V.A. - The Rough Guide To The Music Of Canada (2003) Mp3

Another in World Music Network's exhaustive Rough Guide to Music series, the Rough Guide to the Music of Canada is an excellent compilation of artists obscured by pop culture, like French-Canadian acts Florent Vollent and fiddler Emile Benoit, as well as those who skirt the edges (Bruce Cockburn, Natalie MacMaster), and covers ground old (Stan Rogers) and new (Matapat). From the French-Celtic styling associated with the Bretons and Acadians of Cape Breton, Newfoundland to the more western contemporary folk traditions and the influence of rock, the number of styles here are diverse but flow nicely into each other ,making for an interesting and enjoyable compilation of the diversity of Canadian music. by Gregory McIntosh
Tracklist:
1 Florent Vollant – Tshishe Manitu 5:51
Vocals – Zachary Richard
2 Hart-Rouge – J'ai Fait Un Reve 3:12
3 Bruce Cockburn – Creation Dream 4:01
4 Natalie MacMaster – Real Béatrice (Béatrice (Oggi Nevica) / Sean Sa Cheo) 3:34
5 Matapat – Matapat 2:53
6 Mary Jane Lamond – Domhnall Mac 'Lc Lain 3:32
7 La Bottine Souriante – Reel Du Forgeron (The Blacksmith's Reel) 3:48
8 Zubot & Dawson – Ed's Wake 4:51
9 Bill Hilly Band – Bulkley Valley Home 2:57
10 Crystal Plamondon – Ca Va Brasser 2:48
11 Anita Best – Kelligrew's Soiree 3:36
12 Silk Road Music – La Bastringue / Green Mountain Petronella 1:57
13 Kanehi:Io – Field Song 2:15
14 Wendell Ferguson – Rocks And Trees 3:19
15 Rheostatics – Seven 4:04
16 Cordes En Folie – Le Papillon (Bourree Du Papillon / Sans Crier Gare)    3:36
17 Longbottom – The Ballard Of Gordy Ross 3:13
18 Stan Rogers – Northwest Passage 4:47
19 Emile Benoit – Vive La Rose 3:20
20 Wade Hemsworth – The Blackfly Song 2:57
21 Tudjaat – Throat Singing 0:42

V.A. - The Rough Guide To The Music Of Spain (2002) Mp3

Subtitled "Infectious Beats From the Spanish Streets," this is a collection of newer, often younger artists, mostly acoustic performers, who are all of, and frequently working in, the traditional and regional styles of Spain. There's plenty of Andalusian influence here, right from Javier Ruibál's opening track into Javier Paxarino's Arabic-inflected "Amanecer el la Sabika," but that's hardly all. Galicia is represented by Anubía, while the wonderful Hiru Truku and "Neska Soldadua" raise the Basque flag. In between there's a very fair selection of what's going on in Spain, whether it's the flamenco of Diego Carrasco or the political Catalan song of María del Mar Bonet. At its heart, as the compilers note, a lot of this might be classified as pop music (though not in the more American sense), but still very rooted. Notably, some experimental performers, such as Mercedes Peon and those working in a straight folk form (like Susana Seivane), aren't here, but that's fine; this gives exposure to many lesser-known talents, all of whom deserve it. A strong look at a part of Spain that hasn't received enough international sun -- yet. by Chris Nickson
Tracklist:
1 Javier Ruibal – Isla Mujeres 4:47
2 Javier Paxariño – Amanecer En La Sabika 7:16
3 Companyia Elèctrica Dharma – Poble Romani 3:15
4 Luis Delgado – El Hechizo De Babilonia 4:16
5 La Sal De La Vida – Fibali 3:15
6 Maria Salgado – Siete Modo De Guisar Las Berenjenas 4:10
7 Rafael Riqueni – Al Nino Miguel 3:06
8 Maria Del Mar Bonet – Merce 4:19
9 José Antonio Ramos With Pancho Amat – De Isla A Isla 3:45
10 Diego Carrasco – Yo, Marinero 4:40
11 Ronda Segoviana – Seguidillas 2:42
12 A Falta De Pan – Mirabras 4:00
13 Hiru Truku – Neska Soldadua 3:57
14 Anubía – Cantarea 1:05
15 La Chirigota Del Selu – !Arrempuja!, Que Ya Estamos Aqui Las Marujas 2:32
16 Jorge Pardo – Jeta 6:16

V.A. - The Rough Guide To The Music Of Italy (2000) Mp3

 Like the other entries in this almost uniformly excellent series, The Rough Guide to the Music of Italy presents a richly diverse introduction to its chosen subject, collecting forms of Italian music both traditional and contemporary, national and localized. Artists present include Banditaliana, Banda Ionica, Baraban, and Tenores Di Bitti. by Steve Huey
Tracklist:
1 Daniele Sepe – Tarantella Calabrese  4:07
2 Riccardo Tesi & Banditaliana – Maggio 3:26
3 Mauro Palmas & Elena Ledda – Cassisia Agghja 'Intu 3:10
4 Musicalia – Sera Passaje Pe' Sotto 'Na Cella 2:29
5 Silvio Peron & Gabriele Ferrero – Grondo Gigo De Blins / Gigo, Cadrio, Pountalero E Balet 3:34
6 Tenores Di Bitti – Ballate A Ballu Tundu 3:21
7 Bonificia Emiliana Veneta – Oi, Giovanotti 3:22
8 Banda Ionica – Jone 3:45
9 Totore Chessa – Costera 3:41
10 Cantovivo – Il Moru Sarasin 4:23
11 Uaragniaun – Quanne Sand' Anne    4:40
12 La Piva Dal Carner –    Mary Dem/Icio 3:21
13 Compagnia Strumentale Tre Violini – Va Per Tera/Giga 3:38
14 E Zezi – Marò Marò 1:47
15 La Macina – Io Vado In Filandra/La Malmaritata 3:38
16 Barabàn – La Merla 4:37
17 Re Niliu – E Stasira Caminandu 5:12
18 Ariondela – Beica 1:16

V.A. - The Rough Guide To The Music Of France (2003) FLAC (tracks+.cue), lossless

