Mostrando postagens com marcador Hard Bop. Mostrar todas as postagens
Mostrando postagens com marcador Hard Bop. Mostrar todas as postagens

17.8.20

EDDIE HIGGINS - Zoot's Hymns (1994) FLAC (tracks+.cue), lossless

Pianist Eddie Higgins alternates trio outings (also including bassist Phil Flannigan and drummer Danny Burger) with quartet performances that feature the cool-toned tenor of John Doughten on this consistently swinging set. "Zoot's Hymns" is a Higgins original that sets the tone for the CD (of which many but not all of the songs were formerly performed by Zoot Sims); other highlights include "The Red Door," "In Your Own Sweet Way," "Hi Fly," and "'Tis Autumn."  by Scott Yanow
Tracklist:
1    Red Door 4:37   
Gerry Mulligan, Zoot Sims
2    In Your Own Sweet Way 6:33
 Dave Brubeck
3    Zoot's Hymns 6:12   
 Eddie Higgins
4    Gabriela/Marina 5:20   
 Antonio Carlos Jobim
5    Come Rain or Come Shine 7:05
Harold Arlen / Johnny Mercer
6    Waltz for Allison 5:49   
 Eddie Higgins
7    Image 4:35   
Luis Eça   
8    Hi-Fly 6:23   
Randy Weston
9    'Tis Autumn 5:07
Henry Nemo
10    Red Blouse 6:08   
Antonio Carlos Jobim   
11    When Your Lover Has Gone 4:25   
Einar A. Swan
Credits:
Bass – Phil Flanigan
Drums – Danny Burger
Piano – Eddie Higgins
Tenor Saxophone – John Doughten

28.7.20

EDDY LOUISS / MICHEL PETRUCCIANI - Conférence de Presse (1994) FLAC (tracks+.cue), lossless


Organist Eddy Louiss and pianist Michel Petrucciani perform a set of boppish duets on this intriguing and successful effort. Louiss and Petrucciani (who brought in "I Wrote You a Song" and "Simply Bop") contributed two songs apiece and co-wrote "Jean-Philippe Herbien." In addition, they perform "All the Things You Are," "So What," and "These Foolish Things." The blend between Louiss' organ and Petrucciani's piano is quite attractive, and they work together quite well, leaving enough space for their individual personalities to emerge yet forming a highly appealing ensemble sound. Recommended. by Scott Yanow
Tracklist:
1 Les Grelots 6:42
Eddy Louiss
2 Jean-Philippe Harbien  10:15
Eddy Louiss / Michel Petrucciani
3 All the Things You Are 6:40
Oscar Hammerstein II / Jerome Kern
4 I Wrote You a Song 8:10
Michel Petrucciani
5 So What 9:55
Miles Davis
6 These Foolish Things 9:55
Harry Link / Holt Marvell / Jack Strachey
7 Amesha 6:30
Eddy Louiss
8 Simply Bop 4:30
Michel Petrucciani
Credits:
Organ [Hammond] – Eddy Louiss
Piano – Michel Petrucciani

EDDY LOUISS / MICHEL PETRUCCIANI - Conférence de Presse, Vol. 2 (1995) FLAC (tracks+.cue), lossless

Tracklist:
1 Autumn Leaves 9:51
Joseph Kosma / Jacques Prévert
2 Hub Art 5:56
Michel Petrucciani
3 Caravan 8:00
Duke Ellington
4 Naissance 6:41
Eddy Louiss
5 Rachid 7:35
Michel Petrucciani
6 Caraibes 9:03
Eddy Louiss
7 Au P'tit Jour 6:58
Eddy Louiss
8 Summertime 8:03
George Gershwin
Credits:
Organ [Hammond] – Eddy Louiss
Piano – Michel Petrucciani

26.7.20

ART BLAKEY AND THE JAZZ MESSENGERS - Moanin' (1958-1984) FLAC (tracks+.cue), lossless


