ELLA FITZGERALD – 1937-1938 | The Classics Chronological Series – 506 (1990) FLAC (tracks+.cue), lossless

The second of six CDs in the Classics label's complete reissue of Ella Fitzgerald's early recordings features the singer as a teenager with the Chick Webb Orchestra, in addition to leading two sessions that use Webb's sidemen and performing a pair of songs ("Big Boy Blue" and "Dedicated to You") with the Mills Brothers. Highlights include "I Want to Be Happy," "If Dreams Come True" and her big hit, "A-Tisket, A-Tasket." Although not yet the brilliant jazz singer she would become, Fitzgerald already had a highly appealing voice and the ability to swing on any song she was given. Scott Yanow
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ELLA FITZGERALD – 1938-1939 | The Classics Chronological Series – 518 (1990) FLAC (tracks+.cue), lossless

After her giant hit of "A-Tisket, A-Tasket," the already-popular Ella Fitzgerald became the main attraction with the Chick Webb Orchestra and the majority of their recordings from 1938 feature the singer who was then 20. She is particularly strong on the ballads (such as "You Can't Be Mine") and had a hit in "Undecided" (the lone 1939 selection on this CD) although her work on the novelties is less memorable. All of these Classics releases are worth picking up for a definitive (and very complete) look at early Fitzgerald. Scott Yanow
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ELLA FITZGERALD – 1939 | The Classics Chronological Series – 525 (1990) FLAC (tracks+.cue), lossless

Unlike GRP, which has merely reissued the "best" of early Ella Fitzgerald domestically, the European Classics label has released all of the great singer's early recordings (from the 1935-41 period) on six CDs. This, the fourth volume, has her final recordings with Chick Webb's Orchestra (before the legendary drummer's premature death) and her first after she took control of his big band. Fitzgerald is best on "'Tain't What You Do" and the ballads (particularly "Don't Worry About Me," "Little White Lies," "Stairway to the Stars" and "Out of Nowhere") although she is less memorable on such uptempo novelties as "Chew-Chew-Chew Your Bubble Gum" and "I Want the Waiter with the Water." This CD is well worth acquiring along with the other entries in this definitive series. Scott Yanow
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ELLA FITZGERALD – 1940-1941 | The Classics Chronological Series – 644 (1992) FLAC (tracks+.cue), lossless

The sixth in Classics' six-CD series that completely reissues all of Ella Fitzgerald's early recordings has her final 23 performances as the head of what was formerly the Chick Webb Orchestra. Just 22 during most of this period, she is generally in superb voice and the ballads (highlighted by "Shake Down the Stars," "Taking a Chance on Love," "The One I Love" and "Can't Help Lovin' Dat Man") are frequently exquisite; her expertise at scatting would come a few years later. It's recommended as are all of the entries in this valuable series (which is superior to GRP's Decca program). Scott Yanow
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ELLA FITZGERALD – 1941-1944 | The Classics Chronological Series – 840 (1995) FLAC (tracks+.cue), lossless

This Classics CD traces Ella Fitzgerald's recordings from the beginning of her solo career. Having finally broken up the Chick Webb ghost orchestra, Ella mostly recorded ballads during her first few years as a solo artist; her jazz and scat singing would develop much more quickly starting in 1945. On some selections she is joined by a mundane vocal group called the Four Keys, but her three collaborations with the Ink Spots (particularly "Cow Cow Boogie" and "Into Each Life Some Rain Must Fall") are quite delightful. Other highpoints from this release (which finds Ella at 24 to 27 years old) include "This Love of Mine," "My Heart and I Decided" and "I'm Confessin'." Scott Yanow
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BLUE LU BARKER – 1946-1949 | The Classics Chronological Series – 1130 (2000) FLAC (tracks+.cue), lossless

