Using voice, drum, whistle, chimes, shakers, rattle, tambourine, and didgeridoo, Airto and company make music that comes from all regions and belongs to none. These are songs for ritual and healing, based on many cultures. The mood is ethereal, yet because of the predominance of percussion, also powerful. New age music with punch. by Steven McDonald
Tracklist :
1 Endless Cycle 4:00
Airto Moreira
Vocals, Drums [The 'Beast' - Suspended Steel Cylinder Drums], Bells, Whistle [Air Whistle] – Airto Moreira
2 Tumbleweed 5:20
Airto Moreira
Ghatam – T.H. "Vikku" Vinayakram
Tabla, Wood Block [Wood] – Zakir Hussain
Wood Block [Wood] – Babatunde Olatunji, Kitaro, Mickey Hart
Wood Block [Wood], Vocals, Rattle, Shaker, Flute [Wooden], Flute [Charming] – Airto Moreira
3 Back Streets of Havana 2:44
Bata, Cowbell, Shekere, Vocals – Giovanni Hidalgo
Bata, Shekere, Lead Vocals – Frank Colon
Bata, Vocals, Handclaps – Airto Moreira
Vocals, Handclaps – Diana Moreira
4 Healing Sounds 2:42
Verna Yater
Vocals – Dr Verna Yater
5 The Underwater People 8:30
Airto Moreira
Ghatam – T.H. "Vikku" Vinayakram
Tabla – Zakir Hussain
Vocals – Diana Moreira
Vocals, Percussion [Water Bottle], Flute [Wooden], Caxixi, Ganzá, Whistle [Air Whistle] – Airto Moreira
6 Old Man's Song 2:04
Airto Moreira
Vocals, Tambourine [Brazillian], Djembe, Caxixi – Airto Moreira
7 Hey Ya 4:06
Airto Moreira
Percussion [Stomping, Tree Branches], Vocals, Surdo, Shaker, Cowbell, Rattle, Bullroarer – Airto Moreira
Percussion [Stomping], Vocals – Caryl Ohrbach, Cheryl McEnaney, Diana Moreira, Flora Purim, Kitaro, Rose Solomon
Percussion [Stomping], Vocals, Shaker, Rattle – Mickey Hart
8 When Angels Cry 4:17
Flora Purim
Chimes, Performer [Bird Calls] – Airto Moreira
Vocals – Flora Purim
9 Dom-Um (A Good Friend) 5:58
Zakir Hussain / Airto Moreira
Berimbau, Caxixi, Triangle, Nose Flute, Vocals, Performer [Bird Calls] – Airto Moreira
Tabla – Zakir Hussain
10 Street Reunion 2:57
Bata, Lead Vocals, Shekere – Frank Colon
Bata, Vocals, Handclaps – Airto Moreira
Bata, Vocals, Shekere, Cowbell – Giovanni Hidalgo
Vocals, Handclaps – Diana Moreira
11 Mirror of the Past 6:12
Airto Moreira
Didgeridoo, Vocals, Flute [African Black], Rattle [African Rattles], Bells [Chinese], Wind [Hollow Bamboo Blown On Water] – Airto Moreira
12 Sedonia's Circle 3:31
Stanley Clarke
Frame Drum, Vocals – Amrita Blain, Caryl Ohrbach, Jana Holmer, Justine Toms, KC Ross, Leah Martino, Sedonia Cahill
Rattle, Vocals – Margie Clark
Tar (Drum), Vocals – Margaret Barkley
Vocals – Diana Moreira, Flora Purim
13 Terra E Mar 6:03
Airto Moreira
Singing Bowls [Tibetan Bowl] – Mickey Hart
Vocals – Diana Moreira
Vocals, Rainstick [Brazilian], Conch, Performer [Bird Calls], Nose Flute, Sounds [Water Sounds] – Airto Moreira
13.8.21
AIRTO MOREIRA - The Other Side of This (1992) FLAC (tracks+.cue), lossless
AIRTO / MICKEY HART / FLORA PURIM - Dafos (1989) FLAC (image+.cue), lossless