Moanin' includes some of the greatest music Blakey produced in the studio with arguably his very best band. There are three tracks that are immortal and will always stand the test of time. The title selection is a pure tuneful melody stewed in a bluesy shuffle penned by pianist Bobby Timmons, while tenor saxophonist Benny Golson's classy, slowed "Along Came Betty" and the static, militaristic "Blues March" will always have a home in the repertoire of every student or professional jazz band. "Are You Real?" has the most subtle of melody lines, and "Drum Thunder Suite" has Blakey's quick blasting tom-tom-based rudiments reigning on high as the horns sigh, leading to hard bop. "Come Rain or Come Shine" is the piece that commands the most attention, a highly modified, lilting arrangement where the accompanying staggered, staccato rhythms contrast the light-hearted refrains. Certainly a complete and wholly satisfying album, Moanin' ranks with the very best of Blakey and what modern jazz offered in the late '50s and beyond. by Michael G. Nastos
Tracklist:
1 Moanin' 9:30
Bobby Timmons
2 Are You Real 4:47
Benny Golson
3 Along Came Betty 6:08
Benny Golson
4 The Drum Thunder Suite: First Theme: Drum Thunder/Second Theme: Cry a Blue 7:30
Art Blakey
5 Blues March 6:13
Benny Golson
6 Come Rain or Come Shine 5:45
Harold Arlen / Johnny Mercer
Credits:
Bass – Jymie Merritt
Drums – Art Blakey
Piano – Bobby Timmons
Tenor Saxophone – Benny Golson
Trumpet – Lee Morgan

ART BLAKEY AND THE JAZZ MESSENGERS - A Night in Tunisia (1961-2013) RM / BLUE NOTE MASTERWORKS / SHM-CD / FLAC (tracks+.cue), lossless


Art Blakey & the Jazz Messengers hit their artistic peak with the powerful A Night in Tunisia. This incarnation of the group included Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt along with their leader, Blakey. As the Messengers entered their most fruitful period for Blue Note, Blakey drove his men relentlessly with powerful grooves, heavy swinging, and shouts of encouragement. This session documents the full power of his assertive leadership and the masterful playing of his sidemen, each rising to legendary status under his tutelage. Long known for their creative arrangements within the context of small-group jazz, the Messengers push the definition of hard bop and blues to the limit here. Dizzy Gillespie's title track is evidence enough of the creative power of this group: Blakey's steam shovel-like mambo, Morgan and Shorter's wailing solos, and a dramatic ending make for a stunning piece. Shorter's contribution includes the swinging "Sincerely Diana." The soulful Bobby Timmons presents his delightful "So Tired," a bluesy number in the spirit of his classic "Dat Dere." Also included are Lee Morgan's smoky "Yama," the bouncing "Kozo's Waltz," and the classic "When Your Lover Has Gone." by Rovi Staff  
Tracklist:
1 A Night in Tunisia 11:14
Dizzy Gillespie / Frank Paparelli
2 Sincerely Diana 6:48
Wayne Shorter
3 So Tired 6:37
Bobby Timmons
4 Yama 6:23
Lee Morgan
5 Kozo's Waltz 6:46
Lee Morgan
- Bonus Tracks -
6 When Your Lover Has Gone 6:46
Einar A. Swan
7 Sincerely Diana (Alt. Take) 6:58
Wayne Shorter
Credits:
Bass – Jymie Merritt
Drums – Art Blakey
Piano – Bobby Timmons
Recorded By, Remastered By – Rudy Van Gelder
Tenor Saxophone – Wayne Shorter
Trumpet – Lee Morgan

ART BLAKEY AND THE JAZZ MESSENGERS - Roots & Herbs (1961-2014) RM / BLUE NOTE MASTERWORKS / SHM-CD / FLAC (tracks+.cue), lossless


Originally recorded in 1961, Art Blakey & the Jazz Messengers' Roots & Herbs was first released in 1970. Like many titles in the Blue Note catalog, this fine Blakey outing was initially shelved by Alfred Lion for unknown reasons; thankfully, considering Blakey's large array of available Blue Note albums, this wasn't necessarily a crisis. Having already been a magnet for such talented hard bop players and writers as Hank Mobley, Benny Golson, Clifford Brown, Horace Silver (who helped form the original group), and Kenny Dorham, the Messengers' lineup of 1961 featured one of Blakey's best rosters: In addition to trumpeter Lee Morgan, who would alternate in the early '60s with Freddie Hubbard, the band featured tenor saxophonist Wayne Shorter, pianists Walter Davis, Jr. and Bobby Timmons, and bassist Jymie Merritt. Feeding off six early compositions by Shorter, all the players reel off top-notch solos atop Blakey's fluidly galvanizing swing beat. Highlights include "Ping Pong," "Look at Birdie," and "Master Mind," compositions that, in their fetchingly askew ways, nicely foreshadow the wealth of ideas to come from Shorter's pen throughout the '60s. by Stephen Cook  
Tracklist:
1 Ping Pong 7:06
Wayne Shorter
2 Roots and Herbs 6:05
Wayne Shorter
3 The Back Sliders 7:51
Wayne Shorter
4 United 7:29
Wayne Shorter
5 Look at the Birdie 6:45
Wayne Shorter
6 Master Mind 6:55
Wayne Shorter
- Bonus Tracks - 
7 The Back Sliders 7:12
Wayne Shorter
8 Ping Pong 5:58
Wayne Shorter
9 United 6:48
Wayne Shorter
Credits:
Bass – Jymie Merritt
Drums – Art Blakey
Piano – Bobby Timmons (tracks: 1, 3, 5 to 9), Walter Davis Jr. (tracks: 2, 4)
Recorded By – Rudy Van Gelder
Tenor Saxophone, Composed By [All Compositions] – Wayne Shorter
Trumpet – Lee Morgan

