Subtitled "Infectious Beats From the Spanish Streets," this is a collection of newer, often younger artists, mostly acoustic performers, who are all of, and frequently working in, the traditional and regional styles of Spain. There's plenty of Andalusian influence here, right from Javier Ruibál's opening track into Javier Paxarino's Arabic-inflected "Amanecer el la Sabika," but that's hardly all. Galicia is represented by Anubía, while the wonderful Hiru Truku and "Neska Soldadua" raise the Basque flag. In between there's a very fair selection of what's going on in Spain, whether it's the flamenco of Diego Carrasco or the political Catalan song of María del Mar Bonet. At its heart, as the compilers note, a lot of this might be classified as pop music (though not in the more American sense), but still very rooted. Notably, some experimental performers, such as Mercedes Peon and those working in a straight folk form (like Susana Seivane), aren't here, but that's fine; this gives exposure to many lesser-known talents, all of whom deserve it. A strong look at a part of Spain that hasn't received enough international sun -- yet. by Chris Nickson
Tracklist:
1 Javier Ruibal – Isla Mujeres 4:47
2 Javier Paxariño – Amanecer En La Sabika 7:16
3 Companyia Elèctrica Dharma – Poble Romani 3:15
4 Luis Delgado – El Hechizo De Babilonia 4:16
5 La Sal De La Vida – Fibali 3:15
6 Maria Salgado – Siete Modo De Guisar Las Berenjenas 4:10
7 Rafael Riqueni – Al Nino Miguel 3:06
8 Maria Del Mar Bonet – Merce 4:19
9 José Antonio Ramos With Pancho Amat – De Isla A Isla 3:45
10 Diego Carrasco – Yo, Marinero 4:40
11 Ronda Segoviana – Seguidillas 2:42
12 A Falta De Pan – Mirabras 4:00
13 Hiru Truku – Neska Soldadua 3:57
14 Anubía – Cantarea 1:05
15 La Chirigota Del Selu – !Arrempuja!, Que Ya Estamos Aqui Las Marujas 2:32
16 Jorge Pardo – Jeta 6:16
Mostrando postagens com marcador Contemporary Flamenco. Mostrar todas as postagens
Mostrando postagens com marcador Contemporary Flamenco. Mostrar todas as postagens
22.2.21
V.A. - The Rough Guide To The Music Of Spain (2002) Mp3
29.2.20
PACO DE LUCÍA / AL DI MEOLA / JOHN MCLAUGHLIN - The Guitar Trio (1996) FLAC (image+.cue), lossless
The acoustic guitar trio of John McLaughlin, Al DiMeola, and Paco DeLucia can always be relied upon to create quiet but fiery music. The three virtuosos always sound restrained and tasteful (yet inwardly explosive) when they play together. This 1996 effort has three originals apiece from McLaughlin and DiMeola, two by DeLucia and a beautiful McLaughlin-DiMeola duet on "Manha de Carnaval" that makes one wish they would more fully explore bossa nova. Most of the selections are thoughtful, but there are also plenty of explosive outbursts for contrast (along with the jubilant closer "Cardeosa") on the highly arranged yet spontaneous-sounding program. by Scott Yanow
8.6.19
PACO DE LUCÍA - Cositas Buenas (2004) FLAC (tracks), lossless
