AIRTO ‎MOREIRA - Seeds On The Ground - The Natural Sound Of Airto (1971-1990) FLAC (tracks+.cue), lossless

Seeds On The Ground (1971) est le deuxième album solo du jazzman brésilien Airto Moreira, juste avant sa participation au Return To Forever de Chick Corea. On baigne typiquement dans l'atmosphère Jazz fin des années 60 / début 70 : Jazz Fusion, Free Jazz, Jazz teinté de rythmes exotiques. Le plus est apporté par les racines brésiliennes d'Arto Moreira via la Samba et les musiques Folkloriques Brésiliennes style Forro. Airto Moreira est accompagné par sa compagne, Flora Purim, au chant, et les excellents musiciens Hermeto Pascoal aux claviers e Ron Carter à la contrebasse. On note la présence de Sivuca. Mes plages préférées correspondent aux temps de l'album où le Jazz Fusion rencontre avec magie la Samba ("Juntos (We Love)"). Cet album "solo" et "débridé" d'Airto Moreira est souvent présenté comme une "récréation entre deux périodes, celle "Weather Report" et celle "Return to Forever". Seeds On The Ground est un très intéressant album de Jazz Fusion créatif et aventureux fortement teinté de musique latine sauce brésilienne, donc à découvrir. by Dominique Deret
Tracklist  
1 Andei (I Walked) 2:40
Bass – Ron Carter
Vocals, Percussion, Berimbau – Airto
Written-By, Harpsichord, Flute – Hermeto Pascoal
2 O Sonho (Moon Dreams) 7:45
Bass – Ron Carter
Drums, Percussion – Airto
Keyboards – Hermeto Pascoal
Vocals – Flora Purim
Written By – J. Livingston & R. Evans
3 Uri (Wind) 6:10
Accordion – Sivuca
Bass, Cello – Ron Carter
Flute [Bass], Acoustic Guitar [Violão], Voice, Written-By – Hermeto Pascoal
Viola – Severino De Oliveira
Vocals, Drums, Percussion, Voice – Airto
Vocals, Voice – Flora Purim
Voice, Written-By – Googie
4 Papo Furado (Jive Talking) 3:29
Acoustic Guitar [Caipira], Voice – Severino De Oliveira
Acoustic Guitar [Violão], Voice, Written-By – Hermeto Pascoal
Bass, Voice – Ron Carter
Percussion, Voice – Dom Um Romão
Vocals, Percussion, Voice – Airto
5 Juntos (We Love) 3:22
Bass – Ron Carter
Drums, Percussion – Airto
Flute [Bass], Piano, Written-By – Hermeto Pascoal
Organ – Severino De Oliveira
Percussion – Dom Um Romão
Written-By, Vocals – Flora Purim
6 O Galho Da Roseira (The Branches Of The Rose Tree) 7:54
Acoustic Guitar [Violão], Accordion – Severino De Oliveira
Bass – Ron Carter
Keyboards, Other [Japanese Sapho], Written-By – Hermeto Pascoal
Percussion – Dom Um Romão
Vocals – Flora Purim
7 O Galho Da Roseira (The Branches Of The Rose Tree) Part II 8:21
Acoustic Guitar [Violão], Accordion – Severino De Oliveira
Bass – Ron Carter
Keyboards, Other [Japanese Sapho], Written-By – Hermeto Pascoal
Percussion – Dom Um Romão
Vocals – Flora Purim

AIRTO MOREIRA - Free (1972-2003) RM / APE (image+.cue), lossless

The 1970s were banner years for Airto Moreira -- not only because of his association with Chick Corea's Return to Forever and his work on wife Flora Purim's Milestone dates, but also, because of the generally superb work he did under Creed Taylor's supervision at CTI from 1972-74. One of the five-star gems that the Brazilian percussionist recorded for CTI was Fingers, which employs Purim on percussion and vocals, David Amaro on guitar, Hugo Fattoruso on keyboards and harmonica, Jorge Fattoruso on drums and Ringo Thielmann on electric bass. Produced by Taylor and recorded at Rudy Van Gelder's famous New Jersey studio, this LP demonstrates just how exciting and creative 1970s fusion could be. When Moreira and his colleagues blend jazz with Brazilian music, rock and funk on such cuts as "Wind Chant," "Tombo in 7/4" and "Romance of Death," the results are consistently enriching. Fingers is an album to savor. by Alex Henderson
Tracklist :
1  Return to Forever - 10:17
(Chick Corea)
2 Flora's Song - 8:30
(Flora Purim)
3 Free - 11:50
(Airto Moreira)
4 Lucky Southern - 2:36
(Keith Jarrett)
5 Creek (Arroio) - 6:12
(Victor Brazil)
- Bonus Track -
6 So Tender - 5:01
(Keith Jarrett)
7 Jequié - 2:57
(Moacir Santos)
8 Creek (Arroio) (Altenate Version) - 9:23  
Personnel :
Airto - Percussion, Vocals
Hubert Laws - Flute
Joe Farrell - Soprano Saxophone, Alto Flute, Bass Flute, Piccolo
Chick Corea - Piano, Electric Piano
Keith Jarrett - Piano
Nelson Ayres - Electric Piano
George Benson - Guitar
Jay Berliner - Guitar
Ron Carter - Bass
Stanley Clarke - Electric Bass
Flora Purim - vocals
Burt Collins, Mel Davis, Alan Rubin - Trumpet, Flugelhorn
Wayne Andre, Garnett Brown, Joe Wallace - Trombone
Don Sebesky - Arranger

AIRTO MOREIRA - Fingers (1973-2002) RM / FLAC (tracks+.cue), lossless

The 1970s were banner years for Airto Moreira -- not only because of his association with Chick Corea's Return to Forever and his work on wife Flora Purim's Milestone dates, but also, because of the generally superb work he did under Creed Taylor's supervision at CTI from 1972-74. One of the five-star gems that the Brazilian percussionist recorded for CTI was Fingers, which employs Purim on percussion and vocals, David Amaro on guitar, Hugo Fattoruso on keyboards and harmonica, Jorge Fattoruso on drums and Ringo Thielmann on electric bass. Produced by Taylor and recorded at Rudy Van Gelder's famous New Jersey studio, this LP demonstrates just how exciting and creative 1970s fusion could be. When Moreira and his colleagues blend jazz with Brazilian music, rock and funk on such cuts as "Wind Chant," "Tombo in 7/4" and "Romance of Death," the results are consistently enriching. Fingers is an album to savor.  by Alex Henderson
Tracklist
1    Fingers (El Rada)    4:30
Ruben Rada / Eduardo Uzeta
2    Romanca Of Death    5:35
Hugo Fattoruso
3    Merry-Go-Round    2:40
Airto Moreira / Flora Purim
4    Wind Chant    5:45
Hugo Fattoruso
5    Parana    6:00
Hugo Fattoruso
6    San Francisco River    4:05
Flora Purim
7    Tombo In 7/4    6:20
Airto Moreira
Credits
Acoustic Guitar, Guitar [Electric], Guitar [12 String] – David Amaro
Bass, Vocals – Ringo Thielmann
Drums, Vocals – Jorge Fattoruso
Keyboards, Harmonica, Vocals – Hugo Fattoruso
Percussion, Drums, Vocals – Airto
Percussion, Vocals – Flora Purim