ART BLAKEY AND THE JAZZ MESSENGERS - The Witch Doctor (1961-2014) RM / BLUE NOTE MASTERWORKS / SHM-CD / FLAC (tracks+.cue), lossless


Into the third year of utilizing late-'20s superstars trumpeter Lee Morgan and tenor saxophonist Wayne Shorter on the front line, Art Blakey's Jazz Messengers were showing a progressive compositional stance, mostly due to the emerging creativity of Shorter's sharply off-minor ideas. Pianist Bobby Timmons, a peer of the front liners, is swimming somewhere in the middle of this stylistic lake, exhibiting soulful backstrokes, straight-ahead sprinting, and the angular chordal complexities or sudden changes any potpourri of modernities might offer. Faithful bassist Jymie Merritt, no young pup at the time (seven years Blakey's junior) is solid, unspectacular, and right where this band of stars needed him to be. Writing chores continue to be split evenly between the horn players, but Shorter's pieces are distinct with a difference. "Those Who Sit and Wait" is a classic hard bop line with opposing non-sequitur melody/harmony cross sections, while "Joelle" sports two piano chords from Timmons leading to unusual phrasings, but still in a hard bop stance. Morgan contributes the title track and an alternate take with its typical and reliable hard bop shuffle buoying quirky horn and piano exchanges, and the spectacular "Afrique" with a 6/8 modal, choppy clave Latin beat merging to easy swing from the heavy tenor of Shorter -- the best of three worlds. Timmons contributes "A Little Busy" which is not far removed from the soul-jazz he is known for, a fun and funky groove biscuit where the pianist is truly in his element. "Lost & Found," penned by Clifford Jordan, showcases the straight-ahead signature sound the Jazz Messengers mined for decades -- upbeat, happy and tight. Whether this was or was not the pinnacle for this great band is still up for debate, but it assuredly ranks with Blakey's personal best aside from the popular album Moanin' of the same time frame. by Michael G. Nastos  
Tracklist:
1 The Witch Doctor 5:32
Lee Morgan
2 Afrique 6:58
Duke Ellington / Lee Morgan
3 Those Who Sit and Wait 5:54
Wayne Shorter
4 A Little Busy 6:18
Bobby Timmons
5 Joelle 5:13
Wayne Shorter
6 Lost and Found 5:06
Clifford Jordan
- Bonus Track -
7 The Witch Doctor 5:33
Lee Morgan
Credits:
Bass – Jymie Merritt
Drums – Art Blakey
Piano – Bobby Timmons
Recorded By – Rudy Van Gelder
Tenor Saxophone – Wayne Shorter
Trumpet – Lee Morgan

25.7.20

ART BLAKEY AND THE JAZZ MESSENGERS - Play Selections from the New Musical Golden Boy (1963-2010) RM / EMI Music Japan Inc. 50th Anniversary / FLAC (tracks+.cue), lossless


Originally released in 1964, Golden Boy features drummer Art Blakey and his Jazz Messengers performing songs from the Lee Adams and Charles Strouse Broadway musical for which the album is titled. Based off the play, written by Clifford Odets and William Gibson, Golden Boy was a socially conscious musical about a Harlem prize-fighter trying to escape his working class roots. A somewhat obscure Blakey release, Golden Boy nonetheless features plenty of improvisatory, hard bop firepower. by Matt Collar
Tracklist:
1 Theme From Golden Boy 5:36
2 Yes I Can 5:27
3 Lorna's Here 5:09
4 This Is The Life 5:57
5 There's A Party 5:00
6 I Want To Be With You 4:03
Credits:
Alto Saxophone – James Spaulding
Arranged By – Cedar Walton, Curtis Fuller, Wayne Shorter
Baritone Saxophone – Charlie Davis
Bass – Reggie Workman
Drums – Art Blakey
French Horn – Julius Watkins
Piano – Cedar Walton
Tenor Saxophone – Wayne Shorter
Trombone – Curtis Fuller
Trumpet – Freddie Hubbard, Lee Morgan
Tuba – Bill Barber
Written-By – C. Strouse, L. Adams

