Mostrando postagens com marcador Jaques Morelenbaum. Mostrar todas as postagens
Mostrando postagens com marcador Jaques Morelenbaum. Mostrar todas as postagens

29.3.21

ANTONIO CARLOS JOBIM - Passarim (1987) FLAC (tracks+.cue), lossless

Passarim is Jobim's major statement of the '80s, emerging during a time when his concerns were turning increasingly toward the Planet Earth. The title song is one of Jobim's most haunting creations, a cry of pain about the the destruction of the Brazilian rain forest that resonates in the memory for hours. Also, by this time, Jobim had resumed touring with a large group containing friends and family, and they carry a great deal of the load here, with lots of airy female backup vocals, two worthy songs by Jobim's multi-talented son Paulo, and another by flutist/singer Danilo Caymmi. Recorded entirely in Rio, the record's overall sound is very different from Jobim's '60s and '70s work: denser, hazier, still grounded in the samba yet rougher in texture (as is Jobim's voice). Though not as immediately winning as the Creed Taylor-produced albums, this music repays repeated listening -- particularly the extended suite from Jobim's score for the film Gabriela -- and there are samples of his wry humor in "Chansong" and the bossa nova reworking of "Fascinatin' Rhythm". by Richard S. Ginell
Tracklist:
1    Passarim 3:36
Music By, Lyrics By – A.C. Jobim

2    Bebel 3:11
Music By, Lyrics By – A.C. Jobim

3    Borzeguim 4:23
Music By, Lyrics By – A.C. Jobim
4    Anos Dourados 3:46
Music By, Lyrics By – A.C. Jobim

5    Isabella 3:22
Lyrics By – Gil Goldstein
Music By, Lyrics By – Paulo Jobim

6    Fascinatin' Rhythm 2:10
Lyrics By – Ira Gershwin
Music By – George Gershwin

7    Chansong 3:18
Music By, Lyrics By – A.C. Jobim
8    Samba Do Soho 2:59
Lyrics By – Ronaldo Bastos
Music By – Paulo Jobim

9    Luiza 2:32
Music By, Lyrics By – A.C. Jobim

10    Brasil Nativo 3:51
Lyrics By – Paulo Cesar Pinheiro
Music By – Danilo Caymmi

11    Gabriela 7:56
Music By, Lyrics By – A.C. Jobim
Credits :
Bass – Sebastião Neto
Cello – Jaques Morelenbaum
Drums – Paulo Braga
Flute – Danilo Caymmi
Guitar – Paulo Jobim
Painting – Elizabeth Jobim
Percussion – Rubens Ohana de Miranda
Piano, Vocals – Antonio Carlos Jobim
Producer – Jaques Morelenbaum, Paulo Jobim
Vocals – Ana Lontra Jobim, Danilo Caymmi, Elizabeth Jobim, Maucha Adnet, Paula Morelenbaum, Paulo Jobim, Simone Caymmi

ANTONIO CARLOS JOBIM - Antonio Brasileiro (1995) FLAC (image+.cue), lossless

Not only did Jobim stay active until the end of his life, he showed virtually no signs of creative burnout, as this, his last album, wondrously displays. Surrounded again by family and friends, he delivered a brace of 13 songs and compositions (plus two songs by the veteran songwriter Dorival Caymmi), many of them relatively new, most as heartbreakingly beautiful as anything from the bossa nova years. Sometimes Jobim's voice, never impressive, is almost gone and the production has a rough-hewn finish, but it doesn't matter; Jobim's craft and his brood carry him through, and son Paulo Jobim provides thick but highly competent orchestral arrangements. An especially touching passage is the brief "Samba de Maria Luiza," a Jobim duet with his little daughter Maria Luiza, who also turns up on the succeeding ode for the environment, "Forever Green." The final tone poem, "Trem De Ferro," obviously inspired by Heitor Villa-Lobos, is also the most startling, a strange chugging simulation of a train cutting through the underbrush. There is also an idiomatic duet with Sting on the familiar "How Insensitive" (later included on the Red, Hot and Rio anthology), and Caymmi makes a guest vocal appearance on "Maricotinha." Obviously Jobim still had a lot to give, making his death later in 1994 an even more poignant blow. Issued for the Latin market only, though pressed in the U.S., the CD is not difficult to locate in well-stocked big city shops. by Richard S. Ginell
Tracklist:
1    Só Danço Samba 2:01
Lyrics By – Vinicius De Moraes
Tamborim – Duduka De Fonseca

