LOUIS ARMSTRONG AND HIS HOT FIVE AND HOT SEVEN – 1926-1927 | The Classics Chronological Series – 585 (1991) FLAC (tracks+.cue), lossless

Louis Armstrong's Hot Five was the most influential jazz band of the mid-'20s. The first volume of Armstrong's complete works reissued by Classics followed this group's trail of recordings from November of 1925 through those made almost exactly one year later. Opening this second volume of vintage Armstrong, the Hot Five's last three records of 1926 are peppered with hot vocals intended to entertain and amuse. May Alix shouts the lyrics to "Sunset Cafe Stomp" and Armstrong puts across an interesting tune referencing two downtrodden ethnic groups, Irish and Afro-American. "You Made Me Love You" is not the venerable vaudeville number recorded by Al Jolson in 1913, but a punchy Armstrong original similar to the quaint syncopated love songs he had cooked up with Lil Hardin when they were still working for King Oliver. In May 1927 Armstrong expanded his ensemble for the first time to become the Hot Seven. The addition of Pete Briggs on tuba and Baby Dodds at the drums resulted in a full-bodied sound that made "Willie the Weeper" and "Potato Head Blues" so remarkably and enduringly potent. Armstrong's version of Fats Waller's "Alligator Crawl" is a miracle of perfect timing and immaculate ease. If Lil Hardin Armstrong's references to domestic violence seem a bit reckless during "That's When I'll Come Back to You," listeners should be advised that Afro-American music has always caused consternation by openly referring to topics usually swept under the rug. During the autumn and winter of 1927 Armstrong scaled his band back to five pieces, revisiting Kid Ory's 1922 novelty rag "Ory's Creole Trombone," adding a sixth player in guitarist Lonnie Johnson on "I'm Not Rough," and introducing to the world one of Lil Hardin Armstrong's all-time greatest compositions, "Struttin' with Some Barbecue." arwulf arwulf  Tracklist :

LOUIS ARMSTRONG AND HIS ORCHESTRA – 1929-1930 | The Classics Chronological Series – 557 (1990) FLAC (tracks+.cue), lossless

On March 1, 1929, Eddie Condon managed to assemble a completely unrehearsed band in a recording studio at Liederkranz Hall in New York City, where two of the greatest jazz records of the entire decade were waxed and soon issued under the name of Fats Waller & His Buddies. Four days later, Condon was in a different studio with a band led by Panamanian pianist Luis Russell. This ten-piece orchestra was identified on record as Louis Armstrong's Savoy Ballroom Five. Their "Mahogany Hall Stomp" perfectly embodies both the leader's personality and jazz itself at the end of the 1920s. The Armstrong chronology jumps to July of 1929 with four beautiful Fats Waller melodies and into September with a string of pretty tunes that seem to anticipate popular taste during the 1930s. In December of 1929 Armstrong made a series of records with Luis Russell's orchestra. This placed him in the same group with trumpeter Henry "Red" Allen, something that should have happened more often. Hoagy Carmichael sat in on December 13th to assist Armstrong in singing "Rockin' Chair." On January 24, 1930, the era of sweet bands seems to have officially opened with "Song of the Islands," garnished with three violins and vibraphone played by Paul Barbarin while the band's valet sat in on the drums. Moving into the spring of 1930, a duet rendition of "Dear Old Southland" paired the trumpeter with pianist Buck Washington. As the Great Depression settled over the listening public, Armstrong recorded numerous pop songs in front of a large, lightly sweetened orchestra. His trumpet and persona transform even the least of these ditties into precious delicacies that still nourish and satisfy many years after their creation. arwulf arwulf    Tracklist :

LOUIS ARMSTRONG AND HIS ORCHESTRA – 1928-1929 | The Classics Chronological Series – 570 (1991) FLAC (tracks+.cue), lossless