On his first outing in five years, and the first of the new century, flamenco guitarist Paco De Lucia has given us one of the most sublime recordings in his long career. This collection of "Good Little Things" (Cositas Buenas) is a step away from Nuevo flamenco, and back to the grain of the source music itself. It is a record full of handclapped rhythms, organic spare percussion, and burning, passionate songwriting and singing. The various singers -- including Paco himself -- wail, chant, moan, and ecstatically intone his new songs to the sheer rough-hewn grace of his playing. Most tracks are done in the canonical style of guitar, and voice with handclap accompaniment, but there are two -- the smoking, burning black soul of "El Dengue" and "Que Venga el Alba," on which he is accompanied by another guitarist. On the album's final cut, "Cassa Bernardo," a rumba, Jerry Gonzalez adds his mariachi trumpet to the proceedings. Cositas Buenas is an album that careens across the history of flamenco. While rooted in antiquity, it nonetheless points the way to a new music, one that extrapolates rhythm and harmony and adds syncopation, texture, depth, and multi-layered harmonics to the original framework. It is transcendentally beautiful if overwhelming in its passion and the sheer joy of performance. Indeed, Cositas Buenas sets a new standard for modern flamenco music and acts as the true bridge between the ancient and the future. No one but a master who cares nothing for his laurels could have articulated such a work. by Thom Jurek
Tracklist
1 Patio Custodio (Bulería) 4:44
Vocals [Cante] – Montse Cortés
2 Cositas Buenas (Tangos) 4:23
Vocals [Cante] – Tana
3 Antonia (Bulería Por Soleá) 6:28
Vocals [Cante] – Paco
4 El Dengue (Rumba) 4:03
Guitar – Juan D'Anyelica, Paco De Lucía
5 Volar (Bulería) 5:30
Vocals [Cante] – Potito, Tana, Paco
6 El Tesorillo (Tientos) 4:39
Vocals [Cante] – Diego El Cigala
Vocals [Voz Mujer] – Ángela Bautista
7 Que Venga El Alba (Bulería) 4:11
Guitar – Paco De Lucía, Tomatito
Vocals [Cante] – Camarón De La Isla
8 Casa Bernardo (Rumba) 4:12
Bass – Alain Pérez
Tres – Alejandro Sanz
Trumpet – Jerry Gonzáles
Credits
Guitar, Laúd, Bouzouki, Mandolin, Producer – Paco De Lucía
Handclaps [Palmas], Coro – Antonio El Negro, Potito, Guadiana, Tana, Montse Cortés, Paco, Ángela Bautista
Percussion – Piraña
Tracklist
1 Patio Custodio (Bulería) 4:44
Vocals [Cante] – Montse Cortés
2 Cositas Buenas (Tangos) 4:23
Vocals [Cante] – Tana
3 Antonia (Bulería Por Soleá) 6:28
Vocals [Cante] – Paco
4 El Dengue (Rumba) 4:03
Guitar – Juan D'Anyelica, Paco De Lucía
5 Volar (Bulería) 5:30
Vocals [Cante] – Potito, Tana, Paco
6 El Tesorillo (Tientos) 4:39
Vocals [Cante] – Diego El Cigala
Vocals [Voz Mujer] – Ángela Bautista
7 Que Venga El Alba (Bulería) 4:11
Guitar – Paco De Lucía, Tomatito
Vocals [Cante] – Camarón De La Isla
8 Casa Bernardo (Rumba) 4:12
Bass – Alain Pérez
Tres – Alejandro Sanz
Trumpet – Jerry Gonzáles
Credits
Guitar, Laúd, Bouzouki, Mandolin, Producer – Paco De Lucía
Handclaps [Palmas], Coro – Antonio El Negro, Potito, Guadiana, Tana, Montse Cortés, Paco, Ángela Bautista
Percussion – Piraña
PACO DE LUCÍA - Cositas Buenas
(2004) Universal / FLAC (tracks), lossless
O Púbis da Rosa
7.12.17
PACO DE LUCÍA - Entre Dos Aguas [1986] PHILIPS
Any and all of his albums have a great blend of traditional elements and virtuoso playing. by Ron Wynn
Tracklist
1 Entre Dos Aguas (Rumba) 6:02
Written-By – J. Torregrossa, P. De Lucia
2 Zorongo Gitano 2:55
Written-By – Federico Garcia Lorca