AIRTO MOREIRA - The Other Side of This (1992) FLAC (tracks+.cue), lossless

Using voice, drum, whistle, chimes, shakers, rattle, tambourine, and didgeridoo, Airto and company make music that comes from all regions and belongs to none. These are songs for ritual and healing, based on many cultures. The mood is ethereal, yet because of the predominance of percussion, also powerful. New age music with punch. by Steven McDonald
Tracklist :
1     Endless Cycle 4:00
Airto Moreira
Vocals, Drums [The 'Beast' - Suspended Steel Cylinder Drums], Bells, Whistle [Air Whistle] – Airto Moreira   
2     Tumbleweed 5:20
Airto Moreira
Ghatam – T.H. "Vikku" Vinayakram
Tabla, Wood Block [Wood] – Zakir Hussain
Wood Block [Wood] – Babatunde Olatunji, Kitaro, Mickey Hart
Wood Block [Wood], Vocals, Rattle, Shaker, Flute [Wooden], Flute [Charming] – Airto Moreira   
3     Back Streets of Havana 2:44
Bata, Cowbell, Shekere, Vocals – Giovanni Hidalgo
Bata, Shekere, Lead Vocals – Frank Colon
Bata, Vocals, Handclaps – Airto Moreira
Vocals, Handclaps – Diana Moreira   
4     Healing Sounds 2:42
Verna Yater
Vocals – Dr Verna Yater   
5     The Underwater People 8:30
Airto Moreira
Ghatam – T.H. "Vikku" Vinayakram
Tabla – Zakir Hussain
Vocals – Diana Moreira
Vocals, Percussion [Water Bottle], Flute [Wooden], Caxixi, Ganzá, Whistle [Air Whistle] – Airto Moreira
6     Old Man's Song 2:04
Airto Moreira
Vocals, Tambourine [Brazillian], Djembe, Caxixi – Airto Moreira
7     Hey Ya 4:06
Airto Moreira
Percussion [Stomping, Tree Branches], Vocals, Surdo, Shaker, Cowbell, Rattle, Bullroarer – Airto Moreira
Percussion [Stomping], Vocals – Caryl Ohrbach, Cheryl McEnaney, Diana Moreira, Flora Purim, Kitaro, Rose Solomon
Percussion [Stomping], Vocals, Shaker, Rattle – Mickey Hart
8     When Angels Cry 4:17
Flora Purim
Chimes, Performer [Bird Calls] – Airto Moreira
Vocals – Flora Purim
9     Dom-Um (A Good Friend) 5:58
Zakir Hussain / Airto Moreira
Berimbau, Caxixi, Triangle, Nose Flute, Vocals, Performer [Bird Calls] – Airto Moreira
Tabla – Zakir Hussain
10     Street Reunion 2:57
Bata, Lead Vocals, Shekere – Frank Colon
Bata, Vocals, Handclaps – Airto Moreira
Bata, Vocals, Shekere, Cowbell – Giovanni Hidalgo
Vocals, Handclaps – Diana Moreira   
11     Mirror of the Past 6:12
Airto Moreira
Didgeridoo, Vocals, Flute [African Black], Rattle [African Rattles], Bells [Chinese], Wind [Hollow Bamboo Blown On Water] – Airto Moreira
12     Sedonia's Circle 3:31
Stanley Clarke
Frame Drum, Vocals – Amrita Blain, Caryl Ohrbach, Jana Holmer, Justine Toms, KC Ross, Leah Martino, Sedonia Cahill
Rattle, Vocals – Margie Clark
Tar (Drum), Vocals – Margaret Barkley
Vocals – Diana Moreira, Flora Purim
13     Terra E Mar 6:03
Airto Moreira
Singing Bowls [Tibetan Bowl] – Mickey Hart
Vocals – Diana Moreira
Vocals, Rainstick [Brazilian], Conch, Performer [Bird Calls], Nose Flute, Sounds [Water Sounds] – Airto Moreira

AIRTO MOREIRA - Samba de Flora (1989) 32bits-96Hz / FLAC (tracks+.cue), lossless

An effusively performed minor classic of Brazilian jazz fusion, percussionist Airto Moreira's 1988 album Samba de Flora found him diving into an organic mix of originals and covers alongside equally gifted collaborators including his wife vocalist Flora Purim, Argentine pianist Jorge Dalto, bassist Alphonso Johnson, percussionist Don Alias, Cuban conga player Cachete, and others. The album was originally released on the cult independent Montuno Records label, based out of the Record Mart record store located in the Times Square subway station. Founded by Latin music impresario Al Santiago in 1975, Montuno issued album after album documenting the exuberant music and musicians whom Latin fans -- and specifically Latin dance fans -- were digging in NYC in the '70s and '80s. The centerpiece of the album is the propulsive minor-key title track, which features Moreira on both percussion and vocals, leading his band through an absolutely infectious dancefloor banger. Following the songs' minute-long percussion intro, Moreira and his band erupt into a dynamic call-and-response verse that conjures images of stylish dancers coupled in a sweaty samba frenzy. Equally captivating is the group's buoyant reading of Hugo Fattoruso and Ruben Rada's "Dedos" featuring Purim's earthy, smiling vocals. Elsewhere, they offer a similarly sparkling rendition of George Duke's "Yanah Amina" and plunge into the electric guitar-tinged Tropicalia of "Latin Woman." Moreira also reveals a gift for elegiac balladry, showcasing his burnished baritone vocals on the yearning, spare piano numbers "Mulambo" and "La Puerta." As with many of the LPs released by Montuno, Samba de Flora is a warmly produced album with a vibrant live aesthetic that steams with the energy and passion of a concert given in the heat of a New York City summer. by Matt Collar  
Tracklist :
1     Parana 4:26
Bass – Alphonso Johnson
Berimbau – Frank Colon
Drums, Percussion, Vocals – Airto Moreira
Guitar – Roland Bautista
Keyboards – Jorge Dalto
Percussion – Don Alias, Giovanni "Mañenguito" Hidalgo
Synthesizer – Kei Akagi
2     Samba de Flora 6:16
Tite Curet Alonso / Jorge Dalto
Bass – Michael Shapiro
Drums, Vocals – Airto Moreira
Keyboards – Jorge Dalto
Percussion – Angel "Cachete" Maldonado, Donald Alias*, Frank Colon, Giovanni "Mañenguito" Hidalgo     
3     La Puerta 5:39
Luis Demetrio
Piano [Acoustic] – Jorge Dalto
Vocals – Airto Moreira
4     Dedos 5:22
Hugo Fattoruso / Ruben Rada
Bass – Alphonso Johnson
Bongos – Giovanni "Mañenguito" Hidalgo
Congas – Angel "Cachete" Maldonado
Drums, Percussion – Airto Moreira
Keyboards – Jorge Dalto
Synthesizer – Kei Akagi
Trombone – Raul De Souza
Trumpet – Jeff Elliott
Vocals – Flora Purim, Rafael José
5     Yanah Amina 3:22
George Duke
Backing Vocals – Jill Avery
Bass – Randy Tico
Drums, Percussion, Congas – Airto Moreira
Saxophone, Flute, Soloist – David Tolegian
Trumpet – Rolando Gingras
Trumpet, Flugelhorn, Soloist – Jeff Elliott
Vocals – Flora Purim
6     El Fiasco 5:56
Jeff Elliott
Bass – Randy Tico
Drums – Tony Moreno
Keyboards – Bruce Bigenho
Percussion – Luiz Muños
Percussion, Congas – Airto Moreira
Saxophone – David Tolegian
Trumpet – Jeff Elliott, Rolando Gingras
7     Mulambo 6:30
Public Domain / Jaime Florence / Augusto Mesquita
Piano [Acoustic] – Jorge Dalto
Vocals – Airto Moreira, Flora Purim
8     Latin Woman 5:24
Bass – Keith Jones
Drums – Tony Moreno
Guitar – Larry Nass
Horns – Jeff Elliott
Keyboards – Jorge Dalto
Percussion, Congas – Airto Moreira
Piccolo Flute – Joe Farrell
Vocals – Flora Purim
Larry Nass

