Mostrando postagens com marcador Mack Avenue Records. Mostrar todas as postagens
Mostrando postagens com marcador Mack Avenue Records. Mostrar todas as postagens

3.6.24

STANLEY JORDAN — State of Nature (2008) FLAC (tracks+.cue), lossless

State of Nature is the first studio offering by Stanley Jordan in over ten years; it also his debut for Detroit's fine Mack Avenue imprint. For those who have only heard the early Blue Note records or his live dates, this will be both welcome and a bit of a shock. Jordan has always been an ambitious artist. He took a long break from recording to study music therapy as well. His pioneering tap technique on the guitar changed the way it is used in jazz and popular music for many, and his holistic approach to music has delighted many and infuriated some purists. Oh well. The 14 tracks here are, as one might expect, all over the map, and so are his support musicians. There are some killer pieces from the jazz canon here, most notably in Horace Silver's "Song for my Father" and Miles Davis' "All Blues." These are likely to get notice because Jordan plays both guitar and piano on them simultaneously with no overdubbing. There will no doubt be some gnashing of teeth because Jordan's not as fine a pianist as Bill Evans or Silver. So what? These are fine renditions of these tunes, performed by a crack band featuring bassist Charnett Moffett and drummer David Haynes (who make up the core rhythm section on the majority of the disc). They swing, they groove, and they remain not only faithful but soulful as well. Haynes' cymbal work on the Silver tune is gorgeous, and Moffett's driving pulse of a bassline on the Davis tune is in the cut and very creative. As for the quality of Jordan's pianism? It works beautifully, and his guitar solos on both cuts add breadth and dimension to the originals. It's actually dazzling on "Song for My Father." These are but two of the many surprises to be found here. The reading of Tom Jobim's "Insensatez" with bassist Dudu Lima and drummer Ivan Conti evokes the sparseness of the original -- even with the multiple tonalities at work in Jordan's playing (many of them bluesy and rounded) combined with Lima's wildly creative, fretless bass playing -- and still manages to hold a drop-dead precise groove for the percussive invention that engages Jordan in his interaction with Conti. This is a beautiful if very unusual interpretation of the tune that probably adds more to its timeless appeal than any cover of it in recent memory.

Jordan's own compositions have not suffered in his time away from recording; far from it. Check album opener "A Place in Space" with the Moffett and Haynes rhythm section. The colors on display here are rich, even lush, and if the tune didn't pop the way it does rhythmically or have its force of swing -- even in rather staccato interludes -- it might be a tad lush. But it moves and the breaks by Haynes, while never overstated (he's using brushes) are simply intoxicating. There are a number of brief "environmental" recordings here, as well, underscoring the artist's deep concern with the personal transformation of self and nature (yeah; green politics) but it's a spiritual type of politics, not a brow-beating one. "Ocean Breeze" was written with Jay Kishor, who also plays sitar in a large ensemble setting. The Jordan-Moffett-Haynes trio is embellished by keyboards (Giovanna Imbesi), a second bassist in Tommy Brown, and various hand percussion and tablas. While the track has a bit of a new-agey feel in the first couple of seconds, it quickly becomes something akin to what Oregon did in the early '70s but with an electric guitar. The melodic invention in this cut is simply amazing. Another remarkable moment is the exchange of solos between Jordan and Kishor, followed by Tammi Brown's understated, wordless vocals in the backdrop. The funky breaks played by Haynes in "Shadow Dance" are supplemented by hip drum loops added by Jordan. He takes his most rockist solo here (feels like a nod to Hendrix); it spirals out into space with pedal effects and some keyboard programming and overdubbed piano, and it's an excellent fusion track which has enough funk and soul in it to create a killer groove. The album closes with a beautiful version of Joe Jackson's "Steppin' Out." A backing chorus of Tammi Brown and Julianne Jordan is accompanied by Jordan on electric piano, guitar, and loops, and the rhythm section of Moffett and Haynes. It swings and shimmers and stays deeply in the cut while letting its groove and dancefloor freak flag fly -- expect this one to be a hit on contemporary jazz stations even at almost six minutes. There is some additional recording at the end with environmental sounds, Meta Weiss' cello and Kishor's sitar fading in as the guitar solos and vocals fade out. In lesser hands this cut and perhaps an album this ambitious in scope would have been a mess. In Jordan's it is nothing short of a triumph of soul, spirit, and a seasoned jazz musician's acumen.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1    A Place In Space 8:51
Bass – Charnett Moffett
Drums – David Haynes