3 Rio Ancho 4:29
Written-By – P. De Lucia, R. Sanchez
4 En La Caleta 3:23
Written-By – F. Sánchez, J. Torregrossa
5 Convite 5:05
Written-By – P. De Lucia
6 Monasterio De Sal 4:52
Written-By – P. De Lucia
7 Panaderos Flamencos 2:36
Written-By – P. De Lucia
8 Punta Umbria 3:23
Written-By – F. Sánchez, J. Torregrossa
9 Chanela 3:57
Written-By – P. De Lucia
10 La Niña De Puerta Oscura 2:59
Written-By – M. Lopez Quiroga
11 Castro Marin 4:12
Written-By – P. De Lucia
12 Gua'Iras De Lucía 3:21
Written-By – F. Sánchez, P. De Lucia
13 Mantilla De Feria 3:17
Written-By – P. De Lucia
14 El Vito 2:51
Written-By – Federico Garcia Lorca
Credits
Acoustic Guitar – Larry Corryell (tracks: 5)
Guitar [2nd] – Ramón De Algeciras (tracks: 1, 3, 6, 9, 10, 14), Ricardo Modrego (tracks: 2)
Guitar [Flamenco] – Paco De Lucía
Tracklist
1 Entre Dos Aguas (Rumba) 6:02
Written-By – J. Torregrossa, P. De Lucia
2 Zorongo Gitano 2:55
Written-By – Federico Garcia Lorca
3 Rio Ancho 4:29
Written-By – P. De Lucia, R. Sanchez
4 En La Caleta 3:23
Written-By – F. Sánchez, J. Torregrossa
5 Convite 5:05
Written-By – P. De Lucia
6 Monasterio De Sal 4:52
Written-By – P. De Lucia
7 Panaderos Flamencos 2:36
Written-By – P. De Lucia
8 Punta Umbria 3:23
Written-By – F. Sánchez, J. Torregrossa
9 Chanela 3:57
Written-By – P. De Lucia
10 La Niña De Puerta Oscura 2:59
Written-By – M. Lopez Quiroga
11 Castro Marin 4:12
Written-By – P. De Lucia
12 Gua'Iras De Lucía 3:21
Written-By – F. Sánchez, P. De Lucia
13 Mantilla De Feria 3:17
Written-By – P. De Lucia
14 El Vito 2:51
Written-By – Federico Garcia Lorca
Credits
Acoustic Guitar – Larry Corryell (tracks: 5)
Guitar [2nd] – Ramón De Algeciras (tracks: 1, 3, 6, 9, 10, 14), Ricardo Modrego (tracks: 2)
Guitar [Flamenco] – Paco De Lucía
PACO DE LUCÍA - Entre Dos Aguas
[1986] Philips / CBR320 / scan
27.11.17
PACO DE LUCÍA - Siroco [1987]
At times, flamenco phenomenon De Lucia has branched out into jazz, bossa nova, and Cuban mixes. Here, however, he plays essentially solo compositions based on pure flamenco, though with a virtuosity and reach that belong in a concert hall rather than in the traditional settings. by John Storm Roberts
Tracklist
1 La Cañada (Tangos) 5:15
2 Mi Niño Curro (Rondeña) 3:29
3 La Barrosa (Alegrías) 4:36
4 Caña De Azucar (Rumba) 4:19
5 El Pañuelo (Bulerías) 5:28
6 Callejón Del Muro (Minera) 3:55
7 Casilda (Tanguillos) 3:46
8 Gloria Al Niño Ricardo (Soléa) 5:07
Credits
Composed By, Producer – Paco De Lucia
Guitar [2nd] – Jose Maria Bandera (tracks: 4), R. De Algeciras (tracks: 7)
Guitar, Percussion [Cajón] – Rubén Dantas (tracks: 1, 7)
Handclaps [Talegon Claps] – Pepe De Lucia (tracks: 4)
Performer [Dancer] – Juan Rainrez (tracks: 3)
PACO DE LUCÍA - Siroco
[1987] MERCURY / 2000 Universal
CBR320 / scan
7.11.17
PACO DE LUCÍA - Fuente Y Caudal [1973]