When the Rough Guide began to issue their musical collections, there was one thing that set them apart -- fantastic research. What they have consistently presented are exceptionally well-rounded collections of representative music from different countries and even regions within those countries. While it might seem absurd to be able to issue a single volume of music associated with the country of France, at least in this writer's opinion, they couldn't have been more successful. Rather than rely strictly on the ancient and arcane traditions of the "purely French" music (whatever that actually means), compilation producer Guillaume Veillet has taken into consideration how various other cultures have added to the French musical heritage over the last century, when immigration from all over the world took root and flourished on French soil. Therefore, like the United States, France has a truly multicultural society, which is reflected in its musical traditions and developments. Nowhere is this more evident than in the music by Lo' Jo, whose "Memoire d'Homme" is included here. In this single song, musette, chanson, gypsy music, and African and Caribbean rhythms unite to place an illustrious tapestry at the service of Denis Péan and his compatriots -- including African backing vocalists. And Lo' Jo hails not from Paris, but from Angers. North African and reggae influences along with current dance music culture and hip-hop blend inside a series of intertwining French melodies in the music of the Massilia Sound System. A. Filetta is from Corsica, which has been French since the mid-18th century. While the language is Corsican, the polyphony is from the French-Gregorian root. Patrick Bouffard's trio is a stomping traditional band comprised of a pair of hurdy-gurdy players, a thumping electric bass, and killer bagpipes and melodeans. Their sound is locked between the past and the present; it rocks to be sure, but rock & roll it isn't. There are Breton pipe bands here, along with artists performing gavottes and danse plins to modern French Alpine music from the band Kinkerne. Its two greatest practitioners represent the French chanson here: Edith Piaf (for whom arguably the term "chanteuse" was invented) and the incomparable Léo Ferré. There is much more, of course, over 76 minutes and 22 tracks, and the only persons arguably left out are Serge Gainsbourg, who may not have been a French native but nearly defined its decadent pop sound throughout the late '60s and early '70s, and French rap genius MC Solaar, who gave the country an identity in the genre. (This Comment is posted on Allmusic by Thom Jurek, follower of our Blog ´O Púbis da Rosa´)
Tracklist:
1    Les Ogres De Barback–    Rue Du Temps 2:57
Written-By – Les Ogres De Barback
2    Lo'Jo–    Memoire D'homme 4:49
Lyrics By – Denis Péan
Music By – Lo´Jo
3    Massilia Sound System–    Méfi! (Chaabi Mix) 4:53
Music By – D. Danger, L. Garibaldi
Music By, Lyrics By – F. Ridel, R. Mazzarino
4    La Talvera–    O Madama 3:36
Arranged By – T. Rougier
Written-By – D. Loddo
5    Marilis Orionaa–    Pr'amor 4:14
Music By – Nicolas Martin-Sagarra, Olivier Kléber-Lavigne
Music By, Lyrics By – Marilis Orionaa
6    A Filetta–    Sanctus 1:14
Traditional
7    Gabriel Yacoub–    Le Garçon Jardinier 3:25
Arranged By – Gabriel Yacoub
Traditional
8    Gabriel Yacoub & Friends–    La Mariole 4:21
Arranged By – Jean Blanchard
Written-By – Gabriel Yacoub
9    Trio Patrick Bouffard–    Quand Sera-t-elle Mariée? 2:12
Arranged By – P. Bouffard
Traditional
10    Alard / Gineston / Guéniffet / Siquier–    La Bourrée Des Capucins    2:42
11    Jo Privat & Didier Roussin–    Paris Musette 3:03
Written-By – Didier Roussin, Jo Privat
12    Les Primitifs Du Futur–    C'est La Goutte D'or Qui Fait Déborder La Valse 4:15
Written-By – Dominic Cravic
13    Édith Piaf–    Les Amants De Paris 3:09
Written-By – E. Marnay, Léo Ferré
14    Léo Ferré–    À Toi 3:31
Written-By – Léo Ferré
15    Romane & Angelo Debarre–    Légende 3:50
Written-By – Romane
16    Bagad Men Ha Tan & Doudou N'Diaye Rose–    Cayenne 4:35
Written-By – Pierrick Tanguy
17    Eugénie Goadec & Louise Ebrel–    Deomp D'an Unvet (Pach Pi) 1:50
Traditional
18    Carré Manchot–    An Dro / Neg La Cho 4:44
Written-By – J-P Coquerel, Y. Alory
19    Marcel Et Son Orchestre–    Fuite De Fantaisie 1 3:23
Written-By – Carlin, Brame, Labit, Huiban, Jimenez, Le Bon
20    La Kinkerne–    Filles Du Hameau 1:12
Traditional
21    Drailles–    Javalse 2:07
Written-By – Michel Favre
22    Dédale–    C'est Ainsi 5:09
Arranged By – Dédale
Written-By – Isabelle Pignol

HENRI SALVADOR - Henri ! (2001) 3CD / FLAC (tracks+.cue), lossless

Tracklist 1:
1. Le petit indien 3:13
2. Le loup, la biche et le chevalier 2:28
3. Elle me donne 2:42
4. Margaret 2:58
5. Papa loves mambo 3:20
6. Le roi des Caves 3:54
7. Pierrot et Colombine 2:56
8. Cendrillon 3:49
9. L'abeille et le papillon 2:33
10. Rock and roll mops 2:43
11. Dis-moi qu'tu m'aimes rock 2:38
12. Rock hoquet 2:29
13. Va t'faire cuire un oeuf, man ! 2:52
14. Salvador plays the blues 7:02
15. Don't blame me 3:27
16. Stompin' at the Savoy 3:40
17. Y a rien d'aussi beau 2:56
18. Eh ! Mama ! 2:40
19. Oh ! si y'avait pas ton père 2:27
20. C'était hier 2:40
21. Quand je monte chez toi 3:04
22. As-tu vu Adèle ? 2:52
23. Amour perdu 2:43
24. T'es à peindre 3:34
Tracklist 2:
1. Mazurka pour ma mie 2:58
2. Ça pince 2:22
3. Cécilia 3:03
4. Dans mon île 3:22
5. Marianne 3:01
6. Mathilda 2:28
7. Je peux pas travailler 3:08
8. Blouse du dentiste 3:28
9. Moi j'préfère la marche à pied 2:31
10. Trompette d'occasion 2:40
11. Le gosse 3:09
12. Sarah 3:08
13. Le langage des fleurs 2:54
14. Barbarie 2:50
15. Une île au soleil 2:25
16. Riobamba 2:45
17. Bora Bora 2:39
18. Ma jolie petite fleur 2:21
19. Come prima 2:04
20. Bal de Vienne 2:36
21. J'aimerais tellement ça 2:50
Tracklist 3:
1. Un certain sourire 2:50
2. Je me souviens de vous 2:32
3. Gigi 2:49
4. C'était pour jouer 2:37
5. Amour de Saint-Tropez 2:35
6. Rendez-vous au Lavandou 2:40
7. A Cannes cet été 2:38
8. La fin des vacances 2:52
9. Mon ange gardien 2:34
10. Chiche 1:55
11. Place Blanche 1:56
12. Maman 2:24
13. Tout doux, tout doucement 2:18
14. Ne dis plus rien 3:10
15. Petite fleur 2:45
16. Ne sois pas méchante 2:22
17. Ma Louise 2:22
18. Pas mon papa 2:34
19. Soleil de minuit 2:52
20. Verte campagne 3:02
21. Les Papous 2:25
22. Le soleil, ton visage et la mer 2:05
23. L'amour est là 2:33