2    Piano Na Mangueira 2:43
Horn – Edeneck Svab
Lyrics By – Chico Buarque
Percussion – Duduka De Fonseca
Trombone – Raul De Souza
Trumpet – Marcio Montarroyos
Vocals – Tom Jobim

3    Insensatez 3:46
Bass – Ron Carter
Lyrics By – Vinicius De Moraes
Vocals – Sting

4    Querida 3:32
Lyrics By – Antonio Carlos Jobim

5    Surfboard 3:09
Flugelhorn – Marcio Montarroyos
Horn – Antonio José Augusto, Edeneck Svab
6    Samba De Maria Luiza 1:14
Lyrics By – Antonio Carlos Jobim
Vocals – Maria Luiza Jobim

7    Forever Green 3:15
Flugelhorn – Marcio Montarroyos
Horn – Antonio José Augusto, Edeneck Svab
Lyrics By – Antonio Carlos Jobim, Paulo Jobim
Trombone – Raul De Souza, Victor Silva Santos
Vocals – Maria Luiza Jobim

8    Maracangalha 2:41
Music By, Lyrics By, Vocals – Dorival Caymmi

9    Maricotinha 3:50
Flugelhorn – Marcio Montarroyos
Horn – Antonio José Augusto, Edeneck Svab
Music By, Lyrics By, Vocals – Dorival Caymmi
Trombone – Raul De Souza, Victor Silva Santos

10    Pato Preto 4:42
Lyrics By – Antonio Carlos Jobim
Percussion – Duduka De Fonseca

11    Meu Amigo Radamés 3:56
Clarinet – Edu Morelenbaum
Flute – Paulo Guimarães
Horn – Edeneck Svab

12    Trem Azul 5:00
Flugelhorn – Marcio Montarroyos
Lyrics By – Rolando Bastos
Music By – Lo Borges

13    Radamés Y Pelé 2:49
Flugelhorn – Marcio Montarroyos
Horn – Edeneck Svab
Trombone – Raul De Souza

14    Chora Coração 3:09
Lyrics By – Vinicius De Moraes
Vocals – Paula Morelenbaum

15    Trem De Ferro    4:34
Manuel Bandeira / Antônio Carlos Jobim

Créditos
Backing Vocals – Elizabeth Jobim, Maucha Adnet, Paula Morelenbaum, Simone Caymmi
Backing Vocals, Photography – Ana Lontra Jobim
Bass – Sebastião Neto
Cello – Jaques Morelenbaum
Drums, Percussion – Paulo Braga
Flute – Danilo Caymmi
Music By – Antonio Carlos Jobim (faixas: 1 to 7, 9, 10, 13 to 15)
Piano – Tom Jobim
Producer, Mixed By – Daniel Jobim
Producer, Mixed By, Violin – Paulo Jobim

23.3.20

EGBERTO GISMONTI — Discografia 1969-2012 | 51 Albums | Mp3 | APE | FLAC (image+.tracks+.cue), lossless

Egberto Gismonti is world-renowned as a multi-instrumentalist and composer. He was profoundly influenced by Brazilian master Heitor Villa-Lobos, his works reflecting the musical diversity of Brazil. From the Amazon Indians' batuque to the Carioca samba and choro, through the Northeastern frevo, baião, and forró, Gismonti captures the true essence of the Brazilian soul in a way that is primitive, yet sophisticated, and reflects it through his personal vision, elaborated by years of classic training and literacy in a wealth of musical languages in which jazz plays a significant role.

