GEORGE RUSSELL SEXTET — Stratusphunk (1961-1995) RM | APE (image+.cue), lossless

 From 1960-1962, arranger/composer George Russell recorded six albums with his working combo that found him contributing "arranger's piano." The two Decca dates are very scarce, but the four Riversides have fortunately been reissued on CD under the Original Jazz Classics imprint. For this particular date, Russell is joined by five students at the Lenox School of Jazz: trumpeter Al Kiger, trombonist Dave Baker (who in the future would become an important jazz educator), tenor saxophonist Dave Young, bassist Chuck Israels, and drummer Joe Hunt. Surprisingly, only three of the six selections are Russell originals ("Bent Eagle" was an early effort by Carla Bley), but the leader's influence can be felt in all of the adventurous and slightly unusual yet swinging music. Scott Yanow
Tracklist :
1    Stratusphunk 6:06
Written-By – George Russell
2    New Donna 8:23
Written-By – George Russell
3    Bent Eagle 6:12
Written-By – Carla Bley
4    Kentucky Oysters 8:21
Written-By – Dave Baker
5    Lambskins 7:11
Written-By – David Lahm
6    Things New 6:52
Written-By – George Russell
Credits :
Bass – Chuck Israels
Drums – Joe Hunt
Piano, Arranged By – George Russell
Tenor Saxophone – Dave Young
Trombone – Dave Baker
Trumpet – Al Kiger

ROY ELDRIDGE – 1935-1940 | The Classics Chronological Series – 725 (1993) FLAC (image+.cue), lossless

Although the recordings made by the Delta Four on December 20, 1935, were not issued under the leadership of Roy Eldridge, they form the perfect beginning for a chronological survey of Eldridge's adventures as a major influential artist in the evolution of jazz trumpet between Louis Armstrong in the 1920s and Dizzy Gillespie in the 1940s. The Delta Four were one fine little swing machine. Their "Farewell Blues" has a solid bounce and Eldridge seems to sail over the heads of the rhythm players during "Swingin' at the Famous Door." In 1936 Eldridge's orchestra was equipped with Chu Berry, Buster Bailey, John Kirby, and Sid Catlett. A pity listeners only get to hear one example of this band's handiwork, as Decca rejected its recording of "Christopher Columbus" and apparently asked for nothing more out of this powerful ensemble. In January of 1937 Eldridge managed to make a handful of records for Vocalion. His brother Joe Eldridge wrote arrangements and played alto next to Scoops Carry in the reed department. With Dave Young blowing tenor and Truck Parham in the rhythm section alongside Zutty Singleton, this was one hell of a band. Eldridge cut a lot of versions of "After You've Gone" over the years. The one heard here, with a vocal by Gladys Palmer, predates the famous funny false-start versions of the '40s. Regarding the singers heard on this CD, they're OK but Eldridge is the best. His delightful rendition of "You're a Lucky Guy" feels like a sweet premonition of Billie Holiday's version, which was recorded a couple of months later for Vocalion. The Eldridge Orchestra as heard on the 1939 Varsity recordings featured reedmen Franz Jackson and Prince Robinson, with pianists Kenny Kersey and Clyde Hart. Bassist Ted Sturgis was highlighted during a hot stomp for big band entitled "Pluckin' the Bass." Milt Hinton had ground out his own version of this tune -- composed by the Eldridge brothers -- with Cab Calloway's Orchestra several months prior to the recording heard here. Eldridge's band also blew off some steam working up the old traditional numbers "High Society" and "Muskrat Ramble." This chronological grab bag finishes up with four handsome if conventional big-band recordings from February 1940 by Freddie Rich & His Orchestra. The vocal tracks are not especially substantial. What distinguished this band was the collective presence of Roy Eldridge, Benny Carter, Babe Russin, Clyde Hart, and Hayes Alvis. Only the instrumentals -- "Till We Meet Again" and "I'm Forever Blowing Bubbles" -- really carry any weight. arwulf arwulf
Tracklist + Credits :

HORACE HENDERSON AND HIS ORCHESTRA – 1940 + FLETCHER HENDERSON AND HIS ORCHESTRA – 1941 | The Classics Chronological Series – 648 (1992) FLAC (tracks+.cue), lossless

 Horace Henderson spent most of his career in the shadow of his brother Fletcher, even though he was actually a superior pianist and a comparable arranger. Other than an all-star session that he headed in 1933, Horace did not make his first recordings as a leader until 1940, when he led a regular (if short-lived) big band. Five sessions resulted in 21 titles, all of which are included on this very enjoyable CD. Most notable among Henderson's sidemen are trumpeter Emmett Berry, tenorman Elmer Williams, and Ray Nance (shortly before he joined Duke Ellington) on trumpet, violin, and the vocal to "They Jittered All the Time." This excellent swing CD, which has plenty of "killer dillers," is rounded off by a four-song session by Fletcher Henderson's 1941 big band, cut shortly before it broke up. Recommended. Scott Yanow
Tracklist + Credits :

BENNY CARTER - Meets Oscar Peterson (1986-1995) RM | FLAC (image+.cue), lossless

What would in any other instance be a potent Jazz at the Philharmonic meeting of the minds, the pairing of Oscar Peterson and Benny Carter in the studio turns out to be a neat and trim session of mutual respect between these two titans of American music. Six standards and a blues jam has Peterson deferring to Carter's alto sax in most instances, as the horn takes the lead with Peterson happy to follow. Guitarist Joe Pass seems an afterthought on most of this material, while Toronto bassist Dave Young and British drummer Martin Drew turn in a reliable and steady rhythmic performance. Young is particularly inspired, with big shoes to fill treading footprints of the brilliant Peterson at the time, Niels-Henning Ørsted Pedersen, and is more than up to the task. Considering his age (almost 80,) Carter sounds splendid, as lyrical as ever, and with a slight hint of vibrato or legato inflections and flourishes. He sure sounds sweet, whether sighing for "Sweet Lorraine," combining cool and animated lines during the simple "It's a Wonderful World," or paralleling "Melancholy Baby" on "Whispering." Only for "Just Friends" does Peterson lead out, and brilliantly as usual, extrapolating his heart out, with Carter in late as Peterson quotes "Moose the Mooch." Pass does congeal with Peterson in distinguished classy phrases for "Baubles, Bangles & Beads" with Carter using upper register embellishments, while Pass is the leader on a balanced read of "If I Had You." The CD ends with a made up "Some Kind of Blues," with Peterson flying as only he can, setting up classic solos from Pass and Carter. This is a sturdy album, spectacular in spots, consistently tasteful, and swinging from top to bottom. Michael G. Nastos
Tracklist :
1     Just Friends 6:37
John Klenner / Sam M. Lewis    
2     Sweet Lorraine 6:46
Clifford R. Burwell / Mitchell Parish    
3     Baubles, Bangles and Beads 8:13
Alexander Borodin / George Forrest / Robert Wright
4     It's a Wonderful World 6:30
Harold Adamson / Jan Savitt / John Kluczko Watson / Johnny Watson    
5     If I Had You 6:43
Jimmy Campbell / Reginald Connelly / Ted Shapiro    
6     Whispering 4:50
Richard Coburn / Doris Fisher / Vincent Rose / John Schoenberger    
7     Some Kind of Blues 4:43     
Benny Carter / Oscar Peterson
Credits :
Alto Saxophone – Benny Carter
Bass – Dave Young
Drums – Martin Drew
Guitar – Joe Pass
Piano – Oscar Peterson
Producer, Liner Notes, Layout, Design – Norman Granz