PREMIATA FORNERIA MARCONI (1972-2013) 10 Albums / FLAC (image+.cue), lossless

Throughout the late '60s and early '70s, Premiata Forneria Marconi worked from their Italian homeland under the moniker of I Quelli. Their first album under the new name was Storia di un Minuto. They followed that one rather quickly with Per un Amico, which caught the attention of ELP's Greg Lake who invited them to visit London. During that visit, the group met Pete Sinfield (King Crimson, Roxy Music). Sinfield was so taken with the group that he decided to come on board writing lyrics and producing them. The result of that collaboration was Photos of Ghosts, but it was really only an English reworking of Per un Amico. Due to difficulties the British press was having with the name of the group, it was then shortened to PFM. The group released a true third album in L'isola di Niente. When it was set loose upon England, it was entitled The World Become the World. In the mid-'70s, Cook, a live album was released. It was renamed Live in U.S.A. for its Italian release. Their next release, after extensive touring and a short break, was Chocolate King. It became the first album to only feature an English version, the group having had done both English and Italian renditions of previous releases. The album, although not a huge commercial success, did generate enough interest to sign the band to Elektra Asylum Records. The next album, Jet Lag, was released in 1977 and was the last U.S. release, as they decided to return to Italy to concentrate on their home roots. They released Passpartù as the first album in their new homeland adventure. They eventually hooked up with RCA Records and released Suonare Suonare on that label. They followed that up with Come Ti Va In Riva Alla Città. The group waited about ten years before doing another album, with Ulisse coming in 1997. 2000 saw the release of Serendipity.  by Gary Hill

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪

Per Um Amico (1972-2014)

This is PFM's brilliant follow-up to Storia di un Minuto, and both albums are considered progressive rock classics, for good reason. The diversity, complexity, and integrity of the music here is as fine as anything produced during the early '70s from other prog rock giants such as Yes, Genesis, and King Crimson. The lyrics are in Italian and, while used sparingly, make a valuable contribution to the session's integrity. The music is constantly shifting in style, tempo, and tone, but held together by recurring themes. Mauro Pagani's airy flute is the perfect antidote to Francone Mussida's aggressive guitar, while Flavio Premoli's keyboard work rivals that of contemporaries such as Keith Emerson and Rick Wakeman. The music ranges from avant-garde to hard rock and everything in between. Always intelligent, but without pretension, this is progressive rock in its most literal definition. by Robert Taylor
Tracklist:
1 Appena Un Po' 7:46
2 Generale 4:13
3 Per Un Amico 5:20
4 Il Banchetto 8:34
5 Geranio 8:04
Bonus Tracks
6 Appena Un Pó (Edit Version) 6:52
7 Il Banchetto (Edit Version) 5:17
8 E' Festa (Edit Version) 2:49
Credits:
Acoustic Guitar, Twelve-String Guitar, Electric Guitar, Mandolin, Vocals – Franco Mussida
Drums, Percussion, Voice – Franz Di Cioccio
Flute, Alto Flute, Piccolo Flute, Violin, Vocals – Mauro Pagani
Piano, Harpsichord, Organ, Spinet, Mellotron, Chimes, Vocals, Synthesizer [Moog] – Flavio Premoli
Written-By, Arranged By, Producer – Premiata Forneria Marconi

Storia di um Minuto (1972-2014)

The debut recording from Italy's favorite sons of progressive rock. The band had been appearing as special guests in support of bands such as Procol Harum, Deep Purple, and Yes, in addition to playing several festivals. Their hard work paid off, and the result is this excellent recording. Recorded live in the studio, PFM proved they were every bit as creative and talented as the U.K. bands of the time. Their symphonic prog rock commingles elements of folk, classical, and jazz in a genuine manner. This is achieved by their transcendent and pliant level of musicianship. "Impressioni di Settembre" and the two-part "Dove...Quando" demonstrate the band's ability to create rich harmonies with pop-like melodies. The band can also lay it down pretty heavy, as can be heard on the rocking "È Festa," which turned out to be one of their most requested songs. Storia di un Minuto stands as one of the best progressive rock debuts in history, and along with Per un Amico and Photos of Ghosts, is essential to any serious collection. by Robert Taylor

Tracklist:

1 Introduzione 1:10

2 Impressioni Di Settembre 5:44

Lyrics By – Mogol

3 È Festa 4:52

4 Dove… Quando… (Parte I) 4:10

5 Dove… Quando… (Parte II) 6:01

6 La Carrozza Di Hans 6:46

7 Grazie Davvero 5:53

Bonus Track

8 La Carrozza Di Hans (Single Version) 5:42

9 Impressioni Di Settembre (Single Version) 4:18

Credits:

Bass, Vocals – Giorgio Piazza

Drums, Synthesizer [Moog], Percussion, Vocals – Franz Di Cioccio

Flute, Violin, Vocals – Mauro Pagani

Music By – F. Mussida, M. Pagani

Organ, Piano, Mellotron, Synthesizer [Moog], Vocals – Flavio Premoli

Written-By, Arranged By, Producer – P.F.M.

