HERBIE HANCOCK - Head Hunters (1973-2008) SACD / FLAC (tracks+.cue), lossless

Head Hunters was a pivotal point in Herbie Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield, and James Brown, Hancock developed deeply funky, even gritty, rhythms over which he soloed on electric synthesizers, bringing the instrument to the forefront in jazz. It had all of the sensibilities of jazz, particularly in the way it wound off into long improvisations, but its rhythms were firmly planted in funk, soul, and R&B, giving it a mass appeal that made it the biggest-selling jazz album of all time (a record which was later broken). Jazz purists, of course, decried the experiments at the time, but Head Hunters still sounds fresh and vital decades after its initial release, and its genre-bending proved vastly influential on not only jazz, but funk, soul, and hip-hop. by Stephen Thomas Erlewine
Tracklist:
1 Chameleon 15:41
Written-By – B. Maupin, H. Mason, H. Hancock, P. Jackson
2 Watermelon Man 6:29
Arranged By – H. Mason
Written-By – H. Hancock
3 Sly 10:15
Written-By – H. Hancock
4 Vein Melter 9:09
Written-By – H. Hancock
Credits:
Congas, Shekere, Balafon, Agogô, Cabasa, Whistle [Hindewho], Tambourine, Slit Drum [Log Drum], Surdo, Bells [Gankoqui], Percussion [Beer Bottle] – Bill Summers
Drums [Yamaha] – Harvey Mason
Electric Bass, Marimbula – Paul Jackson
Electric Piano [Fender Rhodes], Clavinet [Hohner D 6], Synthesizer [Arp Odyssey, Arp Soloist], Pipe – Herbie Hancock
Soprano Saxophone, Tenor Saxophone, Saxello, Bass Clarinet, Alto Flute – Bennie Maupin

HERBIE HANCOCK - Flood (1975-2006) RM / APE (image+.cue), lossless

The follow-up to the breakthrough Headhunters album was virtually as good as its wildly successful predecessor: an earthy, funky, yet often harmonically and rhythmically sophisticated tour de force. There is only one change in the Headhunters lineup -- swapping drummer Harvey Mason for Mike Clark -- and the switch results in grooves that are even more complex. Hancock continues to reach into the rapidly changing high-tech world for new sounds, most notably the metallic sheen of the then-new ARP string synthesizer which was already becoming a staple item on pop and jazz-rock records. Again, there are only four long tracks, three of which ("Palm Grease," "Actual Proof," "Spank-A-Lee") concentrate on the funk, with plenty of Hancock's wah-wah clavinet, synthesizer textures and effects, and electric piano ruminations that still venture beyond the outer limits of post-bop. The change-of-pace is one of Hancock's loveliest electric pieces, "Butterfly," a match for any tune he's written before or since, with shimmering synth textures and Bennie Maupin soaring on soprano (Hancock would re-record it 20 years later on Dis Is Da Drum, but this is the one to hear). This supertight jazz-funk quintet album still sounds invigorating a quarter of a century later. by Richard S. Ginell  

Tracklist:

1. Introduction/Maiden Voyage (Hancock) (7:58)

2. Actual Proof (Hancock) (8:28)

3. Spank-A-Lee (Clark, Hancock, Jackson) (8:47)

4. Watermelon Man (Hancock) (5:50)

5. Butterfly (Hancock, Maupin) (12:44)

6. Chameleon (Hancock, Jackson, Mason) (10:24)

7. Hang up Your Hang Ups (Hancock, Jackson, Ragin) (19:54)

Credits:

Herbie Hancock – acoustic piano, Fender Rhodes, clavinet, ARP Odyssey, ARP Soloist, ARP String Ensemble

Bennie Maupin – soprano saxophone, tenor saxophone, saxello, bass clarinet, flute, percussion

Dewayne "Blackbyrd" McKnight – guitar

Paul Jackson – Fender bass

Mike Clark – drum set

Bill Summers – congas, percussion