Albert Ammons, father of Gene Ammons, became so thoroughly associated with boogie-woogie and Blue Note Records that it is thrilling to hear him in 1936 leading a straightforward swing band in a solid stride treatment of "Nagasaki" for the Decca record label. Naturally, the flip side is an authentic, upbeat rendition of "Pinetop's Boogie Woogie," and most of the material on this disc contains five times its weight in danceable blues protein. "Mile-Or-Mo Bird Rag," however, swings like "Nagasaki" did, and once again we get to hear Albert playing genuine stride piano with outstanding support from bassist Israel Crosby and guitarist Ike Perkins. There are refreshing solos from trumpeter Guy Kelly and from a fine alto player by the name of Dalbert Bright. Act two opens in 1939 with ten piano solos, packed with blues and boogie. While some folks disparage the woogie, they are most likely complaining about imitators rather than this archetypal, fundamental body of definitive good-time piano. If you're lucky enough to be able to submerge yourself in this many Albert's solos, you'll most likely succumb to his dignified realism, his gut-level understanding of the blues. The coolest surprise of the whole package is the session of February 1, 1939, whereby Harry James made two sides for Brunswick backed by the "Boogie Woogie Trio." The pure excitement of "Woo-Woo" is worth a million bucks, as muted trumpet wails over a churning rhythm section, egged on by neat little crashes of the cymbal. "Jesse" is a minor stomp on open horn, with Albert back in a Harlem stride piano groove. When James puts the mute back on his horn it becomes clear that these are two of the very best undiluted jazz records that this trumpeter ever made! The CD ends with four sides recorded at the Blue Note "Port of Harlem" session of April 7, 1939. The sound quality is a bit misty, but that seems to be the case with most reissues of this material. On the "Weary Land Blues," trombonist J.C. Higginbotham was designated as leader. Frankie Newton's expressive trumpet was added to this band to form the Port of Harlem Jazzmen, resulting that day in three 12" 78 rpm records, each containing more than four minutes of undiluted blues. The moods are disarmingly intimate and uncontrived. Teddy Bunn's guitar sounds particularly good throughout the entire session. Things begin to solidify during a stern walk through the "Mighty Blues," and everybody cuts loose during "Rocking the Blues," a boogie-woogie for sextet driven at a healthy clip by two powerful engines: the drumming of Sidney Catlett and the double-fisted piano of Albert Ammons. arwulf arwulf
Tracklist :
1 Albert Ammons And His Rhythm Kings– Nagasaki 2:50
Clarinet, Alto Saxophone – Dalbert Bright
Double Bass [String Bass] – Israel Crosby
Drums – Jimmy Hoskins
Guitar – Ike Perkins
Piano – Albert Ammons
Trumpet – Guy Kelly
Written-By – Warren, Dixon
2 Albert Ammons And His Rhythm Kings– Boogie Woogie Stomp 2:58
Clarinet, Alto Saxophone – Dalbert Bright
Double Bass [String Bass] – Israel Crosby
Drums – Jimmy Hoskins
Guitar – Ike Perkins
Piano – Albert Ammons
Trumpet – Guy Kelly
Written-By – Smith
3 Albert Ammons And His Rhythm Kings– Early Mornin' Blues 3:09
Clarinet, Alto Saxophone – Dalbert Bright
Double Bass [String Bass] – Israel Crosby
Drums – Jimmy Hoskins
Guitar – Ike Perkins
Piano – Albert Ammons
Trumpet – Guy Kelly
Written-By – Ammons
4 Albert Ammons And His Rhythm Kings– Mile-Or-Mo Bird Rag 3:12
Clarinet, Alto Saxophone – Dalbert Bright
Double Bass [String Bass] – Israel Crosby
Drums – Jimmy Hoskins
Guitar – Ike Perkins
Piano – Albert Ammons
Trumpet – Guy Kelly
Written-By – Ammons
5 Albert Ammons– Shout For Joy 2:23
Piano – Albert Ammons
Written-By – Ammons
6 Albert Ammons– Boogie Woogie Stomp 3:35
Piano – Albert Ammons
Written-By – Ammons
7 Albert Ammons– Chicago In Mind 3:59
Piano – Albert Ammons
Written-By – Ammons
8 Albert Ammons– Suitcase Blues 3:49
Piano – Albert Ammons
Written-By – Thomas
9 Albert Ammons– Boogie Woogie Blues 3:39
Piano – Albert Ammons
Written-By – Ammons
10 Albert Ammons– Untitled Ammons Original 4:04
Piano – Albert Ammons
Written-By – Ammons
11 Albert Ammons– Bass Goin' Crazy 3:18
Piano – Albert Ammons
Written-By – Ammons
12 Albert Ammons– Backwater Blues 4:02
Piano – Albert Ammons
Written-By – Smith
13 Albert Ammons– Changes In Boogie Woogie 4:04
Piano – Albert Ammons
Written-By – Unknown Artist
14 Albert Ammons– Easy Rider Blues 4:09
Traditional
Piano – Albert Ammons
15 Harry James And The Boogie Woogie Trio– Woo-Woo 3:12
Double Bass [String Bass] – Johnny Williams
Drums – Eddie Dougherty
Piano – Albert Ammons
Trumpet – Harry James
Written-By – James
16 Harry James And The Boogie Woogie Trio– Jesse 2:42
Double Bass [String Bass] – Johnny Williams
Drums – Eddie Dougherty
Piano – Albert Ammons
Trumpet – Harry James
Written-By – James
17 J.C. Higginbotham Quintet– Weary Land Blues 2:49
Double Bass [String Bass] – Johnny Williams
Drums – Sidney Catlett
Guitar – Teddy Bunn
Piano – Albert Ammons
Trombone – J.C. Higginbotham
18 Port Of Harlem Jazzmen– Port Of Harlem Blues 4:28
Double Bass [String Bass] – Johnny Williams
Drums – Sidney Catlett
Guitar – Teddy Bunn
Piano – Albert Ammons
Trombone – J.C. Higginbotham
Trumpet – Frank Newton
19 Port Of Harlem Jazzmen– Mighty Blues 4:32
Double Bass [String Bass] – Johnny Williams
Drums – Sidney Catlett
Guitar – Teddy Bunn
Piano – Albert Ammons
Trombone – J.C. Higginbotham
Trumpet – Frank Newton
20 Port Of Harlem Jazzmen– Rocking The Blues 4:21
Double Bass [String Bass] – Johnny Williams
Drums – Sidney Catlett
Guitar – Teddy Bunn
Piano – Albert Ammons
Trombone – J.C. Higginbotham
Trumpet – Frank Newton
6.4.23
ALBERT AMMONS – 1936-1939 (1993) The Classics Chronological Series – 715 | FLAC (image+.cue), lossless
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Unless something unauthorized turns up, this appears to be Eddie Harris' last recording. The concert was taped in Europe -- where Harris...
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