Al Jarreau got his start playing in a jazz trio led by
pianist/keyboardist George Duke, so it is fitting that Jarreau pays
tribute to Duke, who passed away in 2013, on his 2014 album My Old
Friend: Celebrating George Duke. It was while working as a vocal rehab
counselor at a hospital in San Francisco in the late '60s that Jarreau
began singing with Duke's trio. It was also due in part to the
popularity of these early performances that both musicians' storied solo
careers were launched. On My Old Friend: Celebrating George Duke,
Jarreau delves into a batch of Duke compositions with a select group of
guest artists, many of whom also had connections to Duke. Joining
Jarreau here are such luminaries as Gerald Albright, Lalah Hathaway,
Jeffrey Osborne, Dianne Reeves, and others. Similarly, backing Jarreau
at various times is a superb ensemble of musicians including bassist
Stanley Clarke (who also produced the album), keyboardists John Beasley
and Patrice Rushen, guitarist Paul Jackson, Jr., and drummer John "J.R."
Robinson. In fact, Duke himself makes an appearance here via the
wonders of modern technology on the languidly romantic "Bring Me Joy."
Elsewhere, Jarreau turns his sonorous, joyful voice to such Duke songs
as "Sweet Baby," "No Rhyme, No Reason," "You Touch My Brain," and more.
Ultimately, My Old Friend: Celebrating George Duke is a heartfelt
tribute album that, as with many of Jarreau and Duke's previous albums,
feels fresh, warm, and full of love. Matt Collar
Tracklist :
1 My Old Friend 4:57
Backing Vocals – Jeffrey Osborne, Katriz Trinidad, Patrick Lundquist, Porcha Clay
Bass – Stanley Clarke
Drums – John Robinson
Featuring – Gerald Albright
Guitar – Paul Jackson Jr.
Keyboards, Piano – Patrice Rushen
Producer – John Burk, Stanley Clarke
Saxophone – Gerald Albright
Vocals – Al Jarreau
Written-By – John Lang, Richard Page, Steve George
2 Someday 4:21
Bass – Marcus Miller
Drums – John Robinson
Featuring – Dianne Reeves
Guitar – Jubu
Keyboards – John Beasley
Producer – John Burk, Marcus Miller
Vocals – Al Jarreau, Dianne Reeves
Written-By – George Duke
3 Churchyheart (Backyard Ritual) 4:56
Bass, Bass Clarinet, Programmed By – Marcus Miller
Drums – John Robinson
Featuring – Marcus Miller
Guitar – Jubu
Keyboards – John Beasley
Lyrics By – Al Jarreau
Music By – George Duke
Producer – John Burk, Marcus Miller
Trumpet – Mike Cotton
Vocals – Al Jarreau
4 Somebossa (Summer Breezin') 4:41
Backing Vocals – Patrick Lundquist
Bass – Stanley Clarke
Drums – John Robinson
Featuring – Gerald Albright
Guitar – Paul Jackson Jr.
Keyboards – Greg Phillinganes
Lyrics By – Al Jarreau, George Duke, Patrick Lundquist
Music By – George Duke
Percussion – Lenny Castro
Producer – John Burk, Stanley Clarke
Saxophone – Gerald Albright
5 Sweet Baby 4:31
Backing Vocals – Patrick Lundquist
Bass, Backing Vocals – Stanley Clarke
Drums – John Robinson
Featuring – Lalah Hathaway
Guitar – Paul Jackson Jr.
Keyboards, Piano – Greg Phillinganes
Percussion – Lenny Castro
Producer – John Burk, Stanley Clarke
Vocals – Al Jarreau, Lalah Hathaway
Written-By – George Duke
6 Every Reason To Smile / Wings Of Love 3:51
Backing Vocals – Fred Martin, Katriz Trinidad, Patrick Lundquist, Porcha Clay
Bass – Stanley Clarke
Drums – John Robinson
Featuring – Jeffrey Osborne
Guitar – Paul Jackson Jr.
Keyboards, Piano – Patrice Rushen
Producer – John Burk, Stanley Clarke
Vocals – Al Jarreau, Jeffrey Osborne
Written-By – George Duke, Jeffrey Osborne, Peter Schless, Stanley Clarke
7 No Rhyme, No Reason 4:05
Drums – Rob Bacon
Featuring – Kelly Price
Keyboards – Brandon Coleman
Percussion – Lenny Castro
Producer – Boney James
Programmed By – Boney James
Vocals – Al Jarreau, Kelly Price
Written-By – George Duke
8 Bring Me Joy 4:36
Bass – Alex Al
Drums – Omari Williams
Featuring – Boney James, George Duke
Guitar – Rob Bacon
Keyboards – George Duke
Percussion – Lenny Castro
Producer – Boney James
Tenor Saxophone – Boney James
Vocals – Al Jarreau
Written-By – George Duke
9 Brazilian Love Affair / Up From The Sea / It Arose And Ate Rio In One Swift Bite 4:46
Backing Vocals – Fred Martin, Katriz Trinidad, Patrick Lundquist, Porcha Clay
Bass – Stanley Clarke
Drums – John Robinson
Featuring – Dianne Reeves
Guitar – Paul Jackson Jr.
Keyboards – Patrice Rushen
Percussion – Lenny Castro
Producer – John Burk, Stanley Clarke
Producer [Additional] – Chris Dunn
Vocals – Al Jarreau, Dianne Reeves
Written-By – George Duke
10 You Touch My Brain 4:44
Backing Vocals – Patrick Lundquist
Bass – Marcus Miller
Drums – John Robinson
Featuring – Dr. John
Guitar – Jubu
Keyboards – John Beasley
Producer – John Burk, Marcus Miller
Vocals – Al Jarreau
Vocals, Piano – Dr. John
Written-By – George Duke
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The third of Raff’s eleven symphonies, which bears the title Im Walde (“In the Forest”), was written in 1869 and won its composer considerable success. In Wiesbaden, where he had settled after leaving Weimar, he was eventually free of immediate material worries and could devote himself largely to his work as a composer. The Wald-Symphonie was one of the most significant results of this period of his life and was regarded for long as his masterpiece. The work is in four movements, included in three parts. The first part, Am Tage (“By Day”), like the Tenth Symphony, gives impressions and feelings aroused by the forest. The second part, which includes a slow movement and the counterpart of a Scherzo, moves to evening twilight, In der Dämmerung, with Träumerei (“Dreams”) and a following Tanz der Dryaden (“Dance of the Dryads”), in the spirit of Mendelssohn. The third part, Nachts (“At Night”), has a more explicit programme. The stillness of the night is followed by the wild hunt of Teutonic mythology, led by Wotan (“Odin”) and the wintry Frau Holle. Dawn breaks and the symphony ends in triumph.
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