The second half of the Cow Cow Davenport story (the two Document CDs in this series have all of his recordings as a leader) features Davenport in a variety of settings: solo in 1929; sharing vocal duets with Sam Tarpley and Ivy Smith during 1929-30; sticking to vocalizing on a lone date from 1938; and performing eight selections (six of which are piano solos) in 1945 for what would be his final recordings. Although Cow Cow Davenport ended up quite destitute and forgotten, his music was generally quite joyous, and he was certainly a fine, underrated pianist. Among the more memorable selections on this recommended disc are "Mama Don't Allow No Easy Riders," "Everybody Likes That Thing," "The Mess Is Here," "Jeep Boogie" and "Hobson City Stomp." Scott Yanow
Abridged from this albums original booklet notes. 1928 and ’29 were the good years for Cow Cow Davenport. He was on the staff of Vocalion Records, paid $ 85 a week as a composer, owned a large apartment at 35th & Wabash and had money in the bank. Further he claimed he was even owed $ 3000 royalties on his Paramount sessions. The road beckoned again and with Iva (possibly her correct name?) Smith he put together “Cow Cow’s Chicago Steppers” review. Sinking all his money into it but charging the bus to Paramount, against the owed royalties. He hired musicians, acrobats, comedians and showgirls and, on the eve of the Depression, took to the road. Kansas City was a successful first stop but when they moved down South to Dallas, “things began to break bad”. With no money left the show broke up in Mobile and Cow Cow, who’d pawned the bus several times, ended up in jail and with pneumonia. On release, six months later, arthritis set in and he lost the use of his right arm. Still trying, he joined up with Haeg’s Circus in Florida as a minstrel and eventually made his way to his sister’s in Cleveland. Gradually, he started to play again and when he met Peggy Taylor, a performer who did a dance with snakes and had a show in the city, Cow Cow couldn’t resist. “When you see shows, you always want to join them” he said. He introduced himself as a comedian and he was off on the road again. There was still trouble – this time with the snakes, police and, not surprisingly, landladies. Back in Cleveland, Peggy went to work for the city and Cow Cow kept writing Mayo Williams, now at Decca, who set up the 1938 session. With Sam Price and a bunch of New York musicians he recorded two earlier songs he’d written for Sam Theard; I Ain’t No Ice Man and That’ll Get It and, of course, the vocal version of Cow Cow Blues. (Incidentally the original “Iceman” was the precursor of Bo Carter‘s All Around Man.) Despite the good songs it was not a happy session. Cow Cow only sang (Teddy Bunn remembered Don’t You Loudmouth Me, and Davenport as a loudmouth too) and one can imagine Cow Cow Davenport the old-fashioned, once famous entertainer down on his luck, and desperate for a comeback but his brilliant piano-playing just a memory, trying to impress a slick New York house-band. Cow Cow Davenport was to play piano again, from time to time, in small clubs and jobs engineered by collectors, while working as a washroom attendant and on record for J. H. Alderton Jr‘s Comet label in 1945. A vocal session with Peggy for Rudi Blesh‘s Circle label remains unissued. His last years of poverty on Scoville Avenue in the heart of the Cleveland ghetto have a depressing familiar ring to them. Local jazz enthusiasts had persuaded A.S.C.A.R to admit Cow Cow as a member and there was a small royalty cheque each month – but not from “Cow Cow Boogie”, a pop song he’d signed away to Leeds Music for $500 in 1942. DOCD-5134
Tracklist :
1 Cow Cow Davenport– We Gonna Rub It 3:12
Piano [Solo], Speech – Cow Cow Davenport
2 Cow Cow Davenport– Texas Shout 3:10
Piano [Solo] – Cow Cow Davenport
3 Cow Cow Davenport– Mama Don't Allow No Easy Riders 3:03
Piano [Solo] – Cow Cow Davenport
4 Cow Cow Davenport– Slum Gullion Stomp 3:09
Piano [Solo] – Cow Cow Davenport
5 Memphis Sam And John– It's Just All Right 3:00
Piano – Cow Cow Davenport
Vocals [Duet] – Cow Cow Davenport, Sam Tarpley
6 Memphis Sam And John– Everybody Likes That Thing 3:04
Piano – Cow Cow Davenport
Vocals [Duet] – Ivy Smith, Sam Tarpley
7 Charlie Davenport And Ivy Smith– He Don't Mean Me No Harm 3:02
Piano – Cow Cow Davenport
Vocals [Duet] – Cow Cow Davenport, Ivy Smith
8 Charlie Davenport And Ivy Smith– You Got Another Thought Coming To You 2:45
Piano – Cow Cow Davenport
Vocals [Duet] – Cow Cow Davenport, Ivy Smith
9 Charlie Davenport And Ivy Smith– Now She Gives It Away 2:52
Piano – Cow Cow Davenport
Vocals [Duet] – Cow Cow Davenport, Ivy Smith
10 Cow Cow Davenport– Don't You Loud Mouth Me 2:33
Double Bass [Stand Up Bass] – Richard Fullbright
Flugelhorn – Joe Bishop
Piano – Sammy Price
Vocals – Cow Cow Davenport
11 Cow Cow Davenport– I Ain't No Ice Man 2:43
Double Bass [Stand Up Bass] – Richard Fullbright
Flugelhorn – Joe Bishop
Piano – Sammy Price
Vocals – Cow Cow Davenport
12 Cow Cow Davenport– The Mess Is Here 2:43
Double Bass [Stand Up Bass] – Richard Fullbright
Flugelhorn – Joe Bishop
Piano – Sammy Price
Vocals – Cow Cow Davenport
13 Cow Cow Davenport– Railroad Blues 2:40
Double Bass [Stand Up Bass] – Richard Fullbright
Flugelhorn – Joe Bishop
Piano – Sammy Price
Vocals – Cow Cow Davenport
14 Cow Cow Davenport– That'll Get It 2:35
Double Bass [Stand Up Bass] – Richard Fullbright
Flugelhorn – Joe Bishop
Piano – Sammy Price
Vocals – Cow Cow Davenport
15 Cow Cow Davenport– Jump Little Jitterbug 2:54
Piano, Vocals – Cow Cow Davenport
16 Cow Cow Davenport– Gotta Girl For Every Day Of The Week 3:06
Piano, Vocals – Cow Cow Davenport
17 Cow Cow Davenport– Jeep Boogie 2:55
Piano – Cow Cow Davenport
18 Cow Cow Davenport– Chimin' Away 2:52
Piano – Cow Cow Davenport
19 Cow Cow Davenport– Hobson City Stomp 2:54
Piano – Cow Cow Davenport
20 Cow Cow Davenport– Run Into Me 2:58
Piano – Cow Cow Davenport
21 Cow Cow Davenport– "Cow Cow's" Stomp 3:03
Piano – Cow Cow Davenport
22 Cow Cow Davenport– Gin Mill Stomp 2:52
Piano – Cow Cow Davenport
11.2.25
COW COW DAVENPORT — Complete Recorded Works In Chronological Order ★ Volume 2 • 1929 to 1945 | DOCD- 5142 (1994) RM | FLAC (tracks+.cue), lossless
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