Photos of Ghosts (1973-2014)

Tracklist:

1 River Of Life 6:56

2 Celebration 3:50

3 Photos Of Ghosts 5:20

4 Old Rain 3:40

5 Il Banchetto 8:34

6 Mr.9 'Till 5 4:08

7 Promenade The Puzzle 7:30

Bonus Tracks

8 Photos Of Ghosts (Instrumental Mix) 5:22

9 River Of Life (First Mix) 7:07

10 Old Rain (First Mix) 3:40

11 Il Banchetto (First Mix) 8:35

12 Mr. 9 'Till 5 (Instrumental) 3:54

13 Celebration (Single Edit) 2:13

14 Mr. 9 'Till 5 (Single Edit) 2:52

Credits:

Bass Guitar – Giorgio Piazza

Drums, Vocals – Franz Di Cioccio

Guitar, Vocals – Franco Mussida

Keyboards, Vocals – Flavio Premoli

Lyrics By – Pete Sinfield (tracks: 1 to 3, 6, 7)

Producer [English Vocals], Remix [English Vocals] – Pete Sinfield

Violin, Woodwind – Mauro Pagani

Cook (1974-2004) 3CD SHM-CD

Tracklist:

Original Album Mix

1-1 Four Holes In The Ground

Written-By – Premoli, Mussida, Pagani, Sinfield

1-2 Dove....Quando....

Written-By – Mussida, Pagani

1-3 Just Look Away

Written-By – Premoli, Mussida, Pagani, Sinfield

1-4 Celebration (Including The World Became The World)

Written-By [Celebration] – Premoli, Mussida, Sinfield

Written-By [The World Became The World] – Mussida, Pagani, Mogol, Sinfield

1-5 Mr. Nine 'Till Five

Written-By – Premoli, Mussida, Sinfield

1-6 Alta Loma Five Till Nine (Including P.F.M.'s Arrangement Of Rossini's William Tell Overture)

Arranged By [William Tell Overture] – P. F. M.

Written-By [Alta Loma Five Till Nine] – Premoli, Mussida

Written-By [William Tell Overture] – Rossini

Live At Central Park, New York

2-1 River Of Life

Written-By – F. Premoli, F. Mussida, P. Sinfield

2-2 Four Holes In The Ground

Written-By – Premoli, Mussida, Pagani, Sinfield

2-3 Is My Face On Straight

Written-By – Premoli, Mussida, Pagani, Sinfield

2-4 Dove....Quando....

Written-By – Mussida, Pagani

2-5 Guitar Solo

Written-By – Mussida

2-6 Just Look Away

Written-By – Premoli, Mussida, Pagani, Sinfield

Live At Central Park, New York

3-1 Mr. Nine 'Till Five

Written-By – Premoli, Mussida, Sinfield

3-2 Alta Loma Five 'Till Nine (Including P.F.M.'s Arrangement Of Rossini's William Tell Overture)

Arranged By [William Tell Overture] – P. F. M.

Written-By [Alta Loma Five Till Nine] – Premoli, Mussida

Written-By [William Tell Overture] – Rossini

3-3.a Celebration

Written-By – Premoli, Mussida, Sinfield

3-3.b Drum Solo

Written-By – Di Cioccio

3-3.c The World Became The World

Written-By – Mussida, Pagani, Mogol, Sinfield

Credits:

Bass, Vocals – Patrick Djivas

Drums, Percussion, Vocals – Franz Di Cioccio

Guitar, Vocals – Franco Mussida

Keyboards, Vocals – Flavio Premoli

Violin, Woodwind, Vocals – Mauro Pagani

Notas

Tracks 1-1 to 1-6 originally released as LP " Cook " in 1974.

This album has also been released under the name "Live In U.S.A." in Italy in 1974 with different cover.

 L' Isola di Niente (1974-2014)

Premiata Forneria Marconi's third Italian album (their fourth if one counts the 1973 release Photos of Ghosts, the English version of Per un Amico) came out shortly before ELP's Manticore imprint released its English version under the title The World Became the World. Unless lyrics sung in a language other than English is aggravating to you, by all means prefer the original version. Like for Banco del Mutuo Soccorso and Le Orme, the music of PFM is impregnated with the lyricism of the Italian language. The most confusing of the group's first three LPs, L'Isola di Niente (The Island of Nothing) sees the group pushing its music to a new level of complexity, while giving a first hint at their later jazz-rock orientation. The title track (which will became "The Mountain" on The World Became the World) is a very powerful, almost shocking 11-minute epic, with choir, rolling echo-drenched drums and some of the most theatrical vocal performance you are likely to hear on a PFM record. BMG's 24-bit gold remastered CD reissue has helped clarify the choir sections (murky at best on the cheap vinyl pressings from days of yore), but the impact of the piece is still lessened by the tons of effects the group used. "Is My Face on Straight" is the only track that appeared in English on both LPs. The lyrics of ex-King Crimson's Pete Sinfield match the cadavre exquis-like collage of seemingly unrelated musical sections. PFM exhibit some of their best musical chops on this crazy number. "La Luna Nuova" (retitled "Four Holes to the Ground" on The World) is the track sounding the most familiar in comparison to the group's first two albums. It is also one of their best symphonic progressive rockers, with that sweet Italian flavor the harsh "L'Isola di Niente" eschewed. The ballad "Dolcissima Maria" is little more than that, but still much better in this rendition than its English counterpart "Just Look Away." The closing instrumental "Via Lumiére" (needlessly retitled "Have Your Cake and Beat It" on The World) was this album's enigma. Beginning with a rather free-form bass solo from Jan Patrick Djivas, it evolves into a frantic jazz-rock vamp, before reverting to a Yes-like mid-tempo finale. L'Isola di Niente was to be the group's last masterpiece (the next LP, Chocolate Kings, will show serious signs of fatigue) and remains one of the first Italian progressive rock wave's finest records, but it is more of an acquired taste compared to Storia di un Minuto and Per un Amico. by François Couture
Tracklist:
1 L'Isola Di Niente 10:42
2 Is My Face On Straight 6:36
3 La Luna Nuova 6:21
4 Dolcissima Maria 4:01
5 Via Lumière 7:21
6 Via Lumière (Single Version) (Bonus Track) 3:31
Credits:
Arranged By – Claudio Fabi, PFM
Bass, Vocals – Jan Patrick Djivas
Drums, Percussion, Vocals – Franz Di Cioccio
Guitar, Vocals – Franco Mussida
Keyboards – Flavio Premoli
Lyrics By – Mauro Pagani (tracks: 1, 3 to 6), Pete Sinfield (tracks: 2)
Music By – PFM
Violin, Flute, Vocals – Mauro Pagani

The World Became The World (1974-2014) SHM-CD

Tracklist:

