Al Jarreau got his start playing in a jazz trio led by
pianist/keyboardist George Duke, so it is fitting that Jarreau pays
tribute to Duke, who passed away in 2013, on his 2014 album My Old
Friend: Celebrating George Duke. It was while working as a vocal rehab
counselor at a hospital in San Francisco in the late '60s that Jarreau
began singing with Duke's trio. It was also due in part to the
popularity of these early performances that both musicians' storied solo
careers were launched. On My Old Friend: Celebrating George Duke,
Jarreau delves into a batch of Duke compositions with a select group of
guest artists, many of whom also had connections to Duke. Joining
Jarreau here are such luminaries as Gerald Albright, Lalah Hathaway,
Jeffrey Osborne, Dianne Reeves, and others. Similarly, backing Jarreau
at various times is a superb ensemble of musicians including bassist
Stanley Clarke (who also produced the album), keyboardists John Beasley
and Patrice Rushen, guitarist Paul Jackson, Jr., and drummer John "J.R."
Robinson. In fact, Duke himself makes an appearance here via the
wonders of modern technology on the languidly romantic "Bring Me Joy."
Elsewhere, Jarreau turns his sonorous, joyful voice to such Duke songs
as "Sweet Baby," "No Rhyme, No Reason," "You Touch My Brain," and more.
Ultimately, My Old Friend: Celebrating George Duke is a heartfelt
tribute album that, as with many of Jarreau and Duke's previous albums,
feels fresh, warm, and full of love. Matt Collar
Tracklist :
1 My Old Friend 4:57
Backing Vocals – Jeffrey Osborne, Katriz Trinidad, Patrick Lundquist, Porcha Clay
Bass – Stanley Clarke
Drums – John Robinson
Featuring – Gerald Albright
Guitar – Paul Jackson Jr.
Keyboards, Piano – Patrice Rushen
Producer – John Burk, Stanley Clarke
Saxophone – Gerald Albright
Vocals – Al Jarreau
Written-By – John Lang, Richard Page, Steve George
2 Someday 4:21
Bass – Marcus Miller
Drums – John Robinson
Featuring – Dianne Reeves
Guitar – Jubu
Keyboards – John Beasley
Producer – John Burk, Marcus Miller
Vocals – Al Jarreau, Dianne Reeves
Written-By – George Duke
3 Churchyheart (Backyard Ritual) 4:56
Bass, Bass Clarinet, Programmed By – Marcus Miller
Drums – John Robinson
Featuring – Marcus Miller
Guitar – Jubu
Keyboards – John Beasley
Lyrics By – Al Jarreau
Music By – George Duke
Producer – John Burk, Marcus Miller
Trumpet – Mike Cotton
Vocals – Al Jarreau
4 Somebossa (Summer Breezin') 4:41
Backing Vocals – Patrick Lundquist
Bass – Stanley Clarke
Drums – John Robinson
Featuring – Gerald Albright
Guitar – Paul Jackson Jr.
Keyboards – Greg Phillinganes
Lyrics By – Al Jarreau, George Duke, Patrick Lundquist
Music By – George Duke
Percussion – Lenny Castro
Producer – John Burk, Stanley Clarke
Saxophone – Gerald Albright
5 Sweet Baby 4:31
Backing Vocals – Patrick Lundquist
Bass, Backing Vocals – Stanley Clarke
Drums – John Robinson
Featuring – Lalah Hathaway
Guitar – Paul Jackson Jr.
Keyboards, Piano – Greg Phillinganes
Percussion – Lenny Castro
Producer – John Burk, Stanley Clarke
Vocals – Al Jarreau, Lalah Hathaway
Written-By – George Duke
6 Every Reason To Smile / Wings Of Love 3:51
Backing Vocals – Fred Martin, Katriz Trinidad, Patrick Lundquist, Porcha Clay
Bass – Stanley Clarke
Drums – John Robinson
Featuring – Jeffrey Osborne
Guitar – Paul Jackson Jr.