Arvore From a musical family, in which his grandfather and his uncle Edgar were bandleaders, he started to take piano and theory classes at five. At that time, he also started to learn the flute and the clarinet, eventually taking the violão (acoustic guitar) in his teens. Following the piano classical tradition because of his father, he embraced the guitar to please his Italian mother, who was very fond of serenatas. Trying to transpose the piano's polyphonic quality for the guitar, he ended several years later with three custom-made instruments (ten-, 12-, and 14-stringed) and a personally developed two-hand technique. At eight, he started to study piano with Brazilian masters Jacques Klein and Aurélio Silveira for a 15-year apprenticeship. Establishing himself in Nova Friburgo, a small town near Rio, for one year and four months, he attended the Nova Friburgo Music Conservatory. Awarded with a scholarship to study classical music in Vienna, Austria, at 20, he refused it in order to delve deeper in the popular side. In October 1968, his composition "O Sonho," arranged by him for a 100-piece orchestra, was presented at the third International Song Festival (FIC), promoted by TV Globo, Rio, by the group Os Três Morais. This song, with its uncanny orchestration, provoked enthusiasm around and was recorded 18 different times by several international artists. Soon after in that year, he left Brazil for France, where he became the conductor and orchestrator for the French singer Marie Laforêt in an association that lasted for one and a half years. It was instrumental for him to meet and became a pupil of the great masters Jean Barraqué (1928-1973), a disciple of Anton Webern, and Nadia Boulanger (1887-1979), a former consultant to Ygor Stravinsky. The additional importance of these two icons upon Gismonti's career was to stress the unique richness of his country's background and urge him to pursue a singular expression rooted in the cabocla and mestiça tradition. This would cause him to return to Brazil in 1971. His first LP, Egberto Gismonti, was already released in 1969 through Elenco. There, he sang his own songs and had a partnership with the bossa nova composer Paulo Sérgio Vale. Also in 1969, he presented himself at the San Remo Festival in Italy. In 1970, he toured through Europe, recording two singles in France, one LP in Italy, one in Brazil (Sonho 70), and one LP in Germany (Orfeu Novo). His song "Mercador de Serpentes" was presented at the fifth FIC in 1970. Returning to Brazil in 1971, he settled in Teresópolis, another small town close to Rio. He played in several venues in Brazil and his music was included on the soundtracks of the movies A Penúltima Donzela (Fernando Amaral, 1969), Confissões de Frei Abóbora (Brás Chediak, 1971), and Em Família (Paulo Porto, 1971). In 1972, he recorded Água e Vinho (in partnership with poet Geraldo Carneiro) and in 1973, Egberto Gismonti and Adademia de Danças, all three LPs through EMI/Odeon, the latter of which was the turning point when he began to stress his instrumental work. After its recording, the producer said it made no sense at all. He received a note from EMI/Odeon saying that, due to Brazil's economic difficulties, that would be the last album of Gismonti's career: it was an album outside of any category, with 25-minute tracks, expensively produced with synths and orchestra. This album was awarded with the Golden Record in Brazil. From 1972 to 1991, he would record 19 albums for EMI/Odeon. In 1974, he accepted an invitation to play at a festival in Berlin, Germany, and asked Hermeto Pascoal and Naná Vasconcelos to join him in his presentation. He then met ECM's CEO, Manfred Eicher. Returning to Brazil, he received a letter from ECM in 1975, inviting him to record with them. Not knowing what would be the importance of that label, he postponed the response until the end of 1976. Then he accepted the invitation, imagining he'd record with the all-star Brazilian group he was performing with by then: drummer/percussionist Robertinho Silva, bassist Luis Alves, and saxophonist/flutist Nivaldo Ornelas. But the Brazilian military government had imposed a high fee for all leaving Brazilians at about 7,000 dollars. Being that cipher prohibitive for anyone in that group but him, he decided to record solo. Fearing that challenge, he was wandering through Norway when he met a Brazilian actor who was his friend. Invited to his home, he met Brazilian percussionist Naná Vasconcelos there. Having to record the album in three days, he decided to have Vasconcelos into it, and asked by him to describe the album's concept, he explained that both of them had a common history, and he proposed Vasconcelos use that album for telling it. It was the history of two boys wandering through a dense, humid forest, full of insects and animals, keeping a 180-feet distance from each other. He knew Vasconcelos would accept without hesitation, and he did. His LP Dança das Cabeças with Vasconcelos