1 The Mountain 10:45

2 Just Look Away 4:01

3 The World Became The World 4:47

4 Four Holes In The Ground 6:21

5 Is My Face On Straight 6:38

6 Have Your Cake And Beat It 7:20

7 Four Holes In The Ground [Single Edit] 3:19

8 La Carrozza Di Hans [Live] 5:59

Credits:

Arranged By – Claudio Fabi, PFM

Bass, Vocals – Jan Patrick Djivas

Chorus – Accademia Paolina Di Milano

Conductor [Chorus] – Claudio

Drums, Percussion, Vocals – Franz Di Cioccio

Guitar, Vocals – Franco Mussida

Keyboards, Vocals – Flavio Premoli

Lyrics By [English Lyrics By] – Pete Sinfield

Violin, Woodwind, Vocals – Mauro Pagani

Written-By [All Titles And Choir Music Written By] – PFM

Chocolate Kings (1975-214) 2 CD

Tracklist:

1-1 From Under 7:31

1-2 Harlequin 7:50

1-3 Chocolate Kings 4:41

1-4 Out Of The Roundabout 7:55

1-5 Paper Charms 8:32

1-6 Chocolate Kings (Single Edit) 4:06

1-7 Harlequin (Single Edit) 3:48

2-1 Paper Charms 10:20

2-2 Four Holes In The Ground 14:26

2-3 Acoustic Guitar Solo 5:26

2-4 Out Of The Roundabout 7:38

2-5 Chocolate Kings 5:14

2-6 Mr. 9 'Till 5 4:20

2-7 Alta Loma Five Till Nine / William Tell Overture 15:30

Credits:

Bass [Ripper Bass] – Patrick Djivas

Drums, Percussion, Backing Vocals – Franz Di Cioccio

Guitar, Backing Vocals – Franco Mussida

Keyboards, Backing Vocals – Flavio Premoli

Lead Vocals – Bernardo Lanzetti

Lyrics By – Marva Jan Marrow (tracks: 1-1, 1-3, 1-6, 2-5), PFM

Music By – PFM

Producer – Claudio Fabi, PFM

Woodwind, Violin – Mauro Pagani

 Jet Lag (1977-2014) SHM-CD

As PFM's work showed the increasing influence of electric jazz, the releases showed more impressive chops and yet also became less compelling to listen to. Jet Lag is the first release of theirs to cross this line, as it's noticeably less enjoyable than the previous year's Chocolate Kings. Still, it has its moments-the interlaced electric piano and violin of the lengthy title track and the instrumental "Left Handed Theory" salvage an otherwise forgettable effort. by Paul Collins

Tracklist:
1 Peninsula 2:35

2 Jet Lag 9:09

3 Storia In "La" 6:24

4 Breakin In 4:06

5 Cerco La Lingua 5:31

6 Meridiani 5:56

7 Left-Handed Theory 4:10

8 Traveler 5:40

9 La Carrozza Di Hans 14:45

Credits:

Acoustic Guitar, Electric Guitar – Franco Mussida

Arranged By [Music And Lyrics Arranged By] – PFM

Bass [Fretless], Synthesizer [Moog B 12] – Patrick Djivas

Drums, Percussion [Wood] – Franz Di Cioccio

Lyrics By – PFM

Music By – PFM

Organ [Pari], Electric Piano, Synthesizer [Micro Moog] – Flavio Premoli

Violin [Acoustic & Electric] – Gregory Bloch

Vocals, Percussion – Bernardo Lanzetti

 A.D. 2010 - La Buona Novella (2010-2014) SHM-CD

Tracklist:

1 Universo E Terra (Preludio)

2 L' Infanzia Di Maria

3 Il Ritorno Di Giuseppe

4 Il Sogno Di Maria

5 Ave Maria

6 Maria Nella Bottega Di Un Falegname

7 Via Della Croce

8 Tre Madri

9 Il Testamento Di Tito

10 Laudate Hominem

In Classic Da Mozart A Celebration (2013-2014) 2CD SHM-CD

Tracklist:

1-1 Il Flauto Magico - Overture (Including Trazom, Deoama)

Orchestrated By – Bruno Santori

Written-By – W.A. Mozart

Written-By [Trazom, Deoama] – Mussida, Di Cioccio, Djivas

1-2 Danza Macabra (Including Passeggiata Di Fantasmi)

Orchestrated By – Bruno Santori

Written-By – C. Saint- Saëns

Written-By [Passegiata] – Mussida, Di Cioccio, Djivas

1-3 Danza Slava N.° 1 (Including I Monti Slavi, Il Monte Pief)

Orchestrated By – Bruno Santori

Written-By – A. Dvorak

Written-By [I Monti Slavi, Monte Pief] – Mussida, Di Cioccio, Djivas

1-4 Sinfonia N.° 5 IV Mov. Adagietto (Including Adagietto, Adagio Elettrico)

Orchestrated By – Bruno Santori

Written-By – G.Mahler

Written-By [Adagietto, Adagio Elettrico] – Mussida, Di Cioccio, Djivas

1-5 Romeo E Giulietta - Danza Dei Cavalieri (Including Il Potere Dell'amore, Gli Amanti Di Verona)

Orchestrated By – Sandro Mussida

Written-By – S. Prokofiev

Written-By [Il Potere, Gli Amante] – Mussida, Di Cioccio, Djivas

1-6 La Grande Pasqua Russa (Including Danza Della Pasqua)

Orchestrated By – Bruno Santori

Written-By – N.A. Rimskij Korsakov

Written-By [Danza] – Mussida, Di Cioccio, Djivas

1-7 Nabucco - Overture (Including Donosor B.)