2    All Blues 7:56
Bass – Charnett Moffett
Drums – David Haynes
Written-By – Miles Davis

3    Forest Garden 3:18
Cello – Meta Weiss
Percussion – Hartt Stearns

4    Insensatez (How Insensitive) 5:51
Bass – Dudu Lima
Drums – Ivan Conti (Mamão)
Written-By – Antonio Carlos Jobim

5    Mozart's Piano Concerto #21 (Andante In F Major) 7:35
Arranged By – Stanley Jordan
Written-By – W.A. Mozart

6    Song For My Father 7:09
Bass – Charnett Moffett
Drums – David Haynes
Written-By – Horace Silver

7    Mind Games #1 0:33
Bass – Charnett Moffett
Drums – Kenwood Dennard

8    Ocean Breeze 7:26
Bass – Charnett Moffett
Bass [Additional] – Tommy Brown
Drums – David Haynes
Percussion – Hartt Stearns
Piano, Keyboards – Giovanna Imbesi
Sitar – Jay Kishor
Tabla – Vedang Londhe
Vocals – Tammi Brown

9    Healing Waves 7:32
Cello – Meta Weiss
10    Mind Games #2 0:49
Bass – Charnett Moffett
Drums – Kenwood Dennard

11    Shadow Dance 6:51
Bass – Charnett Moffett
Drums – David Haynes

12    Mind Games #3 0:35
Bass – Charnett Moffett
Drums – Kenwood Dennard

13    Prayer For The Sea 6:29
Bass – Charnett Moffett
Drums – Kenwood Dennard
Keyboards – Ryan Turnage

14    Steppin' Out 5:55
Bass – Charnett Moffett
Cello – Meta Weiss
Drums – David Haynes
Sitar – Jay Kishor
Vocals – Julia Jordan, Tammi Brown
Written-By – Joe Jackson

Credits :
Producer, Guitar, Programmed By [Sound], Electric Piano – Stanley Jordan

STANLEY JORDAN — Friends (2011) FLAC (tracks+.cue), lossless

Guitarist Stanley Jordan's innovative touch technique, often played in a solo setting at the beginning of his career in the mid-'80s, was a breath of fresh air. He has since been an explorer open to many styles, as heard on this collaboration with a number of different musicians. He is still very much a force as a soloist, yet not one to hog the spotlight with his formidable abilities. Jordan is joined by Kenny Garrett (on soprano sax), trumpeter Nicholas Payton, bassist Christian McBride, and drummer Kenwood Dennard for his blazing post-bop anthem "Capital J." The same lineup is used for the mellow contemporary ballad "Bathed in Light" with Dennard overdubbing on keyboard; the robust solos and crisp ensemble work keep things from degrading into run-of-the-mill smooth jazz. Jordan collaborates with several different guitarists. Octogenarian Bucky Pizzarelli, a master of seven-string guitar who is equally capable playing lead and rhythm, is on hand for a gently swinging, bluesy "Lil' Darlin'," while Russell Malone joins the leader and Pizzarelli for an explosive take of "Seven Come Eleven" (a tune Pizzarelli doubtlessly played many times during his time with Benny Goodman). Mike Stern accompanies Jordan for a brisk workout of "Giant Steps," with Dennard sticking to soft brushwork. Guitarist Charlie Hunter is on hand for Jordan's funky "Walkin' the Dog" and Katy Perry's "I Kissed a Girl," the latter in which the leader plays piano with one hand and guitar with the other. Perhaps the most unusual track is an adaptation of the "Romantic Intermezzo" from Béla Bartók's Concerto for Orchestra, with Jordan playing piano (his first instrument) accompanied by the brilliant violinist Regina Carter, demonstrating Jordan's love for a good melody regardless of the style of music. Jazz fans who have lost track of Stanley Jordan since his early solo recordings will have their ears opened by this diverse, successful meeting with his many friends. Ken Dryden
Tracklist :
1    Capital J    6:40
 Stanley Jordan
2    Walkin' The Dog    6:12
 Stanley Jordan
3    Lil' Darlin'    5:43
 Neal Hefti
4    Giant Steps    4:33
 John Coltrane
5    I Kissed A Girl    5:46
 Cathy Dennis / Dr. Luke / Max Martin / Katy Perry
6    Samba Delight    5:30
 Stanley Jordan
7    Seven Come Eleven    5:33
 Charlie Christian / Benny Goodman
8    Bathed In Light    7:49
 Stanley Jordan
9    Romantic Intermezzo From Bartok's Concerto For Orchestra    8:33
 Béla Bartók
10    Reverie    3:59
 Claude Debussy
11    One For Milton    4:08
 Kenwood Dennard / Stanley Jordan / Russell Malone
Credits :
Contrabass – Charnett Moffett (tracks: 5,6,10), Christian McBride (tracks: 1,8)
Drums – Kenwood Dennard (tracks: 1 to 8,10,11)
Guitar – Bucky Pizzarelli (tracks: 3,6), Charlie Hunter (tracks: 2,5), Mike Stern (tracks: 4), Russell Malone (tracks: 6,11), Stanley Jordan
Piano – Stanley Jordan (tracks: 5,9)
Soprano Saxophone – Kenny Garrett (tracks: 1,8), Ronnie Laws (tracks: 7)
Trumpet – Nicholas Payton (tracks: 1,8)
Violin – Regina Carter (tracks: 7,9)