Singer Blue Lu Barker's second Classics release has all of her recordings from 1946-1949 and, combined with the earlier release (1938-1939), all of her sessions as a leader are now available. Barker was a pleasant if limited singer and one might want to hear these 25 selections in small doses. Blu Lu is joined by combos (usually five to seven pieces) led by her husband guitarist Danny Barker, who also contributed the majority of the tunes. The backup groups include such notables as trumpeter Shad Collins, tenors Teddy McRae and Jerry Jerome, and pianist Gerald Wiggins. The music, released originally by Apollo and Capitol (except for three cuts originally rejected), include a remake of "Don't You Feel My Leg" and such tunes as "You Gotta Show It to Me Baby," "I Feel Like Laying in Another Woman's Husband's Arms," "Now You're Down in the Alley," "Loan Me Your Husband," and "Bow-Legged Daddy." Scott Yanow  
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BILLY TAYLOR – 1945-1949 | The Classics Chronological Series – 1137 (2000) FLAC (tracks+.cue), lossless

Many jazz fans don't realize how long ago Billy Taylor began his career; this French anthology assembles five separate sessions that he led as a young man between 1945 and 1949, as well as one date as a sideman. In 1945 he shows the influence of both Art Tatum and Teddy Wilson in the lightly swinging take of "Night and Day," while his campy approach to "Alexander's Ragtime Band" is rather refreshing. His lyrical solo interpretation of "The Very Thought of You" from 1946 demonstrates his considerable growth as a pianist. Taylor also wrote seven of the songs, which include two versions of his easygoing "Stridin' Down the Champs-Elysees," the flashy blues "Well Taylor-Ed," and two rare vocals by Taylor on the Nat King Cole-like "I Don't Ask Questions, I Just Have Fun" and "So You Think You're Cute." The four tracks featuring Taylor as a sideman in the Walter Thomas Orchestra find him pretty much relegated to a supporting role, although the presence of Doc Cheatham, Eddie Barefield, and Hilton Jefferson makes the music of interest. But Taylor's quintet session with the infrequently recorded tenor saxophonist John Hardee (who is in great form) is hampered somewhat by the unnecessary addition of organist Milt Page, who proves to be more of a distraction with his uninspired playing. Because so much of the valuable material within this collection has been next to impossible to find, it will be of significant interest to fans of Billy Taylor. Ken Dryden  
Tracklist + Credits :

CAB CALLOWAY AND HIS ORCHESTRA – 1941-1942 (1991) The Classics Chronological Series – 682 | FLAC (tracks+.cue), lossless

The 11th of the European Classics label's 12 Complete Cab Calloway CDs (reissuing all of his studio recordings of 1930-42) has the last recordings of trumpeter Dizzy Gillespie and tenor Chu Berry with Cab; other soloists include trumpeter Jonah Jones and trombonist Tyree Glenn. Calloway retained his popularity throughout the World War II years and was still in prime form during these 22 recordings. Highlights include a memorable "Blues in the Night," "A Smo-o-o-oth One," "Virginia, Georgia and Caroline" and a new version of "Minnie the Moocher." All of the 12 Classics CDs are highly recommended to Cab Calloway and swing fans; they are perfectly done. Scott Yanow
Tracklist :
1 Hey, Doc! 3:16
Kim Gannon / Edgar Sampson
2 I See a Million People (But All I Can See Is You) 3:01
Una Mae Carlisle / Robert Sour
3 Conchita (Cares Nothing About Love) 2:51
Cab Calloway
4 Blues in the Night (My Mama Done Tol' Me) 3:10
Harold Arlen / Johnny Mercer
5 Mrs. Fiinnigan 2:48
J.C. Higginbotham / Redman
6 My Coo-Coo Bird (Could Swing) 2:51
Buster Harding
7 Says Who? Says You, Says I! 2:27
Harold Arlen / Johnny Mercer
8 The Mermaid Song 2:47
Cab Calloway & His Orchestra
9 Who Calls? 3:11
Stanley Hill / Johnny Marks
10 Nain Nain (No No) 3:15
Cab Calloway / Buck Ram
11 Tappin' Off 2:42
Buster Harding
12 A Smo-o-o-oth One 3:08
Benny Goodman
13 The Moment I Laid Eyes on You 3:17
Harold Arlen / Ted Koehler
14 Virginia, Georgia and Caroline 2:34
Cab Calloway / George A. Little / Larry Shay
15 Lordy 2:54
Oscar Hammerstein II / Sigmund Romberg
16 I Want to Rock 2:52
Larry Clinton / Buster Harding
17 I'll Be Around 3:10
Alec Wilder 
18 'Tain't No Good 3:13
Roy Jacobs / Leo Wood
19 Minnie the Moocher 3:15
Cab Calloway / Clarence Gaskill / Irving Mills
20 Let's Go Joe 3:09
Cab Calloway / Jack Palmer / J. Eric Smith
21 Ogeechee River Lullaby 3:37
Cab Calloway / Jack Palmer / Leo Wood
22 I Get the Neck of the Chicken 2:45
Frank Loesser / Jimmy McHugh

