 The liner notes begin with this sentence: "It's hard to think of this 
album as anything short of the first major step towards real success for
 the exciting and appealing young singer being introduced here." Oh, 
well. The fact that Pace ended up, at best, a minor footnote in jazz 
history doesn't detract at all from the significant pleasures to be had 
on his 1958 debut. Supported by the Chet Baker Quintet (which at this 
point included flutist Herbie Mann, pianist Joe Berl, bassist Jimmie 
Burke, and, depending on the recording date, either Ed Thigpen or Philly
 Joe Jones on drums), Pace delivers a winning program of standards in a 
style that owes an obvious debt to Frank Sinatra, but distinguishes 
itself by means of fruitier tone and an occasionally pronounced vibrato.
 His renditions of "The Way You Look Tonight" and "It Might as Well Be 
Spring" are both completely charming, and the band supports him 
beautifully -- special kudos go to Mann, whose dry, swinging flute tone 
complement's Pace's voice perfectly. Recommended.  by Rick Anderson
The liner notes begin with this sentence: "It's hard to think of this 
album as anything short of the first major step towards real success for
 the exciting and appealing young singer being introduced here." Oh, 
well. The fact that Pace ended up, at best, a minor footnote in jazz 
history doesn't detract at all from the significant pleasures to be had 
on his 1958 debut. Supported by the Chet Baker Quintet (which at this 
point included flutist Herbie Mann, pianist Joe Berl, bassist Jimmie 
Burke, and, depending on the recording date, either Ed Thigpen or Philly
 Joe Jones on drums), Pace delivers a winning program of standards in a 
style that owes an obvious debt to Frank Sinatra, but distinguishes 
itself by means of fruitier tone and an occasionally pronounced vibrato.
 His renditions of "The Way You Look Tonight" and "It Might as Well Be 
Spring" are both completely charming, and the band supports him 
beautifully -- special kudos go to Mann, whose dry, swinging flute tone 
complement's Pace's voice perfectly. Recommended.  by Rick Anderson
Tracklist :
1 All or Nothing at All  3:21 
Arthur Altman / Jack Lawrence
2 Crazy She Calls Me  4:13 
Bob Russell / Carl Sigman
3 The Way You Look Tonight  3:15 
Dorothy Fields / Jerome Kern
4 This Is Always  3:38 
Mack Gordon / Harry Warren
5 When the Sun Comes Out  4:04 
Harold Arlen / Ted Koehler
6 What Is There to Say?  3:41 
Vernon Duke / E.Y. "Yip" Harburg
7 Ev'rything I've Got  2:44 
Lorenz Hart / Richard Rodgers
8 We Could Make Such Beautiful Music Together  3:15 
Henry Manners / Robert Sour
9 It Might as Well Be Spring  3:53 
Oscar Hammerstein II / Richard Rodgers
10 Yesterdays  5:00 
Otto Harbach / Jerome Kern
Credits :
Bass – Jimmie Burke
Drums – Philly Joe Jones (faixas: 1, 2, 9), Ed Thigpen (faixas: 3 to 8, 10)
Flute – Herbie Mann
Piano – Joe Berle
Trumpet – Chet Baker
Vocals – Johnny Pace
13.9.21
CHET BAKER - Chet Baker Introduces Johnny Pace Accompanied By The Chet Baker Quintet (1958-1990) RM / FLAC (tracks+.cue), lossless
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