Mostrando postagens com marcador Maynard Parker. Mostrar todas as postagens
Mostrando postagens com marcador Maynard Parker. Mostrar todas as postagens

11.11.22

NTU WITH GARY BARTZ - Singerella : A Ghetto Fairy Tale (1974-2010) RM | BGP Funk & Jazz Classics | FLAC (tracks+.cue), lossless

Released in 1974, Singerella: A Ghetto Fairy Tale by Gary Bartz and his evolving Ntu Troop was a self-produced affair, and the first without vocalist Andy Bey. Bartz was exploring a CTI smooth groove aesthetic by this time, and was deeply invested in the funky side of jazz. He took a hard turn toward jazz-funk's smoother soul side here, an approach that was cemented in the final mix by Larry Mizell, who, along with his brother Fonce, would become his producers for the remainder of the 1970s. Bartz also changed his composition style for Singerella; these are, in large part, shorter, tighter, and feature quirky if readily accessible melodies. Some of these tracks yield fine improvisational moves despite their heavy reliance on funk vamps. This is true in particular of the opener, "St. Felix Street," and the bookend closer, "Nation Time." Other tracks, such as the humorous "The Dozens Song," the driving "I Don't Care" (with a generous touch of the lyric influence and hipster vocal phrasing of Ben Sidran), and "Mellow Yellow" (not the Donovan tune), offer a street-conscious aspect of the band's performance, while keeping the production on the slick side, featuring the infectious Fender Rhodes and keyboards laid down by Hubert Eaves, the razor-sharp guitar work of Hector Centeno, the cracking breaks of drummer Howard King, the tough in-the-pocket hand percussion of Kenneth Nash, and the punched-up accents of bassists James Benjamin and Maynard Parker. Bartz chose to handle the vocals on this set, and his off-key vocals did hurt him on both the title cut and "Lady Love" (these would have been stone killers sung by Bey or any more skilled singer), because their subtleties demand a more accurate pitch. That said, the music more than compensates, and Bartz's own alto, soprano, and clarinet chops are in top shape. This is a curious record, an experiment (and partnership with Mizell) that would take shape further on 1975's The Shadow Do! and culminate in the excellent Music Is My Sanctuary in 1977.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1    St. Felix Street 4:57
Arranged By – Hubert Eaves
Arranged By [Introduction] – Gary Bartz
Composed By – Hubert Eaves

2    Dozens (The Sounding Song) 4:36
Composed By – Gary Bartz
3    I Don't Care 6:43
Arranged By – Hubert Eaves
Composed By – Howard King, Hubert Eaves

4    Blind Man 2:59
Composed By – Gary Bartz
5    Singerella (A Ghetto Fairy Tale) 6:24
Composed By – Gary Bartz
6    Lady Love 6:15
Composed By – Gary Bartz
7    Mellow Yellow 4:15
Composed By – Gary Bartz
8    Nation Time 3:26
Composed By – Gary Bartz
Credits :
Arranged By – Gary Bartz (pistas: 2, 4 to 8)
Clarinet, Soprano Saxophone, Alto Saxophone, Jew's Harp [Mouth Harp], Synthesizer, Percussion, Vocals, Producer, Photography By [Front Cover] – Gary Bartz
Drums – Howard King
Electric Bass – James Benjamin
Electric Piano, Piano, Clavinet – Hubert Eaves
Guitar – Maynard Parker (pistas: 1, 2, 4 to 7)
Guitar [Guest] – Hector Centeno (pistas: 3, 8)
Percussion [Guest] – Kenneth Nash (pistas: 4, 8)
Recording Supervisor – Orrin Keepnews

KNUT REIERSRUD | ALE MÖLLER | ERIC BIBB | ALY BAIN | FRASER FIFIELD | TUVA SYVERTSEN | OLLE LINDER — Celtic Roots (2016) Serie : Jazz at Berlin Philharmonic — VI (2016) FLAC (tracks+.cue), lossless

An exploration of the traces left by Celtic music on its journey from European music into jazz. In "Jazz at Berlin Philharmonic," ...