BENNY MORTON – 1934-1945 (1999) The Classics Chronological Series – 906 | FLAC (tracks), lossless

Benny Morton didn't make very many recordings as a leader. What you've got here are apparently all of them. The 1934 band contained several musicians who had worked in Don Redman's orchestra. "Fare Thee Well to Harlem" is one of many preposterous Tin Pan Alley songs depicting a "negro" who yearns to go back to the noble South, in this case because of the questionable assumption that down there people go to church instead of hanging out in bars. Note that Duke Ellington always insisted there were more churches than nightclubs in Harlem. Ellington gave the world the diametric opposite of this song when in 1941 he composed "Jump For Joy," that ode to emancipation with its opening lyric: "Fare thee well, land of cotton, fare thee well." It's almost as if he was responding to this particular song! Will we ever know? "Tailor Made" was composed and arranged by bassist Billy Taylor, who chugs away behind the band without soloing. "The Gold Digger's Song," with its refrain of "We're in the money," came directly out of Busby Berkeley's Hollywood during the Great Depression. Nobody ever sang a hipper version of this giddy paean to economic denial than Henry "Red" Allen. Edward Inge quotes both "Yankee Doodle" and "Pagliacci" during his clarinet solo. Benny Morton's Trombone Choir was a follow-up for Roy Eldridge's Trumpet Ensemble and Coleman Hawkins & His Sax Ensemble, all brilliantly produced by Harry Lim for Keynote Records. The fact that four trombones were considered a choir is immediately understandable when you immerse yourself in their glowing tonalities. The music is sculpted with great precision, and the 'bones are able to strut their stuff largely because of the excellent rhythm section of Johnny Guarnieri, Al Hall and Sid Catlett. Although Leonard Feather is credited as the composer of "Sliphorn Outing," the tune is clearly recognizable as an upbeat version of "Avalon." You realize Al Jolson could have sued for royalties! "Sliphorn" is also a necessary blow-out after the beautifully controlled cooperation and perfectly blended harmonies of "Where or When," "Liza" and "Once in a While." The Blue Note recordings of Benny Morton's All Stars, featuring Barney Bigard and Ben Webster, are precious as lapis lazuli. "My Old Flame" comes across like an Ellington tune, for obvious reasons. "Conversing In Blue" might be one of the greatest collective improvisations in all of traditional jazz. Six men interact, three of them using wind instruments in strikingly expressive ways, carefully listening to each other while voicing their innermost feelings with honesty and passion. The ballad and the blues are perfectly matched by a pair of hot standards. All four sides were originally issued on 12" 78s, allowing additional time for extended solos and prolonged