AIRTO / MICKEY HART / FLORA PURIM - Dafos (1989) FLAC (image+.cue), lossless

Long before 'world music' was a widely used term, ethnomusicologist and performer Mickey Hart became enamored with the culture of rhythms. After hooking back up with the Grateful Dead in the mid-'70s, Hart began incorporating advanced time-signatures into the "Drums" portion of the "Rhythm Devils" duets with Bill Kreutzmann (drums). As described in the liner notes, this is something of a soundtrack album for a planet called Däfos (1985). Hart (tar/beam/stick/tubular bells/percussion/berimbaus/saron/vocals) is accompanied by Steve Douglas (woodwinds), Shabda Khan (tar), Jody Diamond (saron), Bobby Vega (bass), Flora Purim (vocals), Airto Moreira (percussion) and the Brazilian group Batucaje among others for a collection of ambient soundscapes adorned by an array of indigenous hand and mallet-struck percussion. Although dominated by instruments, Flora Purim's vocals during "Reunion I" through "Reunion III" are equally as expressive as Vega's propulsive electric bass interjections, backed by Hart and Moreira's perpetual pursuit. "Saudação Popular" is one of the cuts to feature Batucaje, who join Hart on berimbau. The instrument's wah-wah effect is produced by the bow-like object that is struck, while the frequency is controlled by the amount of pressure the player places when moving it against the body. The mid-tempo tune incrementally increases in speed to match the intensity of the participants fervor. "Psychopomp" is Hart providing ambience on the amplified piano-string Beam -- that was often the highlight of the Grateful Dead's "Space" jams. The hollow, almost metallic "Subterranean Caves of Kronos" is once again just Hart on a series of subdued melodic tubular bell progressions. Conversely cacophonous is the multi-drum Beast, a 25-foot round aluminum frame able to support a capacious assemblage of drums. Its use became another zenith of Grateful Dead shows and Hart gives it a workout on the hell-bound "Gates of Däfos." According to the brief text supplied for each song title, the lengthy "Passage" depicts the journey once inside the Gates of Däfos, which develops from the atmosphere of a pastoral setting to the urban sounds of sambas and celebrations. Upon its release, Däfos (1985) garnered substantial notice from audiophiles, including a write-up in Absolute Sound that is reprinted in the Rykodisc CD edition. by Lindsay Planer  
Tracklist :
1     Dry Sands of the Desert 5:05
Mickey Hart
2     Ice of the North 1:20
Mickey Hart
3     Reunion I/Reunion II/Reunion III 9:52
Mickey Hart
4     Saudação Popular 5:12
Batucaje / Mickey Hart
5     Psychopomp 4:54
Mickey Hart
6     Subterranean Caves of Kronos 2:12
Mickey Hart
7     The Gates of Däfos 3:55
Mickey Hart
8     Passage 10:55
Mickey Hart
Credits :
Bass – Bobby Vega (faixas: 4)
Berimbau, Backing Vocals – Batucaje (faixas: 2), Mickey Hart (faixas: 2)
Gamelan – Jody Diamond (faixas: 3), Mickey Hart (faixas: 3, 5)
Other [Crew] – Billy Bullshit, Luvell, Ramrod, Young Dan Dundas
Percussion – Airto Moreira (faixas: 2, 4), Batucaje (faixas: 7), Mickey Hart (faixas: 4, 7)
Percussion [Tars] – Brian Crittenden (faixas: 1), Daniel Kennedy (faixas: 1), Habib Bishop (faixas: 1), Khadija Mastah (faixas: A1), Mica Katz (faixas: 1), Mickey Hart (faixas: 1), Ray Patch (faixas: 1), Shabda Kahn (faixas: 1)
Percussion [The Beast] – Mickey Hart (faixas: 6)
Vocals – Flora Purim (faixas: 2, 4), Marcos Antonio Dias (faixas: 2)
Woodwind – Steve Douglas (faixas: 1)

AIRTO MOREIRA - Struck by Lightning (1990) FLAC (image+.cue), lossless

Tracklist :
1    It's Time For Carnival 5:56
Acoustic Guitar – José Neto
Electric Bass [Fretless] – Randy Tico
Electric Guitar – José Neto
Electric Guitar, Acoustic Guitar – José Neto
Lyrics By – Airto Moreira
Percussion – Airto Moreira
Tamborim – Junior Homrich
Vocals – Airto Moreira
Written-By – A. Moreira
2    Burning Money (Queimando Dinheiro) 4:08
Acoustic Bass ["John Hawk" Fretless] – Randy Tico
Acoustic Guitar – José Neto
Electric Bass [Fretless] – Randy Tico
Flute, Keyboards [Korg M-1] – Gary Meek
Percussion, Vocals – Airto Moreira
Twelve-String Guitar – José Neto
Written-By – J. Neto
3    Berimbau First Cry 5:07
Berimbau, Vocals, Flute [Wooden], Percussion, Noises [Background Noises], Voice – Airto Moreira
Written-By – A. Moreira
4    Sea Horse 6:48
Acoustic Bass ["John Hawk" Fretless] – Randy Tico
Acoustic Guitar – José Neto
Electronic Wind Instrument [EWI] – Gary Meek
Lyrics By [Underwater] – Airto Moreira
Percussion, Vocals, Electronics [Electronic Water Bottle] – Airto Moreira
Twelve-String Guitar – José Neto
Written-By – J. Neto
5    Struck By Lightning 4:42
Drums [Trap Drums] – Mike Shapiro
Electric Bass – Rob Harrison
Keyboards – Marcos Silva
Lyrics By – Flora Purim
Percussion – Airto Moreira
Vocals – Flora Purim
Written-By – G. Meek
6    Samba Louco (Crazy Samba) 2:03
Electric Bass – Mark Egan
Percussion – Airto Moreira
Synthesizer [Yamaha Tx-7, Roland D-50, Fairlight SG10] – Chick Corea
Tenor Saxophone – Gary Meek
Written-By – A. Moreira, C. Corea, M. Egan
7    Seven Dwarfs 4:18
Electric Bass – Mark Egan
Electronic Wind Instrument [EWI] – Gary Meek
Percussion, Drums [Trap Drums], Vocals – Airto Moreira
Piano – Chick Corea
Soprano Saxophone – Gary Meek
Written-By – A. Moreira
8    Samba Nosso (Our Samba) 9:04
Electric Bass – Stanley Clarke
Electronic Wind Instrument [EWI] – Gary Meek
Percussion, Drums [Trap Drums], Vocals – Airto Moreira
Piano, Synthesizer [Yamaha Tx-7, Roland D-50, Fairlight SG10] – Herbie Hancock
Soprano Saxophone – Gary Meek
Written-By – A. Moreira, H. Hancock, S. Clarke
9    Skins & Rattle 5:56
Percussion – Airto Moreira
Written-By – A. Moreira

AIRTO MOREIRA AND THE GODS OF JAZZ - Killer Bees (1989) APE (image+.cue), lossless

In November of 1989, after ten years of California living, Brazilian percussionist Airto Moreira felt the need to get back in touch with the free-music roots he established two decades earlier in New York City. A spate of slumberous L.A. studio sessions, in combination with a tired scene in his adoptive hometown of Santa Barbara, was beginning to take its toll on the creative percussionist. New York of the late 1960s bustled with musical vibrancy for Moreira. All night jam sessions with the likes of Chick Corea, Dave Holland, Jan Hammer, Stanley Clarke, Joe Zawinul, Wayne Shorter, and Walker Booker were the rule for the artist. On occasion, even such heavyweight legends as Lee Morgan, Cannonball Adderley, Buster Williams, and Thelonious Monk would sit in. In an effort to shake off L.A. studio stupor and re-create the wonder days of impromptu dream team sessions, he invited long time jazz comrades Chick Corea, Herbie Hancock, Mark Egan, and Stanley Clarke to record improvised music with him in a local Santa Barbara studio. Jumping at the opportunity to play with their friends for the sake of playing, these musicians ended up producing the Killer Bees CD. Peppered with subtle overdubs by vocalist Flora Purim, saxophonist Gary Meek, and guitarist Hiram Bullock, Killer Bees is a set of nine tracks characterized by the sense of spontaneity and adventurousness that Airto intended to revisit. From the opening "Banana Jam," a track in which Moreira, Corea, and Egan experiment with sounds in an improvised section that eventually crescendos into a powerful bass and piano ostinato, to the concluding "Chicken on the Mind," a whimsical track that builds on the sounds of a barking dog and the cackles of Corea, this CD captures superb studio musicians playing out on a limb. If you are looking for the precise articulation of rigid song structures, then this CD may leave you feeling a bit unsatisfied. On the other hand, if you enjoy listening to evolving and amorphous forms full of mercurially virtuosic content, then Killer Bees will make you yearn for more projects that recreate Moreira's free-jazz jams of yore. by John Vallier  
Tracklist :
1     Banana Jam 6:03
Chick Corea / Mark Egan / Airto Moreira / Flora Purim
2     Be There 4:43
Stanley Clarke / Herbie Hancock / Airto Moreira
3     Killer Bees 7:36
Hiram Bullock / Chick Corea / Mark Egan / Airto Moreira
4     City Sushi Man 4:03
Hiram Bullock / Chick Corea / Mark Egan / Airto Moreira
5     See Ya Later 5:36
Chick Corea / Mark Egan / Airto Moreira
6     Never Mind 7:46
Stanley Clarke / Herbie Hancock / Airto Moreira
7     Communion 8:39
Stanley Clarke / Herbie Hancock / Airto Moreira
8     Nasty Moves 2:12
Hiram Bullock / Mark Egan / Airto Moreira
9     Chicken in the Mind 3:29
Chick Corea / Mark Egan / Airto Moreira
Credits :
Acoustic Bass, Electric Bass – Stanley Clarke
Drums, Percussion, Vocals – Airto Moreira
Electric Bass, Fretless Bass – Mark Egan
Guitar – Hiram Bullock
Overdubbed By – Steve Hart
Piano, Keyboards – Chick Corea, Herbie Hancock
Tenor Saxophone, Soprano Saxophone – Gary Meek
Vocals, Producer – Flora Purim