ART BLAKEY QUARTET - A Jazz Message (1964) lp / MONO / FLAC (image+.cue), lossless


Drummer Art Blakey took time off from his busy schedule as leader of The Jazz Messengers to participate in this quartet session with saxophonist Sonny Stitt, pianist McCoy Tyner and bassist Art Davis. Although this session was under Blakey's leadership, Stitt (on both tenor and alto) emerges as the main soloist, playing his trademark bebop lines with creativity and typical enthusiasm. by Scott Yanow
Tracklist:
A1 Cafe 6:14
Written-By – Blakey, Stitt
A2 Just Knock On My Door 5:56
Written-By – Blakey, Stitt
A3 Summertime 5:55
Written-By – Heyward, Gershwin
B1 Blues Back 6:30
Written-By – Tyner
B2 Sunday 7:21
Written-By – Conn, Styne, Miller
B3 The Song Is You 5:06
Written-By – O. Hammerstein II / J. Kern
Credits:
Bass – Art Davis
Drums – Art Blakey
Engineer – Rudy Van Gelder
Piano – McCoy Tyner
Tenor Saxophone – Sonny Stitt

24.7.20

ART BLAKEY AND THE JAZZ MESSENGERS - Soul Finger (1965-2009) Verve Originals / FLAC (tracks+.cue), lossless


Soul Finger, released on Limelight in 1965, marks Lee Morgan's and Freddie Hubbard's final studio appearances as members of Art Blakey's Jazz Messengers. Morgan had been an on-again-off-again member since the 1950s, but his tenure with Blakey through the early 1960s remained fairly constant. The set also includes a young John Hicks on piano, bassist Victor Sproles, and veteran saxophonist Lucky Thompson. While this set may lack the sheer high-energy crackle of some of the Jazz Messengers Blue Note dates, there is quite a bit to enjoy here. The title track kicks the joint off in bluesy style with the three-horn front line in a slightly dissonant intro before moving in a fingerpopping groover with some killer wood by Sproles used as fills between lines. The spunky Latin groove of "Buh's Bossa" offers Blakey's consummate chops accenting the knotty, sometimes snaky melody line with some excellent comp work by Hicks. Thompson's underrated soprano work makes a beautiful appearance on "Spot Session," a sultry little groover. The real highlight of the set is "Freedom Monday," that offers taut hard bop lyric lines, extended harmonies in the front line -- especially between Hubbard and Morgan -- and a smoking Afro-Cuban rhythmic line highlighted by Blakey and Hicks. The program here showcases the sounds of a band in transition to be sure, but also the sound of a group with nothing to lose; in other words, plenty of chances get taken that might not otherwise fly. This date is well worth seeking out for fans of Blakey's long running, ever evolving unit.
(This comment is posted on allmusic by Thom Jurek, follower of our blog O Púbis da Rosa)
Tracklist:
1 Soul Finger 3:17
Freddie Hubbard / Lee Morgan
2 Buh's Bossa 5:33
L. Morgan / Lee Morgan
3 Spot Session 7:22
Lucky Thompson
4 Freedom Monday 6:16
Art Blakey
5 A Quiet Thing 6:56
Fred Ebb / John Kander
6 The Hub 7:21
Freddie Hubbard
Credits:
Bass – Victor Sproles
Drums – Art Blakey
Piano – John Hicks
Tenor Saxophone, Soprano Saxophone – Lucky Thompson
Trumpet – Freddie Hubbard, Lee Morgan

ART BLAKEY AND THE JAZZ MESSENGERS - Oh-By the Way (1989-2015) RM / Timeless Jazz Master Collection / FLAC (tracks+.cue), lossless


When the Marsalis Brothers left The Jazz Messengers in early 1982, Wynton suggested that Art Blakey take a close listen to trumpeter Terence Blanchard (then 19) and 21-year old altoist Donald Harrison. The drummer took his advice, and after also adding young pianist Johnny O'Neal, Blakey soon had an exciting new version of The Jazz Messengers. Tenor saxophonist Bill Pierce and bassist Charles Fambrough were still present from the older band for this excellent LP. In the Blakey tradition, this set has five new compositions from bandmembers in addition to Wayne Shorter's "One by One" and the standard "My Funny Valentine"; the music is a fine example of high-quality hard bop. by Scott Yanow
Tracklist:
1 Oh, By the Way 6:29
Terence Blanchard
2 Duck Soup 6:00
Donald Harrison
3 Tropical Breeze 4:54
Johnny O'Neal
4 One by One 5:22
Wayne Shorter
5 Sudan Blue 7:09
Bill Pierce
6 My Funny Valentine 8:15
Lorenz Hart / Richard Rodgers
7 Alicia 5:54
Charles Fambrough
Credits:
Alto Saxophone – Donald Harrison
Bass – Charles Fambrough
Drums – Art Blakey
Piano – Johnny O'Neal
Tenor Saxophone – Billy Pierce
Trumpet – Terence Blanchard