exchanges between the horns. The album ends with four obscure titles issued on the Stinson label. Benny Morton's gentle approach to the trombone is beautifully demonstrated on "Stardust." Prince Robinson's clarinet is a noticeable presence during "Boogie" and those quirkily titled romps, "Williphant Willie" and "Chicken at the Chester." Not a bad career retrospective for a man who spent most of his time playing in the brass section of other peoples' bands. arwulf arwulf 
Tracklist :
1    Benny Morton And His Orchestra–    Get Goin' 3:13
Arranged By – Jerry Blake
Vocals – Jerry Blake
Written-By – Oakland, Conrad, Drake
2    Benny Morton And His Orchestra–    Fare-Thee-Well To Harlem 3:05
Vocals – Jerry Blake
Written-By – Hanighen, Mercer
3    Benny Morton And His Orchestra–    Tailor Made 3:12
Written-By, Arranged By – Billy Taylor
4    Benny Morton And His Orchestra–    The Gold Digger's Song (We're In The Money) 3:10
Vocals – Henry "Red" Allen
Written-By – Dubin, Warren
5    Benny Morton's Trombone Choir–    Where Or When 4:38
Written-By – Rodgers - Hart
6    Benny Morton's Trombone Choir–    Liza
Written-By – Gershwin - Gershwin
7    Benny Morton's Trombone Choir–    Once In A While 4:42
Written-By – Green, Edwards
8    Benny Morton's Trombone Choir–    Sliphorn Outing 4:33
Written-By – Feather
9    Benny Morton's All Stars–    My Old Flame 4:14
Written-By – Johnson, Coslow
10    Benny Morton's All Stars–    Conversing In Blue 4:38
Written-By – Benny Morton
11    Benny Morton's All Stars–    The Sheik Of Araby 4:35
Written-By – Wheeler, Smith, Snyder
12    Benny Morton's All Stars–    Limehouse Blues 4:09
Written-By – Furber, Braham
13    Benny Morton–    Boogie 2:36
Written-By – Unknown Artist
14    Benny Morton–    Williphant Willie 2:25
Written-By – Unknown Artist
15    Benny Morton–    Stardust 2:57
Written-By – Hoagy Carmichael
16    Benny Morton–    Chicken At The Chester 2:23
Written-By – Unknown Artist
Credits :   
Bass – Al Hall (tracks: 5 to 8), Billy Taylor (tracks: 1 to 4), Israel Crosby (tracks: 9 to 12), Jimmy Butts (tracks: 13 to 16)
Clarinet – Barney Bigard (tracks: 9 to 12), Prince Robinson (tracks: 13 to 16)
Clarinet, Alto Saxophone – Edward Inge (tracks: 1 to 4), Jerry Blake (tracks: 1 to 4)
Drums – Eddie Dougherty (tracks: 9 to 16), Manzie Johnson (tracks: 1 to 4), Sid Catlett (tracks: 5 to 8)
Guitar – Bobby Johnson (tracks: 1 to 4)
Piano – Don Kirkpatrick (tracks: 1 to 4), Johnny Guarnieri (tracks: 5 to 8), Sammy Benskin (tracks: 9 to 16)
Tenor Saxophone – Ben Webster (tracks: 9 to 12), Ted McRae (tracks: 1 to 4)
Trombone – Benny Morton, Bill Harris (tracks: 5 to 8), Claude Jones (tracks: 5 to 8), Vic Dickenson (tracks: 5 to 8)
Trumpet – Bobby Stark (tracks: 13 to 16), Henry "Red" Allen (tracks: 1 to 4)

CHICK WEBB AND HIS ORCHESTRA – 1935-1938 (1990) The Classics Chronological Series – 517 | FLAC (tracks+.cue), lossless

