BENNY GOODMAN AND HIS ORCHESTRA – 1946-1947 | The Classics Chronological Series – 1385 (2005) FLAC (tracks+.cue), lossless

Volume 29 in the Classics Benny Goodman chronology lands right on the cusp of this bandleader's transition from Columbia to Capitol and his stylistic progression from swing to bop. The Columbia sides, cut between August 29 and October 22, 1946, are a mixed bag of vocal pop, mood music with strings, jazz standards played by a sextet and big-band dance tunes including a lively version of "Under the Double Eagle," arranged by pianist Joe Bushkin and newly titled as "Benjie's Bubble." Audible only as one-fifth of the unified sax section, tenor saxophonist and Lester Young devotee Zoot Sims worked with Goodman during October 1946 without ever getting a chance to solo on record. Guitarist Barney Kessel did, right after Eve Young's vocal on "That's the Beginning of the End." Recorded at the tail-end of that same session on October 22, 1946, two energetic, bop-inflected sextet performances clearly preface the stylistic territory that lay ahead. Here Kessel sounds at home in the company of vibraphonist Johnny White, pianist Joe Bushkin, bassist Harry Babasin and drummer Louie Bellson. The beginning of Goodman's tenure as a Capitol recording artist is documented here with records he made between January 28 and March 28, 1947. The first Capitol session opens with Mary Lou Williams' delightfully modernistic opus "Lonely Moments." The flip side features group whistling scored for the entire band on her "Whistle Blues." A survey of personnel reveals an almost entirely reconstituted 17-piece ensemble, with vocals by Johnny Mercer and Matt Dennis. Tracks 15 through 25 are trio, quartet and quintet exercises largely featuring the facile jazz accordion of Ernice Felice, a squeezebox innovator who came up in San Jose, CA. Quite different from Goodman's more conventional Columbia recordings. arwulf arwulf  
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