ART BLAKEY AND HIS JAZZ MESSENGERS - Chippin' In (1990-2015) Timeless Jazz Master Collection / FLAC (tracks+.cue), lossless

35 years after first officially forming The Jazz Messengers, drummer Art Blakey entered his final year still at it. Due to the many promising young players around at the time, Blakey expanded The Messengers from its usual quintet or sextet into a septet for this fine recording session. In addition to trumpeter Brian Lynch, pianist Geoff Keezer and bassist Essiet Okon Essiet, this version of The Messengers had two tenors (Javon Jackson and Dale Barlow) and a pair of alternating trombonists (Frank Lacy and Steve Davis). Quite typically, other than Wayne Shorter's obscure "Hammerhead" and two standards, all of the material on this CD was new and composed by Blakey's sidemen. Because Blakey constantly persuaded his musicians to write music, The Jazz Messengers stayed young in spirit, just like its leader. A fine effort. by Scott Yanow
Tracklist:
1 Brain Stormin' 6:31 
Geoff Keezer
2 Byrdflight 6:18
Brian Lynch
3 Hammer Head 6:50
Wayne Shorter
4 Aquarius Rising 5:26
Frank Lacy
5 Kay Pea 5:58
Javon Jackson
6 Chippin' In 9:56
Brian Lynch
7 Raincheck 5:34
Billy Strayhorn
8 Chandek's Den 6:20
Brian Lynch
9 Kenji's Walk 8:57
Art Blakey
10 Love Walked In 08:16
George Gershwin / Ira Gershwin
Credits:
Acoustic Bass – Essiet Essiet
Drums – Art Blakey
Piano – Geoff Keezer
Tenor Saxophone – Dale Barlow, Javon Jackson
Trombone – Frank Lacy, Steve Davis
Trumpet – Brian Lynch

SONNY ROLLINS - Sonny Rollins, Vol. 1 (1956-2004) RM / FLAC (tracks+.cue), lossless

After several incredible dates for Prestige, Rollins moved over to Blue Note to cut a series of studio and live recordings; while not as groundbreaking as his earlier work, the albums still stand out among the many hard bop releases of the day. Upon listening to this, his fine debut for the label, not to mention classics like Saxophone Colossus and Sonny Rollins Plus Four, one almost takes for granted the tenor giant's ability to reel off a nonstop flow of breathtaking solo lines while keeping an overall thematic structure intact. And even though it's not as classic sounding as other Blue Note titles like Vol. 2 or Newk's Time, Sonny Rollins, Vol. 1 will satisfy Rollins fans comfortable with a mostly loose and free-flowing set; the hard-swinging originals "Bluesnote" and "Sonnysphere" certainly fit the bill, while the loping blues "Decision" and easy swinger "Plain Jane" up the ante with fetching head statements. Topping things off, Rollins includes one of his singular Broadway song interpretations with the Finian's Rainbow ballad "How Are Things in Glocca Mora." Figuring prominently in the proceedings are veteran bassist Gene Ramey, longtime drummer Max Roach, and then up-and-coming hard bop stars trumpeter Donald Byrd and pianist Wynton Kelly. Maybe not a first-choice disc for Rollins newcomers, but certainly an essential title down the line. by Stephen Cook 
Tracklist
1 Decision 8:00
Sonny Rollins
2 Bluesnote 6:58
Sonny Rollins
3 How Are Things in Glocca Morra? 6:17
E.Y. "Yip" Harburg / Burton Lane
4 Plain Jane 9:56
Sonny Rollins
5 Sonnysphere 9:34
Sonny Rollins
Personnel:
Donald Byrd (tp)
Sonny Rollins (ts)
Wynton Kelly (p)
Gene Ramey (b)
Max Roach (d)

SONNY ROLLINS - Sonny Rollins Plus Four (1956-1985) RM / MONO / Prestige Masterpiece Series / FLAC (tracks+.cue), lossless