received several contradictory international awards reflecting Brazilian cultural richness: in England, it was awarded as a pop record; in the U.S., as folklore music; in Germany, as classical music. Either way, it changed both artists' lives: Vasconcelos immediately became a disputed international artist, touring worldwide; Gismonti returned to Brazil and decided to research Amazon folklore. In the heart of the Amazon forest, Alto Xingu, he tried to make contact with the Yawaiapitì tribe, playing his flute for two weeks until head chief Sapaim invited him to his home. They shared no common language other than music and Gismonti spent about a month living and learning with them, upon the condition of spreading the forest people's values. Two years later, with saxophonist Jan Garbarek, percussionist Colin Walcott, and guitarist Ralph Towner, he recorded Sol do Meio-Dia. His LP Solo, released that next year, sold 100,000 copies in the U.S. In 1981, with Garbarek and bassist Charlie Haden, he recorded the LP Magico. The same year, the trio toured Europe, including a concert at the Berlin Jazz Festival, and recorded a second Magico album, entitled Folksongs. In 1981, Gismonti again toured with Haden and Garbarek, performing throughout Europe. Also in that year, he recorded with his all-star group Academia de Danças (drummer Nenê, saxophonist/flutist Mauro Senise, and bassist Zeca Assunção) the double album Sanfona. With Vasconcelos, he recorded Duas Vozes in 1985. In 1989, he recorded Dança dos Escravos and in 1990, following the release of Dança das Cabeças, Gismonti toured the United States with his group, which included cellist Jaquinho Morelembaum, flutist/saxophonist Nivaldo Ornellas, and Edu Mello E Souza on keyboards. Also in 1990, he recorded Infância, accompanied by Nando Carneiro (guitar/keyboards), Zeca Assumpção (bass), and cellist Jaquinho Morelembaum. With the same group, he recorded in 1993 Música de Sobrevivência, an album inspired by the writings of the Brazilian poet Manoel de Barros, who reflects in his work the Brazilian duality of the cultivated Portuguese tradition and the massive illiteracy disseminated in that country, which, notwithstanding, deeply influences the official language. In 1995, he recorded with the State Symphonic Orchestra of Lithuania the CD Meeting Point. In 1996, Gismonti recorded with Nando Carneiro and Zeca Assumpção for the CD Zig Zag. As a businessman, he owns the successful label Carmo, which has several joint ventures with ECM. He also performed an almost impossible task: He bought the rights for all of his phonograms through EMI/Odeon for worldwide publishing, with the exception of Brazil. However, music continues to be his main focus. In 2009, Gismonti released the two-disc Saudacoes which featured one disc of his seven part composition, "Sertões Veredas -- Tributo à Miscigenação," and a second disc of guitar duets with his son Alexandre Gismonti. Alvaro Neder
Albums :
1969 ♦ Egberto Gismonti — Egberto Gismonti (Elenco – ME54CD) FLAC
1970 ♦ Egberto Gismonti — Orfeo Novo (2008, TAKE 5 – TAKE 35010) FLAC
1970 ♦ Egberto Gismonti — Sonho 70 (Philips – 838 290-2) FLAC
1972 ♦ Egberto Gismonti — Agua e Vinho (Vinyl, LP Odeon – SMOFB 3746) FLAC
1973 ♦ Egberto Gismonti — Arvore (1991, Carmo – 849 076-2) FLAC
1974 ♦ Egberto Gismonti — Academia de Dancas (1992, CARMO5 – 511 202-2) FLAC
1976 ♦ Egberto Gismonti — Corações Futuristas (EMI – 064 422828D) FLAC
1977 ♦ Egberto Gismonti — Carmo (2002, EMI – 542702 2) FLAC
1977 ♦ Egberto Gismonti — Danca das Cabeças (ECM 1089 – 422 827 750-2) FLAC
1977 ♦ Egberto Gismonti — Sol Do Meio-Dia (ECM 1161 – 829 117-2) FLAC
1978 ♦ Egberto Gismonti — Nó Caipira (1993, CARMO7  – 517 715-2) FLAC
1979 ♦ Egberto Gismonti — Ferreira Gullar • Antologia Poetica (2 LP, Som Livre – 411.6003) @Mp320K
1979 ♦ Egberto Gismonti • Naná Vasconcelos • Walter Smetak — Nova História da MPB (Vinyl 10'' Abril Cultural – HMPB-71) @Mp320K
1979 ♦ Egberto Gismonti — Solo (1985, ECM 1136 – 827 135-2) FLAC
1980 ♦ Charlie Haden • Jan Garbarek • Egberto Gismonti — Mágico (ECM Records – ECM 1151 – 823 474-2) FLAC
1980 ♦ Egberto Gismonti — O País Das Águas Luminosas ... (Vinyl, Soma – 409.6039) @Mp320K
1980 ♦ Egberto Gismonti • Francis Hime — Passeio no Bosque Encantando (Vinyl, Soma – 409.6038) @Mp320K
1980 ♦ Egberto Gismonti — Circense (1988, EMI – 364 791373 2) FLAC
1980 ♦ Egberto Gismonti — Jorge Amado (Guia das Ruas e dos Mistérios da Cidade do Salvador da Bahia) @Mp320K
1981 ♦ Egberto Gismonti — En Familia (2012, Bomba Records – BOM24195) FLAC
1981 ♦ Charlie Haden • Jan Garbarek • Egberto Gismonti — Folk Songs (1985, ECM 1170 – 827 705-2) FLAC
1981 ♦ Egberto Gismonti — Sanfona (2CD, ECM 1203-04 – 829 391-2) APE
1982 ♦ Egberto Gismonti — Fantasia (EMI-Odeon LP BIC 064 422 915) @Mp320K
1982 ♦ Egberto Gismonti — Sonhos de Castro Alves (Vinyl, LP EMI-Odeon Brasil – SPR 1794) @Mp320K
1992 ♦ Egberto Gismonti • Astor Piazzolla • Fito Páez — El Viaje (OST, Milan – 262 579) @Mp320K