Orchestrated By – Bruno Santori

Written-By – G. Verdi

Written-By [Donosor B.] – Mussida, Di Cioccio, Djivas

2-1 La Luna Nuova

Orchestrated By – Oliviero Lacagnina

Written-By – Premoli, Mussida, Pagani

2-2 Promenade The Puzzle

Orchestrated By – Oliviero Lacagnina

Written-By – Premoli, Mussida, Pagani, Sinfield

2-3 Dove...Quando

Orchestrated By – Oliviero Lacagnina

Written-By – Mussida, Pagani

2-4 Maestro Della Voce

Orchestrated By – Oliviero Lacagnina

Written-By – Premoli, Mussida, Di Cioccio, Djivas

2-5 Impressioni Di Settembre

Orchestrated By – Oliviero Lacagnina

Written-By – Mussida, Pagani, Mogol

Suite Italiana

2-6a Sinfonia Nº 4 - Italiana

Orchestrated By – Bruno Santori

Written-By – F. Mendelssohn

2-6b Celebration

Orchestrated By – Bruno Santori

Written-By – Mussida, Pagani, Sinfield

2-6c La Danza

Orchestrated By – Bruno Santori

Written-By – G. Rossini

2-7 Guglielmo Tell - Ouverture Bonus Track (Live)

Orchestrated By – Bruno Santori

Written-By – G. Rossini

Credits:

Acoustic Guitar, Electric Guitar, Twelve-String Guitar, Vocals – Franco Mussida

Arranged By, Producer – Premiata Forneria Marconi

Bass, Producer [Pre / Postproduction] – Patrick Djivas

Conductor [Assistant] – Silvio Fantozzi

Conductor [Symphsonic Orchestra] – Bruno Santori

Drums [2nd Drummer], Percussion – Roberto Gualdi

Drums, Percussion, Vocals, Executive-Producer – Franz Di Cioccio

Keyboards – Alessandro Scaglione

Orchestra – Symphsonic Orchestra

Recorded By [Orchestra] – Marco Barberis

Violin, Keyboards [Second] – Lucio Fabbri

RICHARD GALLIANO - Bach (2010) Mp3

French accordionist and bandoneon player Richard Galliano has spent much of his career demonstrating that his instruments can be employed not only in the service of folk music, but also to play jazz. His long tenure on Dreyfus Records was spent in that endeavor, but with Deutsche Grammophon, the venerable classical label, he naturally takes a different tack, here adapting himself to the demands of Johann Sebastian Bach. The substitution of accordion for keyboard instruments, notably in the three-part Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056 and Contrepoint 1 -- L'Art de la Fugue en Ré Majeur, BWV 1080, is a natural, yet Galliano does not stop there. He also replaces the violin in the three-part Violin Concerto No. 1 in A Minor, BWV 1041 and the Concerto for Violin, Oboe, and Strings in D Minor, BWV 1060; the cello in the "Prélude" movement of the Suite for Cello Solo No. 1 in G, BWV 1007; and the flute in the "Allemande" section of the Partita for Solo Flute in A Minor, BWV 1013. These pieces written for strings and a reed require a fluidity of playing that Galliano succeeds in reproducing on his keys. And there are gains in his choice of instrument, notably in the slow "Largo" movement of the harpsichord concerto, since the accordion's notes have a longer decay than those for the harpsichord, giving greater resonance to the music. Galliano is ably accompanied by a chamber orchestra consisting of two violins (Jean-Marc Phillips-Varjabédian and Sébastien Surel), viola (Jean-Marc Apap), cello (Raphaël Pidoux), and bass (Stéphane Logerot). But they only provide support, and often they drop out entirely as Galliano re-creates the majesty of Bach's music on his accordion, proving its worth as a formal instrument, just as he has previously as a jazz axe. by William Ruhlmann  

RICHARD GALLIANO - Nino Rota (2011) Mp3

It's hard to tell from the packaging, but these are not straight performances of melodies from Nino Rota's film scores but jazz versions of them, with French accordionist Richard Galliano in the lead role. That's not a stretch: Rota's tunes are full of dance and circus elements that need only a bit of a rhythmic push to cross over into jazz, and Galliano's group handles the transitions subtly and cleverly. Moreover, his program is beautifully sequenced and contains some marvelously odd items such as the "Il matto sul filo" (The Fool on the Wire) from La Strada, track 9. He includes a couple of famous pieces from The Godfather, including the Love Theme, which work well in two ways: the better known the piece, the more liberty Galliano can take with it melodically, and he also draws the interesting connection between Rota's Godfather music and those of his films of the 1950s with Federico Fellini, with a few tracks from the serious 1960s films Otto e mezzo (8 1/2) and La Dolce Vita as interludes. All these pieces present visions of Italian popular culture, inflected in different ways. This was Rota's genius: his music seemed simple and sentimental, but it was actually a flexible language that could comment both the attractions and the grotesque dangers of mass culture. Rota's music, some of it now almost 75 years old, has stood the test of time, and one of the marks of its greatness is that it not only can stand up to but invites a variety of treatments, such as this fine jazz reading. by James Manheim  

PACO DE LUCÍA / AL DI MEOLA / JOHN MCLAUGHLIN - The Guitar Trio (1996) FLAC (image+.cue), lossless

The acoustic guitar trio of John McLaughlin, Al DiMeola, and Paco DeLucia can always be relied upon to create quiet but fiery music. The three virtuosos always sound restrained and tasteful (yet inwardly explosive) when they play together. This 1996 effort has three originals apiece from McLaughlin and DiMeola, two by DeLucia and a beautiful McLaughlin-DiMeola duet on "Manha de Carnaval" that makes one wish they would more fully explore bossa nova. Most of the selections are thoughtful, but there are also plenty of explosive outbursts for contrast (along with the jubilant closer "Cardeosa") on the highly arranged yet spontaneous-sounding program. by Scott Yanow

NICOLE CROISILLE - Jazzille (2008) Mp3

PACO DE LUCÍA - Cositas Buenas (2004) FLAC (tracks), lossless

On his first outing in five years, and the first of the new century, flamenco guitarist Paco De Lucia has given us one of the most sublime recordings in his long career. This collection of "Good Little Things" (Cositas Buenas) is a step away from Nuevo flamenco, and back to the grain of the source music itself. It is a record full of handclapped rhythms, organic spare percussion, and burning, passionate songwriting and singing. The various singers -- including Paco himself -- wail, chant, moan, and ecstatically intone his new songs to the sheer rough-hewn grace of his playing. Most tracks are done in the canonical style of guitar, and voice with handclap accompaniment, but there are two -- the smoking, burning black soul of "El Dengue" and "Que Venga el Alba," on which he is accompanied by another guitarist. On the album's final cut, "Cassa Bernardo," a rumba, Jerry Gonzalez adds his mariachi trumpet to the proceedings. Cositas Buenas is an album that careens across the history of flamenco. While rooted in antiquity, it nonetheless points the way to a new music, one that extrapolates rhythm and harmony and adds syncopation, texture, depth, and multi-layered harmonics to the original framework. It is transcendentally beautiful if overwhelming in its passion and the sheer joy of performance. Indeed, Cositas Buenas sets a new standard for modern flamenco music and acts as the true bridge between the ancient and the future. No one but a master who cares nothing for his laurels could have articulated such a work. by Thom Jurek
Tracklist 
1 Patio Custodio (Bulería) 4:44
Vocals [Cante] – Montse Cortés
2 Cositas Buenas (Tangos) 4:23
Vocals [Cante] – Tana
3 Antonia (Bulería Por Soleá) 6:28
Vocals [Cante] – Paco
4 El Dengue (Rumba) 4:03
Guitar – Juan D'Anyelica, Paco De Lucía
5 Volar (Bulería) 5:30
Vocals [Cante] – Potito, Tana, Paco
6 El Tesorillo (Tientos) 4:39
Vocals [Cante] – Diego El Cigala
Vocals [Voz Mujer] – Ángela Bautista
7 Que Venga El Alba (Bulería) 4:11
Guitar – Paco De Lucía, Tomatito
Vocals [Cante] – Camarón De La Isla
8 Casa Bernardo (Rumba) 4:12
Bass – Alain Pérez
Tres – Alejandro Sanz
Trumpet – Jerry Gonzáles
Credits
Guitar, Laúd, Bouzouki, Mandolin, Producer – Paco De Lucía
Handclaps [Palmas], Coro – Antonio El Negro, Potito, Guadiana, Tana, Montse Cortés, Paco, Ángela Bautista
Percussion – Piraña