AIRTO MOREIRA - Homeless (2000) FLAC (tracks+.cue), lossless

Although Airto Moreira was never a jazz purist, most of his work has been jazz-oriented. From his years with Chick Corea's first Return to Forever lineup to his classic CTI dates of the 1970s to his work on wife Flora Purim's albums, the Brazilian drummer/vocalist has been known for combining jazz with Brazilian music, rock, and funk. No one could ever accuse Purim's husband of being someone who is only interested in showing the world how fast he can play John Coltrane's "Giant Steps," but it is safe to say that most of Moreira's work has been jazz-oriented even though it isn't straight-ahead bop. Homeless, however, is a Moreira project that has very little to do with jazz. This diverse, highly rhythmic CD draws on everything from pop, funk, hip-hop, and Afro-Brazilian tribal chanting to club and rave music, but jazz considerations aren't a priority. Although Homeless isn't the least bit predictable, there is something that ties all the material together: rhythm. Whether Moreira is embracing melodic Brazilian pop on the introspective "Wake Up Now" (which features his daughter, singer Diana Moreira Booker), getting into Afro-Brazilian tribal sounds on "The Last One" and "Come As You Are" (which are all rhythm and no melody), or getting into a moody yet funky rave/trance groove on "Vira Poeira (Burning to Dust)," the common denominator is Moreira's distinctively Brazilian sense of rhythm. The lead vocals are shared by Moreira and Booker; while Moreira sings in Portuguese, his daughter handles the English lyrics. Not surprisingly, Booker sounds somewhat like Purim, although she does have an appealing delivery of her own. This likable, if a bit uneven, CD isn't among Moreira's essential releases, but it's an intriguing addition to his catalog -- and he deserves credit for trying something a bit. by Alex Henderson
Tracklist :
1     Vira Poeira (Turn to Dust) 4:47
Krishna Booker / Airto Moreira
2     Come as You Are 4:45
Airto Moreira
3     700 Years 4:48
Krishna Booker / Giovanni Hidalgo / Airto Moreira
4     After These Messages 3:03
Krishna Booker / Airto Moreira
5     Street Vendors (D'Jmbo) 5:02
Krishna Booker / Airto Moreira
6     Wake up Now 4:16
Airto Moreira / José Neto
7     Homeless (Around the Fire) 6:19
Airto / Airto Moreira
8     Samba 4 Sale 6:59
Airto Moreira
9     Ginga Sem Fronteira 5:57
Krishna Booker / Airto Moreira
10     The Last One 4:41
Airto Moreira
Credits :
Backing Vocals – Airto Moreira (faixas: 1, 2, 3, 6), Db a.k.a. Decibel (faixas: 9), The Factor (faixas: 1, 2)
Bass – Gary Brown (faixas: 3, 6)
Drums – Airto Moreira (faixas: 1, 3, 4, 5, 9, 10), Changuito (faixas: 6), Meia Noite (faixas: 5), Pablo Silva (faixas: 2, 8)
Flute [Wooden Flutes] – Airto Moreira
Guitar – José Neto
Human Beatbox – The Factor (faixas: 4)
Keyboards – The Factor (faixas: 1, 3, 5, 9)
Lead Vocals – Airto Moreira (faixas: 1, 5, 9), Db a.k.a. Decibel (faixas: 3, 5, 6,)
Lyrics By [Portuguese Words] – Hilton Barcelos (faixas: 9)
Other [Background Ambience] – Airto Moreira (faixas: 7, 8, 10), Db a.k.a. Decibel (faixas: 7, 10), Flora Purim (faixas: 7), Freddie Santiago (faixas: 7), Giovanni Hidalgo (faixas: 7), The Factor (faixas: 10)
Percussion – Airto Moreira (faixas: 1 - 3, 5 - 9), Amén Santos (faixas: 2, 8, 10), Changuito (faixas: 3, 4), Freddie Santiago (faixas: 6), Giovanni Hidalgo (faixas: 3, 6), Meia Noite (faixas: 1, 4, 5), Pablo Silva (faixas: 10)

FLORA PURIM - That's What She Said (1977-2001) RM / FLAC (tracks+.cue), lossless

Toward the close of her Milestone years, Flora Purim teamed up with producer/keyboardist George Duke -- and the imprint of Duke, then entering his funkified "Dukey Stick" period, is heavy enough to dominate the record. Very often, Duke uses his then rhythm section of bassist Byron Miller (alternating with Alphonso Johnson) and drummer Ndugu Chandler to give the grooves a definite '70s funk feel -- and percussionist Airto adapts his talents seamlessly to this way of life. Duke's electronic keyboard arsenal is all over the record, occasionally going gonzo on the Moog synthesizer, draping a then-still-fashionable ARP string synthesizer over the landscape, comping on the Rhodes electric piano or Yamaha electric grand. Joe Henderson turns up with a funk-bop tenor solo on the Brazilian/funk groove on "What Can I Say?" (what could he say?), part of a first-call L.A. studio horn section that includes trumpet Oscar Brashear, trombonist George Bohanon, and Ernie Watts on flute. And where does all of this instrumental activity leave Purim? Floating on top of the mix as usual, whether in a wordless vocalise, agile scatting with Duke's lead synth on the title track, or heavily accented English, sometimes in multiple overdubs. Nevertheless, the Brazilian feeling is not quite cancelled out by Duke's busy production hand -- and this Western Hemispheric amalgam would soon pave the way for groups like Azymuth. by Richard S. Ginell 
Tracklist :
1     Look into His Eyes 4:34
Drums – Leon Ndugu Chancler
Electric Bass – Byron Miller
Percussion – Airto
Vocals – Flora Purim
Written-By, Electric Piano [Rhodes], Synthesizer [Moog], Soloist [Moog], Backing Vocals – George Duke
2     Juicy 4:32
Drums – Ndugu
Electric Bass – Alphonso Johnson
Electric Piano [Rhodes], Synthesizer [Moog] – George Duke
Percussion, Congas – Airto
Vocals, Gong – Flora Purim
Written-By – Duke
3     Hidden Within 5:09
Drums – Ndugu
Electric Bass – Byron Miller
Electric Piano [Yamaha Grand], Synthesizer [Moog], Soloist [Moog] – George Duke
Guitar – Jay Graydon
Guitar, Soloist – David T. Walker
Percussion, Congas – Airto
Vocals – Flora Purim
Written-By – Leon Ndugu Chancler
4     You on My Mind 3:32
Drums – Ndugu
Electric Bass – Alphonso Johnson
Percussion, Vocals – Airto
Piano [Acoustic], Electric Piano [Rhodes], Synthesizer [Moog] – George Duke
Vocals, Backing Vocals – Flora Purim
Written-By – Airto Moreira
5     What Can I Say? 5:04
Drums – Ndugu
Electric Bass – Byron Miller
Electric Piano [Yamaha Grand, Rhodes], Arranged By [Horns], Conductor [Horns] – George Duke
Flute – Ernie Watts
Guitar – Jay Graydon
Percussion, Congas, Bongos – Airto
Soloist, Tenor Saxophone – Joe Henderson
Trombone – George Bohanon
Trumpet – Oscar Brashear
Vocals – Flora Purim
Written-By – Duke
6     Love's the Way I Feel 'Bout Cha 4:45
Alphonso Johnson / Pat Walker
7     That's What She Said 3:53
Drums – Ndugu
Electric Bass – Alphonso Johnson
Electric Piano [Rhodes], Arranged By [Horns], Conductor [Horns] – George Duke
Flute – Ernie Watts
Percussion, Congas, Bongos, Soloist [Bongos] – Airto
Synthesizer [Arp Odyssey], Soloist – Hugo Fattoruso
Tenor Saxophone – Joe Henderson
Trombone – George Bohanon
Trumpet – Oscar Brashear
Vocals – Flora Purim
Written-By – Duke
8     You Are My Heart 4:06
Leon "Ndugu" Chancler
Credits :
Accompanied By [With] – Airto, Alphonso Johnson, Byron Miller, Ernie Watts, George Bohanon, George Duke, Jay Graydon, Leon Ndugu Chancler, Oscar Brashear

