Mostrando postagens com marcador Rudi Mahall. Mostrar todas as postagens
Mostrando postagens com marcador Rudi Mahall. Mostrar todas as postagens

11.9.24

AKI TAKASE | RUDI MAHALL — Duet For Eric Dolphy (1997) FLAC (image + .cue) lossless

Tracklist :
1    17 West 3:47
Composed By – Eric Dolphy
2    245 3:21
Composed By – Eric Dolphy
3    Hat And Beard 3:13
Composed By – Eric Dolphy
4    I'm Confessin' 4:02
Composed By – A.J. Neiburg, D. Daugherty, E. Reynolds
5    Something Sweet, Something Tender 2:28
Composed By – Eric Dolphy
6    A Chotto Matte 2:40
Composed By – Aki Takase
7    Les 2:30
Composed By – Eric Dolphy
8    Gazzeloni 3:09
Composed By – Eric Dolphy
9    Serene 3:39
Composed By – Eric Dolphy
10    Misha's Slipper 2:29
Composed By – Aki Takase
11    Straight Up And Down 1:29
Composed By – Eric Dolphy
12    Rudi My Beer! 2:26
Composed By – Aki Takase
13    The Prophet 4:09
Composed By – Eric Dolphy
14    Miss Ann 2:35
Composed By – Eric Dolphy
Credits :
Bass Clarinet – Rudi Mahall
Piano – Aki Takase

6.3.23

LEE KONITZ | RUDI MAHALL | ANDREAS SCHMIDT | JERRY GRANELLI - Haiku (1995) FLAC (tracks), lossless

This 1994 quintet recording of Lee Konitz and drummer Jerry Granelli with pianist Andreas Schmidt, bass clarinetist Rudi Mahall, and vocalist Sayumi Yoshida is a startling exercise in understatement, texture, elegance, and adventure. Konitz has become a legend for his ability to play only the necessary notes with a perfect sense of musical dynamics. He creates drama by un-creating it. His seemingly laid-back approach to his horn has made him one of the true legends of melodic improvisation. There are 13 tracks on Haiku, and all of them examine the melodic aspects of improvisation and its various approaches to execution. Most pieces are 3-4 minutes in length, with none over five and a half minutes. "Hi Lee" is an inversion of one of the pieces on Lone-Lee, or perhaps many of them, while "Geraldo" uses touchstones from "'Round Midnight" between the horns to create a scalar system of short intervals that feel like poetically metered lines punctuated by minimal percussion to dent segmentation and the introduction of new phrases built upon the same harmonic figures. This serves as an introduction to "Ittle Onk Usic," which uses themes from four different Monk tunes to extrapolate the rhythmic and harmonic contexts of them for the purpose of grafting them onto an improvisation that swings its way through the center and unifies them all without forcing the issue or being obvious. The most beautiful piece on the album is the five-minute ballad "The Princess," which features Konitz singing sweetly, though the alto melody is out of time and space and accented by three- and four-note pastoral clusters by Schmidt, slipping in between his slowly, effortlessly unfolding lines, answered only by the occasional restatement of one of them by Mahall. The sheer lyricism in this piece is breathtakingly beautiful and full of the kind of innovation Konitz has continued to make his hallmark for the past 50 years. Brilliant.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1     The Man Who Came to Dinner 3:41
Andreas Schmidt
2     There Is a Sun Chase 2:58
Andreas Schmidt
3     Hi-Lee 2:55
Lee Konitz / Andreas Schmidt
4     Fun Keys 4:46
Andreas Schmidt
5     Uki-Ah 4:34
Jerry Granelli / Andreas Schmidt
6     Steinolphonk 3:25
Andreas Schmidt
7     Geraldo 4:11
Andreas Schmidt
8     Ittle Onk Usic 3:30
Andreas Schmidt
9     The Princess 5:04
Andreas Schmidt
10     Nuts 0:57
Andreas Schmidt
11     Egyptian Caravan 3:06
Andreas Schmidt
12     Rudimentär 1:28
Andreas Schmidt
13     Freezoo 5:16
Credits :
Alto Saxophone, Voice – Lee Konitz
Bass Clarinet, Turntables – Rudi Mahall
Calligraphy – Sayumi Yoshida
Drums, Percussion, Voice – Jerry Granelli
Piano – Andreas Schmidt
Voice – Sayumi Yoshida (pistas: 3, 5, 13)

ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless

Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...