To a large extent, the Chick Webb big band is now chiefly remembered as the launching pad for Ella Fitzgerald, but during its peak years it was one of the top swing bands. This 25-song CD from the European Classics label reissues all of the band's recordings from a three-year period that did not feature Fitzgerald as a solo singer; she does make a brief appearance on "Wake up and Live." Although there are nine vocals on this set (including three from a young Louis Jordan), the emphasis is very much on the band's instrumental talents. Such soloists as trumpeters Taft Jordan and Bobby Stark, trombonist Sandy Williams, Elmer Williams and Ted McRae on tenors, and altoist Edgar Sampson are heard from while the drummer/leader propels the ensembles. A special highlight are the four numbers by Chick Webb's Little Chicks, an unusual quintet featuring the pioneering jazz flutist Wayman Carver and clarinetist Chauncey Haughton. This CD is highly recommended to swing fans. Scott Yanow  
Tracklist :
1     Down Home Rag 2:52
Sam M. Lewis / Wilbur Sweatman
2     Are You Here to Stay? 3:11
Kenneth Harrison / Edgar Sampson
3     Moonlight and Magnolias 2:51
Dizzy Gillespie
4     I May Be Wrong (But I Think You're Wonderful) 3:03
Harry Ruskin / Henry Sullivan
5     Facts and Figures 2:33
Edgar Sampson
6     Go Harlem 2:20
James P. Johnson / Andy Razaf
7     Love Marches On 2:52
Charles Tobias
8     There's Frost on the Moon  2:49
Fred E. Ahlert / Victor Young
9     Gee But You're Swell 2:37
Charles Tobias
10     Rusty Hinge 3:06
Lew Brown
11     Wake up and Live 2:37
Mack Gordon / Harry Revel
12     It's Swell of You 3:12
Mack Gordon / Harry Revel
13     Clap Hands! Here Comes Charlie 2:31
Ballard MacDonald / Joseph Meyer / Billy Rose
14     That Naughty Waltz 3:01
Sol P. Levy / Edwin Stanley
15     In a Little Spanish Town 2:40
Sam M. Lewis / Mabel Wayne / Joe Young
16     I Got Rhythm 2:31
George Gershwin / Ira Gershwin
17     I Ain't Got Nobody 3:02
Roger Graham / Dave Peyton / Spencer Williams
18     Strictly Jive 3:17
Chick Webb & His Orchestra
19     Sweet Sue, Just You 2:44
Will J. Harris / Victor Young
20     Squeeze Me 3:10
Fats Waller / Clarence Williams
21     Harlem Congo 3:14
Harry White
22     Midnite in a Madhouse (Midnite in Harlem) 2:33
Larry Clinton
23     Azure 3:12
Duke Ellington / Irving Mills
24     Spinnin' the Webb 3:04 3:04
Ella Fitzgerald / Chick Webb
25     Liza (All the Clouds'll Roll Away) 2:45
George Gershwin / Ira Gershwin / Gus Kahn
Credits :    
Alto Saxophone – Edgar Sampson (tracks: 1 to 14), Louis Jordan (tracks: 18, 20 to 25), Pete Clark (2) (tracks: 1 to 14)
Banjo, Guitar – John Trueheart (tracks: 1 to 14)
Bass [String Bass] – Beverly Peer (tracks: 15 to 25), Bill Thomas (3) (tracks: 3 to 14), John Kirby (tracks: 1, 2)
Clarinet, Alto Saxophone – Chauncey Haughton (tracks: 15 to 25)
Clarinet, Tenor Saxophone – Ted McRae (tracks: 6 to 14, 18, 20 to 25)
Drums – Chick Webb
Guitar – Bobby Johnson (tracks: 18, 20 to 25)
Piano – Don Kirkpatrick (4) (tracks: 1 to 14), Tommy Fulford (tracks: 15 to 25)
Tenor Saxophone – Elmer Williams (tracks: 1 to 5)
Tenor Saxophone, Flute – Wayman Carver
Trombone – Claude Jones (tracks: 1 to 5), George Matthews (2) (tracks: 23 to 25), Nat Story (tracks: 6 to 14, 18, 20 to 25), Sandy Williams (tracks: 1 to 14, 18, 20 to 25)
Trumpet – Bobby Stark (tracks: 1 to 14, 18, 20 to 25), Mario Bauzá (tracks: 1 to 14, 18, 20 to 25), Taft Jordan (tracks: 1 to 14, 18, 20 to 25)