Mostrando postagens com marcador Fred Robinson. Mostrar todas as postagens
Mostrando postagens com marcador Fred Robinson. Mostrar todas as postagens

31.10.23

LOUIS ARMSTRONG AND HIS ORCHESTRA – 1929-1930 | The Classics Chronological Series – 557 (1990) FLAC (tracks+.cue), lossless

On March 1, 1929, Eddie Condon managed to assemble a completely unrehearsed band in a recording studio at Liederkranz Hall in New York City, where two of the greatest jazz records of the entire decade were waxed and soon issued under the name of Fats Waller & His Buddies. Four days later, Condon was in a different studio with a band led by Panamanian pianist Luis Russell. This ten-piece orchestra was identified on record as Louis Armstrong's Savoy Ballroom Five. Their "Mahogany Hall Stomp" perfectly embodies both the leader's personality and jazz itself at the end of the 1920s. The Armstrong chronology jumps to July of 1929 with four beautiful Fats Waller melodies and into September with a string of pretty tunes that seem to anticipate popular taste during the 1930s. In December of 1929 Armstrong made a series of records with Luis Russell's orchestra. This placed him in the same group with trumpeter Henry "Red" Allen, something that should have happened more often. Hoagy Carmichael sat in on December 13th to assist Armstrong in singing "Rockin' Chair." On January 24, 1930, the era of sweet bands seems to have officially opened with "Song of the Islands," garnished with three violins and vibraphone played by Paul Barbarin while the band's valet sat in on the drums. Moving into the spring of 1930, a duet rendition of "Dear Old Southland" paired the trumpeter with pianist Buck Washington. As the Great Depression settled over the listening public, Armstrong recorded numerous pop songs in front of a large, lightly sweetened orchestra. His trumpet and persona transform even the least of these ditties into precious delicacies that still nourish and satisfy many years after their creation. arwulf arwulf    Tracklist :

30.10.23

LOUIS ARMSTRONG AND HIS ORCHESTRA – 1928-1929 | The Classics Chronological Series – 570 (1991) FLAC (tracks+.cue), lossless

By June of 1928 Louis Armstrong had refined himself and his ensemble to the point where nearly every record they made was a study in collective genius, as the mature edition of the Hot Five resounded with Zutty Singleton's popping cymbals and Earl Hines' modernistic piano. The entire idiom of classic jazz is defined in part by the lively, well-oiled precision of "Fireworks," the humorous dialogue leading into the leader's velvety vocal on "A Monday Date" and the stunning vocal trio harmonies laid over Fats Waller's "Squeeze Me." On July 5, 1928, the Five found themselves surrounded by six other players to form a big band designated for posterity as Carroll Dickerson's Savoyagers. This interesting experiment in upsizing pointed in the direction that Armstrong was headed, for within one year, with violinist Dickerson in tow, the trumpeter would be performing in front of a significantly larger ensemble. For the time being, Armstrong's sextet began calling itself his Orchestra or, when Don Redman was in on the gig, his Savoy Ballroom Five. This portion of the Armstrong chronology is deliciously packed with some of his greatest moments on record. "Weather Bird" is an especially satisfying Hines/Armstrong duet update of King Oliver's "Weather Bird Rag." At the beginning of 1929 Armstrong headed back to New York City, where on the 5th of March he recorded the famous "Knockin' a Jug" with Jack Teagarden, Happy Caldwell, Joe Sullivan, Kaiser Marshall, and Eddie Lang. On the same day a gorgeous rendition of "I Can't Give You Anything But Love" was presented by the Luis Russell Orchestra in one of its most dazzling incarnations: drummer Paul Barbarin, bassist Pops Foster, guitarist Lonnie Johnson, Eddie Condon on the banjo, Russell at the piano, and a front line of Teddy Hill, Charlie Holmes, Albert Nicholas, J.C. Higginbotham, and Louis Armstrong. arwulf arwulf    Tracklist + Credits :

29.4.23

ANDY KIRK AND HIS TWELVE CLOUDS OF JOY – 1939-1940 | The Classics Chronological Series – 640 (1992) FLAC (tracks+.cue), lossless