PACO DE LUCÍA - Cositas Buenas 

(2004) Universal / FLAC (tracks), lossless

O Púbis da Rosa

STEFANO BOLLANI - Joy in Spite of Everything [2014] ECM / FLAC (tracks+.cue), lossless

On Joy in Spite of Everything, Italian pianist Stefano Bollani reconvened his longstanding trio with drummer Morten Lund and bassist Jesper Bodilsen. They recorded three previous dates together, the most recent being 2009's excellent Stone in the Water on ECM. Bollani has continually displayed -- from his dates with mentor Enrico Rava, on solo offerings, and with other leaders, that his playing and composing signatures are not only versatile and Catholic in their approach to jazz, but informed equally by the building blocks and possibilities of song itself. To that end, he has added two more players to this date, guitarist Bill Frisell and saxophonist Mark Turner. The group performs on these tunes not only as a quintet, but in various quartets, trios, and duets. The tracks are long enough to stretch a bit and offer a wide, colorful palette of approaches. Opener "Easy Healing" has a calypso-cum-plena vibe that allows for lovely interplay from the rhythm section, but also between Frisell and Turner -- who is unusually lyrical rather than cerebral -- in his solo. It's followed by "No Pope No Party." With knotty, stop-and-start post-bop as its entryway, it swings throughout even when it moves afield; the dialogue between saxophonist and pianist is canny, with Frisell's solo melding straight-ahead swing with Americana. "Alobar e Kudra" is a piano trio that offers Bollani's fluid voicings, light and dark, balanced by shimmering ostinati as the rhythm section digs in and extrapolates on them. "Las Hortensias" is a long, moody ballad for a quartet with lovely understated work by the pianist. Turner explores the fringes of the melody and engages in counterpoint after his restrained solo break. The set's lengthiest number is "Vale." It commences skeletally as a nearly formless, languid, balladic improvisation. Bollani brings angles into view after his own solo, touching on post-bop, Nino Rota's delicate classicism, and the Italian jazz tradition, but it's Turner's solo that shines brightest. "Teddy," a duet with Frisell, was inspired by pianist Teddy Wilson, though its sparse, impressionistic opening would hardly suggest that. Nonetheless, in its sprightly, swinging dialogue, one can hear its subject's influence -- though musically it reaches much further. "Ismene" is a beautiful ballad, and a fine vehicle for Frisell's instinctive manner of chordal voicings and poignant lyrical fills. The closing title track for Bollani's trio is fleet, wildly creative post-bop that shows off just how intuitive the group's development has become in the last decade. Joy in Spite of Everything's myriad colors and moods illustrate its title -- even in the most melancholy places. As an album it reveals how confident and sensitive Bollani is, in full command of his musical range and technical facility -- as composer, bandleader, pianist, and arranger -- as well as in the depth of his honesty in emotional expression. by Thom Jurek 
Tracklist
1 Easy Healing 9:25
Stefano Bollani
2 No Pope No Party 8:08
Stefano Bollani
3 Alobar e Kudra 6:01
Stefano Bollani
4 Las Hortensias 8:30
Stefano Bollani
5 Vale 12:20
Stefano Bollani
6 Teddy 7:07
Stefano Bollani
7 Ismene 8:47
Stefano Bollani
8 Tales from the Time Loop 9:36
Stefano Bollani
9 Joy in Spite of Everything 5:57
Stefano Bollani
Credits
Double Bass – Jesper Bodilsen
Drums – Morten Lund
Guitar – Bill Frisell
Piano – Stefano Bollani
Tenor Saxophone – Mark Turner 

STEFANO BOLLANI - Joy in Spite of Everything

 [2014] ECM 2360 / FLAC (tracks+.cue), lossless

O Púbis da Rosa

MICHEL CAMILO & TOMATITO - Spain Again [2006] FLAC

Michel Camilo, the New York-based, Dominican-born pianist, and Tomatito, the Spanish flamenco guitarist, recorded a well-received duets album called Spain in 2000, and this sequel is intended to take the collaboration to the next level. Spain Again does. It's a bravura performance that pushes both men into strange and satisfying new territories and spotlights the abilities of each to find places where they are mutually comfortable and inspired. As on the first pairing, the musicianship is flawless throughout, the two virtuosos dancing around each other's melodies, creating fascinating, harmonious bridges, building upon and toying with structural ideas beyond what each composition calls for. Camilo's complex jazz piano inventions suddenly give way to Tomatito's spellbinding acoustic guitar runs; the two meet someplace in the middle, enjoy the freedom that unfettered exploration allows, and emerge with new entities that only an alliance of equals can bring about. The pace is set quickly with "El Dia Eque Me Quieras," a tribute to tango legend Astor Piazzolla, moves through various originals and standards (a silky, semi-classical "Stella by Starlight" is both graceful and awe-inspiring in its mastery) and eventually finds its way to the only vocal piece on the album, "Amor de Conuco," sung by guest Juan Luis Guerra. Strangely, though the vocal is quite lovely, it's a mood-breaker, diminishing the evocative elegance that Camilo and Tomatito have spent much of the past hour laying out.  by Jeff Tamarkin
Tracklist
1 El Dia Que Me Quieras 5:17
Carlos Gardel
2 Libertango 4:08
Astor Piazzolla
3 Fuga y Misterio 3:51
Astor Piazzolla
4 Adios Nonino 7:17
Astor Piazzolla
5 Stella by Starlight 3:29
Ned Washington
6 Twilight Glow 5:13
Michel Camilo
7 A Los Nietos 4:36
Tomatito
8 La Tarde 2:02
Tomatito
9 La Fiesta 6:00
Chick Corea
10 From Within 6:21
Michel Camilo
11 Amor de Conuco 4:08
Juan Luis Guerra
Credits 
Alto Vocals – Juan Luis Guerra
Flamenco Guitar – Tomatito
Piano – Michel Camilo