FLORA PURIM - Carry On (1979-2002) RM / FLAC (tracks+.cue), lossless

In 1979, jazz was no longer George Duke's primary focus; his albums were emphasizing soul/funk, and many of the R&B fans who knew him for late '70s hits, like "Dukey Stick," "I Want You for Myself," and "Reach for It," knew little or nothing about his work with Cannonball Adderley, Billy Cobham, or Jean-Luc Ponty. But Duke was still producing some jazz albums here and there, although they weren't necessarily straight ahead. Even though Flora Purim's Carry On, which Duke produced, is primarily a Brazilian jazz album, it isn't for jazz purists -- rather, Purim provides an eclectic blend of jazz, samba, R&B/funk, rock, and pop. Purim has many inspired moments on this LP and is joined by members of Duke's late '70s band -- bassist Byron Miller, drummers Ricky Lawson and Leon "Ndugu" Chancler, percussionist Sheila Escovedo (who became Sheila E after joining forces with Prince in 1984), keyboardist Bobby Lyle, trumpeter Jerry Hey, and saxman Joe Farrell. In addition to excelling on Duke's funky title song, Gilberto Gil's "Sarara," and Toninho Horta's "Beijo Partido," Purim really lets loose on Milton Nascimento's "From the Lonely Afternoon." Those who associate "From the Lonely Afternoon" with Wayne Shorter's superb Native Dancer album will find Purim's interpretation to be faster and more intense. by Alex Henderson
Tracklist :
1     Sarara 4:06
Gilberto Gil
2     From the Lonely Afternoon 3:25
Milton Nascimento
3     Niura is Coming Back 2:54
Yana Purim
4     Once I Ran Away 3:38
Yana Purim
5     Carry On 5:15
George Duke
6     Love Lock 3:32
Reggie Lucas / James Mtume
7     Corine 4:52
George Duke / Airto Moreira / Flora Purim
8     Islands in the Sun [Interlude] 1:29
David Bateau / Michael Sembello
9     Beijo Partido (Broken Kiss) 4:40
Toninho Horta
10     Freeway Jam 4:36
Max Middleton
Credits :
David Amaro, David Myles, Michael Sembello - Guitar
Leon "Ndugu" Chancler, Ricky Lawson, Fred Fleck - Drums
Lynn Davis, Josie James - Vocals (Background)
George Duke - Composer, Piano
Joe Farrell - Sax (Soprano)
Hugo Fattoruso, Bobby Lyle, Greg Phillinganes - Keyboards, Synthesizer
Gary Gazaway - Flugelhorn
Jerry Hey - Trumpet
Al Jarreau - Guest Artist, Vocals
Keith Jones, Byron Miller - Bass
Airto Moreira - Composer, Tambourine, Trombone
Flora Purim -  Vocals
William Frank "Bill" Reichenbach Jr., Raul de Souza - Trombone
Larry Williams - Flute, Piccolo, Sax (Alto)

FLORA PURIM - Speed of Light (1994) APE (image+.cue), lossless

A brilliant cross between Flora Purim's '70s work with Chick Corea & Return to Forever (some of the only fusion albums that don't sound terribly dated decades later) and mid-'90s chill-out music, 1995's Speed of Light is one of the Brazilian-born singer's finest albums. Opening with the meditative instrumental "A Secret From the Sea," Speed of Light is a seamless blend of 12 smoothly danceable tracks combining Brazilian jazz; spacious, fusion-based arrangements heavy on the percussion and synthesizers; and cool, contemporary beats and loops. The combination works effortlessly, since so much acid jazz and ambient house music already cribs from '60s bossa nova and '70s fusion. Throughout it all, Purim's still-astonishing voice remains at center stage, whether murmuring softly on the slinky "Portal da Cor" or trilling wordlessly on the hypnotic "The Goddess of Thunder." Diana Moreira (daughter of Purim and percussionist Airto Moreira, her regular producer and collaborator) takes on an expanded writing and performing role, performing and arranging the complex overdubbed backing vocals that give the largely electronic songs a more intimate, human feel. Speed of Light is essential listening for both Brazilian jazz and chill-out fans. by Stewart Mason  
Tracklist :
1     A Secret From the Sea 1:03
Jovino Santos Neto
2     Wings (Asas) 3:12
3     Portal da Cor 4:40
Milton Nascimento / Ricardo Silveira
4     Rhythm Runner 5:41
Flora Purim
5     Light as My Flo' 5:41
Kushna Booker
6     Mojave Crossing 8:25
Giovanni Hidalgo / Airto Moreira
7     O Canto da Sereia 4:42
8     This World (Esse Mundo E Meu) 1:58
Flora Purim / Sérgio Ricardo
9     Overture 3:07
Jovino Santos Neto
10     The Goddess of Thunder 3:17
11     What You See 4:47
Kushna Booker
12     Maiasta (Miraculous Bird) 4:52
Credits :
Backing Vocals – Diana Moreira
Bass – Gary Brown
Djembe, Timbales – Giovanni Hidalgo
Drums – Billy Cobham, Walfredo Reyes
Drums, Percussion – Airto Moreira
Guitar – Jose Neto, Ricardo Silveira
Keyboards – Freddie Ravel
Keyboards, Piano, Strings – Jose Neto
Percussion – Freddie Santiago
Vocals – Flora Purim

 

FLORA PURIM - Perpetual Emotion (2001) FLAC (image+.cue), lossless

For those who thought that despite recording, Flora Purim's musical career went out the window with her prison term in the early '90s, or, worse, at the end of 1970s jazz-world fusion boom, think again. Perpetual Emotion is the strongest recording Ms. Purim's monumental talent has given us since 1975's 500 Miles High. Accompanied by life partner and collaborator percussionist Airto Moreira, saxophonist Gary Meek, pianist Christian Jacob, bassist Trey Henry, and acoustic guitarist Oscar Castro Neves, and producer Dom Comardella, Purim has selected material that showcases the ease and flow of a voice that contains within it the passion of Brazil and the airiness of a spring day. Some of those selections, such as Cesar Mariano's "Saudade," offer the deep melancholy of looking back to places you can never again visit and reveal within them the sweeter memories they hold. Chris Jacob's piano leads the way trough the tune and strips it of any false "exotic" artifice. It's a jazz ballad with a Brazilian melody and rhythm, eased through the gates by Moreira's easy touch and a flowing bassline by Henry. On "Fotographia" by Antonio Carlos Jobim, Purim takes the tune, which has been recorded literally hundreds of times, to its folksy essence and makes of it a song that is neither jazz nor samba, but a tome of memory and longing. The highlight of the album is the revisiting of Chick Corea's and Neville Potter's "Crystal Silence." While the song had been in Purim's early repertoire as an improvisation, a wordless melody, because she had not known -- even though she had been part of Corea's Return to Forever -- that the tune had words all along. Her feeling for the original is fierce and moving; it flows from her like a river of feeling and motion, it offers the notion of seeing with new eyes that which has been present all along. Her interpretive voice has never sounded stronger, and her band is understated enough to let it come freely through the mix while providing her with musical challenges to rise to. Perpetual Emotion is the album Purim's been promising to deliver her entire career. Let us hope that this is the first of many like it to come.
(This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa')
Tracklist :
1     San Francisco River 4:57
Airto Moreira / Flora Purim
2     My Ship 4:12
Ira Gershwin / Kurt Weill
3     Escape 4:12
Flora Purim
4     Saudade 3:02
Flora Purim
5     Crystal Silence 6:17
Chick Corea / Neville Potter
6     Flora and Airto 5:00
Flora Purim
7     Fotografia 6:54
Ray Gilbert / Antônio Carlos Jobim
8     Journey to Eden 5:18
Flora Purim
9     Search for Peace 6:07
Flora Purim / McCoy Tyner
10     Airto's Jazz Dance 4:06
Flora Purim
11     Carinhoso 3:52
Pixinguinha / Flora Purim
Credits :
Acoustic Bass – Trey Henry
Acoustic Guitar – Oscar Castro-Neves
Drums, Percussion – Airto Moreira
Piano – Christian Jacob
Saxophone, Bass, Clarinet, Flute – Gary Meek
Vocals – Flora Purim 