La Fabulosa Guitarra de Paco de Lucia The role of the flamenco guitar evolved considerably through the playing of Paco de Lucia (born Francisco Sanchez Gomez). The son of flamenco guitarist Antonio Sanchez and the brother of a flamenco guitarist, Ramón de Algeciras, and flamenco singer, Pepe de Lucia, Paco de Lucia extended the former accompaniment-only tradition of flamenco guitar to include deeply personal melodic statements and modern instrumentation. His collaborations included ten albums with flamenco vocalist El Camaron de la Isla and work with American pianist Chick Corea and the Guitar Trio, featuring guitarists John McLaughlin, Larry Coryell, and Al DiMeola. His recordings with his sextet, which included his brothers Ramón and Pepe, include such groundbreaking masterpieces as La Fabulosa Guitarra de Paco de Lucia, Fantasia Flamenca, Fuente y Caudal, Almoraima, and Zyryab. Yet, de Lucia did not completely forsake traditional flamenco. His 1980 album, Interpreta a Manuel de Falla, paid homage to the classical composer and flamenco enthusiast, while his 1987 album, Siroco, marked a return to pure flamenco. "I have never lost the roots in my music," de Lucia said during a late-'90s interview, "because I would lose myself. What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places, trying to find new things I can bring into flamenco."
Born in Algeciras, a small city in southernmost Spain's Cadiz province, de Lucia was bred to be a world-class musician. He trained with his father and brother from the age of five. Mastering the art of flamenco guitar by his 11th birthday, he made his public performance debut on Radio Algeciras in 1958. A year later, he received a special award at the Festival Concurso International Flamenco de Jerez de la Frontera. Heralded as a child prodigy, de Lucia was invited to join the flamenco troupe led by dancer José Greco at the age of 16. He remained with the group for three years. A turning point in de Lucia's musical development came while on tour with Greco's troupe in North America. Meeting Sabicas, the first flamenco guitarist to tour the world, he was instructed to pursue his own style of playing. Although he remained tied to traditional flamenco on his first two solo albums -- La Fabulosa Guitarra de Paco de Lucia in 1967 and Fantasia Flamenca in 1969 -- and recorded ten albums accompanying flamenco vocalist de la Isla, de Lucia continued to seek a personal approach. The renowned guitarist died suddenly and unexpectedly of a heart attack in Mexico in February 2014; he was 66 years old. The city of Algeciras, de Lucia's birthplace, declared two days of official mourning. by Craig HarrisTracklist
1 Entre Dos Aguas (Rumba) 6:03
Accompanied By – Ramón De Algeciras
2 Aires Choqueros (Fandangos De Huelva) 4:14
3 Reflejo De Luna (Granaína) 3:52
4 Solera (Bulerías por soleá) 3:46
5 Fuente Y Caudal (Taranta) 5:12
6 Cepa Andaluza (Bulería) 5:50
7 Los Pinares (Tangos) 3:37
Accompanied By – Ramón De Algeciras
8 Plaza De San Juan (Alegría) 3:10
Credits
Composed By – José Torregrosa (tracks: A1 - B4)
Composed By, Flamenco Guitar – Paco De Lucía (tracks: A1 - B4)
PACO DE LUCÍA - Fuente Y Caudal
Philips [1973] 1995 / CBR320 / scan
O Púbis da Rosa
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KNUT REIERSRUD | ALE MÖLLER | ERIC BIBB | ALY BAIN | FRASER FIFIELD | TUVA SYVERTSEN | OLLE LINDER — Celtic Roots (2016) Serie : Jazz at Berlin Philharmonic — VI (2016) FLAC (tracks+.cue), lossless
An exploration of the traces left by Celtic music on its journey from European music into jazz. In "Jazz at Berlin Philharmonic," ...