Long before 'world music' was a widely used term, ethnomusicologist and performer Mickey Hart became enamored with the culture of rhythms. After hooking back up with the Grateful Dead in the mid-'70s, Hart began incorporating advanced time-signatures into the "Drums" portion of the "Rhythm Devils" duets with Bill Kreutzmann (drums). As described in the liner notes, this is something of a soundtrack album for a planet called Däfos (1985). Hart (tar/beam/stick/tubular bells/percussion/berimbaus/saron/vocals) is accompanied by Steve Douglas (woodwinds), Shabda Khan (tar), Jody Diamond (saron), Bobby Vega (bass), Flora Purim (vocals), Airto Moreira (percussion) and the Brazilian group Batucaje among others for a collection of ambient soundscapes adorned by an array of indigenous hand and mallet-struck percussion. Although dominated by instruments, Flora Purim's vocals during "Reunion I" through "Reunion III" are equally as expressive as Vega's propulsive electric bass interjections, backed by Hart and Moreira's perpetual pursuit. "Saudação Popular" is one of the cuts to feature Batucaje, who join Hart on berimbau. The instrument's wah-wah effect is produced by the bow-like object that is struck, while the frequency is controlled by the amount of pressure the player places when moving it against the body. The mid-tempo tune incrementally increases in speed to match the intensity of the participants fervor. "Psychopomp" is Hart providing ambience on the amplified piano-string Beam -- that was often the highlight of the Grateful Dead's "Space" jams. The hollow, almost metallic "Subterranean Caves of Kronos" is once again just Hart on a series of subdued melodic tubular bell progressions. Conversely cacophonous is the multi-drum Beast, a 25-foot round aluminum frame able to support a capacious assemblage of drums. Its use became another zenith of Grateful Dead shows and Hart gives it a workout on the hell-bound "Gates of Däfos." According to the brief text supplied for each song title, the lengthy "Passage" depicts the journey once inside the Gates of Däfos, which develops from the atmosphere of a pastoral setting to the urban sounds of sambas and celebrations. Upon its release, Däfos (1985) garnered substantial notice from audiophiles, including a write-up in Absolute Sound that is reprinted in the Rykodisc CD edition. by Lindsay Planer
Tracklist :
1 Dry Sands of the Desert 5:05
Mickey Hart
2 Ice of the North 1:20
Mickey Hart
3 Reunion I/Reunion II/Reunion III 9:52
Mickey Hart
4 Saudação Popular 5:12
Batucaje / Mickey Hart
5 Psychopomp 4:54
Mickey Hart
6 Subterranean Caves of Kronos 2:12
Mickey Hart
7 The Gates of Däfos 3:55
Mickey Hart
8 Passage 10:55
Mickey Hart
Credits :
Bass – Bobby Vega (faixas: 4)
Berimbau, Backing Vocals – Batucaje (faixas: 2), Mickey Hart (faixas: 2)
Gamelan – Jody Diamond (faixas: 3), Mickey Hart (faixas: 3, 5)
Other [Crew] – Billy Bullshit, Luvell, Ramrod, Young Dan Dundas
Percussion – Airto Moreira (faixas: 2, 4), Batucaje (faixas: 7), Mickey Hart (faixas: 4, 7)
Percussion [Tars] – Brian Crittenden (faixas: 1), Daniel Kennedy (faixas: 1), Habib Bishop (faixas: 1), Khadija Mastah (faixas: A1), Mica Katz (faixas: 1), Mickey Hart (faixas: 1), Ray Patch (faixas: 1), Shabda Kahn (faixas: 1)
Percussion [The Beast] – Mickey Hart (faixas: 6)
Vocals – Flora Purim (faixas: 2, 4), Marcos Antonio Dias (faixas: 2)
Woodwind – Steve Douglas (faixas: 1)
+ last month
ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless
Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...