FLORA PURIM - Speak No Evil (2003) FLAC (image+.cue), lossless

Two realities are abundantly clear from listening to this Brazilian songstress legend's latest mix of standards and originals -- she swings magnificently with great jazz company (including her husband, percussion legend Airto Moreira) and she's far more emotionally effective singing in her native Portuguese than in her heavily accented English. Her phrasing is solid on classics like "You Go To My Head" and the samba flavored "I've Got You Under My Skin," but her thick accent keeps the ears distracted somewhat from the message her heart seeks to convey. Fortunately, on these and other English language tunes by Don Grusin, Wayne Shorter and the vastly underrated L.A. keyboardist/songwriter Bill Cantos, she's surrounded by bandmates that propel her to great heights. On the opener "This Magic," that includes Moreira's jamming with flutist Gary Meek and members of The Yellowjackets. The same crowd turns "Speak No Evil" into a similarly wild trad-jazz affair. But compare her strained vocals on those tracks with her effortless vocal magic on Brazilian classics like "Tamanco no Samba" and "O Sonho" and the distinction between mere very good and close to perfection is clear. Another gem is the samba-lite tune written by Airto and Yutaka Yokokura, "Primeira Estrela," which rolls along on the strength of Purim's vocal harmonies with Yutaka and Oscar Castro Neves' beautiful acoustic guitar. To truly speak no musical evil, Purim should concentrate on mas Portugues. by Jonathan Widran  
Tracklist :
1     This Magic 5:06
Don Grusin
2     You Go to My Head 3:54
J. Fred Coots / Haven Gillespie
3     Speak No Evil (All for One) 5:13
Wayne Shorter
4     I've Got You Under My Skin 2:52
Cole Porter
5     Tamanco No Samba 5:05
Orlann Divo
6     Don't Say a Word 6:28
Bill Cantos
7     Primeira Estrela 5:01
Airto Moreira / Yutaka Yokokura
8     It Ain't Necessarily So 5:22
George Gershwin / Ira Gershwin
9     I Feel You 4:37
Bill Cantos
10     O Sonho (Moon Dreams) 6:39
Egberto Gismonti / Chummy MacGregor
Credits :
Jimmy Branley - Percussion
Gary Brown - Bass
Bill Cantos - Arranger, Composer, Keyboards
Oscar Castro-Neves - Arranger, Guitar (Acoustic), Keyboards
Russell Ferrante - Arranger, Keyboards
Jimmy Haslip, Trey Henry - Bass
Christian Jacob - Keyboards
Gary Meek - Arranger, Clarinet, Clarinet (Bass), Flute, Producer, Sax (Alto), Sax (Soprano), Sax (Tenor)
Airto Moreira - Composer, Drums, Percussion, Vocals (Background)
Flora Purim - Voices
Michito Sánchez - Percussion
Yutaka Yokokura - Arranger, Assistant Engineer, Composer, Keyboards, Producer, Vocal Treatments 

FLORA PURIM - Flora's Song (2005) FLAC (tracks+.cue), lossless

Throughout Flora's Song, the veteran Brazilian singer Flora Purim is heard in prime form. The ten compositions fit her style well; she swings in her own fashion and puts plenty of feeling into her vocals. In addition, there are many fine solos along the way, with the standouts including Harvey Wainapel's flute solo on "Flora's Song" and the steel drums of Andy Narrell on "E Precisa Perdoar" and "Forbidden Love." Whether any of the songs eventually become standards is open to question, but they are welcome additions to Flora Purim's repertoire. This is her most rewarding recording in several years, and she sounds quite happy throughout the excellent set. by Scott Yanow
Tracklist :
1     Las Olas 6:57
Diana Moreira Booker / Jaco Pastorius / Flora Purim
2     Less Than Lovers
Diana Moreira Booker / Lynne Earls
3     This Is Me 4:53
Diana Moreira Booker / Krishna Booker
4     Flora's Song 9:19
Flora Purim
5     É Preciso Perdoar 4:08
Carlos Coqueijo / Aleyvando Luz    
6     Silvia 6:25
Airto Moreira
7     Forbidden Love 4:46
Diana Moreira Booker / Andy Narell
8     Anjo de Mim 4:28
Ivan Lins / Vitor Martins
9     Lua Cheia 5:58
Diana Moreira Booker / Lynne Earls
10     Anjo Do Amor 4:48
Toninho Horta / Flora Purim
Credits :
Diana Moreira Booker - Arranger, Composer, Vocal Arrangement, Vocals (Background)
Krishna Booker - Arranger, Beat Box, Composer, Keyboard Programming, Vocals (Background)
Jimmy Branly -     Drums, Timbales
Gary Brown - Bass
Grecco Buratto - Guitar
Adam Camardella - Vocals (Background)
Dori Caymmi - Guitar (Acoustic)
Andre De Santanna - Bass
George Duke - Piano
Mark Egan - Bass, Bass Instrument
Rob Gardner - Vocals (Background)
Reggie Hamilton - Bass
Giovanni Hidalgo - Congas
Christian Jacob - Arranger, Piano
Gary Meek - Flute, Flute (Alto)
Airto Moreira - Audio Production, Composer, Drums, Percussion, Producer, Vocals (Background)
Andy Narell - Arranger, Composer, Keyboards, Steel Pan
José Neto - Guitar
Flora Purim - Audio Production, Composer, Producer, Vocals, Vocals (Background)
Marcos Silva -     Arranger, Keyboards
Harvey Wainapel - Saxophone

JOE HENDERSON – The Milestone Years (1994) RM | 8xCD Box Set | FLAC (tracks+.cue), lossless