MICHEL CAMILO & TOMATITO 

[2006] Spain Again / Universal / FLAC / scans

O Púbis da Rosa

PACO DE LUCÍA - Entre Dos Aguas [1986] PHILIPS

 Any and all of his albums have a great blend of traditional elements and virtuoso playing.  by Ron Wynn
Tracklist  
1 Entre Dos Aguas (Rumba) 6:02
Written-By – J. Torregrossa, P. De Lucia
2 Zorongo Gitano 2:55
Written-By – Federico Garcia Lorca
3 Rio Ancho 4:29
Written-By – P. De Lucia, R. Sanchez
4 En La Caleta 3:23
Written-By – F. Sánchez, J. Torregrossa
5 Convite 5:05
Written-By – P. De Lucia
6 Monasterio De Sal 4:52
Written-By – P. De Lucia
7 Panaderos Flamencos 2:36
Written-By – P. De Lucia
8 Punta Umbria 3:23
Written-By – F. Sánchez, J. Torregrossa
9 Chanela 3:57
Written-By – P. De Lucia
10 La Niña De Puerta Oscura 2:59
Written-By – M. Lopez Quiroga
11 Castro Marin 4:12
Written-By – P. De Lucia
12 Gua'Iras De Lucía 3:21
Written-By – F. Sánchez, P. De Lucia
13 Mantilla De Feria 3:17
Written-By – P. De Lucia
14 El Vito 2:51
Written-By – Federico Garcia Lorca
Credits
Acoustic Guitar – Larry Corryell (tracks: 5)
Guitar [2nd] – Ramón De Algeciras (tracks: 1, 3, 6, 9, 10, 14), Ricardo Modrego (tracks: 2)
Guitar [Flamenco] – Paco De Lucía

PACO DE LUCÍA - Entre Dos Aguas 

[1986] Philips / CBR320 / scan

O Púbis da Rosa

BANCO DEL MUTUO SOCCORSO - Come in Un'Ultima Cena [1976]

Come in Un'Ultima Cena is the last "classic" Banco album. After an instrumental album with orchestra (Di Terra, 1978), the band would favor a more commercial approach throughout the 1980s. Also the last one to feature the classic lineup of Gianni Nocenzi, Vittorio Nocenzi, Renato d'Angelo, Rodolfo Maltese, Pierluigi Calderoni, and Francesco Di Giacomo (since the latter does not sing on Di Terra), this LP shows sings of breathlessness. Songs are shorter and less engaging than what can be found on earlier masterpieces like Darwin! and Io Sono Nato Libero. Two tracks stand out: the powerful "Il Ragno" and "Slogan," one of the most energetic songs the band had recorded at that point. Of the seven other tracks on the album, none leave a dent in the listener's memory: melodies are blurry and undefined. Nevertheless, musicianship remains strong, even though Di Giacomo tries to sound more like a rock singer and less like an Italian singer. Guitarist Maltese gets more exposure on this LP. Come in Un'Ultima Cena was simultaneously released in Italian and English versions (as As in a Last Supper), the only difference between the two being the vocal tracks. The merits of each are debatable, but boil down to whether one prefers to understand the lyrics (even if it means suffering Di Giacomo's heavy accent) or to keep the melodious quality of the Italian language. by François Couture  

Tracklist

1 .... A Cena, Per Esempio 6:20
2 Il Ragno 4:55
3 E' Cosi' Buono Giovanni, Ma... 3:32
4 Slogan 7:23
5 Si Dice Che I Delfini Parlino 5:50
6 Voila' Mida (Il Guarinore) 6:14
7 Quando La Buana Gente Dice 1:57
8 La Notte E' Piena 4:14
9 Fino Alla Mia Porta 4:30
Credits
Acoustic Guitar, Electric Guitar, Trumpet, French Horn, Vocals – Rodolfo Maltese
Bass, Acoustic Guitar – Renato D'Angelo
Drums, Percussion – Pierluigi Calderoni
 Lyrics By – Francesco Di Giacomo, Vittorio Nocenzi
 Organ, Synthesizer, Harpsichord, Synthesizer [Solina], Vocals – Vittorio Nocenzi
Piano, Electric Piano, Synthesizer, Clarinet, Recorder – Gianni Nocenzi
 Violin – Angelo Branduardi
Vocals – Francesco Di Giacomo

BANCO DEL MUTUO SOCCORSO - Come in Un'Ultima Cena 

[1976] Manticore / CBR320 / scan

O Púbis da Rosa

PACO DE LUCÍA - Siroco [1987]

At times, flamenco phenomenon De Lucia has branched out into jazz, bossa nova, and Cuban mixes. Here, however, he plays essentially solo compositions based on pure flamenco, though with a virtuosity and reach that belong in a concert hall rather than in the traditional settings. by John Storm Roberts
Tracklist
1 La Cañada (Tangos) 5:15
2 Mi Niño Curro (Rondeña) 3:29
3 La Barrosa (Alegrías) 4:36
4 Caña De Azucar (Rumba) 4:19
5 El Pañuelo (Bulerías) 5:28
6 Callejón Del Muro (Minera) 3:55
7 Casilda (Tanguillos) 3:46
8 Gloria Al Niño Ricardo (Soléa) 5:07
Credits
Composed By, Producer – Paco De Lucia
Guitar [2nd] – Jose Maria Bandera (tracks: 4), R. De Algeciras (tracks: 7)
Guitar, Percussion [Cajón] – Rubén Dantas (tracks: 1, 7)
Handclaps [Talegon Claps] – Pepe De Lucia (tracks: 4)
 Performer [Dancer] – Juan Rainrez (tracks: 3)

PACO DE LUCÍA - Siroco

 [1987] MERCURY / 2000 Universal

CBR320 / scan

O Púbis da Rosa