1956, Sonny Rollins was spiritually and physically rejuvenated. And on Sonny Rollins Plus 4, he's clearly inspired by Max Roach and Clifford Brown's depth of spirit. Multi-dimensional re-arrangements of popular songs were a Brown-Roach trademark. "Kiss and Run" is treated to a stop-and-go intro, then settles into a brisk 4/4, as Rollins, Brown, and the perennially underrated Richie Powell fashion long dancing lines. "I Feel a Song Coming On" creates tension by alternating a vamp figure with a swinging release. Rollins takes an immense solo, contrasting chanting figures and foghorn-like long tones with Parker-ish elisions, and Brown answers with buzzing figures and daring harmonic extensions. Then Roach takes things out with sweeping melodic choruses and polyrhythmic fanfares, setting the stage for a torrid tenor-trumpet duel. On "Valse Hot," there's an early example of a successful jazz waltz as Rollins offers up one of his most charming themes. Max Roach treats the European three with the dancing elan of an American four, and Rollins responds by floating in between the beat, syncopating in Monk-ish stabs and thrusts, as Brown answers with the kind of rhythmically complex, sweetly articulated melodic lines that have inspired every modern trumpeter. by Rovi Staff  
1 Valse Hot 8:35
Composed By – Sonny Rollins
2 Kiss And Run 7:07
Composed By – Sam Coslow
3 I Feel A Song Coming On
Composed By – Dorothy Fields, George Oppenheimer, Jimmy McHugh
4 Count Your Blessings 5:13
Composed By – Irving Berlin
5 Pent-Up House 8:53
Composed By – Sonny Rollins
Credits:
Bass – George Morrow
Drums – Max Roach
Piano – Richie Powell
Recorded By – Rudy Van Gelder
Tenor Saxophone – Sonny Rollins
Trumpet – Clifford Brown

SONNY ROLLINS - Rollins Plays for Bird (1956-2008) RVG REMASTERS / FLAC (tracks+.cue), lossless


As the tenor sax is not in the same key as an alto, Sonny Rollins would have to transpose a lot of music to take a tribute to Charlie Parker to a high level. Instead Rollins has chosen standards associated with Parker, and recorded them within a year after Bird's passing. This idea poses some peculiar challenges, added on to the fact that the quintet of Rollins starts the proceedings with a 27-minute medley of seven tunes seamlessly stitched together. Pianist Wade Legge, an unsung hero of jazz in the '50s for sure, plays some wonderful music here, and laces the grooves of the tunes together, while bassist George Morrow and the always exceptional drummer Max Roach keep things moving forward. Even more unusual is that trumpeter Kenny Dorham is in many instances invisible on the date, playing less than a cursory role to Rollins. Dorham rarely plays together with him, and is much more separate than equal, which in many regards is a shame. Considering how well Dorham and tenor saxophonist Joe Henderson worked as a tandem, one wonders why this happened. The music certainly has its moments, as on the inexhaustible medley. Rollins plays the melody on alternating songs "I Remember You" and "They Can't Take That Away from Me," Dorham has at it for "My Melancholy Baby" and "Just Friends," with Legge getting his two cents in on trio only versions of "Old Folks" and "My Little Suede Shoes." Finally the whole band joins in on the ten-minute finale "Star Eyes." Even for the heartiest fans, this long-winded exercise might prove taxing. Rollins does the ballad "I've Grown Accustomed to Your (Her) Face," and the horns finally play together for the nearly 12-minute cool waltz "Kids Know." A disappointment in terms of the division of labor, and not the merging of titans jazz lovers would have wished for, this recording still provides a great deal of high level music that could have been so much more. by Michael G. Nastos 
Tracklist:
1 Medley: I Remember You / My Melancholy Baby / Old Folks / They Can't ... 26:55
Gene DePaul / Public Domain / George Gershwin / Ira Gershwin / John Klenner / Johnny Mercer / Norton / Charlie Parker / Don Raye / Earl Robinson / Victor Schertzinger
2 Kids Know 11:39
Sonny Rollins
3 I've Grown Accustomed to Your Face 4:52
Alan Jay Lerner / Frederick Loewe
Credits:
Bass – George Morrow
Drums – Max Roach
Piano – Wade Legge
Recorded By, Remastered By, Engineer – Rudy Van Gelder
Tenor Saxophone – Sonny Rollins
Trumpet – Kenny Dorham

SONNY ROLLINS - Saxophone Colossus (1957-1991) RM / MONO / Masters Of Jazz Series / FLAC (tracks+.cue), lossless