Keyboards, Piano – Patrice Rushen
Producer – John Burk, Stanley Clarke
Vocals – Al Jarreau, Jeffrey Osborne
Written-By – George Duke, Jeffrey Osborne, Peter Schless, Stanley Clarke
7 No Rhyme, No Reason 4:05
Drums – Rob Bacon
Featuring – Kelly Price
Keyboards – Brandon Coleman
Percussion – Lenny Castro
Producer – Boney James
Programmed By – Boney James
Vocals – Al Jarreau, Kelly Price
Written-By – George Duke
8 Bring Me Joy 4:36
Bass – Alex Al
Drums – Omari Williams
Featuring – Boney James, George Duke
Guitar – Rob Bacon
Keyboards – George Duke
Percussion – Lenny Castro
Producer – Boney James
Tenor Saxophone – Boney James
Vocals – Al Jarreau
Written-By – George Duke
9 Brazilian Love Affair / Up From The Sea / It Arose And Ate Rio In One Swift Bite 4:46
Backing Vocals – Fred Martin, Katriz Trinidad, Patrick Lundquist, Porcha Clay
Bass – Stanley Clarke
Drums – John Robinson
Featuring – Dianne Reeves
Guitar – Paul Jackson Jr.
Keyboards – Patrice Rushen
Percussion – Lenny Castro
Producer – John Burk, Stanley Clarke
Producer [Additional] – Chris Dunn
Vocals – Al Jarreau, Dianne Reeves
Written-By – George Duke
10 You Touch My Brain 4:44
Backing Vocals – Patrick Lundquist
Bass – Marcus Miller
Drums – John Robinson
Featuring – Dr. John
Guitar – Jubu
Keyboards – John Beasley
Producer – John Burk, Marcus Miller
Vocals – Al Jarreau
Vocals, Piano – Dr. John
Written-By – George Duke
26.7.25
AL JARREAU — My Old Friend : Celebrating George Duke (2014) FLAC (tracks+.cue), lossless
21.1.24
JOE SAMPLE ft. LALAH HATHAWAY — The Song Lives On (1999) FLAC (tracks+.cue), lossless
The daughter of the popular late R&B singer Donny, husky voiced Lalah Hathaway is the perfect foil for Joe Sample's compelling notion that The Song Lives On. Finding a happy medium between the graceful straight-ahead jazz trio vibe of his Invitation album and the plucky pop energy of Spellbound, Sample provides Hathaway on seven of the 11 tunes with a showcase for her sultry approach.
His and Bill Shnee's production approach is generally sparse, not much more than piano and bass, enhanced on occasion by Fender Rhodes and the occasional smoky input of Kirk Whalum. Sample doesn't seem to mind playing second fiddle most of the time, his trademark mix of dark chords and dancing, optimistic improvisations forming harmony lines behind her; often, though, his itchiness to step higher into the mix comes clear and he breaks into extended upbeat improvisations. On a cover of his Crusaders hit "Street Life," Hathaway turns the title into a mantra and Sample echoes her sentiments with sharp, percussive reiterations of the song's main melody. Then Hathaway stops and Michael Thompson steps in with some edgy electric guitar lines. Other song choices range from reverent takes on standards like "Fever" and "For All We Know" to vocal versions of older, well-known Sample instrumental hits; for example, with Norman Gimbel's cheery lyrics, Hathaway turns the once moody "All God's Children" into a life-affirming love song. The point seeming to be, in finding new life for both his old material and the classics, Sample is bringing a form of immortality to favorite songs. Jonathan Widran
Tracklist & Credits :
+ last month
MARILYN SCOTT – Avenues of Love (1998) FLAC (tracks+.cue), lossless
A top-notch adult contemporary vocalist still awaiting a well-deserved crossover commercial breakthrough, Marilyn Scott adds powerful fuel t...