1983 ♦ Egberto Gismonti — Cidade Coração (Vinyl, EMI – 31C 064 422929) @Mp320K
1984 ♦ Egberto Gismonti — Coração da Cidade (2012, Bomba Records – BOM24194) FLAC
1984 ♦ Nando Carneiro • André Geraissati • Beth Goulart • Egberto Gismonti — Violão (1992, CARMO3 – 849 212-2) FLAC
1984 ♦ Egberto Gismonti • Naná Vasconcelos — Duas Vozes (ECM 1279 – 823 640-2) FLAC
1984 ♦ Egberto Gismonti — Works (ECM Records – 78118-20269-2) FLAC
1984 ♦ Egberto Gismonti — Antologia Poética de João Cabral de Melo Neto (2 Vinyl, Som Livre – 444.6001) @Mp320K
1985 ♦ Egberto Gismonti — Trem Caipira (1987, EMI – 364 748145 2) FLAC

1987 ♦ Egberto Gismonti — Alma (1996, CARMO10 – 529 123-2) FLAC
1988 ♦ Egberto Gismonti — Feixe de Luz (EMI-Odeon – 066 790495-1) @FLAC
1988 ♦ Egberto Gismonti — O Pagador de Promessas (Vinyl, LP Globo Discos – 402.0007) @Mp320K
1989 ♦ Egberto Gismonti — Danca dos Escravos (ECM 1387 – 837 753-2) FLAC
1989 ♦ Egberto Gismonti — Kuarup (1991, CARMO4 – 843 199-2) FLAC
1990 ♦ Egberto Gismonti • Naná Vasconcelos — Jazzbuhne Berlin 84 Vol. 6 (Repertoire Records – RR 4906-CC) FLAC
1991 ♦ Egberto Gismonti — New Tango, Brazilian Touch (Milan – 74321 50240-2) @Mp320K
1991 ♦ Egberto Gismonti — Amazônia (1993, CARMO9 – 517 716-2) FLAC
1991 ♦ Egberto Gismonti — Infância (ECM 1428 – 847 889-2) FLAC
1992 ♦ Egberto Gismonti — Casa das Andorinhas (EMI – 780290 2) FLAC
1992 • Trem Caipira [FLAC]
1993 ♦ Egberto Gismonti — Musica de Sobrevivencia (ECM 1509 – 519 706-2) FLAC
1996 ♦ Egberto Gismonti • André Geraissati — Música Viva (Tom Brasil – TB0C5) @FLAC
1996 ♦ Egberto Gismonti — Zigzag (ECM 1582 – 529 349-2) APE
1997 ♦ Egberto Gismonti — Meeting Point (ECM 1586 – 533 681-2) FLAC
2001 ♦ Charlie Haden • Egberto Gismonti — In Montreal (ECM 1746 – 543 813-2) FLAC
2004 ♦ Egberto Gismonti — Selected Recordings (Rarum XI) (ECM Records – B0001798-02) FLAC
2009 ♦ Egberto Gismonti — Saudações (2CD, ECM Records – ECM 2082-83) FLAC
2012 ♦ Jan Garbarek • Egberto Gismonti • Charlie Haden — Magico, Carta de Amor (2CD, ECM 2280-81 – 278 9004) FLAC