Sonny Rollins recorded many memorable sessions during 1954-1958, but Saxophone Colossus is arguably his finest all-around set. Joined by pianist Tommy Flanagan, bassist Doug Watkins, and drummer Max Roach, Rollins debuts and performs the definitive version of "St. Thomas," tears into the chord changes of "Mack the Knife" (here called "Moritat"), introduces "Strode Rode," is lyrical on "You Don't Know What Love Is," and constructs a solo on "Blue Seven" that practically defines his style. Essential music that, as with all of Rollins' Prestige recordings, has also been reissued as part of a huge "complete" box set; listeners with a tight budget are advised to pick up this single disc and be amazed. by Scott Yanow
Tracklist:
1 St. Thomas 6:48
Sonny Rollins
2 You Don't Know What Love is 6:31
Gene Paul / Don Raye
3 Strode Rode 5:17
Sonny Rollins
4 Moritat (Mack the Knife) 10:07
Bertolt Brecht / Kurt Weill
5 Blue 7 11:20
Sonny Rollins
Credits:
Bass – Doug Watkins
Drums – Max Roach
Engineer [Original Recordings] – Rudy Van Gelder
Piano – Tommy Flanagan
Tenor Saxophone – Sonny Rollins

SONNY ROLLINS - Sonny Rollins, Vol. 2 (1957-2010) RM / MONO / SACD / FLAC (tracks+.cue), lossless


Sonny Rollins, Vol. 2, recorded for Blue Note, is a timeless session and a milestone in jazz history that gathered together some of the founding fathers of the post-bop era. Joining Rollins are Jazz Messengers Art Blakey on drums and Horace Silver on piano, Miles Davis' favorite bassist Paul Chambers, the quintessential trombonist J.J. Johnson, and even Thelonious Monk himself. The tour de force in swing begins with a bang and doesn't let up until the last note has faded away. Rollins' own uptempo "Why Don't I" kicks off the session with a rhythmic jolt before his big tenor launches into a classic swinging solo followed by turns from Johnson and Silver and some heated exchanges with Blakey. The aptly titled "Wail March" begins deceptively with a street-beat groove before careening into several blistering solo choruses. Monk sits in for his own "Misterioso" and "Reflections," two quintessential works from this eccentric master that are given excellent readings here. The bouncing "You Stepped Out of a Dream" provides some tasty interaction between Rollins and Johnson. Finally, the lilting "Poor Butterfly" is a nice bluesy ending to this all-star session. AllMusic 
Tracklist:
1 Why Don't I 5:42
Sonny Rollins
2 Wail March 6:09
Sonny Rollins
3 Misterioso 9:22
Thelonious Monk
4 Reflections 7:01
Thelonious Monk
5 You Stepped Out of a Dream 6:22
Nacio Herb Brown / Gus Kahn
6 Poor Butterfly 6:05
John Golden / Raymond Hubbell
Credits:
Bass – Paul Chambers
Drums – Art Blakey
Piano – Horace Silver, Thelonious Monk
Recorded By – Rudy Van Gelder
Tenor Saxophone – Sonny Rollins
Trombone – Jay Jay Johnson

23.7.20

SONNY ROLLINS - A Night at the Village Vanguard, Vol. 2 (1957-1987) MONO / FLAC (tracks+.cue), lossless

Wilbur Bernard Ware (September 8, 1923 – September 9, 1979) was an African-American Classical Contra-bassist known for his creative use of time and space, his angular, unorthodox solo technique and a distinctive percussive sound. He was a staff bassist at Riverside Records in the 1950s, playing on many of the label's sessions, including LPs with such widely diverse stylists as J.R. Monterose, Toots Thielemans, Tina Brooks, Zoot Sims, and Grant Green.Born in Chicago, Ware taught himself to play banjo and bass and he approached the contra-bass not only as a melodic and rhythmic instrument but also as a percussive instrument. In the 1940s, he worked with Stuff Smith, Sonny Stitt, and Roy Eldridge. He recorded with Sun Ra in the early 1950s. Later in the 1950s, settling in New York, Ware played with Eddie Vinson, Art Blakey, and Buddy DeFranco. His only album recorded under his own name during his lifetime was The Chicago Sound, from 1957, while Ware was signed to Riverside. Ware was also active in studio recordings of several Music Minus One (MMO) jazz instructional LPs made in a New Jersey studio in the late 1950s, several of which have now been re-released on compact disc. In 1958, Ware was one of 57 jazz musicians to appear in the photograph A Great Day in Harlem.In 2012, Ware's widow produced and released a collection of previously unreleased studio tracks made with trumpeter Don Cherry, under the title Wilbur Ware: Super Bass. The CD also contains a 5-minute track in which Ware describes his early years in music and his life in this art-form commonly known as jazz.Ware is best known for his work with the Thelonious Monk quartet in 1957-58 and for his live recordings with the Sonny Rollins Trio at the Village Vanguard​. by Rashid 
Tracklist:
1 What Is This Thing Called Love? 13:25
Cole Porter
2 Softly, As in a Morning Sunrise 7:30
Oscar Hammerstein II / Sigmund Romberg
3 Sonnymoon for Two 7:30
Sonny Rollins
4 I Can't Get Started 4:00
Vernon Duke / Ira Gershwin
5 I'll Remember April 8:35
Gene DePaul / Patricia Johnston / Don Raye
6 Get Happy 8:43
Harold Arlen / Ted Koehler
7 Striver's Row 5:50
Sonny Rollins
8 All the Things You Are 6:32
Oscar Hammerstein II / Jerome Kern
9 Get Happy 4:32
Harold Arlen / Ted Koehler
Credits:
Elvin Jones - Drums
Sonny Rollins - Sax (Tenor)
Wilbur Ware - Bass