Tenor saxophonist Joe Henderson's most famous recordings are his early Blue Notes and his more recent Verves, but in between he recorded exclusively for Milestone and, although Henderson was in consistently fine form in the diverse settings, he was somewhat neglected during his middle years. This massive eight-CD set contains all of the music from Henderson's dozen Milestone LPs, plus a duet with altoist Lee Konitz and his guest appearances with singer Flora Purim and cornetist Nat Adderley. The music ranges from Blue Note-style hard bop and modal explorations to fusion and '70s funk, with important contributions made by trumpeters Mike Lawrence, Woody Shaw, and Luis Gasca, trombonist Grachan Moncur III, and keyboardists Kenny Barron, Don Friedman, Joe Zawinul, Herbie Hancock, George Cables, Alice Coltrane, Mark Levine, and George Duke, among others. Not all of the music is classic (some of the later sets are unabashedly commercial), but none of the 82 selections are dull and the very distinctive Henderson always gives his best. It's highly recommended. Scott Yanow
Tracklist:
Joe Henderson Sextet - The Kicker
1-1 Mamacita 3:20
1-2 The Kicker 4:04
1-3 Chelsea Bridge 4:37
1-4 If 5:32
1-5 Nardis 4:40
1-6 Without A Song 5:59
1-7 Mo' Joe 4:08
1-8 I Amor Em Paz (Once I Loved) 5:32
Joe Henderson - Tetragon
1-9 Tetragon 5:37
1-10 First Trip 5:12
1-11 I Got You Under My Skin 4:57
1-12 Invitation 6:13
1-13 "R.J." 5:33
1-14 Waltz For Zweetie 4:25
2-1 The Bead Game 8:36
Lee Konitz - The Lee Konitz Duets
2-2 You Don't Know What Love Is 3:27
Nat Adderley - The Scavenger
2-3 Unilateral 6:04
2-4 The Scavenger 8:09
2-5 But Not For Me 5:54
Joe Henderson - Power To The People
2-6 Power To The People 8:36
2-7 Afro-Centric 7:00
2-8 Black Narcissus 4:46
2-9 Isotope 4:51
2-10 Opus One-Point-Five 4:52
2-11 Lazy Afternoon 4:31
2-12 Foresight And Afterthought 7:31
Joe Henderson Quintet - At The Lighthouse
3-1 Caribbean Fire Dance 5:37
3-2 Recorda-Me 8:18
3-3 A Shade Of Jade 10:28
3-4 Isotope 4:28
3-5 'Round Midnight 9:02
3-6 Mode For Joe 8:34
3-7 If You're Not Part Of The Solution, You're Part Of The Problem 11:29
3-8 Blue Bossa 9:43
3-9 Closing Theme 0:47
 Joe Henderson - In Pursuit Of Blackness 
4-1 Gazelle 7:31
4-2 Invitation 7:32
4-3 Mind Over Matter 13:14
4-4 No Me Esqueca 7:04
4-5 A Shade Of Jade 7:42
Joe Henderson In Japan
4-6 'Round Midnight 12:33
4-7 Out 'N In 9:03
4-8 Blue Bossa 8:25
5-1 Junk Blues 14:42
Joe Henderson - Black Is The Color
5-2 Terra Firma 12:10
5-3 Vis-A-Vis 6:45
5-4 Foregone Conclusion 4:55
5-5 Black Is The Color (Of My True Love's Mind) 7:01
5-6 Current Events 5:33
Joe Henderson - Multiple
5-7 Tress-Cun-Deo-La 10:32
5-8 Turned Around 6:36
5-9 Song For Sinners 6:21
6-1 Me, Among Others 7:03
6-2 Bwaata 10:52
Joe Henderson - Canyon Lady
6-3 Tres Palabras 10:09
6-4 All Things Considered 8:36
6-5 Canyon Lady 9:03
6-6 Las Palmas 9:54
6-7 In The Beginning, There Was Africa... 6:01
Joe Henderson ft. Alice Coltrane - The Elements
6-8 Air 9:53
7-1 Water 7:29
7-2 Fire 11:05
7-3 Earth 13:11
Flora Purim - Encounter
7-4 Butterfly Dreams 6:58
7-5 Light As A Feather 5:53
7-6 Love Reborn 3:40
7-7 Summer Night 5:51
Joe Henderson - Black Narcissus
7-8 Black Narcissus 5:07
7-9 Hindsight And Forethought 2:39
7-10 Power To The People 12:27
8-1 The Other Side Of Right 7:16
8-2 Good Morning, Heartache 6:55
8-3 Amoeba 5:37
Joe Henderson - Black Miracle
8-4 Gazelle 5:21
8-5 My Cherie Amour 6:44
8-6 Old Slippers 6:00
8-7 Immaculate Deception 4:12
8-8 Soulution 7:04
8-9 Black Miracle 9:18
Flora Purim - That's What She Said
8-10 Black Narcissus 6:34
8-11 What Can I Say 5:04
8-12 Windows 5:32
Credits :
Performer [With] – Airto, Alice Coltrane, Alphonso Johnson, Bill Summers, Charlie Haden, Curtis Fuller, Daniel Humair, Dave Holland, Don Friedman, Eric Gravatt, Flora Purim, Francisco Aguabella, George Cables, George Duke, Grachan Moncur, Harvey Mason, Herbie Hancock, J.-F. Jenny-Clark, Jack DeJohnette, Joachim Kühn, Joe Zawinul, John Heard, Kenneth Nash, Kenny Barron, Larry Willis, Lee Konitz, Lee Ritenour, Lenny White, Ndugu Leon Chancler, Louis Hayes, Luis Gasca, Mike Lawrence, Nat Adderley, Patrick Gleeson, Peter Yellin, Ralph MacDonald, Ron Carter, Ron McClure, Roy McCurdy, Stanley Clarke, Woody Shaw
Reissue Producer – Orrin Keepnews
Remastered By [Digital Remastering] – Joe Tarantino
Tenor Saxophone – Joe Henderson
Note:
This compilation includes all 12 Milestone albums of Joe Henderson with some previously unissued tracks as well as some tracks from releases where Joe Henderson primarily appeared as a guest soloist:
• 1-1 to 1-8 recorded NY, August 10, 1967 (1-1 to 1-7) and Sept. 27, 1967 (1-8), issued on
Joe Henderson Sextet - The Kicker
• 1-9 to 2-1 recorded NY, Sept. 27, 1967 (1-9 to 1-11) and May 16, 1968 (1-10 to 2-1), issued on Joe Henderson - Tetragon
• 2-2 recorded NY, Sept. 25, 1967 and issued on
Lee Konitz - The Lee Konitz Duets
• 2-3 to 2-5 recorded NY, January 19, 1968 and issued on
Nat Adderley - The Scavenger
• 2-6 to 2-12 recorded NY, May 23 & 29, 1968 and issued on
Joe Henderson - Power To The People
• 3-1 to 4-2 recorded live at the Lighthouse,Cafe, Hermosa Beach, CA, Sept. 24-26, 1970; 3-2 to 3-4 previously unissued, 3-1 & 3-5 to 3-9 issued on
Joe Henderson Quintet - At The Lighthouse "If You're Not Part Of The Solution, You're Part Of The Problem",
• 4-1 & 4-2 issued on
 Joe Henderson - In Pursuit Of Blackness with 4-3 to 4-5, recorded NY, May 12, 1971
• 4-6 to 5-1 recorded live at the Junk Club, Tokyo, Japan, August 4, 1971 and issued on
Joe Henderson - Henderson's Habiliment
• 5-2 to 5-6 recorded NY, March & April, 1972 and issued on
Joe Henderson - Black Is The Color
• 5-7 to 6-2 recorded NY, January 30-31, 1973, with additional recording in February & April, 1973, issued
Joe Henderson - Multiple
• 6-3 to 6-7 recorded October 1-3, 1973 and issued on
Joe Henderson - Canyon Lady except 6-7, previously unissued
• 6-8 to 7-3 recorded Los Angeles, October 15- 16, 1973 and issued on
Joe Henderson Featuring Alice Coltrane - The Elements
• 7-4 to 7-7 recorded Berkeley, December 3 & 4, 1973 and issued on
Flora Purim - Butterfly Dreams
• 7-8 to 8-3 recorded Paris, France, October, 1974 (7-8 to 8-1) and Berkeley, April 26, 1975 (8-2, 8-3), with additional recording in April, 1975, July & September, 1976, issued on
Joe Henderson - Black Miracle
• 8-4 to 8-9 recorded Berkeley, February 13 & 14, 1975, with additional recordings in April & September, 1975, issued on
Joe Henderson - Black Narcissus
• 8-10 and 8-12 recorded Los Angeles, August- September, 1976 with additional recording in December, 1976 and January, 1977, issued on
Flora Purim - Encounter,
• 8-11 recorded Los Angeles, August, 30, 1976 with additional recording in September & December, 1976 and January, 1977, issued on
Flora Purim - That's What She Said

CHICK COREA - Return to Forever (1972) FLAC (tracks+.cue), lossless

The legendary first lineup of Chick Corea's fusion band Return to Forever debuted on this classic album (titled after the group but credited to Corea), featuring Joe Farrell on soprano sax and flute, the Brazilian team of vocalist Flora Purim and drummer/percussionist Airto Moreira, and electric bass whiz Stanley Clarke. It wasn't actually released in the U.S. until 1975, which was why the group's second album, Light as a Feather, initially made the Return to Forever name. Nonetheless, Return to Forever is every bit as classic, using a similar blend of spacy electric-piano fusion and Brazilian and Latin rhythms. It's all very warm, light, and airy, like a soft breeze on a tropical beach -- hardly the sort of firebrand approach to fusion that Miles Davis, Tony Williams, and the Mahavishnu Orchestra were exploring, and far less rooted in funk or rock. Corea also bathes the album in an undertone of trippy mysticism, not only in the (admittedly dated) lyrics, but in his cosmic keyboard wanderings, which remain melodic and accessible through most of the record. There's one genuine pop song in the groovy samba "What Game Shall We Play Today," and while "Sometime Ago" has similar elements, it's part of an ambitious side-long medley that features a stream-of-consciousness intro and a jubilant, Spanish/Mexican-style closing section called "La Fiesta," complete with castanets and flamenco modes. The title track is another multi-sectioned work, featuring Corea and Purim in wordless unison on two different, catchy themes, plus breezy work from Farrell and lots of Brazilian-flavored rhythmic interplay. And the dreamy, meditative "Crystal Silence" is an underrated gem waiting to be rediscovered. Certainly, this edition of Return to Forever wasn't inclined toward high-voltage jazz-rock (as the next one was), but this group's two albums still stand as some of the most imaginative and distinctive early fusion recordings. by Steve Huey 

Tracklist:

1.   Return to Forever – 12:06

2.   Crystal Silence – 6:59

3.   What Game Shall We Play Today (Corea, Neville Potter) – 4:30

4.   Sometime Ago - La Fiesta (Corea, Potter, Stanley Clarke, Joe Farrell) – 23:13

All tracks are composed by Corea except where noted.

