GEORGE ENESCU : Symphonie Concertante; Symphony No.1 (Mørk-Lintu) (2015) FLAC (image+.cue), lossless

GEORGENESCU : Symphony No.2; Chamber Symphony (Hannu Lintu) (2012) FLAC (image+.cue), lossless

George Enescu is best remembered for his evergreen Roumanian Rhapsody No. 1, but most of his music has taken a long time to enter the western repertoire. Because the Symphony No. 2 in A major and the Chamber Symphony for 12 instruments have been treated to a handful of recordings, they are perhaps more familiar to listeners than most of his works, though limited availability still keeps them from a wider audience. That's why Hannu Lintu's recording of these works for Ondine is an important contribution to the catalog, because his clear and cogent readings with the Tampere Philharmonic Orchestra have the potential to establish these pieces outside Romania. Enescu's youthful energy, gift for memorable thems, and lush post-Romantic orchestration in the style of Richard Strauss make the Symphony No. 2 an engaging piece that listeners will immediately appreciate. The Chamber Symphony was Enescu's last composition, left incomplete because of a stroke, so the work was finished by Marcel Mihalovici. It is somewhat less ingratiating because of its serious mood and comparatively thin textures, but its lyrical lines and coherent development make it accessible. Ondine's recording of the symphony is spacious and vibrant, and all the details of the score are presented in gorgeous colors. However, the sound of the Chamber Symphony is dry and close to the instruments, making its sonorities sharp and austere. by Blair Sanderson  
All Tracks & Credits

GEORGE ENESCU : Ouverture de Concert & Symphony No.3 (Hannu Lintu) (2013) FLAC (image+.cue), lossless

RAUTAVAARA : Kaivos (The Mine) (Hannu Lintu) (2011) FLAC (image+.cue), lossless

When this recording of Einojuhani Rautavaara's 1962 opera Kaivos (The Mine) was released commercially for the first time in 2011, the composer wrote that it is "perhaps the best opera I have ever written." One hesitates to argue with a composer's judgement, but as a purely audio experience the opera doesn't make quite as strong an impression in its musical content and dramatic punch as Rautavaara's more characteristically lyrical later works like Thomas (1982-1985) and Aleksis Kivi (1995-1960). Rautavaara wrote The Mine, his first opera, during his early serial period, so it is a craggier and less immediately approachable work. His commitment to serialism was not absolute and it was influenced by Berg, so the music is tempered by the incorporation of popular and folk elements and broadly Romantic gestures that become more emotionally expressive as the action progresses. The opera packs a densely complex (and often confusing) narrative into three short acts lasting just an hour and a quarter. Rautavaara wrote the libretto based on a very recent uprising of mine workers in Hungary. Because of the Soviet Union's heavy influence in Finland at the time, the opera was never staged but it was broadcast on Finnish television in 1963 with its more incendiary political themes toned down. It's a recording of that broadcast that's released here. Bass-baritone Jorma Hynninen, who has gone on to star in many other Rautavaara operas, is superb in the central role of the Commissar. The other soloists are not at his level, but they are never less than very fine and the performers all seem to be deeply invested in the opera. Hannu Lintu draws excellent playing and singing from the Tampere Philharmonic Orchestra and the Kaivos Chorus. Ondine's sound is clean, warmly atmospheric, and well balanced. The Mine should be of interest to anyone who loves Rautavaara, and to fans of new opera. by Stephen Eddins