is Horace Silver's signature LP and the peak of a discography 
already studded with classics. Silver was always a master at balancing 
jumping rhythms with complex harmonies for a unique blend of earthiness 
and sophistication, and Song for My Father has perhaps the most 
sophisticated air of all his albums. Part of the reason is the faintly 
exotic tint that comes from Silver's flowering fascination with rhythms 
and modes from overseas -- the bossa nova beat of the classic "Song for 
My Father," for example, or the Eastern-flavored theme of "Calcutta 
Cutie," or the tropical-sounding rhythms of "Que Pasa?" Subtle touches 
like these alter Silver's core sound just enough to bring out its hidden
 class, which is why the album has become such a favorite source of 
upscale ambience. Song for My Father was actually far less focused in 
its origins than the typical Silver project; it dates from the period 
when Silver was disbanding his classic quintet and assembling a new 
group, and it features performances from both bands. Still, it hangs 
together remarkably well, and Silver's writing is at its tightest and 
catchiest. The title cut became Silver's best-known composition, partly 
because it provided the musical basis for jazz-rock group Steely Dan's 
biggest pop hit "Rikki Don't Lose That Number." Another hard bop 
standard is introduced here in the lone non-Silver tune, tenor 
saxophonist Joe Henderson's "The Kicker," covered often for the 
challenge of its stuttering phrases and intricate rhythms. Yet somehow 
it comes off as warm and inviting as the rest of the album, which is 
necessary for all jazz collections -- mainstream hard bop rarely comes 
as good as Song for My Father. Steve Huey              
Tracklist:
 1 Song for My Father 7:18
1 Song for My Father 7:18      
Horace Silver
2 The Natives Are Restless Tonight 6:10 
Horace Silver
3 Calcutta Cutie 8:31 
Horace Silver
4 Que Pasa? 7:47
Horace Silver
5 The Kicker 5:26 
Joe Henderson
6 Lonely Woman 7:02
Horace Silver
Credits:
Piano – Horace Silver
Bass – Gene Taylor (tracks: 3, 6), Teddy Smith (tracks: 1, 2, 4, 5)
Drums – Roger Humphries (tracks: 1, 2, 4, 5), Roy Brooks (tracks: 3, 6)
Trumpet – Blue Mitchell (tracks: 3, 6), Carmell Jones (tracks: 1, 2, 4, 5)
Tenor Saxophone – Joe Henderson (tracks: 1, 2, 4, 5), Junior Cook (tracks: 3, 6)
Recorded By – Rudy Van Gelder
24.2.24
THE HORACE SILVER QUINTET — Song for My Father (1964-2004) RM | Serie Blue Note 決定盤1500 – 51 | FLAC (tracks+.cue), lossless
25.11.23
KENNY DORHAM — Matador (1962-2010) RM | Serie Jazz名盤 999 Best & More, EMI Music Japan Inc. 50th Anniversary | FLAC (tracks+.cue), lossless
Kenny
 Dorham's Matador can safely claim the all too common distinction of 
being a classic among jazz connoisseurs while virtually unknown to the 
casual listener. Dorham is joined here by Jackie McLean, Bobby Timmons, 
Teddy Smith, and J.C. Moses, all of whom deliver outstanding 
performances. More than anything, this session is perhaps best known for
 including a stunning version of McLean's composition "Melody for 
Melonae," used less than a month earlier on his groundbreaking Blue Note
 LP Let Freedom Ring. For this session, though, the tune is renamed 
"Melanie" and, if not better, this version at least rivals the take 
under McLean's leadership. For starters, the addition of another horn 
adds some tonal depth to the proceedings, a situation arguably lacking 
in the tune's earlier recording. Also of note is what has to be Bobby 
Timmons' most intense moment on record. One rarely has the opportunity 
to hear Timmons dig and scrape as hard as he does during this solo, and 
his barely audible vocal accompaniment (à la Bud Powell) only helps to 
prove this point. This is a case where a performer not commonly 
associated with seriously stretching out goes at it with a 
life-affirming fervor, making "Melanie" a treat for listeners who revel 
in emotional performances. Other highlights include the opener, "El 
Matador," a 5/4 number that, frankly, fades out just when things were 
getting good, and the otherwise unaccompanied Dorham/Timmons duet, 
"Prelude." A fantastic session by any standard. Brandon Burke 
1 El Matador 6:32 
Kenny Dorham
2 Melanie, Pts. 1-3 11:34
Jackie McLean
3 Smile 5:00 
Charlie Chaplin / Geoffrey Parsons / John Turner
4 Beautiful Love 5:13 
Haven Gillespie / Wayne King / Egbert VanAlstyne / Victor Young
5 Prelude 4:47 
Heitor Villa-Lobos
6 There Goes My Heart 5:12
Benny Davis / Horace Silver
Credits :
Alto Saxophone – Jackie McLean
Bass – Teddy Smith
Drums – J.C. Moses
Piano – Bobby Timmons
Trumpet – Kenny Dorham 
+ last month
JOHANN WILHELM HÄSSLER — Keyboard Sonatas (Michele Benuzzi) 4CD (2016) FLAC (image+.cue), lossless
As Michele Benuzzi himself explains in a booklet-essay, the idea for this comprehensive collection came about through the success of his sma...
 

 
 

 
 
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