SONNY ROLLINS - Newk's Time (1957-1990) WV (image+.cue), lossless

In his early prime and well-respected, tenor saxophonist Sonny Rollins cut this fine hard bop date as one of several late-'50s sessions for Blue Note. The record is part classic date, part blowing session, sporting a mix of engaging head statements and lengthy solos. Rollins takes to the spacious quartet setting, stretching out on taut versions of Miles Davis' '50s concert opener "Tune Up" and Kenny Dorham's "Asiatic Raes." Keeping the swing hard but supple are drummer Philly Joe Jones, bassist Doug Watkins, and pianist Wynton Kelly; Jones was certainly the standout in this well-respected sampling of the best young players of the period, as he oftentimes matched the intensity and ingenuity of the star soloists he backed. Jones, in fact, puts in some career highlights on "Wonderful! Wonderful!" and "The Surrey With the Fringe on Top," just two of many wholly unique Tin Pan Alley song interpretations Rollins has done in his long career. From a career-defining period before the legendary Williamsburg Bridge layoff of two years, Rollins' Newk's Time may not make classic status in jazz roundups, but it certainly is a must for fans of this most important of classic hard bop soloists. by Stephen Cook 
Tracklist:
1. Tune Up 5:42
(Davis)
2. Asiatic Raes 5:55
(Dorham) 
3. Wonderful! Wonderful! 5:55
(Edwards, Raleigh)
4. The Surrey With the Fringe on Top 6:30
 (Hammerstein, Rodgers)
5. Blues for Philly Joe 6:39
(Rollins) 
6. Namely You 3:17
 (DePaul, Mercer) 
Personnel:
Sonny Rollins: tenor sax
Wynton Kelly: Piano
Doug Watkins: Bass
Philly Joe Jones: Drums

SONNY ROLLINS - Sonny Boy (1957-1989) RM / FLAC (tracks+.cue), lossless

 Recorded in 1956 but issued in 1960, Sonny Boy combines three tracks previously heard on Rollins' 1957 release Tour de Force, omitting two ballads sung by Earl Coleman) with the title track, popularized by Al Jolson in the '20s, and an instrumental version of "The House I Live In" from the Frank Sinatra film of the same title.
The blues "Ee-Ah" features a laid-back introduction by pianist Kenny Drew and a remarkable extended solo by Rollins. The aptly titled "B. Quick" and "B. Swift" are lightning-fast improvs spotlighting exceptional solos by all members, especially drummer Max Roach. Of the previously unissued tracks, "Sonny Boy" has a bounciness unusual in '50s jazz, and "The House I Live In" (featuring trumpeter Kenny Dorham and pianist Wade Legge) manages to be simultaneously stately and swinging. They're hardly mere leftovers, and should have been issued long before they were. AllMusic
Tracklist 
1 Ee-Ah 6:53
Sonny Rollins
2 B. Quick 9:11
Sonny Rollins
3 B. Swift 5:14
Sonny Rollins
4 The House I Live In 9:21
Piano – Wade Legge
Trumpet – Kenny Dorham
5 Sonny Boy 8:22
Sonny Rollins
Credits:
Bass – George Morrow
Drums – Max Roach
Piano – Kenny Drew (tracks: 1 to 3, 5), Wade Legge (tracks: 4)
Tenor Saxophone – Sonny Rollins
Trumpet – Kenny Dorham (tracks: 4)

ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless

Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...