Recorded in 1984, a full 16 years after this quartet as individuals
began their investigation into free improvisation, the results are in.
Here are a group of four nearly peerless musicians who are standalone
comfortable in this medium, the one that creates something out of
nothing. Using the whatever elements are at their disposal, this group
of mates take the silence and fill it with noises, beautiful notes,
conical, breathless saxophone solos, electronic chaos, and thunderous,
rhythmic densities it would take God to undo. That this music, such as
it is as an unfolding process can happen in front of a live audience, as
it is with no agenda, is of particular credit to the British musicians
who flew in the face of the American free jazz of the late '60s. For one
thing, all of these cats can play their instruments well enough to
deconstruct them, and to discover new sounds in them -- check Evan
Parker's soprano about ten or 11 minutes into this, or Barry Guy's
bassing which brings in high-pitched electronic sounds to counter his
own pizzicato in key. This is music that doesn't mess around, but goes
straight for the heart of the beast: unquestioning conformity, academic
avant-gardism, and soulless tunes called art. Now, in the 21st century,
this music sounds as fresh as it did the day it was made. That is art.
This is the way, so step inside.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1 Supersession 36:55
Barry Guy / Evan Parker / Eddie Prévost / Keith Rowe
Double Bass, Electronics – Barry Guy
Guitar, Electronics, Design – Keith Rowe
Percussion, Liner Notes, Design – Eddie Prévost
Soprano Saxophone, Tenor Saxophone – Evan Parker
22.2.23
EVAN PARKER | KEITH ROWE | BARRY GUY | EDDIE PRÉVOST - Supersession (New Edition) (1984-2015) RM | FLAC (tracks+.cue), lossless
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