Credits:

    Flora Purim – vocals, percussion

    Joe Farrell – soprano saxophone, flute

    Chick Corea – electric piano, Fender Rhodes

    Stanley Clarke – acoustic bass, electric bass

    Airto Moreira – drums, percussion

CHICK COREA & RETURN TO FOREVER - Light As A Feather (1972) FLAC (image+.cue), lossless

Always tied to a confusing time line, the first released recording from the original configuration of Return to Forever was actually their second session. An initial studio date from the ECM label done in February of 1972 wasn't issued until after the band had changed in 1975. The Polydor/Verve recording from October of 1972 is indeed this 1973 release, featuring the same band with Chick Corea, Stanley Clarke, Airto Moreira, Joe Farrell, and Flora Purim. There's no need splitting hairs, as both are five-star albums, showcasing many of the keyboardist's long enduring, immediately recognizable, and highly melodic compositions. Farrell's happy flute, Purim's in-the-clouds wordless vocals, the electrifying percussion of Airto, and Clarke's deft and loping electric bass guitar lines are all wrapped in a stew of Brazilian samba and Corea's Fender Rhodes electric piano, certainly setting a tone and the highest bar for the music of peer groups to follow. "Captain Marvel" -- the seed for the band sans Farrell and Purim that was expanded into a full concept album with Stan Getz -- is here as a steamy fusion samba with Corea dancing on the keys. By now the beautiful "500 Miles High" has become Purim's signature song with Neville Potter's lyrics and Corea's stabbing chords, and unfortunately became a hippie drug anthem. Perhaps Corea's definitive song of all time, and covered ad infinitum by professional and school bands, "Spain" retains the quirky melody, handclapped interlude, up-and-down dynamics, exciting jam section, and variation in time, tempo, and colorations that always command interest despite a running time of near ten minutes. "You're Everything" is a romantic classic that surely has been heard at many weddings, with another lyric by Potter sung in heaven by Purim, while the title track is Purim's lyric in a looser musical framework with Clarke's chart coalescing with Corea and Farrell's pungent flute work. As much as the others have become icons, the extraordinary sound of Farrell on this date should never be trivialized or underestimated. The final track, "Children's Song," was a springboard for several of Corea's full-length album projects, and is heard here for the first time via a trio setting in a slow, birthlike motif. The expanded version of this recording includes many alternate takes of four of these selections, but also includes "Matrix," which was not on any RTF albums, and there are four versions of "What Game Shall We Play Today?," which was only available on the ECM release. From a historical perspective, this is the most important effort of Corea's career, quite different than his prior previous progressive or improvising efforts, and the pivotal beginning of his career as the most popular contemporary jazz keyboardist in history. by Michael G. Nastos   

Tracklist:

1. You're Everything – 5:11

2. Light as a Feather – 10:57

3. Captain Marvel – 4:53

4. 500 Miles High – 9:07

5. Children's Song – 2:47

6. Spain – 9:51

Credits:

Chick Corea (electric piano), 

Flora Purim (vocals, percussion), 

Joe Farrell (sax, flute), 

Stanley Clarke (bass), 

Airto Moreira (drums, percussion).

Composed by Chick Corea and Neville Potter

FLORA PURIM - Open Your Eyes You Can Fly (1976-2000) RM / FLAC (tracks+.cue), lossless

As an original member of Chick Corea's group Return to Forever, Purim subsequently drew praise as a solo act. Recording for the jazz label Milestone since 1973, Purim's sensual and strong voice was singular enough to withstand the pitfalls that hampered the work of many Latin jazz fusion artists. Open Your Eyes You Can Fly represents a commercial breakthrough, and has the artist again supplemented by adventurous players and top-notch songwriting. The best of the three Chick Corea tracks is the title song. With it's emotive and stinging guitar solo from David Amaro, it features Purim at her most accessible and charming. The remake of "Sometime Ago" has one of Corea's more accessible melodies, as Purim turns in one of her more sweet and fulfilling vocals. The melodic and soothing "San Francisco River" has the artist writing solely with frequent Corea collaborator Neville Potter on the evocative track. Despite the great work here, Open Your Eyes You Can Fly, lacks consistency. But with the great talents assembled and great voice, it's easy to overlook that fact. Hermeto Pascoal's "Andei (I Walked)" has a great synthesizer solo from George Duke and a flute solo from Pascoal. "Ina's Song (Trip to Bahia)" features Purim singing in Portuguese, starting off slow but then enlivened by her passion filled vocalizations. Produced by jazz producer Orrin Keepnews, this features the artist more lucid and joyful than some of her other work. For the reason it is recommended. by Jason Elias  
Tracklist
1 Open Your Eyes You Can Fly 4:29
Backing Vocals – David Amaro, Flora, George Duke, Hermeto Pascoal
Drums – Ndugu (Leon Chancler)
Electric Bass – Alphonso Johnson
Electric Guitar – David Amaro
Electric Piano – George Duke
Percussion – Airto Moreira
Soloist – Amaro
Written-By – Corea, Potter
2 Time's Lie 5:09
Drums – Ndugu (Leon Chancler)
Electric Bass, Acoustic Bass – Alphonso Johnson
Electric Guitar, Acoustic Guitar – David Amaro
Electric Piano, Synthesizer [ARP String Ensemble] – George Duke
Flute – Hermeto Pascoal
Percussion – Airto Moreira
Soloist – Pascoal, Ndugu
Written-By – Corea, Potter
3 Sometime Ago 4:44
Congas – Laudir De Oliveira
Drums – Ndugu (Leon Chancler)
Electric Bass – Alphonso Johnson
Electric Piano, Synthesizer [ARP String Ensemble] – George Duke
Flute – Hermeto Pascoal
Percussion – Airto Moreira
Soloist – Amaro, Pascoal
Written-By – Corea, Potter
4 San Francisco River 4:06
Acoustic Bass – Ron Carter
Acoustic Guitar – Egberto Gismonti
Arranged By – Egberto Gismonti, Hermeto
Drums – Robertinho Silva
Electric Bass – Alphonso Johnson
Electric Guitar – David Amaro
Flute [Duet] – Pascoal
Flute, Electric Piano – Hermeto Pascoal
Percussion – Airto Moreira
Synthesizer [Duet], Synthesizer [Moog] – Duke
Written-By – Purim, Potter
5 Andei (I Walked) 6:11
Arranged By – Hermeto
Clavinet, Synthesizer [Moog] – George Duke
Drums, Berimbau – Robertinho Silva
Electric Bass – Alphonso Johnson
Electric Guitar – David Amaro
Flute, Electric Piano – Hermeto Pascoal
Percussion – Airto Moreira
Soloist, Flute – Amaro, Pascoal
Soloist, Synthesizer – Duke
Vocals [Duet, Uncredited] – Airto, Flora
Written-By – Hermeto Pascoal
6.1 Ina's Song (Trip To Bahia) 3:40
Arranged By – Flora Purim
Congas – Airto Moreira, Laudir De Oliveira
Drums – Robertinho Silva
Electric Bass, Acoustic Bass – Alphonso Johnson
Electric Guitar – David Amaro
Percussion – Airto Moreira, Robertinho Silva
Soloist, Synthesizer [ARP Odyssey] – Duke
Synthesizer [Moog, ARP Odyssey, ARP String Ensemble] – George Duke
Written-By – Flora Purim
6.2 Transition 0:34
Arranged By – Flora Purim
Electric Piano, Synthesizer [String Ensemble] – George Duke
Percussion – Airto Moreira, Robertinho Silva
Soloist, Synthesizer [ARP Odyssey] – Duke
Written-By – Moreira, Duke
7 Conversation 2:34
Acoustic Bass – Alphonso Johnson
Arranged By – Hermeto
Drums, Percussion – Airto Moreira, Airto Moreira
Electric Guitar – David Amaro
Electric Piano – Hermeto Pascoal
Synthesizer [ARP String Ensemble, Moog] – George Duke
Written-By – Hermeto Pascoal
Medley
8.1 White Wing (aka Asa Branca) 1:40
Electric Piano – Hermeto Pascoal
Written-By – Teixeira, Gonzaga
8.2 Black Wing 4:09
Acoustic Bass – Ron Carter
Acoustic Guitar – Egberto Gismonti
Acoustic Guitar [12-String] – David Amaro
Arranged By – Hermeto
Drums, Berimbau, Percussion – Airto Moreira
Electric Bass – Alphonso Johnson, Alphonso Johnson
Electric Piano, Flute, Harpsichord, Whistling, Percussion [7-UP Bottles] – Hermeto Pascoal
Percussion, Berimbau – Robertinho Silva
Soloist, Harpsichord, Whistling – Pascoal
Vocals [Duet] – Airto, Flora
Written-By – Purim, Pascoal