Andy Kirk's Twelve Clouds of Joy was a top-notch Kansas City swing band that, by 1939, featured the pop vocals of Pha Terrell, the more blues-oriented singing of June Richmond, creative arrangements by Mary Lou Williams, and some excellent soloing from pianist Williams and Dick Wilson on tenor. Most memorable in this entry in Classics' "complete" Andy Kirk CD series are "Floyd's Guitar Blues" (an odd but pioneering electric guitar feature for Floyd Smith), "Wham" and "Scratching In the Gravel." Scott Yanow
Tracklist :
1     You Set Me on Fire 2:57
Colwell / MacKinnon
2     (I Guess) I'll Never Learn 3:12
Gordon / Kaufmann
3     Close to Five 2:55
Mary Lou Williams
4     Floyd's Guitar Blues 3:09
Floyd Smith
5     (I Wanna Go Where You Go, Do What You Do) Then I'll Be Happy 2:31
Lew Brown / Sidney Clare / Cliff Friend
6     S'posin' 2:26
Paul Denniker / Andy Razaf
7     I'll Never Fail You 2:55
Victor Mizzy / Irv Taylor
8     Why Don't I Get Wise to Myself 2:42
Sid Bass / Ken Hecht
9     I'm Getting Nowhere With You 2:46
Wood / Adams
10     I Don't Stand a Ghost of a Chance With You 3:02
Bing Crosby / Ned Washington / Victor Young
11     Please Don't Talk About Me When I'm Gone 2:51
Sidney Clare / Sam H. Stept
12     Big Jim Blues 2:56
Mary Lou Williams
13     Wham (Re-Bop-Boom-Bam!) 3:05
Eddie Durham / Taps Miller
14     Love Is the Thing 2:57
Ned Washington / Victor Young
15     Why Go on Pretending 2:57
Mary Lou Williams
16     It Always Will Be You 3:16
Hays / Copano / O'Day
17     Fine and Mellow 3:02
Billie Holiday     
18     Scratchin' in the Gravel 3:10
Mary Lou Williams / D. Wilson
19     Fifteen Minute Intermission 3:06
Buddy Cannon / Sunny Skylar
20     Take Those Blues Away 2:51
Jackson
21     Now I Lay Me Down to Dream 2:54
Eddie Howard, Jr. / Ted Fio Rito    
22     There Is No Greater Love 3:02
Isham Jones / Marty Symes
Credits :    
Alto Saxophone – Earl Miller (tracks: 1 to 16), Rudy Powell (tracks: 17 to 22)
Bass – Booker Collins
Clarinet, Alto Saxophone, Baritone Saxophone – John Harrington
Clarinet, Tenor Saxophone – Edward Inge (tracks: 17 to 22)
Directed By – Andy Kirk
Drums – Ben Thigpen
Guitar, Electric Guitar – Floyd Smith
Piano – Mary Lou Williams
Tenor Saxophone – Dick Wilson, Don Byas (tracks: 1 to 16)
Trombone – Fred Robinson (tracks: 13 to 22), Henry Wells (tracks: 1 to 12), Ted Donnelly
Trumpet – Clarence Trice, Earl Thomson (tracks: 1 to 16), Harold Baker (tracks: 17 to 22), Harry Lawson
Vocals – June Richmond (tracks: 5, 11, 13, 16, 17, 19, 20), Pha Terrell (tracks: 1, 2, 6 to 10, 14, 15, 21, 22)


10.9.21

LOUIS ARMSTRONG AND HIS ORCHESTRA – 1929-1930 | The Classics Chronological Series – 557 (1990) FLAC (tracks+.cue), lossless

On March 1, 1929, Eddie Condon managed to assemble a completely unrehearsed band in a recording studio at Liederkranz Hall in New York City, where two of the greatest jazz records of the entire decade were waxed and soon issued under the name of Fats Waller & His Buddies. Four days later, Condon was in a different studio with a band led by Panamanian pianist Luis Russell. This ten-piece orchestra was identified on record as Louis Armstrong's Savoy Ballroom Five. Their "Mahogany Hall Stomp" perfectly embodies both the leader's personality and jazz itself at the end of the 1920s. The Armstrong chronology jumps to July of 1929 with four beautiful Fats Waller melodies and into September with a string of pretty tunes that seem to anticipate popular taste during the 1930s. In December of 1929 Armstrong made a series of records with Luis Russell's orchestra. This placed him in the same group with trumpeter Henry "Red" Allen, something that should have happened more often. Hoagy Carmichael sat in on December 13th to assist Armstrong in singing "Rockin' Chair." On January 24, 1930, the era of sweet bands seems to have officially opened with "Song of the Islands," garnished with three violins and vibraphone played by Paul Barbarin while the band's valet sat in on the drums. Moving into the spring of 1930, a duet rendition of "Dear Old Southland" paired the trumpeter with pianist Buck Washington. As the Great Depression settled over the listening public, Armstrong recorded numerous pop songs in front of a large, lightly sweetened orchestra. His trumpet and persona transform even the least of these ditties into precious delicacies that still nourish and satisfy many years after their creation. arwulf arwulf  
Tracklist :
1     Mahogany Hall Stomp 3:27
Spencer Williams
2     Ain't Misbehavin' 3:24
Harry Brooks / Andy Razaf / Fats Waller
3     Black and Blue 3:10
Harry Brooks / Andy Razaf / Fats Waller
4     That Rhythm Man 3:11
Harry Brooks / Andy Razaf / Fats Waller
5     Sweet Savannah Sue 3:15
Harry Brooks / Andy Razaf / Fats Waller
6     Some of These Days 2:54
Shelton Brooks
7     Some of These Days 3:15
Shelton Brooks
8     When You're Smiling (The Whole World Smiles with You) 2:59
Mark Fisher / Joe Goodwin / Larry Shay
9     When You're Smiling (The Whole World Smiles with You) 3:31
Mark Fisher / Joe Goodwin / Larry Shay
10     After You've Gone 3:24
Henry Creamer / Turner Layton
11     I Ain't Got Nobody 2:46
Roger Graham / Dave Peyton / Spencer Williams
12     Dallas Blues 3:17
Lloyd Garrett / Hart A. Wand
13     St. Louis Blues 3:02
W.C. Handy
14     Rockin' Chair 3:22
Hoagy Carmichael
15     Song of the Islands 3:29
Charles E. King
16     Bessie Couldn't Help It 3:22
Charles A. Bayha / Hoagy Carmichael / Jacques Richmond / Byron Warner
17     Blue Turning Grey Over You 3:28
Andy Razaf / Fats Waller
18     Dear Old Southland 3:20
Henry Creamer / Turner Layton
19     My Sweet Hunk o' Trash 3:22
James P. Johnson / F.E. Miller
20     I Can't Believe That You're in Love with Me 3:10
Clarence Gaskill / Jimmy McHugh
21     Indian Cradle Song 3:00
Gus Kahn / Mabel Wayne
22     Exactly Like You 3:28
Dorothy Fields / Jimmy McHugh

ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless

Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...