By June of 1928 Louis Armstrong had refined himself and his ensemble to the point where nearly every record they made was a study in collective genius, as the mature edition of the Hot Five resounded with Zutty Singleton's popping cymbals and Earl Hines' modernistic piano. The entire idiom of classic jazz is defined in part by the lively, well-oiled precision of "Fireworks," the humorous dialogue leading into the leader's velvety vocal on "A Monday Date" and the stunning vocal trio harmonies laid over Fats Waller's "Squeeze Me." On July 5, 1928, the Five found themselves surrounded by six other players to form a big band designated for posterity as Carroll Dickerson's Savoyagers. This interesting experiment in upsizing pointed in the direction that Armstrong was headed, for within one year, with violinist Dickerson in tow, the trumpeter would be performing in front of a significantly larger ensemble. For the time being, Armstrong's sextet began calling itself his Orchestra or, when Don Redman was in on the gig, his Savoy Ballroom Five. This portion of the Armstrong chronology is deliciously packed with some of his greatest moments on record. "Weather Bird" is an especially satisfying Hines/Armstrong duet update of King Oliver's "Weather Bird Rag." At the beginning of 1929 Armstrong headed back to New York City, where on the 5th of March he recorded the famous "Knockin' a Jug" with Jack Teagarden, Happy Caldwell, Joe Sullivan, Kaiser Marshall, and Eddie Lang. On the same day a gorgeous rendition of "I Can't Give You Anything But Love" was presented by the Luis Russell Orchestra in one of its most dazzling incarnations: drummer Paul Barbarin, bassist Pops Foster, guitarist Lonnie Johnson, Eddie Condon on the banjo, Russell at the piano, and a front line of Teddy Hill, Charlie Holmes, Albert Nicholas, J.C. Higginbotham, and Louis Armstrong. arwulf arwulf    Tracklist + Credits :

LOUIS ARMSTRONG AND HIS ORCHESTRA – 1929-1930 | The Classics Chronological Series – 557 (1990) FLAC (tracks+.cue), lossless

On March 1, 1929, Eddie Condon managed to assemble a completely unrehearsed band in a recording studio at Liederkranz Hall in New York City, where two of the greatest jazz records of the entire decade were waxed and soon issued under the name of Fats Waller & His Buddies. Four days later, Condon was in a different studio with a band led by Panamanian pianist Luis Russell. This ten-piece orchestra was identified on record as Louis Armstrong's Savoy Ballroom Five. Their "Mahogany Hall Stomp" perfectly embodies both the leader's personality and jazz itself at the end of the 1920s. The Armstrong chronology jumps to July of 1929 with four beautiful Fats Waller melodies and into September with a string of pretty tunes that seem to anticipate popular taste during the 1930s. In December of 1929 Armstrong made a series of records with Luis Russell's orchestra. This placed him in the same group with trumpeter Henry "Red" Allen, something that should have happened more often. Hoagy Carmichael sat in on December 13th to assist Armstrong in singing "Rockin' Chair." On January 24, 1930, the era of sweet bands seems to have officially opened with "Song of the Islands," garnished with three violins and vibraphone played by Paul Barbarin while the band's valet sat in on the drums. Moving into the spring of 1930, a duet rendition of "Dear Old Southland" paired the trumpeter with pianist Buck Washington. As the Great Depression settled over the listening public, Armstrong recorded numerous pop songs in front of a large, lightly sweetened orchestra. His trumpet and persona transform even the least of these ditties into precious delicacies that still nourish and satisfy many years after their creation. arwulf arwulf  
Tracklist :
1     Mahogany Hall Stomp 3:27
Spencer Williams
2     Ain't Misbehavin' 3:24
Harry Brooks / Andy Razaf / Fats Waller
3     Black and Blue 3:10
Harry Brooks / Andy Razaf / Fats Waller
4     That Rhythm Man 3:11
Harry Brooks / Andy Razaf / Fats Waller
5     Sweet Savannah Sue 3:15
Harry Brooks / Andy Razaf / Fats Waller
6     Some of These Days 2:54
Shelton Brooks
7     Some of These Days 3:15
Shelton Brooks
8     When You're Smiling (The Whole World Smiles with You) 2:59
Mark Fisher / Joe Goodwin / Larry Shay
9     When You're Smiling (The Whole World Smiles with You) 3:31
Mark Fisher / Joe Goodwin / Larry Shay
10     After You've Gone 3:24
Henry Creamer / Turner Layton
11     I Ain't Got Nobody 2:46
Roger Graham / Dave Peyton / Spencer Williams
12     Dallas Blues 3:17
Lloyd Garrett / Hart A. Wand
13     St. Louis Blues 3:02
W.C. Handy
14     Rockin' Chair 3:22
Hoagy Carmichael
15     Song of the Islands 3:29
Charles E. King
16     Bessie Couldn't Help It 3:22
Charles A. Bayha / Hoagy Carmichael / Jacques Richmond / Byron Warner
17     Blue Turning Grey Over You 3:28
Andy Razaf / Fats Waller
18     Dear Old Southland 3:20
Henry Creamer / Turner Layton
19     My Sweet Hunk o' Trash 3:22
James P. Johnson / F.E. Miller
20     I Can't Believe That You're in Love with Me 3:10
Clarence Gaskill / Jimmy McHugh
21     Indian Cradle Song 3:00
Gus Kahn / Mabel Wayne
22     Exactly Like You 3:28
Dorothy Fields / Jimmy McHugh