19.3.24

DANILO PÉREZ — Providencia (2010) FLAC (tracks+.cue), lossless

 Tracklist :
1    Danilo Perez–    Daniela's Chroniclles    10:15
2    Danilo Perez–    Galactic Panama    5:04
3    Carlos Eleta Almarán–    Historia de un Amor    4:37
4    Danilo Perez–    Bridge of Life, Part I    3:43
5    Danilo Perez–    Providencia    5:08
6    Avelino Muñoz–    Irremediablemente Solo    6:08
7    Danilo Perez–    The Oracle    5:07
8    Danilo Perez–    Bridge of Life, Part II    1:52
9    Danilo Perez–    The Maze: The Beginning    1:38
10    Danilo Perez–    Cobilla    5:25
11    Danilo Perez–    The Maze: The End    1:24
Credits :
Alto Saxophone – Rudresh Mahanthappa
Bassoon – Margaret Phillips
Clarinet – José Benito Meza Torres
Congas – Ernesto Diaz
Drums – Adam Cruz
Flute – Matt Marvuglio
French Horn – Amparo Edo Biol
Oboe – Barbara LaFitte
Percussion – Jamey Haddad
Piano – Danilo Perez
Voice – Sara Serpa

PÉREZ | PATITUCCI | BLADE — Children Of The Light (2015) FLAC (tracks+.cue), lossless

Tracklist :
1     Children of the Light 6'54
Danilo Pérez
2     Sunburn and Mosquito (Dedicated to Carolina) 4'34
Danilo Pérez
3     Moonlight on Congo Square 5'01
John Patitucci
4     Lumen 4'26
Danilo Pérez
5     Within Everything 3'21
Brian Blade
6     Milky Way 3'40
John Patitucci
7     Light Echo/Dolores 9'49
Danilo Pérez / Wayne Shorter
8     Ballad for a Noble Man (In memory of Doug Sommer) 4'32
John Patitucci
9     Looking for Light 5'33
Danilo Pérez
10     Luz del Alma 2'38
Danilo Pérez
11     African Wave 5'25
Danilo Pérez
Credits :
Acoustic Bass, Electric Bass – John Patitucci
Cello – Sachi Patitucci (pistas: 8)
Drums – Brian Blade
Grand Piano, Keyboards, Drum – Danilo Perez

EDDIE HARRIS — The Last Concert (1997) FLAC (tracks+.cue), lossless

Unless something unauthorized turns up, this appears to be Eddie Harris' last recording. The concert was taped in Europe -- where Harris...