22.3.20

A BARCA DO SOL - A Barca do Sol (1974) FLAC (tracks), lossless


A Barca Do Sol was a group that was active between 1974 and 1981. Several of its members became famous musicians or interpreters: Jaques Morelembaum (cello), David Ganc (flutes), Ritchie (flute), Nando Carneiro (violão), and the brothers Muri and Marcelo Costa. The group's concept was to provide acoustic renditions of their originals, based on American folk, in the preferred 6/8 time signature of the Clube da Esquina gang (the structure that their beautiful hit, included here, "Lady Jane," is based on), in the harmony lessons of Egberto Gismonti and Dori Caymmi, and in progressive rock (some of the flute attacks are obviously reminiscent of Jethro Tull's). This is the CD reissue of the first two of their three recorded LPs, A Barca Do Sol (1974) and Durante O verão (1976). The lyrics are an important aspect of their work; for example, "Lady Jane" was inspired both by the Rolling Stones and by D. H. Lawrence's Lady Chaterley roman (in that book, the protagonists call each other's sexual organs "Lady Jane" and "John Thomas"). Egberto Gismonti appears in two tracks playing a synthesizer, an innovation in those times in Brazil. by Alvaro Neder 
Tracklist:
1 A Primeira Batalha 3:05
Written-By – Afonso Carlos Costa, Nando Carneiro
2 Brilho Da Noite 4:03
Written-By – Geraldo E. Carneiro, Nando Carneiro
3 Arremesso 3:43
Written-By – João Carlos Pádua, Nando Carneiro
4 As Boas Consciências 3:07
Written-By – Geraldo E. Carneiro, Nando Carneiro
5 Caminhão 4:33
Written-By – Afonso Carlos Costa, Daniel Mendes Campos, Nando Carneiro
6 Lady Jane 2:20
Written-By – Geraldo E. Carneiro, Nando Carneiro
7 Dragão Da Bondade 3:00
Written-By – João Carlos Pádua, Nando Carneiro
8 Alaska 3:30
Written-By – Geraldão Carneiro, Nando Carneiro
9 Fantasma Da Ópera 2:44
Written-By – Geraldo E. Carneiro, Mauricio Costa
10 Corsário Satã 4:12
Written-By – João Carlos Pádua, Nando Carneiro
11 A Barca Do Sol 3:16
Written-By – João Carlos Pádua, Mauricio Costa, Nando Carneiro
Credits:
Acoustic Bass, Electric Bass – Marcos Stul
Flute – Marcelo Bernardes
Percussion – Marcelo Costa
Percussion, Viola, Guitar, Guitar [Violão] – Beto Rezende
Producer – Egberto Gismonti
Synthesizer – Egberto Gismonti (tracks: 3, 8)
Vocals, Guitar [Violão] – Nando Carneiro
Vocals, Viola, Guitar [Violão] – Muri Costa
Vocals, Violin, Cello – Jaquinho Morelenbaum

