STUFF SMITH — Stuff Smith, Dizzy Gillespie & Oscar Peterson (1957-1994) 2CD | FLAC (tracks+.cue), lossless

The great swing violinist Stuff Smith had not recorded as a leader since 1945 when producer Norman Granz got him to make three albums for Verve during a three-month period. Smith, who was still very much in his prime, recorded 11 selections (one previously unissued) with pianist Carl Perkins, either Red Callender or Curtis Counce on bass and Oscar Bradley or Frank Butler on drums (Have Violin Will Swing), jammed nine numbers (three released for the first time here) with the Oscar Peterson Trio (for the album titled Stuff Smith), and on five tunes teamed up with trumpeter Dizzy Gillespie and a rhythm section (Dizzy Gillespie-Stuff Smith); all are reissued in full on this generous two-CD set from 1994. In each of the settings, the violinist excels, making this an easily recommended and very satisfying release.
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LOUIS PRIMA AND HIS NEW ORLEANS GANG – 1937-1939 | The Chronogical Classics – 1146 (2000) FLAC (tracks+.cue), lossless

During the late 1930s Louis Prima evolved ever so slightly beyond the New Orleans revival and hot novelty formulas that he'd milked so relentlessly from 1934-1936. Almost everything he recorded during the years 1937-1939 followed the same pattern of small group swing lathered over with Prima's showy vocals. These records didn't sell very well, and neither Vocalion nor Decca felt obligated to keep him on their rosters. The only two instrumentals heard here are a vigorous "Tin Roof Blues" and a neck-snapping "Jitterbugs on Parade" which is played so fast that the band sounds almost tortured rather than enthused. Poor Louis was desperate, his vocals were overbearing, the public wasn't interested, so it seems he figured the only thing left to do was to play so fast that it hurt. On each of the vocal tracks his frantic humor seems rather forced. It's good to have access to these recordings in order to satisfy one's curiosity and get a glimpse of an overview of the man's recording career, but they are certainly not the best of Louis Prima. Greater enjoyment will be derived from the work of the men he so closely imitated during the 1930s: Louis Armstrong and Wingy Manone. arwulf arwulf  
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