A BARCA DO SOL - Durante o Verão (1976) FLAC (tracks), lossless


Tracklist:
1 Durante O Verão 2:48
Written-By – Geraldo E. Carneiro, Nando Carneiro
2 Hotel Colonial 5:55
Written-By – Geraldo E. Carneiro, Muri Costa
3 A Língua & A Bainha 2:50
Written-By – Jose R. Resende, Geraldo E. Carneiro, Nando Carneiro
4 Os Pilares Da Cultura 2:41
Written-By – Geraldo E. Carneiro, Jaques Morelembaum
5 Karen 2:20
Written-By – Alain P. Ribero De Magalhães
6 Memorial Day 4:29
Written-By – Geraldo Eduardo Carneiro, Jaques Morelembaum
7 O Banquete 3:44
Written-By – João Carlos Pádua, Nando Carneiro
8 Belladonna, Lady Of The Rocks 6:25
Written-By – Geraldo E. Carneiro, Nando Carneiro
9 Outros Carnavais 2:44
Written-By – Geraldo E. Carneiro, Jaques Morelembaum
Credits:
Acoustic Bass, Electric Bass – Alain
Arranged By – A Barca Do Sol
Drums, Percussion – Marcelo
Flute – David
Percussion, Viola, Guitar, Guitar [Violão] – Beto
Vocals, Guitar [Violão] – Nando
Vocals, Viola, Guitar [Violão], Percussion – Muri
Vocals, Violin, Cello, Piano – Jaquinho

11.12.17

EGBERTO GISMONTI - Kuarup (1989) FLAC (image+.cue), lossless

 Tracklist
1 Senhores Da Terra 4:42
2 Ossuário 1:56
3 Valsa De Francisca I 1:50
4 Anta 0:52
5 Urucum 2:19
6 A Força Da Floresta 3:43
7 A Dança Da Floresta 2:21
8 Aguas 2:23
9 Sônia 4:04
Cello, Soloist [Solo] – Jacques Morelenbaum
Voice, Soloist [Solo] – Dulce Bressane
10 A Morte Da Floresta 3:33
11 Valsa De Francisca II 3:30
12 O Som Da Floresta 2:40
13 Jogos Da Floresta#1 1:53
14 Jogos Da Floresta#2 1:43
15 Mutação 2:23
Credits
Bassoon – Aloysio Fagerlande
Cello – Alceu Reis, Márcio Mallard
Clarinet, Saxophone – Paulo Sérgio Dos Santos
Composed By – Egberto Gismonti
Conductor [Orchestra #1] – Jacques Morelenbaum
Conductor [Orchestra #2: "Transarmônica D'Alma D'Omrac"]
                 – Egberto Gismonti
Drums – Jurim Moreira
Flute – Celso Woltzenlogel
French Horn – Philip Doyle
Piano, Guitar, Flute [Bamboo Flute], Performer [Bambuzal], Soloist [Solos]
         – Egberto Gismonti
Trumpet – José Pinto
Viola – Fréderic Stephany, Marie Christine Bessler
Violin – Bernardo Bessler, Giancarlo Pareschi, José Alves, Michel Bessler


KNUT REIERSRUD | ALE MÖLLER | ERIC BIBB | ALY BAIN | FRASER FIFIELD | TUVA SYVERTSEN | OLLE LINDER — Celtic Roots (2016) Serie : Jazz at Berlin Philharmonic — VI (2016) FLAC (tracks+.cue), lossless

An exploration of the traces left by Celtic music on its journey from European music into jazz. In "Jazz at Berlin Philharmonic," ...